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Impact of hip hop
Effects of hip hop on youth
Effects of hip hop on youth
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Positive Effects Martin Luther King Jr. once said, “The ultimate tragedy is not the oppression and cruelty by the bad people but the silence over that by the good people.” It is not a mystery that minorities were oppressed throughout the history of the United States. In 1990 70% of African Americans and Hispanics in their mid to late twenties held a high school diploma or higher compared to the 86% that their white counterparts achieved. The disparities were obvious throughout the decade. The hip-hop culture gave minorities a voice and a realm to express themselves. There were always minorities who experienced the same lives as the majority of America did, but hip hop mainly spoke to those minorities in urban neighborhoods who were entrapped by violence and negativity. Most of these minorities were young people who were reaching the peak of their adolescent years. Their attitudes could be seen in the lyrics of Notorious B.I.G. when he chants, “I don’t want to live no more. Sometimes I hear death knocking at my front door,” in the song “Everyday Struggle.” Without hip-hop music I believe there would be more minority violence because this was the only genre of music that spoke specifically to minorities, especially those in the inner cities. Hip hop was monumental because it did not apply to one group of minorities; every aspect of the minority population was represented by artists who presented different lyrical content and cultural messages. The genre also gave those who were not minorities a look into the insight of those who were being oppressed, ultimately creating some form of understanding. The majority population could never fully understand the minority population because they never would have the opportunity to experience ... ... middle of paper ... ...s also the time where hip hop represented the minority culture to the fullest extent. This was the first point in time that hip represented minorities who entire existence was surround by the culture. In the two decades prior people who indulged in the hip hop culture had spent at least a portion of their lives without the culture, therefore it did not have a total effect on their lives. This is why older hip was very sample oriented. The 1990’s still used samples to structure the music, but in a more creative way that utilized many aspects of music rather than jus the break beat in a song. This is also when the culture became the most prominent and had the most influence on mainstream America. Hip Hop allowed minorities in the 1990’s to improve their situation and embrace their inner beauty instead of being stagnated by the oppressive nature of the United States.
Hip-hop culture has been a global phenomenon for more than twenty years. When introduced into the American culture, the black culture felt that hip-hop had originated from the African American community. The black community was being denied their cultural rights by the supremacy of the white people, but hip-hop gave the community the encouragement to show their black pride and televise the struggles they were facing in the world. The failure and declining of the movements, the influential, rebellious, and powerful music is what reshaped Black Nationalism, unity and to signify the struggle. The African Americans who suffered from social and political problems found that they similar relations to the political movements, which allowed the blacks to be able to voice their opinions and to acknowledge their culture openly.
This article is titled “Rap music is harmful to African American communities” and is written by E. Faye Williams. Williams is a chairwoman of the National Congress of Black Women (NCBW). The national congress of black women is a non-profit organization dedicated to the educational, political, economic, and cultural development of African American women and their families. Williams’s article “Rap music is harmful to African American communities” makes her qualified and a credible source to be writing on this question: If rap music and other media is harming the African American community? In her article, she states her side of the argument of how rap music and media are indeed harming the African American community, using the context, and reasoning,
Since the early to mid 90’s, hip-hop has undergone changes that purists would consider degenerating to its culture. At the root of these changes is what has been called “commercial hip-hop". Commercial hip-hop has deteriorated what so many emcees in the 80’s tried to build- a culture of music, dance, creativity, and artistry that would give people not only something to bob their head to, but also an avenue to express themselves and deliver a positive message to their surroundings.
In the words of rapper Busta Rhymes, “hip-hop reflects the truth, and the problem is that hip-hop exposes a lot of the negative truth that society tries to conceal. It’s a platform where we could offer information, but it’s also an escape” Hip-hop is a culture that emerged from the Bronx, New York, during the early 1970s. Hip-Hop was a result of African American and Latino youth redirecting their hardships brought by marginalization from society to creativity in the forms of MCing, DJing, aerosol art, and breakdancing. Hip-hop serves as a vehicle for empowerment while transcending borders, skin color, and age. However, the paper will focus on hip-hop from the Chican@-Latin@ population in the United States. In the face of oppression, the Chican@-Latin@ population utilized hip hop music as a means to voice the community’s various issues, desires, and in the process empower its people.
