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Is Henchard a sympathetic character? Should we pity him at the end of
the novel, or does he get what he deserves?
“The Mayor of Casterbridge” – The title refers to the main character
in the book, Michael Henchard, who is the key figure in the novel. The
whole story rotates around his life, and how he and the other
characters change. Many criticise Thomas Hardy for this book due to
the unlikely coincidences that occur many times through the book. The
book takes place in rural England, in Wessex, Hardy’s made up county.
It starts off with Michael Henchard and his wife Susan, both young,
with their baby daughter Elizabeth Jane looking for employment in the
small town of Weydon-Priors. The Michael Henchard Hardy first
introduces is a bitter man who appears to have little respect for his
wife and little care for his daughter. Although he isn’t a nobleman he
still is above your average peasant with well-made clothes and a neat
appearance. “His measured, springless walk was the walk of a skilled
countryman, as distinct from the desultory shamble of the general
labourer…” First impressions of him would suggest he wasn’t very
sociable. “They walked side by side in such a way as to suggest afar
off the low, easy, confidential chat of people full of reciprocity…”
Later the 3 stop at a furmity tent as Henchard is hungry. He gets the
furmity woman to slip rum into his furmity and with no regard for his
own actions he gets drunk out of frustration with his own life’s
status. This leads him to sell off his wife and child to a sailor
known as Newson. Susan wasn’t reluctant to leave so this shows she
wasn’t very attached to Henchard. So far this shows Henchard as a
character with little regard for anybody, including ...
... middle of paper ...
...izabeth-Jane Henchard is a
desperate man who desperately tries everything he can to get his life
back on track but after Elizabeth Jane refers to him as “Mr Henchard”
in the latter part of the book he believes all sense of family is lost
between them and he basically gives in. He dies and his will shows
how broken he was when he wishes to be forgotten by everybody. A great
deal of sympathy is felt for him at this moment because of the
pressures he came under and the strong resilience be put up against
it.
Overall I still believe that Henchard got what he deserved because it
was always about what he wanted, and his needs and he didn’t appear to
think carefully about his actions. I think Hardy meant to portray him
like this as a tragic hero although he seems to get in the way of
other peoples lives and becomes a villain to wards the good natured
Farfrae.
throughout the entire book is hold onto his youth and his innocence. As a result of these feeling
When he writes, “I went to look for him, but at the same moment this thought came into my mind, “Don’t let me find him! If only I could get rid of this dead weight, so that I could use all my strength to struggle for my own survival, and only worry about myself”” (pg.101) This is one of the first times you see that the way he has changed mentally because in the beginning of the story, the only thing he cared about was keeping up with his father. This shows that he really doesn’t care about anything besides own survival anymore. Later when his father dies he writes “I did not weep, and it pained me that I could not weep … And, in the depths of my being in the recesses of my weakened conscience, could I have searched it, I might find something like – Free at last!” In this you see that he thought of his father like he was a burden and that he was happy he no longer had to look after him. Also he says that he could not weep over his father’s death when his father used to be the only thing that kept him going, and he never wanted to be separated from his
Spending time with each other, having strong morals and giving a lot of love are a few of the things that give families hope and happiness. In the novel A Death in the Family (1938) by James Agee, a family has to use these advantages in order to make it through a very difficult time. During the middle of one night in 1915, the husband, Jay, and his wife, Mary, receive a phone call saying that Jay's father is dying. Ralph, the person who called, is Jay's brother, and he happens to be drunk. Jay doesn't know if he can trust Ralph in saying that their father is dying, but he doesn't want to take the chance of never seeing his father again, so he decides to go see his father. He kisses his wife goodbye and tells her he might be back for dinner the next day, but not to wait up for him. Dinner comes and goes, but he never arrives. That night, Mary gets awakened by a caller saying that Jay has been in a serious auto accident. She later finds out that he died. The rest of the novel is about Mary and her family's reactions to the death. This experience for Mary and her family is something that changes their lives forever, but it doesn't ruin them. If someone has a close person to them decease, he or she feel as if they cannot go on, but because of the close family ties that Mary, Jay, and their children shared, they know that they will be able to continue on after Jays death.
In addition, the final aspect of a tragic hero is a sudden change in course of action, caused by their major flaw, which brings about their p...
In other words, he is not a tragic hero, but rather a misfortuned hero that
The idea, one is not born a hero, but must become one, can also be applied to tragic heroes. “The hero’s fall is the result, to use Aristotle’s term, of hamartia: an error or transgression or a flaw or weakness of character…. According to [Aristotle’s] interpretation, every tragic hero has some moral Achilles’ heel that brings him or her to a bad end.” (Rice and Watson 2). Blanche, from Tennessee Williams’s play, A Streetcar Named Desire, and Oedipus, from Sophocles’s play, Oedipus the King, are both protagonists who become tragic heroes. They have misfortunate pasts, free choice, tragic flaws, a reversal of fortune, and cruel punishments. Both Oedipus and Blanche share the common characteristics of tragic heroes, but have their own unique personalities and perceptions.
