It was owing to this kind of attitude and purpose that Blues had such a strong vitality. Originally, Blues only expressed the sentimental and depressive feelings of the black people. But when it stepped into the popular music circle, it began to express some sentimental and sorrowful feelings that all the human beings held. And its early themes concerned about hard life, unfair fate, undone dream and broken love affair of Afro-Americans. And later some new elements were added into it, which was the production of industrial civilization, such as the lonely soul, the pressure from the fast paced life, as well as the fear of death and the helpless feeling about life, and so on. In a word, sentimental and sorrowful feeling was the eternal theme …show more content…
Break-dance became a very popular form of Hip-Hop dance in the 1980s. The formation of Hip-Hop had some links with Rock & Roll. With the growing segregation of radio formats and the dominance of mainstream rock by white male performers, the place of black artists in the rock world diminished. By the late 1990s, no major popular black successor to Chuck Berry or Jimi Hendrix had emerged in Rock. These trends, combined with the rise of “safe” dance disco by white bands (the Bee Gees), black artists (Donna Summer), and integrated groups (the Village People), created a space for the culture that produced Hip-Hop music. In some ways a black counterpart to the spirit of white punk, Hip-Hop music also stood in direct opposition to the polished, professional, and less political world of soul. Hip-Hop’s combination of social politics, swagger, and comic lyrics carried forward long-standing traditions in Blues, R&B, Soul, and Rock & Roll. Like punk, Hip-Hop was driven by a democratic, nonprofessional spirit—accessible to anyone who could talk or rap in street dialect and cut or sample records on a turntable. Hip-Hop deejays emerged in Jamaica and New York, scratching and re-cueing old reggae, disco, soul, and rock albums. As dance music, Hip-Hop developed MCs (master of ceremony) who used humor, boasts, and “trash talking” to entertain and keep the peace at parties. Today the term “Hip-Hop” was most commonly used as a synonym for rap music, whereas Rap was just one remarkable style of Hip-Hop music. In fact, Rap mixed with a bit R&B was the previous existence of Hip-Hop music. Rap, as a word, was slang from the black people, which meant “talking”; as one music style, it was very popular in America and famous with the young people. It had a wide infection for modern international music circle. Rap music influenced the tendency of pop music, and even in Asia, the
Hip-Hop became characterized by an aggressive tone marked by graphic descriptions of the harshness and diversity of inner-city life. Primarily a medium of popular entertainment, hip-hop also conveys the more serious voices of youth in the black community. Though the approaches of rappers became more varied in the latter half of the 1980s, message hip-hop remained a viable form for addressing the problems faced by the black community and means to solve those problems. The voices of "message" hip...
Motown paved the way for future artists to explore themselves. It helped created the grounds of a great music and cultural integration in the 1970’s to now and hopefully forever. Hip Hop’s arrival was credit to Motown triumphs in the musical world. Through the mixing of percussion and the rhythm of the drumbeats of funk and disco, hip hop revealed the opposition to social inequality and discrimination
Notably, hip-hop is the culture from which rap music emerged. According to Keyes, rap music is a musical form that makes use of rhyme, rhythmic speech, and street vernacular, which is recited or sung over a musical soundtrack (Rap Music and Street Consciousness, 1). Rap is a combination of MCing and DJing, which are two of hip-hop’s four
Hip hop was spurred in the late 70’s. The man credited as being the first rapper ever, DJ Afrika Bambataa, was the first to “talk” to his music. His unorthodox style quickly became very popular in the disco and funk clubs. For the lack of a better word,
Hip hop is both a culture and a lifestyle. As a musical genre it is characterized by its hard hitting beats and rhythms and expressive spoken word lyrics that address topics ranging from economic disparity and inequality, to gun violence and gang affiliated activity. Though the genre emerged with greater popularity in the 1970’s, the musical elements involved and utilized have been around for many years. In this paper, we will cover the history and
Hip-Hop is a cultural movement that emerged from the dilapidated South Bronx, New York in the early 1970’s. The area’s mostly African American and Puerto Rican residents originated this uniquely American musical genre and culture that over the past four decades has developed into a global sensation impacting the formation of youth culture around the world. The South Bronx was a whirlpool of political, social, and economic upheaval in the years leading up to the inception of Hip-Hop. The early part of the 1970’s found many African American and Hispanic communities desperately seeking relief from the poverty, drug, and crime epidemics engulfing the gang dominated neighborhoods. Hip-Hop proved to be successful as both a creative outlet for expressing the struggles of life amidst the prevailing crime and violence as well as an enjoyable and cheap form of recreation.
Since hip-hop has expanded from the undergrounds in Bronx in the 70’s it has grew into a popular accepted music genre. Consequently, as it progressed from the golden age it gradually grew away from its original roots. If one were to evaluate the change of lyrics in hip-hop, they would see a difference between early hip-hop and today’s hip-hop. The current state of hip-hop is in a stage where things like hey young world are outdated. Instead of broadcasting out a positive message, hip-hop sends out a message of sex, drug, and violence. The early musicians who helped solidify hip-hop, by producing music that told stories on subjects of race, respect, or even music that had a positive message.
