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Africa in the heart of darkness
Africa in the heart of darkness
Literary analysis trifles
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Man has explored many places on earth and even the moon, but places like the congo have not been explored as much. This makes it tough to try to travel and explore the unknown. This novel has symbolism throughout the entire story that leads the readers to believe something before it even happens. In this Novel “Heart of Darkness”, written by Joseph Conrad, the meaning and its development can be shown through the symbolism of the journey, the test of man’s mind, and lastly the test of man’s soul. The first meaning of development is the way that Conrad uses symbolism during the journey of Marlo (who is the main character of the story). During this novel Marlo goes on a exploration to the Congo to try and find Kurtz who is the head of the company. On the boat working their way into the Congo there is a very thick fog that rolls in. Marlo calls this fog “the blind whiteness.” (Conrad 7) This foreshadows into the story by using the fog.This lets the readers know that the story is going to be more dark, quiet, and evil. The madness farther in the story is shown a sneak peek by Conrad. This is one case of symbolism that propels the story even though this novel has many more that we could bring up. …show more content…
A Major point in this story was (The Test). This was a test of sanity ; every single person that has gone to the congo has not returned because they have went insane. Once they were gone they would join the savages and live like them also. Kurtz who was highly thought of around his parts was tested with the Congo and failed. The test started when he was making a fortune on the ivory that he was mining from the Congo. Conrad has a big theme of how power has a way of finding a way into one’s head. His overall theme is that eventually everyone will be be tested. As one can see Kurtz failed badly and was indeed insane up to the day of his
In Heart of Darkness and Apocalypse Now, both Joseph Conrad and Francis Ford Coppola create similar statements through their creations as they both centralize their views upon the effects of environmental changes that affect the human condition. The film Apocalypse Now vaguely reflects a similar message pursued by Conrad’s novella, due to the difference in time period, place setting, and circumstances in which the film was created. Conrad wrote his novella during British colonization, focusing upon imperialism. Coppola’s film similarly focused upon the barbaric nature of man, which demonstrates the insanity of the Vietnam War. In Heart of Darkness, Conrad centers his main focus upon the journey of Marlow, a sailor, who travels into the depth of the Congo River as captain to meet Kurtz, an ivory tradesman. Coppola’s film directs a similar connection to the central character, sharing the same journey of a man traveling into the depths of an unknown wilderness. In Apocalypse Now, Willard is assigned to travel the Nung River of Vietnam, locate Kurtz position, and terminate his command. Throughout Apocalypse Now, Coppola also portrays similar themes of imperialism and the corruption of man. In both works, Conrad and Coppola direct this corruption through the character of Kurtz. Upon meeting Kurtz, both central characters share similar actions during the scene, while also differing in the description of Kurtz character. Conrad and Coppola incorporate this scene, to highlight the effects of evil that are reflected through both physical attributes as well as mental. The manifestation of Kurtz’s character reflects similar attributes that display the tragedy of losing his identity as the jungle devours him.
The contrast between light and dark is very important when attempting to understand Conrad's thoughts and ideas about civilization and what it really is.
Joseph Conrad’s own experiences during his trip through the Congo helped him provide a foundation for the writing of Heart of Darkness. In 1890, Conrad took a job as a captain on the river steamer Kinshasa. Before Conrad took this job, he had worked for the French merchant navy as a way to escape Russian military service and also to escape the emotional troubles that had plagued him. Conrad had been in a financial crisis that was resolved with help from his uncle. After this series of events, Conrad joined the British merchant navy at the beckoning of his uncle and took the job as the captain of a steamboat in the Congo River. An important fact to remember is that Conrad was a young and inexperienced man when he was exposed to the harsh and dangerous life of a sailor. His experiences in the West Indies and especially in the Belgium Congo were eye opening and facilitated his strong outlooks that are reflected in the book Heart of Darkness. Conrad’s journey through the Belgian Congo gave him the experiences and knowledge to write about a place that most Europeans would never see in their lives.
Kurtz’s last words are as ambiguous as they are terrifying. “The horror! The horror!” They may reveal a vision or just some madness induced outcry. Nevertheless, it is apparent that Kurtz has gone insane. Oxford dictionaries define insane as “in a state of mind that prevents normal perception, behavior, or social interaction.” His deteriorating physical appearance emits sickness as well as madness. Also, due to the lack of restraint, Kurtz assumes a god-like position as he takes control of various African villages that worship him. Paradoxically, the stated mission of the Company to civilize the natives turns into the literal and figurative degeneration of Kurtz. However, it’s certainly not as simple as “Kurtz goes into the jungle. Heads on sticks result.” Conrad uses him as an extreme example of what happens to people when they are taken away from their structured environment. Kurtz is an embodiment of madness that represents the effects of removal from society.
