The seven deadly sins are very much alive in society today. Of these seven, the two most common are pride and wrath. In William Shakespeare’s play Hamlet, pride and wrath lead to the downfalls of some of the main characters. Pride is defined as a high or inordinate opinion of one's own dignity, importance, merit, or superiority, whether as cherished in the mind or as displayed in bearing, conduct, etc. (Fowler, F. G., H. W. Fowler, and R. E. Allen 1984). It has been said to be the sin from which all others arise. In Hamlet, Hamlet's excessive pride leads him to make crucial mistakes that contribute to his downfall.
From the beginning of the play, Hamlet believes he is superior to those around him, and that those around him are easily fooled by his words. For example, upon being questioned by his mother about why he still seems bothered by his father’s death, he tells her that he does not simply seem to be grieving, he is, and that his displays of grief cannot “denote [him] truly,” because “they are actions that a man might play,” while his sorrow is real (Shakespeare I.ii.76-86). This claim reveals Hamlet’s belief that his outward nature cannot reveal his inner one, and, as Skulsky notices, “gives no grounds for exempting other people’s mysteries from the same iron law” (Skulsky 477).
Despite Hamlet’s initial implication that it is humanly impossible to decipher another’s inner nature based on his or her external actions, it quickly becomes apparent that Hamlet feels that doing so is not outside of his ability. When his father’s ghost reveals that Claudius murdered Old Hamlet, Hamlet declares, “O my prophetic soul!” as if he knew, based on Claudius’ exterior, that Claudius killed Old Hamlet (Shakespeare I.v.40). A prophetic s...
... middle of paper ...
...portant since you do not have a strong bond with that person. Hamlet uses the advantages he has to create a mad persona of himself, which is believable, to gain his revenge on.
Though written decades ago, William Shakespeare’s Hamlet is still read, studied, and enjoyed by readers everywhere simply because it is still relevant. The seven deadly sins played a role throughout this play, particularly excessive pride and a thirst for wrath. But, these sins exist in the very same world the reader lives in, as examples throughout this paper have proven. Hamlet, who character in particular is extremely intelligent and also extremely prideful, has been designed to be dynamic, with conflicting feelings of cowardice and vengeance, of love and mistrust, and of pride and pity. This dynamic character was driven to his own downfall by his own excessive pride and need for revenge.
One single moment or event during the course of an individual’s life can effectively alter their priorities and transform their identity drastically. In The play Hamlet, by William Shakespeare, Shakespeare introduces the readers to the protagonist Hamlet who is draped in anger and emotions and has a new-found mission in life. Initially, Hamlet is portrayed as an individual in mourning over his father's death and his mother's haste in remarrying to her brother-in-law and Hamlet's uncle, Claudius. However, Hamlet’s character and personality were drastically altered after meeting the Ghost and discovering the true nature of his Father’s death. Hamlet is now a man with a lust for revenge and a willingness to do anything that will enable him to accomplish this goal. When burdened with the task of killing Claudius, Hamlet chooses to sacrifice all he holds dear by transforming his identity in a noble effort to avenge his father’s death.
Throughout the play, Hamlet, written by William Shakespeare, the unclear representation of the protagonist’s actions is present. The protagonist, Hamlet, conducts the idea that he is turning mad. Although, there are many indications which support that this so-called “madness” is part of an act that Hamlet portrays. The other characters within the play try to understand the reasoning behind Hamlet’s madness, but cannot figure out the truth behind it. The main cause of Hamlet’s madness is the realization of his father’s death and the numerous influences his father’s death has on his life. Hamlet can control his actions of madness and specifically acts differently around certain characters. The characters who are more concerned
At the opening of the play Hamlet is portrayed as a stable individual . He expresses disappointment in his mother for her seeming disregard for his father's death. His feelings are justified and his actions are rational at this point, he describes himself as being genuine. As this scene progresses it is revealed that Hamlet views himself as being weak: "My father's brother, but no more like my father/ than I to Hercules" (1.2.153) The doubts that Hamlet has concerning his heroism become particularly evident in his actions as the story progresses. These doubts are a major hindrance to his thoughts of revenge.
William Shakespeare is widely known for his ability to take a sad story, illustrate it with words, and make it a tragedy. Usually human beings include certain discrepancies in their personalities that can at times find them in undesirable or difficult situations. However, those that are exemplified in Shakespeare’s tragedies include “character flaws” which are so destructive that they eventually cause their downfall. For example, Prince Hamlet, of Shakespeare’s tragedy play “Hamlet,” is seemingly horrified by what the ghost of his father clarifies concerning his death. Yet the actions executed by Hamlet following this revelation do not appear to coincide with the disgust he expresses immediately after the ghost alerts him of the true cause of his death. Thus, it is apparent that the instilled self doubt of Prince Hamlet is as the wand that Shakespeare uses to transform an otherwise sad story to an unfortunate tragedy.
Self-image plays a big role in how people act. Hamlet’s inability to know himself or to understand his own motives leads to the restless battles between right and wrong in his conscience, which is the reason for his unpredictable tragic actions, and behaviors. Hamlets’ confusion is clearly shown in his soliloquies. His confused mind can be broken into five categories. Hamlet suffers from his own moral standards, the desperate need to seek the truth, lack of confidence and trust in his own impulses, self-hatred, and melancholy. Each of these categories contribute to Hamlet’s troubled mind.
Throughout the play, Hamlet becomes more and more believable in his act, even convincing his mother that he is crazy. However, through his thoughts, and actions, the reader can see that he is in fact putting up an act, he is simply simulating insanity to help fulfil his fathers duty of revenge. Throughout the play, Hamlet shows that he understands real from fake, right from wrong and his enemies from his friends. Even in his madness, he retorts and is clever in his speech and has full understanding of what is going on around him. Most importantly, Hamlet does not think like that of a person who is mad.
