Henry V: The Commoner's King
Henry the Fifth has been noted as England’s best King throughout history. He was loved among the common people and nobles alike for his fairness, his effectiveness on the throne, his justness, and his ability to relate to people of all classes. The kings that reigned before him, especially his father King Henry IV and King John, provide a striking contrast to Hal’s attitude on the throne. Kings of the past had not experienced the life of the common people, and chose to lead their lives in the realm of the castle. As we witnessed in I Henry IV, Hal’s father even went as far to discuss this approach to ruling at length with Hal. Henry IV believed that a king was best admired and supplicated if he was kept out of the public’s eye.
Needless to say, Hal did not conform to his father’s ideas of kingly virtue. His past prevented him from this. Since he was previously a tavern dweller (and this no doubt was not forgotten among the people), he had relationships among the common and lower class citizens.
King Henry V held friendly conversations with commoners and did not speak down to them as other kings did. He usually used the addresses of "learned lord" (1.2,9), "gentle knight" (2.2,14), "dear friends"(3.1,1), and the like, whereas most kings we have read about addressed people of lower status as "sirrah".
Hal recognizes the good qualities in people and praised a job well done. This can be seen in Act III, scene 6 when Montjoy, a French messenger, delivers an offer to King Henry V from the King of France. Montjoy tells Hal that he was sent to tell him that if he gives up now that France will hold Henry as prisoner only until England has paid all the damages caused, then he wil...
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...urred deep love at first sight. There is definitely a sense of like about it, but we, as readers, cannot go so far as to take Harry and Katharine's relationship as love. He does have an ulterior motive behind him claiming that he is in love with her: if he convinces Katharine’s father that he loves her, he will undoubtedly accept Hal as his own son, adopt him, and then Hal’s son will be the unquestionable heir to the throne. By taking Katharine as his queen, he is assuring a lengthy reign in both England and France.
Though we cannot be sure of Henry’s motives behind his kindness, these motives have not proven to harm anyone. Even if he does not feel the graciousness and kindness in his heart that he presents to others, he doesn’t use it to cause injury to anyone. Thus, with no hard feelings, King Henry V is the best king that England ever had on the throne.
transformation of Prince Hal from a tavern crony into the next King of England. This is a
Prince Hal is initially portrayed as being incapable of princely responsibilities in light of his drinking, robbery and trickery. Yet, Shakespeare reveals that Hal is in fact only constructing this false impression for the purpose of deceit. Prince Hal’s manipulative nature is evident in his first soliloquy, when he professes his intention to “imitate the sun” and “break through the foul and ugly mists”. The ‘sun’ Prince Hal seeks to ‘imitate’ can in this case be understood as his true capacity, as opposed to the false impression of his incapacity, which is symbolised by the ‘foul and ugly mists’. The differentiation of Hal’s capacity into two categories of that which is false and that which is true reveals the duplicity of his character. Moreover, Hal is further shown to be manipulative in the same soliloquy by explaining his tactic of using the “foil” of a lowly reputation against his true capacity to “attract more eyes” and “show more goodly”. The diction of “eyes” symbolically represents public deception, concluding political actions are based on strategy. It is through representation and textual form that we obtain insight into this
When we look at Henry as a king we have to look in the context of
Hal is a cold, calculating Machiavellian ruler. According to Machiavelli’s popular theory, being a successful leader has nothing to do with being a nice person or doing the right thing. Instead, it’s about being inventive, manipulative, crafty, and willful. Hal is an intelligent character who put all those attributes to work when he articulated a grand plan to fool everyone around him in order to gain power. One critic claims that traditionally there are two common ways to interpret Prince Hal's development. The first is to see it as a celebration of a great king in training who grows in his responsibility and develops into a mature political leader. The second view sees Prince Hal as a cold Machiavel who uses his friends as means to a political end, without much regard for their feelings. (Johnston 1).
Prince Hal’s destiny is shaped for him by many forces: his association with the ne'er-do-well Falstaff, the expectations of his father, King Henry IV, and the constant comparison between himself and Hotspur. All three of these forces create in Hal a sense of honor that is an integral part of his education as the ideal king, and throughout the action of Henry IV, Part I, Hal is gaining a knowledge of honor that will shape him into the King that he will become. However, it seems that Hal ultimately chooses one form on honor over the other, although he must compare the honor of Falstaff and the conceptual honor of a chivalric hero before he comes to a final conclusion.
Hal seems to lack honor at the commencement of the play, but near the end we see him display a different kind true honor which will be explained more in depth. Hal also shows his honor when he rejects the requests put forth by his good friend Falstaff and sides with his natural father to fight loyally. Even though Henry views Hal as an unworthy candidate for the thrown, Hal proves him wrong by displaying attributes that are very honorable. In King Henry’s point of view, Hal doesn’t seem much like an heir to his thorwn. Instead of living at the court to aid his father govern England, he frolics in the Taverns of Eastcheap with a group of petty thieves.