So why did he take what starts out looking like a fictionalized autobiographical account, and then half way through the story start being totally fictional? The important changes made seems to be that he is in charge of the boat, and thus is in control of his own journey to the heart of darkness. The other is the significance of the Kurtz character. Prof Abel mentioned Kurtz was loosely based on someone named Klein, but presumably the significance of Kurtz is much more symbolic than biographical. Perhaps Conrad creates Kurtz to embody the issues that he thought about during his trip on the Congo, but which never actually personified themselves so concretely.
Heart of Darkness by Joseph Conrad is a novel about a man named Marlow and his journey into the depths of the African Congo. Marlow is in search of a man named Kurtz, an ivory trader. Though Marlow?s physical journey seems rather simple, it takes him further into his own heart and soul than into the Congo. The setting, symbols and characters each contain light and dark images, these images shape the central theme of the novel.
The man we meet deep in the Congo isn't the same man. He isn't civilized or truly respectable anymore. At this point, he had gone mad. He had the heads of "rebels" (97) on posts around his house, staring at his home. "He [Kurtz] hated all this, and somehow he couldn't get away." (95) Kurtz had two opposing sensibilities. The one said that he should leave and return to civilization and his fiancée while escaping the sickness that seemed to pervade that jungle for all Europeans. The other sensibility was more basic. It was a growl for absolute power over the lives of the natives and also the material want for more ivory. He couldn't escape this hunger. Even at the end of his life when he has been carried onto the ship and is happy to leave, he tries to break away from this decision and return to the jungle.
On the surface, Heart of Darkness is the exploration of the African Congo where the explorers are trying to conquer the natives and make a profit in the ivory business. However, there is much more to the short novel written by Joseph Conrad than just the surface. It is also the exploration of the unconscious where the goal is to conquer the unknown. At the same time when Heart of Darkness was surfacing in the 20th century society, a psychologist named Sigmund Freud was publishing his research findings. Freud’s research of the unconscious and Conrad’s journey into darkness is remarkably similar. John Tessitore, a modern critic, says of the similarity, "...it is enough simply to observe that two great minds found themselves arriving at identical conclusions and expressed those conclusions through the modes of their individual disciplines" (Tessitore 93). Specifically comparable are Conrad’s exploration of the mind and Freud’s exploration of the id, superego, and ego.
Civilization is not as advanced as first assumed. Joseph Conrad asserts this disheartening message in his novel, Heart of Darkness. The novel follows a European man reliving his journey to the Congo through story telling to his shipmates. Through Marlow’s journey, Conrad reveals the stark contrasts between European civilization and African savagery. Heart of Darkness explores the struggles of different societies with an intention to expose the weaknesses of a complicated imperialistic ideal.
Every story has a plot, but not every story has a deeper meaning. When viewed superficially, Joseph Conrad's Heart of Darkness is a tragic tale of the white man's journey into the African jungle. When we peel away the layers, however, a different journey is revealed - we venture into the soul of man, complete with the warts as well as the wonderful. Conrad uses this theme of light and darkness to contrast the civilized European world with the savage African world in Heart of Darkness.
Two Themes in Heart Of Darkness There are many themes that run through the novel Heart of Darkness. There are however two main and significant ones. These are the theme of restraint and man's journey into self. The importance of restraint is stressed throughout Heart of Darkness.
In the novel Heart of Darkness, there are several themes including Good versus Evil, Power, Femininity, and Fate. Two themes are further prevalent and significant. These themes are restraint and identity. They are the two most noteworthy themes in the book because both capitalize on the complexity and flaws of human nature.
Heart of Darkness describes a voyage to Africa, common for the British still, despite the horrific treatment which was apparent of colonization. The chaotic, stream-of-consciousness style Conrad took on helped to display the confusion, and made the reader have to interpret for themselves what they thought the writer meant. Conrad experiments with this style, leaving some sentences without ending: "not a sentimental pretense but an idea;…something you can set up…and offer a sacrifice to…." (Conrad, Longman p. 2195), a very choppy form of literature and causes the reader to fill in the holes and interpret themselves, alone. Conrad skips about from talking of the "two women knitted black wool feverishly" at the gate of the city (of hell), to his aunt which he feels women are "out of touch with truth," to how the British are as "weak-eyed devil(s) of a rapacious and pitiless folly" (Conrad, Longman pp. 2198, 2199, & 2202). Conrad's mind moves about as ours do along a large duration of literary monologue to convey to the reader the author's ideas, as interpreted by the reader.
The "Heart of Darkness," written by Joseph Conrad in 1899 as a short story, is about two men who face their own identities as what they consider to be civilized Europeans and the struggle to not to abandon their themselves and their morality once they venture into the "darkness." The use of "darkness" is in the book's title and in throughout the story and takes on a number of meanings that are not easily understood until the story progresses. As you read the story you realize that the meaning of "darkness" is not something that is constant but changes depending on the context it used.
Heart of Darkness by Joseph Conrad may be a narrative about colonisation, revealing its drawbacks and corruption, but it may also be understood as a journey into the depths of one’s psyche, if taken at a symbolic level.