An understanding of William Shakespeare’s philosophies reinforces the meaning of the human condition found in the play Hamlet. The revenge tragedy is an example in the exploration of good versus evil, deceit, madness, inter-turmoil, and utter existence. Shakespeare, fascinated by the human mind and human nature, clearly and completely illustrates the meaning of “self.” Hamlet is a drama that examines one’s personal identity. From the beginning of the story atop the castle when the guards enter the platform to the conclusion of the performance as Hamlet lies, dying in Horatio’s arms every characters’ psychological type is
Shakespeare 's play "Hamlet" is about a complex protagonist, Hamlet, who faces adversity and is destined to murder the individual who killed his father. Hamlet is a character who although his actions and emotions may be one of an insane person, in the beginning of the book it is clear that Hamlet decides to fake madness in order for his plan to succeed in killing Claudius. Hamlet is sane because throughout the play he only acts crazy in front of certain people, to others he acts properly and displays proper prince like behavior who is able to cope with them without sounding crazy, and even after everything that has been going on in his life he is able to take revenge by killing his
From the beginning of the play, Hamlet is confident in the inability of others to know what is going on in his mind based on his actions. Upon being questioned by his mother about why he still seems bothered by his father’s death, he tells her that he does not simply seem to be grieving, he is, and that his displays of grief cannot “denote [him] truly,” because “they are actions that a man might play,” while his sorrow is real (1.2.76-86). This claim reveals Hamlet’s belief that his outward nature cannot reveal his inner one, and, as Skulsky notices, “gives no grou...
The worst feeling of pain anyone could feel is when you are betrayed by some who you though loved you. Betrayal is an act of disloyalty and it is violating someone's trust. In the play Hamlet by William Shakespeare, betrayal is a reoccurring action between many characters. This play shows the audience different types of betrayal that are imaginable, from a husband betraying his wife, a boyfriend betraying his girlfriend and a mother betraying the son and father. These actions of betrayal hurt the people that are most loved and destroys them where it most hurts in the end. Betrayal is one of the strongest and most important themes in Hamlet. The entire play revolves around the murder of King Hamlet. Betrayal is expanded even further, there is not one character who does not commit betrayal through the course of the play. The actions of betrayal in the play lead to the hurtful destruction of the characters.
In Hamlet Shakespeare is able to use revenge in an extremely skillful way that gives us such deep insight into the characters. It is an excellent play that truly shows the complexity of humans. You can see in Hamlet how the characters are willing to sacrifice t...
“ (II, ii. II 523-527). The actor can put on a “mask” and express emotions that are not true, which is Hamlet's flaw. Hamlet resents that he is unable to do this which is the sole reason that his plan is being hindered. The emotional connection he had to his father overpowers his ability to act more passionate about his role in the revenge. Shakespeare focuses Hamlet's thoughts on the fact that he thinks of himself as meaningless. We see this further when Hamlet says, “Am I a coward?” ( II, ii. I 543). Hamlet judges himself as a “coward” as a result of his inability to act. Shakespeare's goal of the speech is embodied by this simple phrase. Hamlet feels vulnerable because so much is expected out of him, and the things he has to do are his weaknesses. To kill Claudius, he has to cut off his emotions and act like a different person, which he cannot
As the play’s tragic hero, Hamlet exhibits a combination of good and bad traits. A complex character, he displays a variety of characteristics throughout the play’s development. When he is first introduced in Act I- Scene 2, one sees Hamlet as a sensitive young prince who is mourning the death of his father, the King. In addition, his mother’s immediate marriage to his uncle has left him in even greater despair. Mixed in with this immense sense of grief, are obvious feelings of anger and frustration. The combination of these emotions leaves one feeling sympathetic to Hamlet; he becomes a very “human” character. One sees from the very beginning that he is a very complex and conflicted man, and that his tragedy has already begun.
Hamlet is one of the most often-performed and studied plays in the English language. The story might have been merely a melodramatic play about murder and revenge, butWilliam Shakespeare imbued his drama with a sensitivity and reflectivity that still fascinates audiences four hundred years after it was first performed. Hamlet is no ordinary young man, raging at the death of his father and the hasty marriage of his mother and his uncle. Hamlet is cursed with an introspective nature; he cannot decide whether to turn his anger outward or in on himself. The audience sees a young man who would be happiest back at his university, contemplating remote philosophical matters of life and death. Instead, Hamlet is forced to engage death on a visceral level, as an unwelcome and unfathomable figure in his life. He cannot ignore thoughts of death, nor can he grieve and get on with his life, as most people do. He is a melancholy man, and he can see only darkness in his future—if, indeed, he is to have a future at all. Throughout the play, and particularly in his two most famous soliloquies, Hamlet struggles with the competing compulsions to avenge his father’s death or to embrace his own. Hamlet is a man caught in a moral dilemma, and his inability to reach a resolution condemns himself and nearly everyone close to him.
Hamlet is one of Shakespeare’s most well-known tragedies. At first glance, it holds all of the common occurrences in a revenge tragedy which include plotting, ghosts, and madness, but its complexity as a story far transcends its functionality as a revenge tragedy. Revenge tragedies are often closely tied to the real or feigned madness in the play. Hamlet is such a complex revenge tragedy because there truly is a question about the sanity of the main character Prince Hamlet. Interestingly enough, this deepens the psychology of his character and affects the way that the revenge tragedy takes place. An evaluation of Hamlet’s actions and words over the course of the play can be determined to see that his ‘outsider’ outlook on society, coupled with his innate tendency to over-think his actions, leads to an unfocused mission of vengeance that brings about not only his own death, but also the unnecessary deaths of nearly all of the other main characters in the revenge tragedy.