Hershey’s and Quaker are two well established brands in the snack food world. The weight of their names carry a specific ethos; a persona that will influence the consumer to buy their product, as it is a name that the customer trusts. Two advertisements are analyzed, both found in a February 2007 edition of People magazine: Hershey’s Extra Dark Chocolate and Quaker True Delight print advertisements. The main connection between these two prints is rather apparent: they are both snack foods, and they contain dark chocolate. However, both prints, as they are introducing a new product line, paint a new image of their merchandise: this snack food is healthy, ergo this creation should be chosen over all other products. Hershey’s Extra Dark Chocolate utilizes a cause-and-effect strategy by outlining that consuming their dark chocolate will improve cardiovascular health, backed by the logic and ethos of a study performed by a well-known university. Quaker’s True Delights, however, emphasizes the fact that their product tastes fantastic and is low in calories, in addition to using their ethos of their brand. Ultimately, both products utilize their established persona to draw …show more content…
the consumer, followed by logic that appeals to human health to hook the customer on the snack food, and finally close the deal with painting a portrait of how indulgent and wonderful their creations taste. As most people reading magazines flip through the pages quickly, the most apparent words are “Pure Hershey’s,” a resounding example of how Hershey’s uses their brand to draw the customer. Hershey’s is well known for the great chocolate they produce, thus if this product is pure Hershey’s it must taste wonderful. Hershey’s utilizes a dark, elegant color scheme in their copy to draw the consumer. The combination of purple, beige, and dark chocolate brown appeals to the consumer through their need for prominence; the need for an elegant food past the standard chocolate bar. The headline reads: “The heart must have tastebuds,” an emotional headline that leads into their main point: our tasty chocolate is good for human cardiovascular health. As mentioned earlier, Hershey’s uses a cause-and-effect strategy to hook the shopper onto their product. It is stated in the copy, “A recent study at Yale University’s Prevention Research Center shows that eating Hershey’s Extra Dark Chocolate improves blood pressure and blood vessel function.” The mention of Yale University immediately gives credibility to the product in the average consumer’s mind, therefore strengthening the claim about their chocolate; the claim that the chocolate is good for the heart. The key point of emphasis is stated in the bottom of the copy: “enjoy in moderation,” which is stressed in the fine print explaining the study. The fine print states that, “45 typical American adult men and women consumed 74 grams of Hershey’s Extra Dark chocolate. Two hours after consumption…participants showed a marked reduction in blood pressure and improvements in vascular function.” As stated before, moderation is the point of emphasis. If the chocolate is not consumed in moderation, adverse health effects may occur. While this point is not explicitly stated in the copy, it is implied by stating the shopper must enjoy the product in moderation. Finally, Hershey’s utilizes a particular word choice to portray their dark chocolate as an indulgent, smooth snack food that will be loved.
“Indulge,” is used twice in the print, which paints a decadent image of the chocolate. “Deep, smooth richness,” is also utilized to describe the product, which almost lets the reader taste the chocolate. Lastly, Hershey’s claims that both the shopper and the shopper’s heart will love the chocolate, invoking a sense of unity between the rhetorical appeals made. This type of word choice is also found in the Quaker True Delights advertisement. “Luscious raspberries, rich dark chocolate, and whole almonds,” and “From first sight to last bite, you’ll be delighted…” is how the snack food is described, conjuring an image of a decadent, indulgent bar the consumer will
love. Following the description of some of the ingredients in Quaker True Delights is a claim made about the healthiness of the product: “all at 140 calories.” In a day and age where the shopper is, or at least should be, concerned about their health, Quaker emphasizes that their product tastes astonishing with relatively low calories: a clear appeal to logic and reasoning in the sense that their product should be chosen since it has relatively low calories. No other claims are made regarding human health, however, which is where Hershey’s has an advantage over Quaker. Nevertheless, Quaker has a more visually appealing copy. They utilize images of real raspberries, almonds, walnuts, and dark chocolate held by a woman, drawing the consumer through an appeal to pathos of how those fresh foods taste. The color scheme is more light and upbeat than Hershey’s, incorporating a different sort of elegance into the copy: designs of flowers and freshness that Hershey’s does not have. This sort of imagery is more appealing to health minded consumers than chocolate bars alone. Finally, two examples shine of how Quaker uses their ethos. First, the logo is apparent in the copy which conjures trust in the product. Second, a free sample is offered at the bottom of the print: something only a well-established company can freely advertise to a large population. Ultimately, Quaker True Delights has a more visually appealing copy, along with the fact that their snack is a relatively healthier choice than other products “all at 140 calories.” However, Hershey’s Extra Dark Chocolate actually makes claims about improving human cardiovascular health, utilizing a stronger logical appeal to health than Quaker. This logos is backed by the ethos of Yale University, a trustworthy institution of logic and reasoning. Both copies utilize different color schemes to draw the consumer; Hershey’s appeals to a sense of dark, indulgent elegance while Quaker incites images of freshness and color in their snack. Finally, the two prints utilize the established persona of the brand to sell a new product line through the use of their logo in order to found trust in the new line. Advertising a new line of snack food clearly requires a multi-faceted approach, which both Quaker and Hershey’s accomplish with their use of different rhetorical appeals to the consumer.
