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Sir Gawain and the Green Knight related to medieval romance
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Sir Gawain and the Green Knight related to medieval romance
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Sir Gawain and the Green Knight Sir Gawain and the Green Knight was written in the late fourteenth century. Its author was unknown, but he or she was a contemporary of Chaucer. The poem consists of two plots: one is the challenge between Sir Gawain and the Green Knight in a beheading game, and the other is the temptation of Sir Gawain by a lady from a beautiful castle. The outcome of the challenge as well as the life of Gawain is made to depend--though Gawain does not know it--on his behavior at the castle. The temptation is a test of chastity and honorable conduct towards a lord. The introduction of Sir Gawain and the Green Knight gives us a picture of King Arthur's kingdom. It describes the knights and the joy of all Arthur's people. The poem begins and ends with the mention of the fall of Troy. It talks about the warriors who survived and settled in different areas of Europe: Great Romulus to Rome repairs in haste; With boast and with bravery builds he that city And names it with his own name, that it now bears. Ticius to Tuscany, and towers raises, Langobard in Lombardy lays out homes, And far over the French Sea, Felix Brutus On many broad hills and high Britain he sets, most fair. (Norton 202) (Aeneas rescuing his father from Troy) Felix Brutus is the legendary founder of Britain, the great-grandson of the treacherous knight of Troy, Aeneas. Aeneas,from what I found from an outside source, says he is a traitor because he overthrows the king of Troy and negotiates with the enemy (the Achaeans) or Greeks who come into the city. Because of this, the Greeks let him and his family to safely leave the city. In the second stanza, the author chooses to tal... ... middle of paper ... ...equality in a marriage because that is the only way that marriage can last forever. Unlike her "Prologue," the Wife of Bath's "Tale" describes balance in a marriage. A hag is married to a knight and she asks him if he wants her to be old, ugly and faithful or young, beautiful, and unfaithful. He tells her to choose, which gives her the sovereignty. The hag then turns into a beautiful woman, and they live happily ever after. Although in her "Tale," it shows that both people should be considerate of each other in a marriage, in her "Prologue," the Wife of Bath seems dominant instead of concerns for her husbands. Citation Abrams, M.H., The Norton Anthology of English Literature. Sixth Edition, Vol. 1. New York: W.W. Norton & Co. Inc., 1993 Edited by J.R.R. Tolkien and E.V. Gordon Sir Gawain and The Green Knight.Second Edition, Oxford University Press., 1967
Anonymous. Sir Gawain and the Green Knight. The Norton Anthology of English Literature Sixth Edition. Volume 1. Ed. M.H.Abrams. New York: W.W.Norton and Company, Inc., 1993.
One of the major themes of Othello is that of jealousy, a manifestation of paranoia and obsession in itself. Iago’s burning desire to drive Othello to madness and a compulsion to disgrace those above him can be seen, with a Marxist reading, as his intense dissatisfaction with the social system he is a part of, ‘we cannot all be masters, nor all masters Cannot be truly followed’. Likewise, his intellectual superiority over his betters and peers is made evident ...
Act iii, scene iii, lines 108-131 of William Shakespeare’s “Othello” unquestionably shows Iago’s trickery and deceptiveness which is masked through his reputation for honesty, reliability and direct speaking. This section not only shows Iago’s slow but powerful act of deception, but also shows the jealousy and insecurities slowly depriving Othello’s inner peace and balance.
Sir Gawain and the Green Knight is a great work of medieval literature. The story is considered to be verse romance. There are not many solid facts on the story. The story was composed in the second half of the fourteenth century. It is likely that Sir Gawain and the Green Knight was written around 1375. The author of the piece remains unknown, but we do know of the northwestern dialect of Middle English with which he wrote the poem. The unknown author also consciously wrote in an old-fashioned style. The author is usually referred to as the Gawain poet or the Pearl poet. Three poems were included with Sir Gawain and the Green Knight. “Pearl”, “Patience”, and “Purity” were all with Sir Gawain and the Green Knight in the same manuscript. This is the reason the author is named as the Pearl poet, in addition to the Gawain poet. All four poems were uniquely named Cotton Nero A.X. This is due to the manuscript’s previous owner, Sir Robert Cotton. Cotton supposedly acquired the manuscript from Yorkshire bibliophile Henry Savile (1568-1617), but its whereabouts before then are unknown (Grolier).
Jokinen, Anniina. "Luminarium: Anthology of English Literature." Luminarium: Anthology of English Literature. N.p., 1996. Web. 9 Nov. 2013. http://www.luminarium.org/
As the United States grew in power, so did her ideas of expansion. The foreign powers were beginning to move out of their continents and seek land in other countries. The United States soon followed. They followed in their founder’s footsteps and tried to occupy lands in the far seas. However, in the beginning, this need for more land was called Manifest Destiny. This idea claimed that God was forcing them to occupy the new western lands. The expansionism that occurred in the late 1800’s was not a result of Manifest Destiny, and thus this "new" idea of expansionism was different from the expansionism ideas of early America. For the most part, the United States’ need for more land was primarily to keep other nations (mainly European powers) out of the western hemisphere. However the United States began to see reason behind change towards the "new" expansionistic ideas.
