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Analysis of the great wave by hokusai
The great wave hokusai
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The Great Wave of Kanagawa by Hokusai is a woodblock print in landscape format. Produced between 1830 and 1833, Great Wave depicts a storm with a large wave (sometimes mistakenly considered a tsunami) about the crash onto three fishing boats, all featured in the shadow of Mt Fuji. Part of the 36 views of Mt Fuji series produced by Hokusai, the Great Wave is one of the most recognizable artworks from Japan.
Basic Principles of Design are evident in the artwork, which is dominated by the curved line of the crashing wave. The movement of the lines drawn on the waves guides your eyes to the crest and then brings it back around to view the poor fishermen being engulfed by the wave. Hokusai used the rule-of-thirds with his composition. The main subject, the giant looming wave, is not front and center but to the left of the image, coming in one third from the left, and the crest one third down from the top which helps minimize clutter. The composition seems to be in a circular shape
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With the use of whites, blues, and muted browns and no aggressive colors, like reds and oranges, suggests that the artist may want us to feel at peace with the image. The fishermen appear to be resting or praying as they are about to be engulfed by the wave, possibly coming to terms with their demise. Traditional Japanese culture has a lot of connections to the relationship between man in nature. The piece does seem to show an off-balance between both man and nature, showcasing an angry sea thrashing the fishermen around and possibly drowning them. The mountain in the background also sits peacefully in the center of the wave in the foreground. From this Hokusai possibly symbolized that reality for a new enlightened age that many stands against new “mountains”, new dangers that came to swallow them in the seas as the wave appears to be swallowing Mount Fuji as
...clouds above refer to traditional Japanese screen paintings and provide a softening side to the water. They create a balance symbolising hope and good luck. Four wind symbols are used as a devise to balance the composition – all are blowing air gently into the picture. The cartoon like face with its puffed out, red cheeks expelling air. All suggest a positive, natural energy.
Liu encountered these families during her four years in the countryside. The painting depicts two men, perhaps a father and son, working together to pull a boat upstream. Although the boat is not in the picture, one can sense the weight from the postures, effort and strength of the men. Two men are contrasted by small images of the fragile, precious snuff bottles and the delicate dragonfly in the corner, both traditional Chinese symbols. The painting shows the 2 men in perfect rhythm with the appearance of sweat falling from their efforts. The positive focus is the 2 men in the picture with many negative white and dark colors. I believe the artist wanted you to feel the darkness and the sadness of the men as they did what that had to do to survive. You can almost feel the pain as they stress their bodies to the limits. I was truly intrigued by this piece of work, and would love to learn more about the artist’s
...hese repeated vertical lines contrast firmly with a horizontal line that divides the canvas almost exactly in half. The background, upper portion of the canvas, seems unchanging and flat, whereas the foreground and middle ground of the painting have a lot of depth to them.
Blue is used to represent the water as well as the sky and both similar and range in different tones. All of the colors in this piece are washed out but still have a bright quality to them. The colors aren’t brightly pigmented however; Hiroshige does a satisfying job of drawing in the viewer with the color choices used and the little details. The sun in the sky is simply the white of the paper and almost looks as if the color burns through. Pops of red, show in blocks on the right side of the work wit Japanese writing inside each one, which contrasts with the large amounts of blue and helps the writing stand out.
Starting in the Post-Civil War period, The Great Wave brings to light a cultural schism and pivot to the, at the time, unknown East. As Commodore Perry’s ships pried open Japan to the outside world, out with it came the cultural interactions that make up most of these stories. These make up a cultural wave, much like the title implies, of which all characters seem to be riding upon in one way or another. In a way it can be viewed as two separate waves. First, the surge of the Japanese characters who newly exposed to modernity, seek to process, learn and move forward with these foreign interactions and experiences. Then there is the American wave, an unguided movement of sorts driven by disillusionment with the industrial west, which finds hope and solace in old Japanese culture. The intersections of these two waves is what makes up the two-hundred some pages of Benfey’s book but ultimately it is the unspoken single wave, on the forward path to modernity, that encompasses them both and is the true backbone of the stories.