Rhodes, Henry A. “The Evolution of Rap Music in the United States.” Yale. Yale-New Haven Teachers Institute. 2014. Web. 10 Mar. 2014.
Hip hop originated in the ghetto areas of New York during the 1970’s and is a mixture of DJ, MC, B boy and Beat boxing. In his studies of defining hip hop, Jeffries concluded that these mixtures of art forms do not define hip hop but rather that Hip hop itself is a culture of these elements. “Hip-hop is like a culture, it’s a voice for black people to be heard. Our own style, our own music” (Jeffries. 2011; 28). Jefferies identifies hip hop as a social movement, which stems from the concept of ‘collective identity’ (Jefferries.2011; 27). This can be defined as “an individual’s cognitive, moral and emotional connection with a broader community” (Polletta and Jasper. 2001; 84). Which relate to Smitherman’s views that hip hop is a celebration of black culture uniting these individual to form a collective community. (Smitherman. 1997; 20) .These Theorists generally accept that hip hop is culture and it’s the production of its creators and the individuals who consu...
Hip hop has permeated popular culture in an unprecedented fashion. Because of its crossover appeal, it is a great unifier of diverse populations. Although created by black youth on the streets, hip hop's influence has become well received by a number of different races in this country. A large number of the rap and hip hop audience is non-black. It has gone from the fringes, to the suburbs, and into the corporate boardrooms. Because it has become the fastest growing music genre in the U.S., companies and corporate giants have used its appeal to capitalize on it. Although critics of rap music and hip hop seem to be fixated on the messages of sex, violence, and harsh language, this genre offers a new paradigm of what can be (Lewis, 1998.) The potential of this art form to mend ethnic relations is substantial. Hip hop has challenged the system in ways that have unified individuals across a rich ethnic spectrum. This art form was once considered a fad has kept going strong for more than three decades. Generations consisting of Blacks, Whites, Latinos, and Asians have grown up immersed in hip-hop. Hip hop represents a realignment of America?s cultural aesthetics. Rap songs deliver a message, again and again, to keep it real. It has influenced young people of all races to search for excitement, artistic fulfillment, and a sense of identity by exploring the black underclass (Foreman, 2002). Though it is music, many people do not realize that it is much more than that. Hip hop is a form of art and culture, style, and language, and extension of commerce, and for many, a natural means of living. The purpose of this paper is to examine hip hop and its effect on American culture. Different aspects of hip hop will also be examined to shed some light that helps readers to what hip hop actually is. In order to see hip hop as a cultural influence we need to take a look at its history.
In his book Hip Hop America, Nelson George states, “Hip hop culture is just another name for black ghetto culture.” Is this statement really true? If one examines the origins and subject matter of early hip hop, one will find that George’s words are, in fact, true. Hip hop of the 1980s and 1990s highlights issues faced in Black ghettos, such as drug problems, violence, and poverty. With this music, hip hop artists of the eighties and nineties bring Black issues to the forefront by incorporating important messages with simple beats; not only that, but hip hop also gives these issues a great deal of recognition.
Hip-hop started out in the Bronx in New York City with DJ Clive “Cool Herc” Campbell. A man of Jamaica, he essentially birthed the new genre of music by carrying over the Jamaican tradition of Toasting, which “is boastful poetry or over a melody provided by a deejay.” (ROOTS ‘n’ RAP, rice.edu) Its creation can be accredited to the record spinning DJ’s of the clubs of the 1970s. From this, the Master of Ceremonies (MC) was created. He would come up with creative rhymed phrases that could be delivered over a beat or acapella at dance clubs. They consisted of boasts, insults, “uptown throw downs”, and political commentary. From there, hip-hop only grew more and more popular. Being that it was created in a dominantly African American neighborhood, it became a tool for blacks to express their problems with society and be heard by the rest of the country. Though it was a microphone for African Americans to express themselves to the rest of the country, there were some other things that happened within the black community through hip-hop as well. One of these things was a diss track.
Black culture in our society has come to the point where it is allied with pop culture. The most popular music genres, slang terms, to dance forms it all comes from black culture. Hip hop emerged from black culture, becoming the soul of it that is seen in the media. Hip hop helped the black community by creating new ways of expressing themselves, from breakdance, graffiti, rap and other music, to slang. This culture was rooted in their tradition and created from something new. Hip hop created a new form of music that required the use of turn tables, ‘cuts’, loops, rhythm, rhyme, stories, and deep-rooted emotions, but also incorporated black oral forms of storytelling using communal authors.
Today 's rap music reflects its origin in the hip-hop culture of young, urban, working-class African-Americans, its roots in the African oral tradition, its function as the voice of an otherwise underrepresented group, and, as its popularity has grown,
Not only is hip-hop a way of expressing ones feelings or views, but it is a part of the urban culture and can be used as a communication tool. Slang originally came from hip-hop music and has become a very popular use in today’s society, especially the urban parts. Hip-hop is a standout amongst the most compelling musical sorts on the globe. There are rappers everywhere that know what amount of an impact their music can have. Some entertainers attempt to utilize that force of impact to do great (Ruiz INT).