There is quite a lot of turn around and Henry never uses negative comments. Henry has close relationship with his men, by using a variety of strong terms. Henry's lecture has reference to the superior being to give more assurance. Furthermore King Henry gives divine inspiration to many leaders now days.
Henry V is not a simple one as it has many aspects. By looking into
Henry in Henry V The bishops refer to Henry in the first scene as "a sudden scholar" who can "reason in divinity. " Canterbury says, "The king is full of grace, and fair regard. Ely quotes "and a true lover of the holy church. The two bishops, pretty much have the same view on Henry, they think highly of him.
To turn Henry V into a play glorifying war or a play condemning war would be to presume Shakespeare's intentions too much. He does both of these and more in his recount of the historical battle of Agincourt. Although Shakespeare devotes the play to the events leading to war, he simultaneously gives us insight into the political and private life of a king. It is this unity of two distinct areas that has turned the play into a critical no man's land, "acrimoniously contested and periodically disfigured by opposing barrages of intellectual artillery" (Taylor 1). One may believe that Henry is the epitome of kingly glory, a disgrace of royalty, or think that Shakespeare himself disliked Henry and attempted to express his moral distaste subtly to his audience. No matter in which camp one rests, Henry V holds relevance for the modern stage. Despite containing contradictions, Henry is also a symbol as he is one person. This unity of person brings about the victory in the battle of Agincourt.
In the play Henry V written by Shakespeare. Henry was presented as the ideal Christian king. His mercy, wisdom, and other characteristics demonstrated the behavior of a Christian king. Yet at the same time he is shown to be man like any other. The way he behaves in his past is just like an ordinary man.
In his speech at the end of 1.2, Hal says that he is only spending time in the taverns and with misfits so that when he achieves glory, it will look even greater than it is. However, one might argue that really Hal is scared to take on the responsibility of being a prince and is using the time that he
He was a human that had emotions, he experienced grief with the multiple miscarriages and deaths of his sons and the betrayals of his wife’s, Anne Boleyn and Katherine Howard. Also the death of Jane Seymour, the only wife to give him a male heir, brought him into a depression. These events changed Henry’s perspective of his own self, that he was without a legal heir, his health was horrendous and he was being betrayed by those closest to him. Lipscomb describes the transformation of Henry from the popular prince to the tyrant king know today. As shown, “the last decade of his reign, Henry VIII had begun to act as a tyrant. The glittering, brilliant monarch of the accession, toppled into old age by betrayal, aggravated into irascibility and suspicion as a result of ill health and corrupted by absolute power, had become a despot”. Henry is not thought of as the good Christian, but Lipscomb writes throughout this book that Henry was very serious about his religious affiliations. Lipscomb portrays Henry VIII as, “a man of strong feeling but little emotional intelligence, willful and obstinate but also fiery and charismatic, intelligent but blinkered, attempting to rule and preserve his honor against his profound sense of duty and heavy responsibility to fulfil his divinely ordained role”. In other words he was an emotional mess that did not know what to do with his feelings, so he bottled them up and south to seek
Shakespeare’s ‘King Henry IV Part I’ centres on a core theme of the conflict between order and disorder. Such conflict is brought to light by the use of many vehicles, including Hal’s inner conflict, the country’s political and social conflict, the conflict between the court world and the tavern world, and the conflicting moral values of characters from each of these worlds. This juxtaposition of certain values exists on many levels, and so is both a strikingly present and an underlying theme throughout the play. Through characterization Shakespeare explores moral conflict, and passage three is a prime example of Falstaff’s enduring moral disorder. By this stage in the play Hal has ‘reformed’, moved away from his former mentor Falstaff and become a good and honourable prince.
The relationship between a father and his son is an important theme in Shakespeare's Henry IV, Part One, as it relates to the two main characters of the play, Prince Hal and Hotspur. These two characters, considered as youths and future rulers to the reader, are exposed to father-figures whose actions will influence their actions in later years. Both characters have two such father-figures; Henry IV and Falstaff for Prince Hal, and the Earl of Northumberland and the Earl of Worcester for Hotspur. Both father-figures for Hal and Hotspur have obvious good and bad connotations in their influence on the character. For example, Falstaff, in his drinking and reveling, is clearly a poor influence for a future ruler such as Prince Hal, and Worcester, who shares Hotspur's temper, encourages Hotspur to make rash decisions. The entire plot of the play is based on which father-figure these characters choose to follow: had they chosen the other, the outcome would have been wholly different.