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Oedipus the king by Sophocles analysis
Oedipus the king by Sophocles analysis
Greek Tragedy Plays
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Tragedies have been a form of plays for a long time, since the Greek’s time of high power, ever since Thespis created the first form of play write with only using one actor. Plays and tragedies have come a long way since then, gradually increasing the number of actors and their role in the plays that were created. One of the most influential play writes of his time was Sophocles, who used three characters and created more realistic dramatic scenes and created one of the most influential plays of the time Oedipus Rex. His plays focused on us humans under the influence of gods, and also created the Oedipus cycle, which told stories of a great king who violated the rules set upon by the gods. Fast forward several thousands of years to another most influential playwright William Shakespeare. William has created hundreds of works, but is most known for his tragedies, Such as Romeo and Juliet, Macbeth, Julius Caesar, King Lear, and so on, but the one I want to talk about a very well know Tragedy, and most famous one Made by Shakespeare, Hamlet, and compare it to the tragedy mentioned above, Oedipus Rex. These two Plays have some very similar themes, but also have some very different story lines. This essay will compare the two tragedies, on how they are similar, and contrast the differences these two plays have from each other.
First off I would like to start out with the main Character of the plays, starting with Hamlet. Named for the title of the play, Hamlet is stricken with sorrow after finding out that his father, the king of Denmark, has been murdered, by his own brother, and uncle of Hamlet, Claudius, (Though, Hamlet does not find this out until later on in the play by the ghost of his father). The Play focuses on Hamlet’s struggle on convincing himself to get revenge on Claudius, but also a battle of his own sanity. Hamlet has distanced himself from his mother, Who married Claudius, and has only one trusted friend, Horatio, and a beloved girl, Ophelia, who succumbs to madness as well after finding out that Hamlet has killed her father, and later dies by drowning herself (in which upon the death of both his father, and sister, Laertes holds it against Hamlet). The end of the play ends with Hamlet, Gertrude, Claudius, Laertes, and Ophelia dead, Horatio mourning over Hamlet’s death, and Fortinbras taking over the kingdom of Denmark.
Although the play Hamlet is largely centered around the “tragic hero” Hamlet, it is the minor foil characters that gives us a deeper understanding of the text and a more conscious understanding of the internal struggles experienced by Hamlet. Each of these characters contrasts a specific aspect of Hamlet that would otherwise be overlooked. Horatio consolidates all of the desirable features that Hamlet wants to be into one person. Fortinbras, although in the exact same situation as Hamlet with his father dead and his uncle on the throne, is the complete opposite of Hamlet by choosing action over inaction. Finally, Ophelia personifies Hamlet’s innocence and the death of his innocence after the death of his father. Despite being opposites of each other, each of these characters bring a new outlook on the tragedy of Hamlet.
The great Sophoclean play, Oedipus Rex is an amazing play, and one of the first of its time to accurately portray the common tragic hero. Written in the time of ancient Greece, Sophocles perfected the use of character flaws in Greek drama with Oedipus Rex. Using Oedipus as his tragic hero, Sophocles’ plays forced the audience to experience a catharsis of emotions. Sophocles showed the play-watchers Oedipus’s life in the beginning as a “privileged, exalted [person] who [earned his] high repute and status by…intelligence.” Then, the great playwright reached in and violently pulled out the audience’s most sorrowful emotions, pity and fear, in showing Oedipus’s “crushing fall” from greatness.
"To be, or not to be: that is the question" (Shakespeare 1750). "Human beings have no part in the craft of prophecy" (Sophocles 1582). Both quotes are part of famous plays. Although the plays appear to be completely different they do have some similarities such as containing a tragic hero. A tragic hero is a character that makes a mistake and eventually leads to their defeat. A tragic hero usually contains at least 5 characteristics such as a flaw (hamartia), reversal of fortune (peripetia), character 's actions leads to a reversal, excessive pride, and the character 's fate is greater than what they truly deserved. Hamlet and Oedipus are both great examples of what a tragic hero is because they both contain flaws, reversal of fortune, and
Oedipus from the drama, “Oedipus the King” and Hamlet from, “Hamlet, Prince of Denmark” are two characters that are different, yet they both share the same title of being a tragic hero. Oedipus and Hamlet have many characteristics of a tragic hero that separates them in varieties. However, some of those characteristics show that both characters have and use similar thought processes and methods, which classify them as tragic heroes of their dramas. The five characteristics of a tragic hero are: nobility, tragic flaw, peripeteia, anagnorisis, and lastly irony. Both Oedipus and Hamlet hold or have a nobility position in their drama’s plot. Oedipus is the son of the king, and fate has foretold that he will kill his father and take over the kingdom. Hence, Oedipus was fated into his nobility, so he is required always remain in a status above all others. Hamlet is also the son of the former king that is now dead. Hamlet was born into this nobility, and this makes him the prince. Both characters are royalty, yet their morals and values are what make their nobilities the same. Their actions create heavy and dramatic outcomes, which lead to many more complications. Both men try to resolve their problems different, so their fortunes become reversed. Oedipus and Hamlet are very different, yet almost have the same fates. Out of all the five characterizes, three of them describe and separate both men best as tragic heroes. The tragic flaws, which is defined as hamartia, both men have are the main reason they are heroes of tragedy, their recognitions of their situations, which is an anagnorisis, are at different points in their stories, and lastly both men meet an ending that is meant to be an irony of their fate.
