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Ernest Hemingway anti-war
Representation of war in Ernest Hemingways. A farewell to Arms
Representation of war in Ernest Hemingways. A farewell to Arms
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The interpretation of the American Dream is often misleading as Hemingway verifies in his short story, A Clean, Well-Lighted Place. Overcoming the formal limitations of short stories, Hemmingway substantiates three concepts‒age, death, and solitude‒ in connection to the demise of the American Dream. During the 1920s, America entered a thriving age full of hope and expectation as a product of the aftermath of World War I. This story centers on the interactions of an old man, a young waiter, and an older waiter in the setting of a clean, well-lighted diner and their views on life and death in the 1920s. The waiters reflect on the life of the deafened old man and ponder their own notions about their own life and existence. Ernest Hemingway creates a motif of deafness within the story through the lack of adjectives and specific indication to the speaker of the dialogues to display the effects of differentiation in relation to the old man and society. Hemingway uses third-person omniscient point of view to create a deafened perception, along with a direct, striking tone to construct an intangible view between man and time to enlighten both the youth and elderly generation that old age and mortality is inevitable.
Through the presence of the soldier and the girl, Hemingway evokes an indication of the cultural and mental dissatisfaction of the beaten, post-World War I Western world and the “lost generation.” Being published around the end of World War I, Hemingway associates this story together with evidences from the war. He writes as he describes the surrounding of the diner, “A girl and a soldier went by in the street. The street light shone on the brass number on his collar,” to postulate the war through the soldier. The street li...
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...reward to happiness which will eventually lead to a path of loneliness and ultimately death.
Works Cited
Bennett, Warren. "Character, Irony, and Resolution in "A Clean, Well-Lighted Place"" American Literature 42.1 (1970): 70-79. JSTOR. Web. 02 Mar. 2012. .
Kroeger, F. B. "The Dialogue in "A Clean, Well-Lighted Place"" College English 20.5 (1959): 240-41. JSTOR. Web. 04 Mar. 2012. .
Oates, Joyce Carol. The Oxford Book of American Short Stories, Ed. by Joyce Carol Oates. New-York: Oxford UP, 1992. Print.
Shmoop Editorial Team. "A Clean, Well-Lighted Place"Shmoop.com. Shmoop University, Inc., 11 Nov. 2008. Web. 4 Mar. 2012.
"The Lost Generation." The Lost Generation: American Writers of the 1920'S. Web. 04 Mar. 2012. .
The main focus of A Clean, Well-Lighted Place is on the pain of old age suffered by a man that we meet in a cafe late one night. Hemingway contrasts light and dark to show the difference between this man and the young people around him, and uses his deafness as an image of his separation from the rest of the world.
Oates, Joyce C. "Where Are You Going? Where Have You Been?" Compact Literature. By Laurie G. Kirszner and Stephen R. Mandell. 8th ed. Boston: Wadsworth, 2013. 505-16. Print.
In Hemingway’s short story “Soldier’s Home”, Hemingway introduces us to a young American soldier, that had just arrived home from World War I. Harold Krebs, our main character, did not receive a warm welcome after his arrival, due to coming home a few years later than most soldiers. After arriving home, it becomes clear that World War I has deeply impacted the young man, Krebs is not the same man that headed off to the war. The war had stripped the young man of his coping mechanism, female companionship, and the ability to achieve the typical American life.
* Reaske, Christopher R. and John Knott, Jr. "Interview With Joyce Carol Oates." Mirrors: An Introduction to Literature. 2nd ed. Eds. John Knott, Jr. and Christopher Reaske. San Francisco: Canfield Press 1975.
The adjustment from years on the frontlines of World War I to the mundane everyday life of a small Oklahoma town can be difficult. Ernest Hemingway’s character Harold Krebs, has a harder time adjusting to home life than most soldiers that had returned home. Krebs returned years after the war was over and was expected to conform back into societies expectations with little time to adapt back to a life not surrounded by war. Women take a prominent role in Krebs’s life and have strong influences on him. In the short story “Soldier’s Home” Hemingway uses the women Krebs interacts with to show Krebs internal struggle of attraction and repulsion to conformity.
Baym, Nina, and Robert S. Levine. The Norton Anthology of American Literature. New York London: W. W. Norton & Company, 2012. Print.
With the end of the first World War in the year 1918, many soldiers, young and old, came home to their families dark and cynical. Many famous authors of this time, like F. Scott Fitzgerald and Ernest Hemingway, wrote short stories not of their times at war, but of how material the world truly is. These were considered the “Lost Generation,” due to their lack of belief in humans in general and their dreary outlook of life in general. F. Scott Fitzgerald is famous for his book, The Great Gatsby which showed how he as an author viewed the Roaring Twenties, as one of the main themes is the idea that the American Dream is dead and humans are fickle and obsessed with material things, like money. On the opposite end of the spectrum, though, was the bright young generation, which “came into power” shortly after the Lost Generation. These young people were full of bright ideas and with the American Economy is a good place, everyone seemed to be happy. Art and fashion changed drastically, w...
...thern Literary Journal. Published by: University of North Carolina Press. Vol. 4, No. 2 (spring, 1972), pp. 128-132.
The American Dream and the decay of American values has been one of the most popular topics in American fiction in the 20th century. F. Scott Fitzgerald’s The Great Gatsby and Ernest Hemingway’s The Sun Also Rises create a full picture of American failure and pursue its ideals after the end of World War I by portraying the main characters as outsiders and describing the transportation in a symbolic way. Putting the aimless journeys for material life foreground, Fitzgerald and Hemingway skillfully link West and men and associate East to not only money but women. As American modernists, Hemingway utilizes his simple and dialog-oriented writing to appeal to readers and Fitzgerald ambiguously portrays Gatsby through a narrator, Nick, to cynically describe American virtue and corruption, which substantially contribute to modernism in literature.
...is story, Hemingway brings the readers back the war and see what it caused to human as well as shows that how the war can change a man's life forever. We think that just people who have been exposed to the war can deeply understand the unfortunates, tolls, and devastates of the war. He also shared and deeply sympathized sorrows of who took part in the war; the soldiers because they were not only put aside the combat, the war also keeps them away from community; people hated them as known they are officers and often shouted " down with officers" as they passing. We have found any blue and mournful tone in this story but we feel something bitter, a bitter sarcasm. As the war passing, the soldiers would not themselves any more, they became another ones; hunting hawks, emotionless. They lost everything that a normal man can have in the life. the war rob all they have.
Robinson, Sally "Heat and Cold: Recent Fiction by Joyce Carol Oates," Michigan Quarterly Review, Vol. XXXI, 1992.
In 1933, Ernest Hemmingway wrote A Clean, Well-Lighted Place. It's a story of two waiters working late one night in a cafe. Their last customer, a lonely old man getting drunk, is their last customer. The younger waiter wishes the customer would leave while the other waiter is indifferent because he isn't in so much of a hurry. I had a definite, differentiated response to this piece of literature because in my occupation I can relate to both cafe workers.
Baym, Nina et al. Ed. The Norton Anthology of American Literature. Shorter 8th ed. New York:
Abrams, M.H., The Norton Anthology of English Literature. Sixth Edition, Vol. 1. New York: W.W. Norton & Co. Inc., 1993
Greenblatt, Stephen, eds. The Norton Anthology English Literature. 9th ed. Crawfordsville: R.R. Donnelley & Sons, 2012. Print.