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The speech of The history of vampires in literature
Annotated bibliography on vampires
Annotated bibliography on vampires
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Vampires are known as mythical beings with white pale glittery skin that drain the essence of life known as blood. As unbelievable as it sounds they actually did exist centuries ago. They weren’t anything like the vampires we see in movies, shows, books, and video games today. A vampire or something analogous to it can be found in most culture and folklores going back to the beginning of time, but it is a mistake to think they have familiar attributes of Count Dracula. The term “vampire” appeared in literature since the 18th century. Vampires might be viewed as either blood-sucking creatures or sexy ones, but they represent much more than that. Vampires represent fear and contempt of people with different beliefs.
There exists no clear history of how vampires came to be. However, one of the earliest mentions of vampires is the tale of Lilith, a prominent figure in some Jewish texts. According to most accounts, Lilith was the original woman created by God for Adam. Lilith knew that she came from the same place as Adam and so was not subservient to him. She left the Garden of Eden and began having her own children. God sent his angels in an attempt to bring her back to Eden, but she refused. When Lilith was confronted by the messengers, she yearned to remain independent. At her request, God’s forces agreed to allow her to stay on her own, but only as a monster. The angels nevertheless began killing Lilith’s kids. In turn, she killed human children, seeking revenge (The Science of Vampirism). The creation of this mythical vampire personifies our fear and loathing of death. She served as an explanation to the sudden demise of infants that occurred then and still occurs to this day and though we are no closer to the explanation, we at...
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... crop. Even to be made an employee or subject of the upper echelon is said to be an exclusive and rare state of elation. Just to exist in the thoughts of and graced by one of these lofty members of society is an honor and a privilege and we resent them for that. This ideal is personified in the elusive, swarthy, exceptional package of a vampire. Zrioka says it perfectly, “Whoever they seek out as their victim, even though it’s violent and it’s deadly, there’s a sense of being the elect – vampires don’t just go for anyone. I think this is part of the attraction, the erotic appeal of the vampire.” The rich and famous are the vampires of today. The superiority and respect they carry only makes the rest of us wish to be chosen to join their ranks, but tragically that is all we can do, wish, thus we are left with contempt for this tiny percentage and their queer beliefs.
J. Gordon Melton, in the excerpt “Sexuality and the Vampire” published in his The Vampire Book: The Encyclopedia of the Undead (1998), explains that vampires have a sexual appearance that started from their origin in Dracula. Melton supports his statement by analyzing the monsters' transition to sexual beings through the stories of Dracula’s desires, multiple countries’ erotic tales revolving around vampire-like beings, the manifestation of sensual themes in literary, stage, and screen works, and their current evolution of the once terrified immortals to loved heroes. The purpose of this essay was to outline the seductiveness of the written immortal creatures in order to explain the fanged-mammals’ appeal beyond their terrifying monster abilities.
Vampires have been a successful and popular form of superstition and entertainment for centuries. The vampire legend began in Eastern Europe, although many forms have existed in several cultures all over the world. Bram Stoker’s Dracula was the first
Vampires have been viewed with fear and fascination for centuries. Of all the vampires in literature, Bram Stoker’s Count Dracula is probably the most prominent vampire. Recently, there has been an upsurge of public interest in socially acceptable vampires, like the Cullens in the Twilight series by Stephanie Meyer. This essay will contrast Stoker’s Dracula with Carlisle Cullen, one of the newer vampires from the Twilight series. They will be examined in terms of their origins and how they dealt with immortality.
Count Dracula is depicted as aristocrat vampire who preys on unsuspected Londoner and American, however can only turn others in to vampire that is willing to be corrupted. Corruption from Count Dracula seems to be connected to sexuality4 “...And through them you and others shall yet be mine...” seems to imply female purity is important for male's purity. Vampires Females depicted as “horrible5” while Lucy Westernra and M...
