Grief is a painful emotion that people experience through troubling times in life, such as losing a loved one. Swiss psychiatrist, Elisabeth Kubler Ross, introduced the five stages of grief: denial, anger, bargaining, depression, and acceptance, in the year of 1969. She explains that there is no correct way or time to grieve; the stages are used to familiarize people with the aspects of grief and grieving. Grief can over take someone’s life and lead to a negative downfall, such as Hamlet experiences in Hamlet, written by Williams Shakespeare. He undergoes a variety of barriers throughout the novel, such as his father is murdered, which leads to his downfall-death. Although Hamlet grieves, the denial stage is not present in the novel as it begins months after his father’s death. He does not fulfill the bargaining stage either. Ultimately, one can clearly see Hamlet fulfills the grieving process through the stages of Anger, depression, and acceptance.
Anger is a necessary stage of the healing process. It is important to feel anger, even though it may seem endless, because it allows emotions to be released instead of being trapped inside like a bottle waiting to explode. Hamlet undergoes this stage as his mother, Queen Gertrude, remarries immediately after his father’s death, King Hamlet. He states that “Within a month, ere yet the salt of most unrighteous tears had left the flushing in her galled eyes, she married” (1.2.155-158). This quote exhibits Hamlet’s anger towards his mother because he does not believe she feels sad by his father’s death as he refers to her tears as ‘insincere’ and she remarries within a month. According to SAVE, “the circumstances surrounding the death are extremely important in determining how we are goi...
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... accepts his feelings towards Ophelia when she passes away. Lastly, Hamlet accepts that he will not be able to carry out the roots of being a king as he is dying. He says to Horatio, “I do prophesy th’ election lights/on Fortinbras; he has my dying voice” (5.2.380-381). Just as a person has a will testimony before they pass away, so to does Hamlet, as he desires Fortinbras to become King. One can see that Hamlet fulfills the last stage of the grief cycle, acceptance.
Through the death of Hamlet’s father, Shakespeare shows how one tragedy can lead to many stages of grief as well as the downfall of the character. Throughout the novel, Hamlet journeys through the grieving process in the stage of anger, depression, and acceptance. Elisabeth Kubler Ross states, “The purpose of life is more than these stages….it is not just about the life lost but also the life lived”
From past experiences in ones life, whether it be the death of a long aged gold fish to a deceased elder, one knows the pain and suffering that goes on afterwards. For one to finally move on and continue life without a tear in their eyes may take a while, yet having that immense step means to put the emotions aside and live life. Hamlet's father was murdered, and he soon sees his mother move on so quickly and marries his uncle, to continue being the queen. Hamlet's love for his father does not fade away within a two month span like his mother; he refuses to accept the fact that his father was killed, instead of a natural death. Because of this, Hamlet does not know what to do with his life. He mentions "O, that this too too sallied flesh would melt,/ Or that the Everlasting had not fixed/ His canon `against self-slaughter" (129-132). Immediately does Hamlet questions the existence of his own life, as he feels the need to melt and disappear, ultimately referring to suicide. The problem we face...
Hamlet throughout the play lives in a world of mourning. This bereavement route he experiences can be related to Elizabeth Kubler-Ross’s theory on this process. The death of Hamlet’s spirit can be traced through depression, denial and isolation, bargaining, anger, and acceptance. The natural sorrow and anger of Hamlet’s multiple griefs include all human frailty in their protest and sympathy and touch upon the deepest synapses of grief in our own lives, not only for those who have died, but for those, like ourselves, who are still alive. Hamlet’s experience of grief, and his recovery from it, is one it which we ourselves respond most deeply.
When Hamlet Senior dies Hamlet seems lost. Depression commonly follows a loved one’s death. He finds no true meaning in life. He wonders if we are only here to eat and sleep.
Many sources on grief declare it to be something that must be faced or it will never go away. Ophelia never faces her grief, but it does go away when she drowns herself. She resorts to singing to solve her problems, while Laertes takes to violence. He believes he will feel relief once Hamlet is dead. Hamlet, on the otherhand, grieves for his father and does not take action for some time. He also has strong feelings on how his mother should take a longer time to grieve for her former husband. These three characters endure the same sort of grief at times, but choose toreact differently. There is no right or wrong way to grieve, but as many of the characters in Hamlet discover, grief can overtake one’s life and lead to downfall.
In the beginning of Hamlet, the Prince behaves as any normal person would following the death of a loved one. Not only is this a loved one, but an extra special someone; it is his loving father whom he adored. Hamlet is grief stricken, depressed, and even angry that his mother remarried so soon after his father’s death. Having witnessed how his father had treated his mother with great love and respect, Hamlet cannot understand how his mother could shorten the grieving period so greatly to marry someone like Uncle Claudius. He is incapable of rationalizing her deeds and he is obsessed by her actions.
In conclusion, Shakespeare shows throughout the play Hamlet, that when people try to cope with a lack of control created by the loss of an authoritative parent, they harm, and eventually destroy themselves. Through the lives of character’s Ophelia, Hamlet and Laertes, this truth is revealed, as they respectively lose their mind, damage those around them, and their plans retaliate against themselves because they did not cope in healthy ways. When undergoing times of trial and testing, positive ways to cope involve doing so with close friends, accepting the facts, and moving on with life at a pace that is neither to concentrated in the past, nor the future.
