“Everyday Use” Traditions are crucial to identities in order to preserve family values. Those values shape who we are. Without heritage and traditions, we are at risk of losing sight of who we are, and eventually those tenets will parish. In “Everyday Use,” by Alice Walker, three women internalize heritage differently; Dee doesn’t value her heritage, Maggie values her family’s heritage, and, in the end of the story, Mama realized the true embodiment and meaning of heritage. From a young age, Dee felt a detachment from her heritage, “Ten, twelve years” (Walker, 25). Dee comes to visit Mama, her old house, and her sister Maggie, who she stoically watched burn from a fire. Mama even suspects that Dee burned their house and Maggie too, “She had …show more content…
She not envy her sister Dee’s new style of life even though she lacks a higher level of education. The opposite, she enjoy her life style, “Maggie still lives in poverty with her mother, putting “priceless” objects to “everyday use.” Despite the fact she always felt inferior to her older sister Dee, Maggie expresses her respect for family’s heritage collaborating with Mama, cleaning the house for Dee’ visit, “I will wait for her in the yard that Maggie and I made so clean and wavy yesterday afternoon” (Walker 23). Maggie give the quilts to Dee because she wanted it even though she was preserving them for her wedding day. It represented for her an invaluable symbol of her heritage, “The quilts contains pieces of family history, scraps from old dresses and shirts that family members have worn” (“everyday …show more content…
Mama confuses the true meaning of heritage because she sees Dee as someone deserving of carrying the family’s heritage and traditions. While mama waits for Dee, Mama remembers how Dee never appreciated her family’s heritage and her legacy. While Maggie and the old house burned, mama sees to Dee observing this tragedy. “And Dee. I see her standing off under the sweet gum tree she used to dig gum out of; a look of concentration on her face as she watched the last dingy gray board of the house fall in toward the red-hot brick chimney.” (Walker 25). Once Dee arrives to Mama’s house, Mama can see that Dee, who changed her name from Dee to Wangero, lost the root of her identity. Her identity had transformed into something foreign and either Mama or Maggie were a part of it. After dinner, Dee saw the quilts, a familial symbolism, and she obviously wanted it, she wanted everything, “Dee’s interest in the butterchurn and the quilts is raised because they are “priceless” objects” (everyday use). Dee wanted it but didn’t deserve or earn the privilege to keep the quilt and the powerful symbolic meaning it held to her family. Now mama understands that Maggie is the one who really treasures her heritage; Maggie knows the values of those quilts. For that reason, Mama gives the quilts to Maggie as a wedding present, realizing the true embodiment and meaning of
The quilts play an important role in depicting symbolism of heritage because they signify Dee’s family origins. For instance, Dees’ significant family members all have pieces of their fabric sown on to the quilts as a remembrance of who they were and their importance in the family. Nevertheless, Dee is overlooking important facets of her family history because she does not see the quilts her ancestors made as valuable, hand-made, pieces of fabric that should be passed down and taken care of to keep their history alive. As Mama stated, “In both of them were scraps of dresses Grandma Dee had worn fifty years and more years ago. Bits and pieces of Grandpa Jarrell’s paisley shirts. And one teeny faded blue piece, about the size of a penny matchbox, that was from Great Grandpa Ezra’s uniform that he wore in the civil war.” (1129). Despite her family’s history, Dee continues to misinterpret the...
From a young age, Dee felt a detachment from her heritage. After her old house, and her sister Maggie, who she stoically watched burn from a fire. Mama even suspects that Dee burned their house and Maggie too, “She had hated the house that much” (Walker 25). Dee agrees when Mama sent her to Augusta to school. She wants to be a college student because she considers herself superior to those around her—she deserved a higher level of life, “She was determined to stare down any disaster in her efforts. Her eyelids would not flicker for minutes at a time” (Walker 25-26). Upon Dee’s return to visit Mama and Maggie, Mama
In the story, she introduces two sisters with almost opposite personalities and different views on heritage: Maggie and Dee. She uses the contrast between the two sisters to show how one should accept and preserve one's heritage. Beyond the contrast between two sisters there exist the judge figure mom, the narrator and the Dee's irony. The irony on Dee's opinion is the key to understand the story and why the mother let Maggie keep the quilts, which symbolize the heritage.