The presentation will also emphasize how persuasive advertisements can have significant effects on society, including society’s ideological perception of products and their contribution to the nation’s overall health. It was even found to have more Kilojoules than an average Mars Bar! In fact, the study found that most muesli bars usually have more than 1000 Kilojoules. See how misleading advertisements and packaging can be! These clever marketing techniques give extremely sugary foods a healthy perception to make it more enticing to buy – even though it’s still not healthier than confectionary.
Popular brands and companies typically rely heavily on brand names to unfairly convince people to buy their specific product, even though another brand would likely work almost the same. In order to do this, those companies use many elements of ethos, but they also attempt to establish the superiority of their brand with logos and pathos. In the commercial, “Colgate Dentist DRTV,” the brand attempts to persuade consumers to buy Colgate Total toothpaste by presenting their name and relatable women, followed by attractive visuals, but ultimately the advertisement fails to provide enough logic to convince a well-informed audience that it truly matters which brand of toothpaste they buy, and that Colgate is better than any
Of course we cannot stop there, but it is a good place to start. The advertisement starts off with how a soon to be couple (spoiler) met. As predicted, Sarah drops her books and Juan helps here. However, after this moment, the advertisement takes a new turn. Sarah offers the guy a piece of Extra Gum. Now, why is that important? This is important because Sarah uses that piece of gum as a gateway to get past the initial social awkwardness when you first meet someone. At this stage, it portrays Extra as a way to swiftly bypass the awkwardness and go directly for social interaction. (i.e. Talking)
The Lunchables ad represents Lunchables as “bursting with fun” and implies that children will be happy and enjoy school if they have a Lunchables. Lunchables placed this ad in a magazine to target moms and children to get them to buy their product. They are trying to convey, like most advertisements do according to Croteau and Hoynes (2014), that “happiness and satisfaction can be purchased” (p. 179) if mothers buy their children Lunchables. Lunchables (Lunchables Parents) advertise as being “packed with what kids love” and “giving your kids what they want”. They include a hand tray with a main entrée, drink, and dessert. The brand delivers on the idea of fun and interactivity of building your own meal and “mixing up” your lunch. Lunchables
This ad starts with a young girl at a McDonald’s placing an order for a happy meal; she notices there are several choices to make. Soda or milk, Carrots or French fries, or perhaps apple slices? The girl appears to be amazed at the amount of choices. There is also dancing kids, dancing fruits and vegetables, several children blowing bubbles with creepy Ronald McDonald in the park while eating happy meals, children are playing ball and enjoying a McDonald’s meal with their parents with joyful smiles on their faces.
In another in-film experiment, Spurlock scours each of the McDonald’s restaurants in New York City for the nutritional information about their food. In a stunning turn of events, 50% of those locations had a single wall poster with nutritional information, roughly 20% had pamphlets with nutritional information, and less than 10% had both. Even though these statistics are circumstantial, they nevertheless illustrate how vast consumer ignorance is and how little McDonald’s is concerned about it in their pursuit of business.
The advertisement is a video, titled “Canada Shared By Canadians” (YouTube 2012) from the Keep Exploring campaign, by the Canadian Tourism. The general conception of this video is to exhibit some of Canada’s best peregrinate experiences, highlighted by Canadians themselves with the utilization of their personal cameras, to gain the interest and pick up the enthusiasm of international tourists. The video is 2 minutes in length and it shows numerous attractions of Canada for the worldwide tourism commercial center. The campaign requested Canadians to present their best peregrinate experiences, and over 7,000 videos were submitted. Throughout the video, there are tons of Canadian sites and activities of interest from different places displayed.
