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Movies today are extremely expensive to make and are typically financed through either film studio contracts or from investors willing to take a risk. In order to be successful, movies need to be marketed and distributed either under contract by the film studios or by companies that specialize in such services. The aspects of financing, marketing and distribution of films have changed between the studio and independent systems over the years as the evolution of the film industry took place. The reason why movies are so expensive to produce, market and distribute is that there is a long list of people involved in the process of filmmaking. Producers, writers, directors, actors, technical crews, film crews, set designers, costume designers, hair stylists and makeup artists, are some of the people who need to be paid whose names are seen as the credits roll at the end of any film. Not to mention the overhead costs of a myriad of equipment, props and the costumes themselves required in the production of a film. There are travel, food and shelter expenses if a movie is filmed on location and not in a Hollywood studio (there is a fee to use studio space as well). Once the actual filming of a movie is completed, more people are involved in editing, special effects and sound. These expenses are dependent on the sophistication of the technology and expertise. Additionally, and most costly is the marketing and distribution of a film. Filmmakers that have a multiple picture deal with a studio are guaranteed the financing to produce the films expected. Independent non-contractual filmmakers must worry about finding funding through other sources if they cannot afford to pay out of their own pocket. According to Hamlett (“How to F... ... middle of paper ... ...s have been regaining ownership of theaters due to the reluctance of anyone filing suit against them, “new Hollywood it is just like the old days before divestiture only better” (Lewis, 2008, p. 406). In conclusion, the giant head of the studio system monster was cut off only for a bigger more powerful one of the new Hollywood to have grown back in its place. Ultimately, Hollywood studios remain more interested about making money, than making better films and “The independent producer does what a movie producer has always done: choose the right stories, directors and actors to produce quality films” (Lewis, 2008, p. 502). References Hamlett, C. (n.d.). How to finance a movie. Retrieved from http://www.ehow.com/how_6459145_finance-movie.html Lewis, J. (2008). American Film: A History. New York, NY. W.W. Norton and Co. Inc. (p. 405,406,502).
Stanley, Robert H. The Movie Idiom: Film as a Popular Art Form. Illinois: Waveland Press, Inc. 2011. Print
“I can make a big-looking movie for very little money by just being resourceful, being creative, using the rubber band versus a lot of technology, and not being ashamed about it.” ~ Robert Rodriguez
Miramax with each release of films the quality and standards of independent cinema. With these three set of clips we can see the evolution of how Miramax approach “genre” and tried to make each film successful profit and creating the history of the Miramax brand through each film. The films fit into the brand of Miramax because they all approach different audiences and had a different aspect of “independent film” and creating a successful brand through ideas of editing styles within the film and the ambiguity of narrative closure of a film.
... write write and we can talk talk talk but who REALLY knows how our industry functions until we have hard data. Besides, filmmakers are so reluctant to talk so as not to disclose their own tightly held, valuable relationships/connections, or out of fear of being labeled trouble-makers/whiners and thus running the risk of being discredited. All the while, non-filmmaker industry colleagues and stakeholders have much to loose if they ruffle feathers. Why put business relationships and friendships at risk? Why should anyone stick her/his head out of the foxhole if it is going to get shot?
Barsam, Richard. Looking at Movies An Introduction to Film, Second Edition (Set with DVD). New York: W. W. Norton, 2006. Print.
Film, as a traditional and beloved media, has been influential on people's life. We spend time in the cinema to be entertained, touched, scared and experience romantic love story and exotic places. As one of the most famous film industry base in the world, Hollywood, produces and sell their movie products all over the world.
Throughout the past century, film has been one of the essential past times for billions of individuals worldwide. With such a high demand for films, there have been the creation of thousands of production companies, one of which is Fox Searchlight Pictures. While this company is a subsidiary of Twenty-First Century Fox, it is still responsible for the creation of a copious number of well received movies. After researching this company along with their competition, I have discovered interesting findings and data.
At the time, Dr Palmer explains how independent studios had a hard time succeeding while major studios such as 20 Century Fox and Paramount were dominating the HollyWood film industry. Dr. Palmer also dived into how prior to the U.S. vs. Paramount, major studios owned every aspect of production, distribution, contracts with actors, and the way films were exhibited. However, In the late 1940’s the supreme court established the decision to dismantle Hollywood’s system within major studios.. The vertical integration system was not the best but it was booming business when films were doing well. However, this all came to an end and rightfully so because it separated theater chains and block booking. Block booking itself was illegal and forced theater owners to purchase films in groups despite not having any indication of how it would do at the box office. Therefore, the big five productions at the time underwent a massive blow when this all came to a full stop. However, this became the beginning for television to blossom because people weren’t attending movie theaters as much
McDonald, A. 2006. Through the looking glass: Runaway productions and ‘Hollywood economics’. Bepress Legal Series: 1830. 8-58.
Barsam, R. M., Monahan, D., & Gocsik, K. M. (2012). Looking at movies: an introduction to film (4th ed.). New York: W.W. Norton & Co..
This essay will detail some of the ways production companies are co-existing in the blockbuster verses the independent production companies both from the production methodology and the business aspect of the film industry. There have been some very interesting “marriages” in the past few years when it comes to the co-existence, and some crossover of roles in the mix. The essay will examine the genre of horror to demonstrate the processes.
With this short but nonetheless exceedingly interesting and informative class, I have just scratched the surface of what it takes to make a film. I have also learned why certain production companies choose the cities that they do. In this paper, I will bring to attention what goes into the consideration of the location where a film is made.
Suppliers, being the movie studios, can basically charge whatever they want for the viewing rights to new movies.
Some examples of this include Samuel Goldwyn belonging to MGM, Fine Line belonging to Time-Warner, and October belonging to Universal. While not all consumers viewing a film may not at first make the connection that a company such as October belongs to Universal, the major studio influence is at play. Major studios also acknowledge that there is a market appeal to producing independent films. Often times the audiences for these films are more mature, older adults than the demographics many summer blockbuster films are marketed towards (How Indies Can Survive and Even Thrive in a Blockbuster World.). This more mature demographic is valuable for the studios to acknowledge since they tend to have more disposable income than the younger audiences and by generating content that is more palatable for this more mature demographic, the studios continue to expand their market
Offering the unique ability to visually and audibly convey a story, films remain a cornerstone in modern society. Combined with a viewer’s desire to escape the everyday parameters of life, and the excitement of enthralling themselves deep into another world, many people enjoy what films stand to offer. With the rising popularity of films across the world, the amount of film makers increases every day. Many technological innovations mark the advancement of film making, but the essential process remains the same. Pre-production accounts for everything taken place before any shooting occurs, followed by the actual production of the film, post-production will then consist of piecing the film together, and finally the film must reach an audience. Each step of this process contributes to the final product, and does so in a unique right. The process of film making will now start chronologically, stemming from the idea of the story, producing that story into a film, editing that footage together, and finally delivering that story to its viewers.