Tragedy comes in many forms, for example earthquakes, tornadoes and hurricanes are all types of tragedies. On the other hand, when talking about tragedy in literature, it has a whole different meaning. Tragedy in literature is on a smaller scale than things like earthquakes, tornadoes and hurricanes. In literature tragedy is usually about one person and the horrible things that happen to them during their life in a story or play.
In ancient drama, the character is often of noble birth and hold an important social position. At the same time, he is the tragic hero and any decision he makes lead him to personal catastrophe. An ancient main character is a victim of tragic irony. A hero commits a crime not being aware of that. He suffers some serious misfortune which is not accidental and meaningless, but is significant and logically connected with the his actions. A character in ancient drama is not largely developed psychologically. We do not get a full picture of king Oedipus personality. We've got very little information about his appearance; his action and speech don't tell us anything about his emotions. In contrast, we know a lot about Hamlet's emotions and feelings. Unlike Greek tragedy, a hero in modern drama, is often an ordinary person, not high born. Modern drama such as “Waiting for Godot” shows the tragedy not of the strong and noble, but weak and mean character.
Oedipus Rex and “Master Harold” and the boys are dramatic tragedies that tell the story of two men who, as Kreon would put it, “serve [their] own destruction. Although the two plays are completely different in plot and setting, they are similar in respect to the irrational decisions that the main characters make. The main characters also share many of the same characteristics which include a false sense of pride, intelligence which is over shadowed by irrational decisions, clouded judgment, and shame of their actions. Although the characters serve their own destruction, it can be argued that the environment shaped the downfalls which take place in each play.
Sophocles’ Oedipus is the tragedy of tragedies. An honorable king is deceived and manipulated by the gods to the point of his ruination. In the face of ugly consequences Oedipus pursues the truth for the good of his city, finally exiling himself to restore order. Sophocles establishes emotional attachment between the king and the audience, holding them in captivated sympathy as Oedipus draws near his catastrophic discovery. Oedipus draws the audience into a world between a rock and a hard place, where sacrifice must be made for the greater good.
Greek theatre was entwined within Ancient Greek society. Multiple didactic, dramatic works were directed and performed for the Greek society, from multiple tragedies invoking thought upon the layered meanings of the work, to the satyr comedies, which provided relief from the dark tragedies, while also educating the audience. Oedipus Rex is a theatrical tragedy directed by Sophocles in which it describes the consequences of King Oedipus’s past. The dramatic work begins ‘in medias res” in which it commences after the Greek myth tale of Oedipus’s homicide, the banishing of the wicked sphinx and his incestuous activity. Oedipus is oblivious of his past sins, and the dramatic tragedy depicts the events leading up to, and regarding his anagnorisis, then the ramifications of committing his immoral crimes. Within Greek tragedies, the narratives presented a catharsis of the main protagonist to the audience in which the protagonist analyses their flaws and results in some form of ‘restoration’ or ‘renewal’ of the protagonist. This was enhanced via the application of the conventions of tragedy which contributes to the emotion that the audience experiences, therefore likewise, their reaction to the catharsis. Generally the catharsis of the protagonist invokes a catharsis of the audience members. The conventions of tragedy were present within each Greek tragedy, most following the same events, however with varying situations and motives. The protagonist must be viewed by both the audience and characters within the play as someone to be admired which causes audiences to identify with them. They must suffer from some form of hamartia which the audience can identify, therefore when the anagnorisis occurs, they can understand the reasoning and avo...