A race issue that occurs within the rap and hip-hop musical genre is the racial stereotypes associated with the musical form. According to Brandt, and Viki rap music and hip- hop music are known for fomenting crime violence, and the continuing formation of negative perceptions revolving around the African-American race (p.362). Many individuals believe that rap and hip-hop music and the culture that forms it is the particular reason for the degradation of the African-American community and the stereotypes that surround that specific ethnic group. An example is a two thousand and seven song produced by artist Nas entitled the N-word. The particular title of the song sparked major debates within not only the African-American community thus the Caucasian communities as well. Debates included topics such as the significance and worth of freedom of speech compared with the need to take a stand against messages that denigrate African-Americans. This specific label turned into an outrage and came to the point where conservative white individuals stood in front of the record label expressing their feelings. These individuals made a point that it is because artists like Nas that there is an increase in gang and street violence within communities. Rap and hip-hop music only depicts a simple-minded image of black men as sex crazed, criminals, or “gangsters”. As said above, community concerns have arisen over time over the use of the N-word, or the fact that many rappers vocalize about white superiority and privilege. Of course rap music did not develop these specific stereotypes, however these stereotypes are being used; and quite successfully in rap and hip-hop which spreads them and keeps the idea that people of color are lazy, all crimin...
From its conception, hip hop has been branded as music for uneducated street hoods. But, the debut album of the obscure group, Midnight Voices, shatters this stereotype with its thought-provoking commentary on the Black experience in urban America. Featuring saxophone, keyboards, guitar, bass, and percussion, along with the scratches and cuts typically found in rap, Midnight Voices delivers its urgent message of racial injustice with its equally impressive music. The group merges the styles of hip hop and funk to create a refreshing alternative to mainstream rap, which is often characterized by the repetitive sample of beats. In doing so, the band effectively expresses the lyrical content of the songs through its music, and succeeds in creating a complementary blend of provocative lyrics and musical ingenuity.
Hip-Hop is a cultural movement that emerged from the dilapidated South Bronx, New York in the early 1970’s. The area’s mostly African American and Puerto Rican residents originated this uniquely American musical genre and culture that over the past four decades has developed into a global sensation impacting the formation of youth culture around the world. The South Bronx was a whirlpool of political, social, and economic upheaval in the years leading up to the inception of Hip-Hop. The early part of the 1970’s found many African American and Hispanic communities desperately seeking relief from the poverty, drug, and crime epidemics engulfing the gang dominated neighborhoods. Hip-Hop proved to be successful as both a creative outlet for expressing the struggles of life amidst the prevailing crime and violence as well as an enjoyable and cheap form of recreation.
This will then open up the discussion about the how this has influenced society, and the impact it has had in terms of race issues which hip hop itself often represents through music. Hip hop originated in the ghetto areas of New York during the 1970’s and is a mixture of DJ, MC, B boy and Beat boxing. In his studies of defining hip hop, Jeffries concluded that these mixtures of art forms do not define hip hop but rather that hip hop itself is a culture of these elements. “Hip-hop is like a culture, it’s a voice for black people to be heard. Our own style, our own music” (Jeffries). 2011; 28).
