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Literary elements in heart of darkness joseph conrad
Analysis of heart of darkness
Analysis of heart of darkness
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Literary Analysis of the Heart of Darkness and the Secret Sharer
In this report the overall summaries of the Heart of Darkness and the Secret Sharer will
be explained. These two books were very exciting and had a lot of thrills in them. The author
Joseph Conrad did a great job displaying his creative ideas with these two books. Many literary
elements that are displayed in these books will be explained thoroughly and how effective they
were in these stories. After reading this paper the reader will have a better understanding of the
author and his creative writing style along with some very important literary elements that are
used in most stories.
In the first part of the Heart of Darkness is talking about a man named Marlow
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Description is also being used when they are describing the captain and Leggat and how they are
similar. This story is using the literary element fiction because it is not real or true. It is also
using imagery by clearly describing the setting. We also see the plot of the story forming because
the captain just encountered a peculiar man. The author is also using the literary element of genre
which is the category of a type of literature. The secret sharer would fit more into the action
In the last part of the Secret Sharer the captain of the other ship came by to check to see
if Leggat was on the ship, but the captain lied to keep him safe. Leggatt stayed on the ship for a
few days almost getting discovered a few times. One time Leggat had come really close to being
discovered by one of the crew members, but he managed to stay hidden the whole time. The ship
was on its way back to England but Leggatt asks to drop him off on some islands so that he can
live the rest of his life freely. The captain agrees and moves the ship closer to some islands
which was dangerous and made the crew upset. Leggatt had jumped off the ship and swam
Watts, Cedric. 'Heart of Darkness.' The Cambridge Companion to Joseph Conrad. Ed. J.H. Stape. Cambridge: Cambridge University Press, 1996. 45-62.
The Heart of Darkness, a complex text was written by Joseph Conrad around the 19th century, when Europeans were colonizing Africa for wealth and power and were attempting to spread their culture and religion in Africa. It was also a period in which women were not allowed to participate in worldly affairs. Therefore, the text deals with issues such as racism, European imperialism, and misogyny. This essay will look at the different themes in the novel and argue whether or not The Heart of Darkness is a work of art.
1. The protagonist of Heart of Darkness is a person named Charlie Marlow. Oddly, his name only appears once in the novel. Marlow is philosophical, independent-minded, and generally skeptical of those around him. He is also a master storyteller, eloquent and able to draw his listeners into his tale. Although Marlow shares many of his fellow Europeans’ prejudices, he has seen enough of the world and enough debased white men to make him skeptical of imperialism. An example of Marlow being independent-minded and philosophical is when he takes a trip up a river, as a break from working on ships. Marlow describes the trip as a journey back in time, to a “prehistoric earth.” This remark on how he regards colonized people as primitive, which is his philosophical viewpoint.
Conrad, Joseph. Heart of Darkness ; And, The Secret Sharer. New York: Signet Classic, 1997. Print.
As Marlow assists the reader in understanding the story he tells, many inversions and contrasts are utilized in order to increase apperception of the true meaning it holds. One of the most commonly occurring divergences is the un orthodox implications that light and dark embody. Conrad’s Heart of Darkness brims with paradoxes and symbolism throughout its entirety, with the intent of assisting the reader in comprehending the truth of not only human nature, but of the world.
The novel, Heart of Darkness, by Joseph Conrad, is literally about Marlow’s journey into the Belgian Congo, but symbolically about the discovery of his heart and soul during his journey, only to find that it is consumed by darkness. He realizes that the man he admired and respected most, is really demonic and that he may be just like him. He is able to come to this realization however, before it takes the best of him.
Have you ever wondered why some people act the way they do? Are some people just born smart, mean, or ambitious? Malcolm Gladwell's explores this question in this book Outliers: The Story of Success. He deduces that many of our decisions, actions, and situations are a result of the environment around us. Similarly, Joseph Conrad’s novels Heart of Darkness and The Secret Sharer explores the very same question with dynamic characters as they struggle through the blood thirsty and money hungry Congo during the ivory mining era and complete isolation of a captain on his own ship. Conrad’s novels demonstrate the theme that every man struggles from inner demons while in stressful environments thus, supporting Gladwell’s thesis through personification
Conrad, Joseph. "Heart of Darkness." The Norton Anthology of English Literature. Ed. M.H. Abrams et al. 6th ed. vol. 2. New York: Norton, 1993. 1759-1817.
* Conrad, Joseph. “Heart of Darkness” in The Norton Anthology of English Literature, M.H. Abrams, general editor. (London: W.W. Norton, 1962, 2000)
...o, while the novella’s archetypal structure glorifies Marlow’s domination of Kurtz. These two analyses taken together provide a much fuller and more comprehensive interpretation of the work. Conrad presents the idea that there is some darkness within each person. The darkness is is inherited and instinctual, but because it is natural does not make it right. He celebrates – and thereby almost advises – the turn from instinct. By telling Marlow’s tale, Joseph Conrad stresses to his audience the importance of self-knowledge and the unnecessity of instinct in civilization.
Conrad, Joseph. “Heart of Darkness.” Norton Anthology of British Literature. 7th Edition. Vol. B. Ed. M. H. Abrams, et. al. New York: W. W. Norton, 2001.
...e rejection of nineteenth century realism. Since Marlow the storyteller is flawed, his story falters as a result. The novel effectively reduces each to their flaws, but does not attempt to hide its limitations behind a manufactured authority. It is this absence, or seeming absence, of controlled writing that brings Heart of Darkness closer to "the real" than any authoritative work of realism.
Lynn, David H. " Heart of Darkness : Marlow's Heroic Cry." The Hero's Tale. Narrators in the Early Modern Novel . London: Macmillan, 1989. Pp. 1-27.
Conrad, J. (2006). Heart of darkness. In P. B. Armstrong (Ed.), Heart of darkness (4th ed., p. 5). New York London: Norton Critical Editions.
Joseph Conrad’s Heart of Darkness is a great example of a Modernist novel because of its general obscurity. The language is thick and opaque. The novel is littered with words such as: inconceivable, inscrutable, gloom. Rather than defining characters in black and white terms, like good and bad, they entire novel is in different shades of gray. The unfolding of events takes the reader between many a foggy bank; the action in the book and not just the language echoes tones of gray.