Wangero decided to take the quilts from Maggie’s room. The quilts were woven by Grandma Dee and Big Dee. The patterns of the quilts had great meaning, “one was in the Lone Star pattern. The other was Walk Around the Mountain”(Walker 292). The fabrics of the quilts were also important. They were made from Grandma Dee’s dresses, and had a patch from their great grandmother’s civil war uniform. Mama and Maggie, not only valued their fabrics, they believed they were meant to be used, just like the churn top and dasher. Wangero wanted to the display the quilts in her house. Mama wanted these quilts to be used everyday, and did not want them hung on a wall. Mama did not give in, she did not let Wangero have the quilts. Mama tried to explain it was because Wangero no longer valued their heritage. When Wangero does not get her way, she said, “You ought to try to make something of yourself… It’s really a new day for us. But the way you and Mama still live you’d never know” (Walker 294). Wangero believed that Mama and Maggie were living in the past, that they needed to move on. Wangero did not understand how much Mama and Maggie cared about their heritage. Wangero will face the consequences of distance from her family, as they will never see eye to eye on their heritage.
In the story, it states, “‘These are all pieces of dresses Grandma used to wear. She did all this stitching by hand. Imagine!’... ‘Maggie can’t appreciate these quilts!’ she said. ‘She’d probably be backward enough to put them to everyday use.’ ‘I reckon she would,’ I said. ‘God knows I been saving ‘em for long enough with nobody using ‘em. I hope she will!’ (Walker 320). This quote explains how Dee believes she should have the quilts made by her grandmother because her sister would put them to everyday use. Dee believes that the quilts are so valuable to her heritage that they needed to hang the quilts, treating them like foreign objects, in order to appreciate their value. Conversely, the narrator believes that their heritage would be appreciated by using how they were intended to be used, which is why she later decides to give the quilts to Maggie instead of Dee. This creates a very evident conflict between Dee and the narrator as a result of different interpretations of
Symbolism such as certain objects, their front yard, and the different characters, are all used to represent the main theme that heritage is something to always be proud of. The main objects of topic throughout the story are the quilts that symbolize the African American Woman’s history. Susan Farrell, a critic of many short stories, describes the everyday lives of African American Women by saying “weaving and sewing has often been mandatory labor, women have historically endowed their work with special meanings and significance” and have now embraced this as a part of their culture. The two quilts that Dee wanted “had been pieced together by Grandma Dee and then Big Dee and me [Mother] had hung them on the quilt frames on the front porch and quilted them” (par. 1). 55.
Dee is shallow and manipulative. Not only does her education separate her from her family identity and heritage, it prevents her from bonding with her mother and sister. If Dee could only push her arrogance aside, she would be able to develop a deep connection with her family. While connecting with her family, Dee would also develop a deeper understanding of her heritage. Maggie and Mama did not give in to the “whim of an outside world that doesn’t really have much to do with them” (Farrell par.1). In the attempt to “fit” in, Dee has become self-centered, and demanding with her very own family; to the extent of intimidation, and
Mrs. Johnson, the mother, is described as, “a large, big-boned woman with rough, man-working hands” (6). She tells some of her capabilities including, “I can kill and clean a hog as mercilessly as a man. . .I can work outside all day, breaking ice to get water for washing; I can eat pork liver cooked over the open fire minutes after it comes steaming from the hog” (6). This description informs readers that Mrs. Johnson has learned all the ways and traditions of her ancestors and knows how to survive from day to day. She and Maggie’s lives in the small home represent a simple, unsophisticated way of life. Dee, on the other hand is described as, “[light-skinned], with nicer hair and a fuller figure” who “wanted nice things” and “had a style of her own” (7). The clothes Dee wears and the phrases she uses to greet her mother and sister show that she has no real understanding of her background and where she comes from. This shows Dee to be materialistic, complex, and lead a life where heritage is looked upon as a trend and not for what it really represents.
Quilts symbolize a family’s heritage. Maggie adheres the tradition by learning how to quilt from her grandmother and by sewing her own quilts. Maggie also puts her grandmother’s quilts into everyday use. Therefore, when Dee covets the family’s heirloom, wanting to take her grandmother’s hand-stitched quilts away for decoration, Mama gives the quilts to Maggie. Mama believes that Maggie will continually engage with and build upon the family’s history by using the quilts daily rather than distance herself from
... attempts to change the way Mama and Maggie perceive tradition by using the quilts as a wall display. Mama refuses to allow it, Dee was offered the quilts when she was in college and didn’t want them at that time. Mama gives the quilts to Maggie as her wedding gift to be used every day as they were intended, knowing how much Maggie appreciates them. I agree with Mama and Maggie for keeping family memories and objects in daily use. It is important to maintain your family history in your everyday life to preserve those special memories.