The old cliché "One bad apple ruins the bunch" is what enters one's mind when discussing the villainous, deceitful, protagonist Iago in Shakespeare's tragedy "Othello." It is amazing how one person alone can completely destroy, or deteriorate a group of good natured, trusting, loyal peoples' lives in a matter of days- three to be exact. What is the motive behind Iago's heinous, selfish acts, one may ask? A rather obvious theme in the Shakespeare's tragedy, "Othello", is that of the many facets of jealousy, which instigate the evil-doings of protagonist, Iago. Jealousy can be best defined, in the thinking of Renaissance, as a derivative or compounded passion. It is a species of envy, which is in turn a species of hatred. Hatred finds its opposite in love and is opposed to love. Envy is opposed to mercy. Yet while jealousy is opposed to love, it often rises from love. Like envy, it has something of the grief or fear that comes from seeing another in possession of what which we would possess solely for ourselves. Though jealousy is compounded, it still partakes in the nature of hatred, and hatred brings in its wake anger and revenge (Nardo 122). This could not be more accurate in the horrid actions Iago resorts to in his insatiable desire to get what he feels is rightfully his, regardless of who he hurts along the way. Iago serves as a prime example that keeping your enemies closest does not always work to your advantage. Let us now examine the heights of deceit to which Iago rises in his selfish, tactless rage to acquire what he wants. The best demonstration of Iago's jealous ways are shown through his twisted motives and his strategically planned out course of action in which he...
The Orthodox interpretation of Shakespeare's Othello is built on two assumptions; that Othello is not a jealous man and that Iago has no motives. Although there are many examples of these opinions within the play, I believe there is much more evidence which contradict these two statements, which allow me to conclude that Othello is in fact a jealous man and that Iago does have motives. As the play progresses the audience witness the development and increasing complexity of the characters. This change is particularly evident in Othello as he changes from the proud, eloquent, decicive leader in Act 1 to the petty, irrational, jealous, pathologically suspicious and emotionally unstable man at the end of the play.
As Iago's role in the play begins to define itself, the plays main theme, which is jealousy, also begins to develop. Iago's role is unclear to the reader in the first scene. He appears to be an honest, trustworthy soldier who was angry because he was overlooked for a promotion. However, the reader later finds out that he is a "malignant and destructive plotter" and would do anything to destroy Othello and anyone close to him (Epstein 381). The fact that he is an evil character remains undetected by the rest of the characters in the play. "The other characters actually call Iago honest fifteen times throughout the entire play" (Campbell 156). Iago is jealous and resentful of Othello in everyway and uses this festering hatred to infect and destroy Othello. He filled Othello's mind with thoughts of deceit and betrayal until his unwarranted jealousy towards his beautiful, trusting, and innocent wife blinded Othello himself.
Othello is considered one of the infamous (if not the most) literary works focusing on jealousy and the consequences it brings about. Various characters besides Othello fall victim to jealousy in the play and subject to different forms, i.e. sexual suspicion, lust and even disputes over promotion. It may be said that jealousy is the essence of the ‘tragedy’ that takes place in Othello. Shakespeare utilizes the literary technique of dramatic and tragic irony in these lines delivered by Iago, addressing Othello, “O beware, my lord, of jealousy! It is the green-eyed monster which doth mock the meat it feeds on…” , It is ironic because although on the surface Iago plays an advisory role against jealousy, he actually means for it to further incline Othello towards it. The audience is aware of Iago’s plots and schemes, though Othello is not ...
In William Shakespeare’s Othello Iago is the undeniable orchestrator of all the turmoil in the play. Iago’s malicious ploys cause envy and grief for every character that he encounters. Iago chooses to hurt people by making them envious because Iago himself is plagued by evy. Iago’s ironic struggle with envy is the fuel for all destruction in the book, and without the element of envy each character would have less of a desire to carry out the actions that transpired throughout the play. Iago is envious of Othello’s position of power, and the rumors that Emilia had an affair with Othello. Ultimately, Iago plans to destroy Othello by inciting him with envy, and to get Othello to turn on his wife.Iago’s paramount display of envy for Othello is in his soliloquy and also his conversations with Othello. Othello soon becomes overwhelmed with envy, and it is this envy that drives the play, and Iago’s plans.
Abrams, M.H., ed. The Norton Anthology of English Literature. 6th ed. Vol. 2. New York: Norton, 1993.
Shakespeare Othello was an act of many evil traits, including betrayal, manipulation and jealousy. Evil can be described as an act of someone who causes grievance, destruction, or impairment for one owns satisfaction; Iago, unquestionably, fits the description. Othello represented these traits through character, Iago, as he reveals his true nature of evil by diminishing people lives and becoming the downfall of many people around him. “Hell and night/ Must bring this monstrous birth to the world’s light” (I, iii, 394-396). Though Iago may not have a purpose of participating in many of his act of evil, he presents it as a self-obsessed driven supremacy. He plots to destroy Othello and to gain dominance by observing each weakness from Othello, and takes advantage of it. He uses his aid of human nature to help with his evil schemes and plots throughout the play. Because he identified Othello’s weaknesses and was able to use verbal persuasion to not only gain Othello’s trust, but to also use that as a benefit to what he wanted to accomplish. It is great importan...
William Shakespeare’s literary masterpiece, ‘Othello’, has been analysed and thought over since its conception in 1603. Critics from our modern day to over four centuries ago, have varying, and starkly contrasting theses about most aspects of the play. One of these well-debated aspects is the motivation behind malicious antagonist Iago’s malevolent actions, what exactly it was that drove him to cause the misfortunes that resulted in the deaths of almost every main character. I believe that Iago’s motivation lay in his hamartia, which he shared with the play’s titular character – jealousy.
Andreoletti, C., Zebrowitz, L. and Lachman, M. 2001. Physical Appearance and Control Beliefs in Young, Middle-Aged, and Older Adults. [e-book] Brandeis University.[Accessed: 10 April 2014].