When the vampire came about the thought of the monsters themselves were terrifying, and to view one they were ghostly pale with dark sunken eyes, large nose similar to that of the stereotypical witch, pointed ears like an elf and dark hair usually dark brown if not black. The original folklore on vampires showed a terrifying creature that you would know if you would see it out and about during the night. Today’s films and novels want to present you with an attractive vampire, like dying and becoming an immortal being is something a human would want to do because they would become more attractive. But also in today’s depiction of the vampire they have no obvious tells that a person is a vampire until they get angry and the fangs elongate. The idea of the vampire has shifted so drastically over the course of time, from fear to an admiration of a creature that could kill you in seconds. In the popular culture of today, the vampire is something attractive that girls pine after and want to be since there are a multitude of romance novels printed today with the male leads being portrayed as a
Humanity has always been fascinated with the allure of immortality and although in the beginning vampires were not a symbol of this, as time passed and society changed so did the ideas and perceptions surrounding them. The most important thing to ask yourself at this point is 'What is immortality?' Unfortunately this isn't as easily answered as asked. The Merriam Webster Dictionary says immortality is 'the quality or state of being immortal; esp : unending existence' while The World Book Encyclopedia states it as 'the continued and eternal life of a human being after the death of the body.' A more humorous definition can be found in The Devil's Dictionary by Ambrose Bierce:
In conclusion, vampires impact pop culture because they embody human life. Vampires in literature and film show that they compare to human life because over time they have developed. Vampires love and lust after what they want, they aren’t afraid of showing emotion. They aren’t afraid of showing a false image in order to get what they want. Although they were created to be this scary figure, they inspire a lot of things that the pop culture sees as a good and bad thing. Vampires are not always bad, even when people try to shoot them down and say that they are all bad and all the same. It brings us back to the idea of how many people they that not all humans have good or bad intentions. These mythological figures are used to reflect humans
The definition of a vampire is a corpse that leaves its grave at night to drink the blood of the living by biting their necks with long pointed canine teeth. In the 1800s the definition of a vampire was a whole different case, a vampire was a corpse to basically prey on its family members and instead of drinking blood they took the souls (Urban Dictionary).
In Twilight, Edward Cullen presents the question; “ But what if I’m not the hero? What if I’m the bad guy?” The role of vampires is very controversial. Back in the day they were evil, soulless monsters and people genuinely feared them. However, in the present day it seems that we have grown to love them and even hope to one day be them. There are a plethora of vampire stories and many of them have become immense hits. With so many vampire stories, it is not uncommon that readers are able to identify a vast amount of similarities. Although similar in aspects, there are still many differences between the classic and modern day vampires. Two highly popular stories, in which we can easily identify similarities and differences, are Bram Stoker’s Dracula and Stephenie Meyer’s Twilight.
The vampire genre is one that is so widely exploited, that anything can be done with it. It can be made into a horror story made to induce nightmares, into a story that displays humans can be just as monstrous as the monster, or into a romance that proves that love conquers all. The mystery and sensuality that shrouds vampires allows for a vampire story to be anything and everything the writer or reader desires.
In chapter 3-Nice to Eat: Acts of Vampires it summarizes that vampires were old sinister monsters of men who sexually targeted young women. “The essentials of the vampire story, as we discussed earlier: an older figure representing corrupt, outworn values; a young, preferably virginal female; a
The author’s op-ed piece was published in 2009, the very peak of the vampire contagion, where one could find these creatures wherever they looked. This pandemonium that arose from vampires is what drove del Toro and Hogan to pen “Why Vampires Never Die.” Furthermore, the purpose behind this essay is to give an abridged description of the past of vampires for the people who had become fanatics of the creatures. Also, this essay showed how vampires have persisted in pop culture. They suggest that vampires have been remade by diverse cultures at different times, and this change echoes that society's angst and concerns. The novelist’s imply that Stroker’s Dracula may mirror an exaggerated human on a prim...
You may have asked, do vampires truly exist? Can the Folklore be real? Can humans become vampires? Vampires came from myths long ago in Europe. Marc Lallanilla in his article “The Real Dracula: Vlad the Impaler,” explains that the myth came from the actions of a historical figure, “The morbid nickname is a testament to the Wallachian prince 's favorite way of dispensing with his enemies”(Lallanilla). The Vampire story came from a prince that impaled his enemies with stakes and actually had a bloodlust. That is a good example of how Vampires can be similar to human beings, because some humans can be the worst vampires there are. There may not be real life vampires that live off eating human blood, but people are a little similar to them. Humans are closely related to the monsters known as vampires, but not when it comes to sucking on human flesh for blood, the similarity is they do horrible acts like murdering someone, polluting the earth, do human trafficking,
Vampires are and have been known to be contradictory individuals in many of the works they are portrayed in. In John Polidori's "The Vampyre" this theme of a contradictory nature is apparent. This theme is brought to light due to the character Lord Ruventh. In the first part of this novel we are introduced to Lord Ruventh through the eyes of Aubrey. He is described as a pale fair gentleman with a strong gaze and allure that allowed him to be desired by woman. Come to find out he is the vampire presents the contradiction that he is actually a blood thirsty monster yet he is so desirable by woman as a fair mysterious gentleman because they do not know the truth until it is too late. Lord Ruventh represents a mysterious figure with “…dead grey
Vampires appear in literature quite often they are, after all, quite the common monster. There have been rumors of vampires, although they didn’t use the name, since the greeks, and probably earlier. They’re said to have originated in Persia though. Vampires actually didn’t get their name until people discovered while digging up graves some corpses were had limbs chewed off, and sometimes fabric was missing from inside the coffin, and someone wrote an essay about it in 1733. They first appeared in a piece of literature in a poem called The Vampire, in 1748.