Tragedy; it’s inevitable. In life, everyone is bound to experience a rough time. These rough times and flaws are what test a hero and build character. Someone experiencing hard times transforms an average person and his mistakes into something remarkable and heroic. What characteristics make a him a tragic hero rather than just an ordinary person? A hero is a person who is admired for courageous acts, noble qualities and outstanding achievements. Despite possessing the same qualities as an ordinary hero, a tragic hero, who is born a noble birth and usually male, has a fatal flaw that ultimately leads to his ruin. The hero 's flaws can range vastly. Tragically, however, the flaws possessed with eventually ruin the person 's reputation and also
And choose wrong?” (P.98). From reading this, I feel that the community was able to control problems such as divorce, rape, teen pregnancy, and AIDS. They all are given a life that is predictable, orderly and painless. Mostly, they have no memory or experience. In reality, we learn from our mistakes to be better each day. Experience is the best teacher in the world; unless one goes through sorrow, he or she will never know how it feels. “Warmth, Jonas replied and happiness. And let me think. Family, that it was a celebration of some sort, a holiday. And something else I can’t get the word for it. Jonas hesitated; I certainly liked the memory, though. I couldn’t quite get the word for the whole feeling of it, The Giver told him the feeling that was so strong in the room is love” (P.125). Family in the novel is described as a group of people that have a unit or bond that they share each day together.
A tragic hero is defined as a person of high social rank, who has a tragic flaw or flaws that lead to their downfall. These heroes’ downfalls are usually either complete ruin or death. Tragic heroes face their downfall with courage and dignity. While many characters in Julius Caesar could fit these conditions, the person who fits the role of a tragic hero the best is Marcus Brutus. Brutus develops into a tragic hero throughout the play, and this is shown though his qualifications of a tragic hero, his high status, his tragic flaws, and his courage in the face of his death.
A similar example of a tragic hero is found in the Character of Okonkwo, main character of Things Fall Apart by China Achebe. Okonkwo never realized that the change in society is inevitable and the only true heroes are those willing to sacrifice all for the good of the community. In Okonkwo's self-driven quest to take charge and shape his village as he saw fit, often put the entire village in dire danger. His uncontrolled rage, which without a doubt he considers manly and therefore a positive, put the community at risk of offending their gods when he beat his second wife during a sacred time, then again by defying the power of the oracle to save his daughter shows his lack of heroism.
On the other hand, another type of tragic hero exists, the modern tragic hero. This type of hero is a product of a clash between the individual and the social environment. Arthur Miller, the famous playwright, said, “each person has a chosen image of self and position, tragedy results when the character’s environment denies the fulfillment of this self concept.” (LATWP, 640). This is a contrast from Aristotle’s classic tragic hero because the hero is no longer born into nobility but gains stature in the action of pitting self against the cosmos, and the tragedy becomes, “the disaster inherent in being torn away from our chosen image of what and who we are in this world.”
A tragic hero can be described as a great or virtuous character in a dramatic tragedy who is
Sakespear's The Tragedy of Julius Caesar holds two possible candidates for a tragic hero, however Brutus fits the persona best. The true definition of a tragic hero, as found by Aristotle, is a character who falls from a high standing to a low standing. They suffer enourmous loss, but are eventually enlightened of their own flaw or flaws. Initially the play begins with Caesar returning to Rome from defeating Pompey. Meanwhile, the first seeds of conspiracy are begining to take root. Although Brutus ignores Cassius's chiding to join the conspirators his tragic flaw of being easily molded and persuaded lead him to fall prey and join. As time progresses Brutus makes many grievous errors, and his flawed logic leads him to become bereft of all he once held dear. In the end, preceding his death, Brutus grasps the fact that he has no one to blame for his loss but himself; thus the enlightenment. All of these characteristics classify Brutus as the tragic hero of this play.
A tragic hero can be defined by several different factors; the hero usually has a major flaw that prevents him from seeing the truth that lies in front of him, which contributes to the character’s peripeteia due to mistaken judgement. This mistake then leads to achieving anagnorisis, usually at the end of the play, but is too late to change anything, and results in death.
Michael Henchard's Life in The Mayor of Casterbridge by Thomas Hardy Whilst studying 'The Mayor of Casterbridge' it is noticeable from a fairly early stage that the title statement is ambivalent. We can clearly see that he suffered a great number of disasters, but he also achieved success to a higher level than most.