Hip hop has permeated popular culture in an unprecedented fashion. Because of its crossover appeal, it is a great unifier of diverse populations. Although created by black youth on the streets, hip hop's influence has become well received by a number of different races in this country. A large number of the rap and hip hop audience is non-black. It has gone from the fringes, to the suburbs, and into the corporate boardrooms. Because it has become the fastest growing music genre in the U.S., companies and corporate giants have used its appeal to capitalize on it. Although critics of rap music and hip hop seem to be fixated on the messages of sex, violence, and harsh language, this genre offers a new paradigm of what can be (Lewis, 1998.) The potential of this art form to mend ethnic relations is substantial. Hip hop has challenged the system in ways that have unified individuals across a rich ethnic spectrum. This art form was once considered a fad has kept going strong for more than three decades. Generations consisting of Blacks, Whites, Latinos, and Asians have grown up immersed in hip-hop. Hip hop represents a realignment of America?s cultural aesthetics. Rap songs deliver a message, again and again, to keep it real. It has influenced young people of all races to search for excitement, artistic fulfillment, and a sense of identity by exploring the black underclass (Foreman, 2002). Though it is music, many people do not realize that it is much more than that. Hip hop is a form of art and culture, style, and language, and extension of commerce, and for many, a natural means of living. The purpose of this paper is to examine hip hop and its effect on American culture. Different aspects of hip hop will also be examined to shed some light that helps readers to what hip hop actually is. In order to see hip hop as a cultural influence we need to take a look at its history.
Black culture in our society has come to the point where it is allied with pop culture. The most popular music genres, slang terms, to dance forms it all comes from black culture. Hip hop emerged from black culture, becoming the soul of it that is seen in the media. Hip hop helped the black community by creating new ways of expressing themselves, from breakdance, graffiti, rap and other music, to slang. This culture was rooted in their tradition and created from something new. Hip hop created a new form of music that required the use of turn tables, ‘cuts’, loops, rhythm, rhyme, stories, and deep-rooted emotions, but also incorporated black oral forms of storytelling using communal authors.
In essence hip-hop music has significantly changed from the 80’s to currently. Many areas of hip-hip has evolved to be more trendier. While hip-hip at the same time has gained much more popularity and a broader audience. In addition lyrical elements previously from the past have declined. This decline of these missing elements I believe will make hip-hop become less appealing in the near future. Many young adults and teens will yearn for more substance in lyrics and less violence. To sum it all up the 80’s was the pioneer for rap music. Hip-hop has greatly changed over time.
McWhorter, John. “Rap Music Harms the Black Community.”Popular Culture. Ed. John Woodward. Farmington Hills, MI: Thompson Gale, 2005. 53-59.
Commercial Hip Hop is the only genre that has an abundance of spins on the radio. “70 percent of people who buy hip hop music are white.” (Butler 128) which explains the fact that most of hip hop music is promoted according to the demographic that’s in demand. In most cases, the publics demands are what is most important to record companies and mass media. Most white people want to keep and have the idea that black people are bad people which is why they love to see them talk about doing drugs and how they love being violent. This conception reminds me of the perception of black people during slavery. Masters of plantation grounds thought that we were unworthy and that we were always violent and didn’t have “common sense or intelligence”.
Looking at this topic from a sociological standpoint shows the relation of the class to our research. We are looking at the impact of rap and hip hop on society, and the how society forms opinions on rap music. In class we look at the constructions of race and the behaviors around certain cultural stigmas, which is exactly what we are looking to analyze when looking at what the impact music has on non-black groups. Our class concentrates on breaking down those walls that society has built up and the misconceptions that we have all learned. The class’ syllabus reads that race and ethnicity are “socially created categories and are the result of historical struggles over economic resources, political access, and cultural identity.” Looking at
Music is an extremely powerful form of art. Stimulating the human brain, music is able to lift our spirits and can make one feel joyful. In addition, music is also very diverse. It comes in about one thousand different genres. For example, Hip-Hop. Hip Hop is a music genre developed in the Bronx by African Americans in the 1970s. It is a reflection of shared truths in diverse communities. Growing up in an African American environment, I learned to love Hip hop. It takes a lot to be considered “the most significant musician”. In order to be considered significant you must be consistent, influential, and relatable. Which is why it makes perfect sense for Jay-z to be considered the most significant musician from the Hip Hop Genre of the 20th