By contrasting the family characters in “Everyday Use,” Walker illustrates lost heritage by placing the significance of heritage solely on material objects. Walker presents Mama and Maggie, the younger daughter, as an example that heritage in both knowledge and form passing from one generation to another through a learning experience connection. However, by a broken connection, Dee the older daughter, represents a misconception of heritage as material. Dee, the “heritage queen” portrays a rags to riches daughter who does not understand what heritage is all about. Her definition of heritage hangs on a wall to show off, not to be used. Dee’s avoidance of heritage becomes clear when she is talking to Mama about changing her name, she says, “I couldn’t bear it any longer being named after the people who oppress me” (Walker 75). Thus resembling that Dee just takes another name without even understanding what her original name means. She tries to explain to Mama that her name now has meaning, quality, and heritage; never realizing that the new name means nothing. Changing her name bothers Mama and Maggie because Dee’s name is a fourth generation name, truly giving it heritage. Dee likes to gloat to her friends about how she was raised, so she tries to show off by decorating her house with useful items from her past. Her argument with Mama about taking quilts that were hand stitched as opposed to sewn by machine gives readers a chance to see Dee’s outlook of heritage is short lived. Dee says to Mama, “But they’re priceless. . . Maggie would put them on the bed and in five years they’d be in rags. Less than that!” (Walker 77). Mama will not allow her daughter to take the quilts because she has been saving them for Dee’s sister, Maggie, and she wants the quilts to be put into everyday use. By helping
Regretfully, though readers can see how Mama has had a difficult time in being a single mother and raising two daughters, Dee, the oldest daughter, refuses to acknowledge this. For she instead hold the misconception that heritage is simply material or rather artificial and does not lie in ones heart. However, from Mama’s narrations, readers are aware that this cultural tradition does lie within ones heart, especially those of Mama’s and Maggie’s, and that it is the pure foundation over any external definition.
Even though Mama describes herself as a person that lacks education and knowledge she honors her heritage in her own way. This is exposed to the reader when Mama questions Dee why changed her name to “Wangero” and explains to her the significance of her name “You know as well as me that you was named after your aunt Dicie” (Walker 98). This shows that Mama values her heritage by naming her daughter Dee, a name that has been passed down by her ancestors. Throughout the story Mama tells the reader the significance behind the value of each object. For example she explains to her daughter Dee the meaning behind the quilts she wants to take with her. Walker explains this by telling the reader Mama’s significance regarding the quilts “Some of the pieces, like those lavender ones, come from old clothes, her mother handed them down to her “ Mama explains to her daughter (Walker 98). Mama’s concern for her traditions and heritage show that she honors them in a very special way despite of Dee’s direct view of her mother appreciation for
The quilts were pieced together by Mama, Grandma Dee, and Big Dee symbolizing a long line of relatives. The quilts made from scraps of dresses worn by Grandma Dee, Grandpa Jarrell’s Paisley shirts, and Great Grandpa Ezra’s Civil War uniform represented the family heritage and values, and had been promised to Mama to Maggie when she married. However, Dee does not understand the love put into the making of the quilts, neither does she understand the significance of the quilts as part of her family heritage. It is evident she does not understand the significance of the quilt, having been offered one when went away to college declaring them “as old-fashioned” and “out of style”. She does not care about the value of the quilts to her family, rather she sees it as a work of art, valuable as an African heritage but not as a family heirloom. She wants the quilts because they are handmade, not stitched with around the borders. She tells Mama, “Maggie can’t appreciate these quilts!... She’d probably be backward enough to put them to everyday use… But, they’re priceless!.. Maggie would put them on her the bed and in five years they’d be in rags. Less than that!” (317). The quilt signifies the family pride and history, which is important to Mama. She makes the decision to give the quilt to Maggie who will appreciate it more than Dee, to whom she says, “God knows I been saving ‘em for long enough with
The differences in attitude that Dee and Maggie portray about their heritage are seen early in the story. When the family's house burned down ten or twelve years ago, Maggie was deeply affected by the tragedy of losing her home where she grew up. As her mother describes, "She has been like this, chin on chest, eyes on ground, feet in shuffle, ever since the fire that burned the other house to the ground" (409). Dee, on the other hand, had hated the house. Her mother had wanted to ask her, "Why don't you dance around the ashes?" (409). Dee did not hold any significance in the home where she had grown up. In her confusion about her heritage, it was just a house to her.