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Thematic significance of imagery used in the Heart of Darkness
Symbolism in heart of darkness essay
Thematic significance of imagery used in the Heart of Darkness
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Close Reading Assignment 1 – Heart of Darkness
Prompt: Explore the variety of figurative language and imagery Conrad uses to discuss a single concept in Heart of Darkness (empire, Africa, rivers, etc.). How does Conrad’s choice of figurative language and imagery affect the portrayal of that concept?
In the novella, The Heart of Darkness by Joseph Conrad, the use of the Congo River symbolizes abstract concepts such as the difficulty of the main character - Marlow’s journey to heart of Congo and the representation of the experiences of taking on the journey itself. The Congo River is crucial for Europeans, in this case the Company to travel to Africa, which is also known as the “dark” continent in the novella because it provides a way of transportation.
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Conrad attempts to compare the Congo river to “uncoiled snake” – “But there was in it one river especially, a mighty big river, that you could see on the map, resembling an immense snake uncoiled” (Conrad 06). This symbolizes the darkness and the uncertainty of the journey that awaits him in the future. This imagery created by the “uncoiled snake: depicts a very slithery journey that confirms it will be dangerous as well. In addition to this journey being dark and dangerous, it is also difficult. The River is very difficult to travel up due to its currents forcing the travelers – Marlow the opposite way. It’s almost as if that the current is the preliminary struggle to keep him out of the inside (of the Africa). Because of the slow progress in Marlow’s travels, the exhaustion of this trip foreshadows the ongoing struggle that Marlow will experience within the Congo itself. From the voyage, it is almost like the uncoiled snake is constructed in a downward spiral in representation of Marlow’s experience in this
Watts, Cedric. 'Heart of Darkness.' The Cambridge Companion to Joseph Conrad. Ed. J.H. Stape. Cambridge: Cambridge University Press, 1996. 45-62.
Chinua Achebe composed an essay titled "An Image of Africa: Racism in Conrad's HEART OF DARKNESS" interpreting his attitude on the novella. In his essay, Achebe states that “Heart of Darkness projects the likeness of Africa as “the other world”, the antithesis of Europe and thus of civilization, a place where a man’s vaunted intelligence and refinement are finally mocked by triumphant bestiality”(Achebe 783). Readers are hit by the insensitivity and savage way in which European colonists advanced the tribal heritage they searched to “civilize". Chinua Achebe cites numerous points in the text where this concept is shown. Achebe also argues that the river Thames is mismatched to the river Congo, its “very antithesis” (3), where the activity in the innovative is centralized. Achebe argues that what is concerned about Conrad is not the definiteness, but the lurking hint of kinship, of widespread ancestry. For the Thames too ‘has been one of the dark locations of the earth.’ It conquered its darkness, of course, and is now in daylight and at calm. But if it were to visit its primal relation, the Congo, it would run the awful risk of hearing grotesque echoes of its own disregarded darkness, and dropping victim to an avenging recrudescence of the mindless frenzy of the first beginnings. Achebe is most interested in the novel’s characterization, that is, its portraits of Afri...
Joseph Conrad’s own experiences during his trip through the Congo helped him provide a foundation for the writing of Heart of Darkness. In 1890, Conrad took a job as a captain on the river steamer Kinshasa. Before Conrad took this job, he had worked for the French merchant navy as a way to escape Russian military service and also to escape the emotional troubles that had plagued him. Conrad had been in a financial crisis that was resolved with help from his uncle. After this series of events, Conrad joined the British merchant navy at the beckoning of his uncle and took the job as the captain of a steamboat in the Congo River. An important fact to remember is that Conrad was a young and inexperienced man when he was exposed to the harsh and dangerous life of a sailor. His experiences in the West Indies and especially in the Belgium Congo were eye opening and facilitated his strong outlooks that are reflected in the book Heart of Darkness. Conrad’s journey through the Belgian Congo gave him the experiences and knowledge to write about a place that most Europeans would never see in their lives.
Conrad’s shifting setting introduces new environments and attitudes for Marlow to cope with. Marlow begins the novel in “a narrow and deserted street in deep shadow, [with] high houses, innumerable windows with venetian blinds, a dead silence, grass sprouting right and left, [and] immense double doors standing ponderously ajar” (Conrad 45). Nearly all of the surroundings have intimidating connotations, which surprisingly fight Marlow into a comfortably safe and secure standing. Marlow notices the map in the office, and examines it to see just where his travels will take him. After observing the map, he points out that he was not going to the points of Africa that seem welcoming but he “was going into the yellow. Dead in the centre. And the river was there – fascinating – deadly – like a snake” (45). He already realizes he will have trouble transitioning into the new environment, being surrounded by what seems like death. Because Marlow grows accustomed to the urbanized streets of Brussels, the difficulty of the transition to the Congo develops exponentially. Before Marlow knows it, he travels to a land with “trees, tress, millions of trees, massive, immense, running up high” and they “made [him] feel very small, very lost” (75). Marlow, already apprehensive of the change to the Congo, shows his loss of confidence in his new environment.
