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Id and superego according to Freud and individual and civilization
The reality of the conscious and unconscious by freud
Id and superego according to Freud and individual and civilization
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A Freudian Perspective of Marlow in Heart of Darkness On the surface, Heart of Darkness is the exploration of the African Congo where the explorers are trying to conquer the natives and make a profit in the ivory business. However, there is much more to the short novel written by Joseph Conrad than just the surface. It is also the exploration of the unconscious where the goal is to conquer the unknown. At the same time when Heart of Darkness was surfacing in the 20th century society, a psychologist named Sigmund Freud was publishing his research findings. Freud’s research of the unconscious and Conrad’s journey into darkness is remarkably similar. John Tessitore, a modern critic, says of the similarity, "...it is enough simply to observe that two great minds found themselves arriving at identical conclusions and expressed those conclusions through the modes of their individual disciplines" (Tessitore 93). Specifically comparable are Conrad’s exploration of the mind and Freud’s exploration of the id, superego, and ego. In Freud’s research on the mind he found three functional areas--the id, the superego, and the ego. These interrelated parts permit the self to function in society. The id is the innermost component of the three. It is the extreme unconscious. This is where the child-like unsocialized drives and instinctual impulses arise. The id knows no rules and does not abide to any external logical laws. It is only ruled by the desire for pleasure. When the id sees something it wants, all it says is, "I want that, I want that, I want that," like a young child in a toy store. The id is selfish; it represents self-centeredness in its purest form. According to Freud, the superego is the middle functional part ... ... middle of paper ... ...een, Marlon Brando, and Robert Duvall. Paramount, 1979. Conrad, Joseph. "Heart of Darkness." The Norton Anthology of English Literature. Ed. M.H. Abrams et al. 6th ed. vol. 2. New York: Norton, 1993. 1759-1817. Guerard, Albert J. Conrad the Novelist. Cambridge, MA.: Harvard U. Press, 1958. Hayes, Dorsha. “Heart of Darkness: An Aspect of the Shadow,” Spring (1956): 43-47 Ryf, Robert. "Joseph Conrad." Columbia Essays on Modern Writers. New York: Columbia UP, 1970. 17-21. McLynn, Frank. Hearts of Darkness: The European Exploration of Africa. New York: Carol & Gey, 1992. Tessitore, John. "Freud, Conrad, and Heart of Darkness." Modern Critical Interpretations." Ed. Harold Bloom. New York: Chelsea House Publishers, 1987. 91-103. Spivack, Charlotte. "The Journey to Hell: Satan, The Shadow, and the Self." Centennial Review 9:4 (1965): 420 - 437.
Conrad, Joseph. “Heart of Darkness.” An Introduction to Literature. Ed. Barnet, et al. New York: Longman, 2000.
4 See Mark Lane, Plausible Denial; Was the CIA Involved in the Assassination of JFK? (New York: Thunder's Mouth Press, 1991). For testimony of another participant see Robert Morrow: First Hand Knowledge: How I Participated in the CIA-Mafia Murder of President Kennedy (New York: S.P.I. Books, 1992).
Should professional athletes earn millions of dollars for playing a game? Athletes should not be making millions and millions of dollars while more important jobs earn significantly less. There are doctors who save lives daily and they do not even make a tenth of what some athletes make. It is crazy to believe that someone is really worth hundreds of millions of dollars, and all they have to do is play a sport; a sport that millions of people would play for free if given the chance.
While many stories take the initiative to tell the story more innocently for children, there is a limit on how much innocence is utilized. The poems A Barred Owl and The History Teacher are two completely different poems giving off the same message, containing innocence, but not too extreme. Each poem has the adults teaching the children what is good and bad in the world without giving them fear. The literary devices utilized in each poem portray different intentions. In A Barred Owl, Richard Wilbur utilizes personification, imagery, and irony to portray the innocence being seen throughout the poem, while in The History Teacher, Billy Collins utilizes syntax, tone and theme.
Rosmarin, Adena. "Darkening the Reader: Reader Response Criticism and Heart of Darkness." Joseph Conrad Heart of Darkness: A Case Study in Contemporary Criticism. Ed. Ross C. Murfin. New York: St. Martin's, 1989.
* Conrad, Joseph. “Heart of Darkness” in The Norton Anthology of English Literature, M.H. Abrams, general editor. (London: W.W. Norton, 1962, 2000)
Without personal access to authors, readers are left to themselves to interpret literature. This can become challenging with more difficult texts, such as Joseph Conrad’s novella Heart of Darkness. Fortunately, literary audiences are not abandoned to flounder in pieces such as this; active readers may look through many different lenses to see possible meanings in a work. For example, Conrad’s Heart of Darkness may be deciphered with a post-colonial, feminist, or archetypal mindset, or analyzed with Freudian psycho-analytic theory. The latter two would effectively reveal the greater roles of Kurtz and Marlow as the id and the ego, respectively, and offer the opportunity to draw a conclusion about the work as a whole.
Conrad, Joseph, and Paul B. Armstrong. Heart of Darkness: Authoritative Text, Backgrounds and Contexts, Criticism. New York: W.W. Norton &, 2006.
Conrad, Joseph. Heart of Darkness 3rd Ed. Ed. Robert Kimbrough. New York: Norton Critical, 1988.
Hay, Eloise Knapp. The Political Novels of Joseph Conrad: a Critical Study. Chicago: University of Chicago, 1972. 120. Print.
Conrad, Joseph. Heart of Darkness. Ed. Judith Boss and David Widger. Chapel Hill: Project Gutenberg, 2006. eBook.
Wright, Walter F. "Ingress to The Heart of Darkness ." Romance and Tragedy in Joseph Conrad . New York: Russell and Russell, 1966. Pp. 143-160.
Conrad, Joseph. Heart of Darkness and Other Tales. Ed. Cedric Watts. Oxford: Oxford UP, 2008. Print.
London: Methuen, 1980. http://www. Bergenholtz, Rita. “Conrad’s ‘Heart of Darkness’.” The Explicator. 53.2 (1995): 102.
Conrad, Joseph. Heart of Darkness 3rd ed. Ed. Robert Kimbrough. New York: Norton Critical, 1988.