There are many ways that Hamlet and his mother express their feelings for each other. In the beginning, they show tenderness and overwhelming love towards each other. It is Gertrude’s actions that bring out the anger in Hamlet. He cannot understand how his mother could be so disrespectful by remarrying so quickly. Although he honors his mother, he cannot do this upon learning of her engagement.
His first words in the play is an aside saying "A little more than kin and less than kind" (Shakespeare. 1.2.64-65). Hamlet is already distrustful of those around him, shown in the way Shakespeare uses an aside. This displays a lack of trust and ability to speak his mind out loud. Due to the death of his father and the quick and untimely coronation of Claudius as the new king, Hamlet becomes hostile and distrustful of the people around him as people tell him to move forward and accept his father 's death, just as they have. While he believes his sorrow and mourning is genuine, Hamlet discloses to his mother that the other 's mourning is fake and only "seems"(1.2.83) real. Hamlet believes that their loyalty is fickle and unreliable, there by isolating himself and relying on his inner circle of friends and family to deal with his loss and to loss that support, would leave Hamlet
Shakespeare’s Hamlet is a tragic play about murder, betrayal, revenge, madness, and moral corruption. It touches upon philosophical ideas such as existentialism and relativism. Prince Hamlet frequently questions the meaning of life and the degrading of morals as he agonizes over his father’s murder, his mother’s incestuous infidelity, and what he should or shouldn’t do about it. At first, he is just depressed; still mourning the loss of his father as his mother marries his uncle. After he learns about the treachery of his uncle and the adultery of his mother, his already negative countenance declines further. He struggles with the task of killing Claudius, feeling burdened about having been asked to find a solution to a situation that was forced upon him.Death is something he struggles with as an abstract idea and as relative to himself. He is able to reconcile with the idea of death and reality eventually.
William Shakespeare intended for Hamlet to be a tragic play of a hero: Hamlet. He does exactly that by allowing Hamlet to be exposed to suffering and being able to endure it without committing suicide. Although if one was to analyze the content of Hamlet’s “To be or not to be…” soliloquy once would realize that Hamlet is not really all that suicidal. However, there are moments throughout the play that arise the suspicion of Hamlet to no longer be able to endure the suffering and pain in his life. Hamlet’s judgment can be distorted when he does not act using reason but rather emotional impulse. His ability to accept and embrace suffering and pain, allows him to realize how valuable his life truly is.
After a death, we find ways to overcome grief in this painful world. Some people binge eat their way out while others find the easy way out, which is suicide. In the play Hamlet, Shakespeare portrays mortality in the image of death and suicide. Shakespeare develops Hamlet as a man who is sensitive and uncontrolled by his actions. Hamlet faces challenges that mess with his subconscious, making him feel vulnerable to making decisions that will affect his life.
In his tragedy Hamlet, William Shakespeare explores and analyzes the concept of mortality and the inevitability of death through the development of Hamlet’s understanding and ideology regarding the purpose for living. Through Hamlet’s obsessive fascination in understanding the purpose for living and whether death is the answer, Shakespeare analyzes and interprets the meaning of different elements of mortality and death: The pain death causes to others, the fading of evidence of existence through death, and the reason for living. While due to the inevitable and unsolvable mystery of the uncertainty of death, as no being will ever empirically experience death and be able to tell the tale, Shakespeare offers an answer to the reason for living through an analysis of Hamlet’s development in understanding death.
Ere yet the salt of most unrighteous tears…But break, my heart, for I must hold my tongue" Hamlet painfully moans to himself. It is clear at the beginning of the play that Hamlet was suffering—emotionally. It hurt him to see his mother marry so soon after his father’s death and Hamlet felt alone since no one else seemed to feel his pain and be mourning with him. It’s safe to conclude that Hamlet had a commendable and upright relationship with his father whom he admired. Unless one was not as courageous or as confident as Hamlet, we would’ve complained and tried to ruin the marriage.
Hamlet is one of the most often-performed and studied plays in the English language. The story might have been merely a melodramatic play about murder and revenge, butWilliam Shakespeare imbued his drama with a sensitivity and reflectivity that still fascinates audiences four hundred years after it was first performed. Hamlet is no ordinary young man, raging at the death of his father and the hasty marriage of his mother and his uncle. Hamlet is cursed with an introspective nature; he cannot decide whether to turn his anger outward or in on himself. The audience sees a young man who would be happiest back at his university, contemplating remote philosophical matters of life and death. Instead, Hamlet is forced to engage death on a visceral level, as an unwelcome and unfathomable figure in his life. He cannot ignore thoughts of death, nor can he grieve and get on with his life, as most people do. He is a melancholy man, and he can see only darkness in his future—if, indeed, he is to have a future at all. Throughout the play, and particularly in his two most famous soliloquies, Hamlet struggles with the competing compulsions to avenge his father’s death or to embrace his own. Hamlet is a man caught in a moral dilemma, and his inability to reach a resolution condemns himself and nearly everyone close to him.
If my analysis is correct, then, Hamlet becomes a study in the passion of grief. In Hamlet himself it is passion which is not moderated by reason, a passion which will not yield to the consolations of philosophy. And being intemperate and excessive grief, Hamlet’s grief is, therefore, the grief that makes memory fade, that makes reason fail in directing the will, that makes him guilty of sloth. . . . (95-96)