Every aspect in Conrad?s book has a deep meaning, which can then be linked to the light and dark imagery. In the novel there are two rivers, the Thames and the Congo. The...
Conrad, Joseph. "Heart of Darkness." The Norton Anthology of English Literature. Ed. M.H. Abrams et al. 6th ed. vol. 2. New York: Norton, 1993. 1759-1817.
Throughout the entire novella, Joseph Conrad uses simple events to describe significant dark and light imagery. As the story begins, a man named Marlow describes his journey into the depths of the African Congo. He is in search of a man name Kurtz who is an ivory trader. His experiences throughout his journey are physically difficult to overcome. However, even more complex, was the journey that his heart and mind experienced throughout the long ride into the Congo. Marlow’s surroundings such as the setting, characters, and symbols each contain light and dark images that shape the central theme of the novel.
Joseph Conrad creates a motif of light and darkness within society, never quite placing Marlow on either side, and thus isolating him from everyone else. When first getting to shore, Marlow refers to the natives as criminals, creatures, and savages. This immediately gives the reader the idea that Marlow thinks himself different than them. One of the first things he notices when seeing them is their midnight black skin and that “each had an iron collar on his neck, and all were connected together with a chain” (Conrad 70). By describing the dark skin of the natives, Conrad manipulates Marlow to think of them as the dark part of society. The chain ties the natives together literally but also figuratively. This metaphor is created to show the unity between the natives and that, whether by force or by choice, they stick together. Although the natives may not have much else, they have each other’s company which is later used to juxtapose the isolation in Marlow. When meeting the white men in the Congo, his reaction is quite different. After taking in the acco...
Civilization is not as advanced as first assumed. Joseph Conrad asserts this disheartening message in his novel, Heart of Darkness. The novel follows a European man reliving his journey to the Congo through story telling to his shipmates. Through Marlow’s journey, Conrad reveals the stark contrasts between European civilization and African savagery. Heart of Darkness explores the struggles of different societies with an intention to expose the weaknesses of a complicated imperialistic ideal.
London: Penguin Group. 1995 Cole, David W., and Kenneth B. Grant. "Conrad's Heart of Darkness. " The Explicator 54.1 1995.
In Joseph Conrad’s novel, Heart of Darkness, the meaning of the word “darkness” changed throughout the story to symbolize different things. Conrad used this term in ways to identify social and intellectual elements in order to help the reader get a feel of his outlook and his own opinions of the world. The two most noticeable interpretations of “darkness” were how it symbolized racism in the world and it also symbolized the enormous impact that an uncivilized world can have on a civilized person.
Heart of Darkness by Joseph Conrad may be a narrative about colonisation, revealing its drawbacks and corruption, but it may also be understood as a journey into the depths of one’s psyche, if taken at a symbolic level.
In “The Heart of Darkness” setting is a huge impact on the major theme civilization vs savagery. The setting is either dark or light. The Congo river is a divider, keeping Marlow separated form the natives and the evil ways of Kurtz. The river not only allows Marlow to see both side of the continent, but allows him to see both sides civilized and savagery. When Marlow said “one of the darkest places of the earth”.
We are locked out of Conrad’s (the narrator in this case) world, allowed to feel only what he let’s us, see the savages as he does, through his eyes, feel with his body. We are not able to see how the world views him. Is he seen as superior, a drone, a sailor? His dreamlike consciousness navigates us, the readers, down the river as if we are a part of the flow of things, ripples in the water, patches of the darkness.
Boasting a length of 2,920 miles, the Congo River stretches through the vast continent of Africa. This massive, twisting body of water offers the setting for Joseph Conrad’s complex novella, Heart of Darkness. Charlie Marlow, a British seaman who is curious about the undeveloped Congo region, travels to Africa to work for the Company. In Europe, he hears about the mutualistic relationship between the Company and native Africans, but the reality of their relationship is much darker than Marlow envisioned. He discovers that the white ivory traders are brutal and malicious, enslaving the natives for labor without proper living standards.