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Important imagery in shakespeare plays
Society in Elizabethan times
The social context of the Elizabethan era
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Gardens and plants have been a constant of human life for quite a long time. Ancient society started to move away from hunting-gathering when people started settling to grow food in fertile areas. From these settlements cities and towns started growing, paving the way for modern life. In Elizabethan England “Most households cultivated a kitchen garden” where they grew food, in addition to plants with medical, cosmetic, and daily household use (Newton and Owens 6). Given how ubiquitous gardens and plants were in society it is unsurprising that many works of literature and art. use them as symbols. William Shakespeare is one of many authors who found inspiration in their backyard flower bed. In Hamlet garden and plant-based imagery communicates information about the state of characters and the country they inhabit.
One character who is very strongly tied to plant symbolism is Ophelia. In act four scene five the reader finds Ophelia, clearly now a full-time resident of cloud-cuckoo land, passing out flowers and herbs. Each of these flowers communicates ideas. In Tudor era England it was not uncommon to communicate using plants. People would send each other bouquets filled with flowers that told the recipient how they felt about the
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Denmark is compared to a neglected garden. In Elizabethan England, the view was that God gave humanity the world to tend to like a garden and “Human efforts on the land worked to bring order out of a chaotic wilderness.”(Grinnil 99). Denmark is obviously in a state of chaos: the king just died, Norway is gearing up for war, and the prince is acting like a bratty teenager. With all the weeds growing it gets difficult to know where to prune. The garden imagery also harkens to the biblical garden of Eden. The garden was paradise until Eve committed a sin. A similar statement could be made about Denmark. Trouble starts when someone (Claudius) commits a sin
Lehner, Ernst, and Johanna Lehner. Folklore and Symbolism of Flowers, Plants and Trees. New York: Tudor. 1960
To begin, the flowers represent the racism and prejudice that lies within the tight community of Maycomb, Alabama. One instance of the flowers being used as symbolism is when Camellias
Connections can be made between the deteriorating state of the kingdom, or people, of Denmark, and Claudius’ leadership. There are multiple references made about the decaying strength and reputation of Denmark throughout the play, as the audience can see how the actions of one individual causes a snowballing effect of bad endings throughout the kingdom (and more specifically, for the characters in the play). The new king, Claudius’, poor leadership and rotten nature (which then functions like a poison or disease) brings misfortune to Denmark as a
In Toni Morrison’s novel, The Song of Solomon, flowers are associated with romance and love, and so the way in which the central female characters interact with flora is indicative of the romance in their lives. Flowers, red roses in particular, are a universal symbol for love and fertility. Though Ruth Foster, Lena called Magdalene Dead, and First Corinthians Dead are associated with different types of flowers in distinctive ways, the purpose of the motif stays the same; flowers reveal one’s romantic status and are a precursor for the romance that is to come. Throughout the entire novel, the flowers share in common that they are not real. Some flowers appear printed, others as fake substitutes, and some are imaginary. This is an essential
Symbols are one of those most important things to a story. They share the meaning of themselves, as well as the meaning for something else. Symbols usually make the important ideas stick out as well as make the reader have different ideas of what is actually being said. One of the many symbols in “Paul’s Case” is flower’s. From violets to carnations, the flowers Paul talks about are ones of many meanings. The flowers represent a continual motif, expressing Paul’s character.
The main symbolic image that the flowers provide is that of life; in the first chapter of the novel Offred says “…flowers: these are not to be dismissed. I am alive.” Many of the flowers Offred encounters are in or around the house where she lives; it can be suggested that this array of floral life is a substitute for the lack of human life, birth and social interaction. The entire idea of anything growing can be seen as a substitute for a child growing. The Commander’s house contains many pictures; as they are visual images, “flowers are still allowed.” Later, when Serena is “snipping off the seed pods with a pair of shears… aiming, positioning the blades… The fruiting body,” it seems that all life is being eradicated, even that of the flowers.
Within ‘Hamlet’, Shakespeare makes a number of references to Denmark's degraded state due to the deceit that lies within. These references are made by Hamlet, Horatio as well as the apparition, thus enforcing the strong theme of death, decay and disease.