One way that the author develops the theme is with the use of similes. Murakami writes: “A wave like a huge snake…”(362). This quote is describing the huge wave that is about to strike the beach. The purpose of this simile is to make the wave seem alive
At first glance, the cheerful bright blue sky on the upper portion of the painting caught the most attention. The second dominant feature is the small sailboat with seagulls on the background where Monet illustrated in brightest white. Examining closely in that particular area, it is noticeable that the artist intended to incorporate a sheer layer of white surrounding the sailboat to create the illusion of sheen light breaking through the clouds and reflecting into the ocean. Monet used a variation of values along with the combination of heavy and light individual brushstrokes to create uneven tones to show the movement of the water caused by the weather and the sun. Several layers of underpaint can also be seen as the artist’s intention for the waves to appear fuzzier. The fuzzy wave in the foreground to the right is slightly bulged from the canvas showing the finer brushstroke slightly dabbed on the surface. Dense cracking is present all over the painting possibly due to the painting being very
He doesn’t understand why what he has seen or read in magazines isn’t true, but he comes to realize that it’s not what you see, literally it’s what you see when you can’t see. This also applies to the action in Ground Swell, you can see the wind blowing the waves and the waves crashing against the boat, but you cannot fully see the picture which can lead to confusion by the person viewing the painting, but you can see people in the picture and when you look at things from their point of view you can then see that their focus is on the buoy that is afloat. This buoy is also a symbol of unknowing. For the painting, the repetition that makes up the waves shows small movement in the art, which is a part of minimalism.
Over the course of Japanese history, arguably, no artist is more famous for their works than Katsushika Hokusai. During his 88 years of life, he produced over 30,000 pieces of artwork, and heavily influenced Western styles of art. His most famous piece was created around 1831, a Japanese styled piece titled, The Great Wave off Kanagawa. This piece has stood as a defining piece of artwork in the Japanese culture for over 180 years, analyzed by students and authors for the interpretations filling the paper. The relationship between Hokusai’s painting has directly affected the Western point of view of Japanese style. The English author, Herbert Read’s novel interprets the painting distinctly differently from a Japanese point, American poet,
There are several symbols in the story that help to emphasize that point. One powerful one is the boat. It is small and alone on the ocean, with only the occasional patch of seaweed or a seagull or two to keep it company. The waves themselves are the ups and downs of life. At any moment, a ‘wave’ can come and swamp you, leaving you stranded without a clue what to do, and more just keep coming. Just as in life, “…after successfully surmounting one wave you discover that there is another behind it just as important and just as nervously anxious to do something effective in the way of swamping boats.” Line 9.
The ukiyo-e period was when a type of Japanese art was created which represented pictures of the flowing world. It was originally a Buddhist concept that meant the sadness of life. This print was influenced by the Dutch as Hokusai became interested with linear perspective when Western prints came by through Dutch trade. The artwork depicts a large wave which takes up about half of the print and then people in boats underneath the wave. The waves could be a metaphor for the government at the time as it ruled with an iron fist restricting any abroad travel as well as any visitors from other countries. The government was very controlling and limited any communication with the outside world during Hokusai’s time. The boats represent the civilians trying to explore the rest of the world but being stopped by the wave ‘government’ which is trying to get them to stay within the country or within ‘safety’. The boats have no control in the water and are practically helpless which represents the citizens if they were able to travel abroad as they would be defenceless and feeble because they wouldn’t have a proper understanding of the world and its
My greatest attention grabber from this figure is the color; vibrant bluish tones remind me of the ocean. The use of cool colors on the whole figure creates unity. The surface color is mostly in the cool hues of blue, but not in its normal value; it may have some green mixed in with it. Furthermore, the bluish shade symbolizes the color of Nile
The first line in this poem is only taken up by one word, ‘morning’ this may represent a peaceful approach to the day. I came to this conclusion because the poet tells us in the third line ‘sound of the blue surf’ this indicates that the sound of the sea is harmonious and it is the first image that is put into the island mans brain. The word ‘morning’ on its own can make us think that someone is actually saying morning as in good morning. ‘blue surf’ could also mean relaxation however the word ‘blue’ could mean sadness. This choice of wording makes us the readers think that the blue surf is a relaxing thing but it is sad that the island man Is away from it or that the island man Is missing his homeland.
From the beginning, the four characters in the aftermath of a shipwreck do not know "the colour of the sky" but all of them know "the colours of the sea." This opening strongly suggests the symbolic situations in which human beings are located in the universe. The sky personifies the mysterious, inconceivable cause of reality , which humans cannot understand, and the sea symbolizes the earthy, mundane phenomenon, which humans are supposed to perceive. The symbolic picture generated by the above conflict implies the overall relationship between the individual and nature. In fact, the daily life of human beings is at the mercy of the uncontrollable waves of the sea; while, at the same time, the essential part of reality remains unknown to feeble, helpless humans.
Americans believe that after ‘N Sync, boy bands were dead and then brought back by One Direction. Although One Direction is a British group, American has accepted them as the return of boy bands. That can be proven wrong by looking over at South Korea. While ‘N Sync lasted seven years a Korean boy band, Shinhwa, has been together for sixteen years and is still ongoing, meaning that One Direction was not the return of boy bands, but have just been added to the list. Kpop has been alive for very long and has found its way into peoples’ hearts. The fame that follows Kpop has introduced people into the Korean culture and has influence other parts of the world. Although KPop is a very important factor in the spread of Korean culture many people do not know what Kpop is, therefore the question would be what is Kpop and who are the biggest Kpop stars?