According to Aristotle there are five characteristics of a tragic hero: Flaw or error of judgment, (Peripeteia) a reversal of fortune, the enlightenment (anagnorisis) the discovery or recognition, (hubris) excessive pride, and the character’s fate. Oedipus finds the elders of Thebes praying to the gods for liberation of the plague. Oedipus “alone can help. The cause of the trouble is himself; the chances he has had in his life are precisely the source of the plague” (Diski 1). Oedipus is the cause and the solution to end the plague, but he is blind to the true. Hamlet, differently from Oedipus, is a “man of thought and action, a justice seeker and a criminal, a victim and a wrongdoer, a deeply reflective introvert and a man capable of acting on impulse” (McHugh 1). Hamlet’s free will, injected him with the desire to vengeance his father at any cause. Both Hamlet and Oedipus meet all of the characteristics of a tragic hero. In the beginning of both stories is introduced the first characteristic of a tragic hero, the flaw and error of judgment. In Hamlet, the ghost of his father tells him to revenge his death and In Oedipus; the oracle warns Oedipus about killing his father. Next, the reversal of fortune, in both tragedies leads to the death of their mothers. The anagnorisis of Hamlet was when he discovered how his father died and in Oedipus when the shepherd recognized Oedipus as the killer of Laius. The hubris overpowered both heroes, Hamlet for vengeance of his father’s death and Oedipus to revenge the death of Laius, which ironically was his real father, and he had killed him. Hamlet and Oedipus have the five characteristics of a tragic hero, the main characteristic that both share, is the error of judgment, however, their fate ...
Aristotle, as a world famous philosopher, gives a clear definition of tragedy in his influential masterpiece Poetics, a well-known Greek technical handbook of literary criticism. In Aristotle’s words, a tragedy is “an imitation of an action that is serious, complete, and of a certain magnitude, language embellished with each kind of artistic ornament, the several kinds being found in separate parts of the play, the form of action, not of narrative, through pity and fear effecting the proper purgation of these emotions”(Aristotle 12). He believes that a tragedy should be serious and complete in appropriate and pleasurable language; the plot of tragedy should be dramatic, whose incidents will arouse pity and fear, and finally accomplish a catharsis of emotions. His theory of tragedy has been exerting great influence on the tragedy theories in the past two thousand years. Shakespeare, as the greatest dramatist in western literature, also learnt from this theory. Hamlet is one of the most influential tragedies written by Shakespeare. The play vividly focuses on the theme of moral corruption, treachery, revenge, and incest. This essay will first analyze Shakespeare’s Hamlet under Aristotle’s tragedy theory. Then this essay will express personal opinion on Aristotle’s tragedy theory. The purpose of this essay is to help the reader better understand Aristotle’s theory of tragedy and Shakespeare’s masterpiece Hamlet.
Before the twentieth century plays were mainly written as either a tragedy or comedy. In a tragic play the tragic hero will often do something that will eventually destroy him. In the book Oedipus the King, Oedipus is the tragic hero. In this tragic play the main character, which is portrayed as Oedipus, will do a good deed that will in turn make him a hero. This hero will reach his height of pride in the story, and in the end the action, which he had committed earlier, will return and destroy this man who was once called a hero.
William Shakespeare’s play, The Tragedy of Hamlet, Prince of Denmark, is one of the most influential plays of all time. It has been retold numerous times in multiple genres due its popularity. Set in Denmark, the kingdom mourns the death of King Hamlet. Prince Hamlet returns from school to find his mother, Gertrude, marrying his uncle, Claudius. The ghost of Hamlet’s father reveals that he was murdered by Claudius. Hamlet feels the need to avenge his father’s death. Ophelia overcome with grief at the death of her father, Polonius, kills herself and Gertrude’s death by the poisoned cup of Claudius. Shakespeare uses Gertrude and Ophelia to exemplify the themes of grief, betrayal, and compassion.
Theater audiences and literary enthusiasts are not spared of Shakespeare’s astonishing ability to capture the human spirit in his play Hamlet. The story of the tormented prince who desires revenge but is unable to take action delves deep into the human mind than plays before it. While some uninformed readers may write off Hamlet’s behavior to poor writing, it is clear that the Oedipus complex is the true driving force of Hamlet’s actions when delaying his revenge.
The Oedipus complex originates from the classical era and was seen as pejorative due to the afflictions of hatred, jealously and a desire to kill the father. It is where a boy unconsciously develops a desire and lust for his mother considering the father as his ultimate rival whom he must eradicate. The death of Hamlet's father to his envious adversaries hand, stimulates Hamlet's deep affections for his mother from his childhood. Hamlet's Oedipal desire leads him to procrastinate in killing Claudius: in doing so, it would be an obvious admittance to his Oedipal lusts: his enemy has already fulfilled his Oedipal desires in murdering Old Hamlet and sleeping with Gertrude.