William Shakespeare found that imagery was a useful tool to give his works greater impact and hidden meaning. In Hamlet, Shakespeare used imagery to present ideas about the atmosphere, Hamlet's character, and the major theme of the play. He used imagery of decay to give the reader a feel of the changing atmosphere. He used imagery of disease to hint how some of the different characters perceived Hamlet as he put on his "antic disposition". And finally, he used imagery of poison to emphasize the main theme of the play; everybody receives rightful retribution in the end.
Hamlet begins at the open mouth of the Void. Barnardo and Francisco call out to each other and into darkness; they stand atop a guard platform that is naked to the open air and to the night. Every character's entrance is marked by a series of interrogatives, as characters already on stage try to ascertain the identity of those who are newly arrived and yet unseen. Darkness isolates these men from each other as they stand on the edge of civilization, the place where the solid stones of Elsinore castle open up into the world of night and the supernatural. The nature of the ghost remains debatable: Horatio has initially insisted that the guards' delusions have conjured the phantom (1.1.21), and, even accepting the reality of the apparition, Catholic teaching (ghosts are spirits of the dead coming up from purgatory) and Protestant doctrine (all ghostly apparitions are demons in disguise) hold divergent opinions on the nature and source of phantoms (Garber 12/15). The men have gathered together on the guard platform, which has become a kind of stage within a stage. They have come to see a visitor who is a creature of hallucination, purgatory, or hell. This ghost is coming out of the open maw of night above and around the platform; what is known clings to the battlements, and all else in existence hails from the empty, the unknown, the imagined, the demonic. When Barnardo reports to Marcellus, "I have seen nothing" (1.1.20), the word "nothing" takes on a number of meanings. He has not seen the apparition; gazing out into the dark, he has barely seen anything at all. But "seeing" is still phrased in the positive, and so "nothing" becomes something to see. It is more than absence: emptiness itself exists as an ...
"Corruption is a tree, whose branches are Of an immeasurable length: they spread Ev'rywhere, and the dew that drops from thence Hath infected some chairs and stools of authority" (Francis Beaumont and John Fletcher). Corruption in Shakespeare's play Hamlet has infected Claudius, the brother of the old king Hamlet who kills him out of lust for power. In Shakespeare's play Hamlet, corruption had inevitably led to the downfall of Denmark. Hamlet describes the present state of Denmark as an "unweeded garden" (Act 1 Sc 2, line 135-137) where only nasty weeds grow in it. Hamlet cannot believe that Denmark has now deteriorated and have become such a scandalous place where the new king is like a drunkard and is involved in an incestuous relationship. These nasty weeds have taken over Denmark and have soiled the name of the country.
From the very beginning of the play, it is very obvious that there is some sort of social disarrangement occurring in Denmark. The most consequential state of confusion in Hamlet is the death of Old Hamlet. The king falls almost directly underneath God in the Great Chain of Being. With the original king removed from the hierarchy, God and other angelic beings are disconnected from their control over the people, thus ensuing chaos. At the beginning, when Claudius says, “Though yet of Hamlet our dear brother’s death The memory be green, and that it us befitted To bear our hearts in grief and our whole kingdom To be contracted in one brow of woe” (Shakespeare 1.2.1-4), and “Now follows, that you know, young Fortinbras, Holding a weak supposal of our worth, Or thinking by our late...
Hamlet shows this when he says “ Tis an unweeded garden that grows to seed. It is a good idea. Things rank and gross in nature possess it merely.” (Hamlet, et al. , e Shakespeare, 1992, 1.2, 139)
John Steinbeck uses symbolism to give alternate meanings to his short story “Chrysanthemums.'; A symbol is a device used to suggest more than its literary meaning. He uses these symbols to look further into the characters and their situations. The character Elisa has a garden, which is more than just a garden, and the chrysanthemums that she tends are more than just flowers. There are actions that she performs in the story, which also have other meanings.
William Shakespeare’s tragic drama Hamlet invites various interpretations of the structure because of the play’s complexity. Let us in this essay analyze various interpretations of structure.
Crwaford, Alexander W. "Claudius and the Condition of Denmark." Shakespeare Online. Shakespeare Online, 20 Aug. 2009. Web. 2 Feb. 2012. .