For example, Moss spoke to Bob Drane, inventor of the Lunchables, on how they started adding sugar to the packaging by including Kool-Aid, cookies and other extras when customers started to get bored with the plain packages. Moreover, they started targeting younger kids. When the company shifted focus to the kids, the ads started showing up in the Sunday morning cartoons which announced: “All day, you gotta do what they say, but lunchtime is all yours.” In their ads they generated a feeling of empowerment to kids who now want to eat lunchables as an act of independence. They don’t make it about what is inside, but they form it into a psychological aspect.
For my semiotic analysis I chose to talk about a commercial for ‘Be delicious’ from Donna Karan New York to demonstrate how advertising generates its meanings, construct the image and behaviors ideology in order to attract customers.
Since I was a little girl, my mother always made it clear that a husband was unobtainable if a woman could not properly tend to his needs. I learned how to cook, how to clean, how to do laundry, and I even learned how to take care of my younger siblings all because, according to my mother, these responsibilities were a woman’s duty; it was her job. For centuries, this has been the mindset of every woman, which has been passed down from generation to generation. A stereotype that has influenced a culture and defined a human being. In this 1930’s Kellogg’s PEP Cereal advertisement we witness yet another stereotype defining women into this sexist housewife persona. Through the use of clothing and appearance, text and audience the ad conveys a
The only unambiguous message of this commercial is the product it endorses: as product recognition is most important in advertising, Singer subtly creates the “Affiliation”[2] appeal. The fast-moving ad features unidentified people and indeterminate foods; however, amidst the myriad of attractive imagery stands the easily-recognized Coca-Cola contour bottle. While Coke is rarely dispensed in glass bottles anymore, the choice to present it in this container distinguishes it as nostalgic and thus familiar, as opposed to the vague and thus anonymous food that the ad is not promoting. This dichotomy of the indeterminate food and prominent Coke bottle serves as one example of the duality I will discuss throughout the essay: Salma Hayeck resembles the Coke bottle’s distinction in contrast to the unknown people also featured in the commercial[3]. Additionally, the ad evokes affiliation from audiences with its text “Craving” “Coca-Cola” “Real,” which resonates the company’s previous slogan, “The Real Thing.” Essentially viewers acknowledge the reality of Coke through their memories of prior ad campaigns.
How many of us in our busy lives stop and really examine the countless advertisements placed in front of us? Being something available to all students for viewing, the communication employed by the advertisement is cunning and deceptive. The appeal to ethics in the Ben and Jerry's "brownies that do good" advertisement is simple tactic to distract the viewer. David Wall in "It Is and It Isn't" refers to this as a social assumption which builds off of cultural expectations. There are countless concealed messages and symbols within the Ben and Jerry's advertisement that contain these social assumptions and require closer examination of content.
A man is shown upside down; viewers instantly notice his bright blue eyes, pink lips, dark brown hair, and perfectly white teeth. However, when viewers turn their heads to the side to get a better reading of the upside-down lettering above his chin, which states, “You’re not you when you’re hungry” (Snickers), they can see that the reality of the happy smile is quite creepy. The man’s supposed smile is actually a deep frown, and his teeth appear awkward and large coming out of his bottom lip. The message is clear: you simply are not you when you’re hungry. What viewers are unaware of is the propaganda they are being subjected to while viewing this ad. In this advertisement, advertisers are primarily targeting people’s “physiological need” for food in order to
Burger King is a well-known fast food restaurant that tends to post ads that most individuals may find eye catching. This ad is definitely one of them. The way that you might interpret this ad depends on what gender you are and what type of perspective you view this ad. If you were to hear about this advertisement you would most likely assume that Burger King’s target audience are men because of the words chosen. Burger King is advertising a new super seven-inch sandwich. This juicy, flame- grilled sandwich is filled with American cheese, crispy onions and a beef patty topped with a “hearty” A.1 steak sauce. The appeal used in this advertisement is absolutely the need for sex. The quote, “ It’ll Blow Your Mind Away” in large bold font just
The first advert we will look at is from 1960. It depicts two men and