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Factors that influenced Hamlet behaviour
Corruption and decay in hamlet essay
Factors that influenced Hamlet behaviour
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In Hamlet, Shakespeare often uses gruesome dialogue to describe people, their actions, and his views of others morality. Many times he uses imagery of decay to describe something that is not as it should be. For example when the Columbia Dictionary of Quotations from Shakespeare refers to the quote, “Something is rotten in the state of Denmark,” (1.4.90) it describes it as, “Hamlet’s general conclusion about the appearance of his father’s ghost,” (qtd. in“Corruption”58). Shakespeare often includes gross imagery in the dialogue to describe the corrupted state of Hamlet’s life. Hamlet hated his mother for marrying his uncle so soon after his father’s death, so he used gruesome language to describe her often. In the play, Shakespeare uses imagery of rot and decay to show Hamlet’s hatred for his mother, his hatred for women, and the idea that in death all men are equal.
Throughout Shakespeare’s Hamlet, the Prince uses images of decay to tell why he loathes his mother. Gertrude’s decision to marry Cornelius only two months after King Hamlet’s death leads the prince to say, “O, that this too too sullied flesh would melt, Thaw and resolve itself into a dew, Or that the Everlasting had not fix’d His canon ‘gainst self-slaughter!”(1.2.129). In Shakespeare A To Z, Charles Boyce describes Prince Hamlet’s monologue as a wish for death that is denied only because of the prince’s religious stand point (232). Hamlet uses ghastly language to show how Gertrude influenced his view of women in general. Hamlet says, “Fie on’t! Ah fie! ‘Tis an unweeded garden that grows to seed; things rank and gross in nature possess it merely,” (3.4.29-30) to show that since his mother is weak, women will become weak in their virtues as well. In Hamlet: Not a Wo...
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... is not exempt from his blight judgment of women’s virtues. Hamlet’s blight judgment extends even farther than just the female society. Hamlet uses the circle of life to describe human worth even that of a king to Cornelius. In general Hamlet convoys an image of deterioration to construe the corrupted state of his life.
Works Cited
Bloom, Harold, ed. Bloom’s Notes. New York: Chelsea House, 1996. Print.
Boyce, Charles. “Hamlet.” Shakespeare A to Z: The Essential Reference to His Plays, His Poems, His Life and Times, and More. 1991. Print.
"Corruption." Columbia Dictionary Of Quotations From Shakespeare (1998): 58-59. Literary Reference Center. Web. 5 Feb. 2014.
Goldstein, Philip. "Hamlet: Not A World Of His Own." Shakespeare Studies 13.(1980): 71. Literary Reference Center. Web. 6 Feb. 2014.
Shakespeare, William. Hamlet. New York: Dover Publications, 1982. Print.
In the play, Hamlet, by William Shakespeare, poison, decay, and rotting are motifs that can be related to the theme breaking down of society, or the downfall of the state of Denmark, during this time in Hamlet’s life. Considering Claudius’s malicious acts to gain the throne, one can say he is being punished by God, and since he is the king, the punishment reflects the state of the kingdom of Denmark as well. As the play progresses, references to rotten things, repellent animals, and vile circumstances are mentioned numerous times, and one can make a connection to these allusions as the truth about Claudius is revealed, and other corrupt events unravel.
Hamlets ridiculed feelings for women was because of his mother’s disappointing action. Hamlets mothers’ marriage with Claudius not so long after his father’s death did not show her devotion to her husband’s memory in the way a loving wife should. ”O god a beast that wants discourse of reason would have mourned longer” (l.2.150) degrading Gertrude, as he believes an animal would find the loss of its mate more upsetting than the queen did when she lost her husband. In his mind women are frail and weak this is why he says that women is just another name for weakness. “Frailty, thy name is woman” (l.2.148) generalizing that all women are frail and incapable to withstand temptation. His bitterness has lead him to believe that all women are dishonest and untrustworthy because his mother easily moved on from the husband she so thought to have loved and worse married his brother a month after his death. Hamlet starts to torment his mother by telling her that she is sleeping with her husband’s killer. “But you live in the rank sweat of an enseamed bed, stewed in corruption and making love over that nasty sty” (3.4.100) trying to make her realize the wrong that she has done, being easy to fall in love with another man because she required comfort. To Hamlet his mother is weak, surrendering to lust, changing Hamlets view and sparking his hate for women, seeing how they are not loyal. “When the compulsive ardour gives
Shakespeare, William. "Hamlet." Madden, Frank. Exploring Literature. 4th ed. New York: Pearson Longman, 2009. Print 539-663
Hamlet (The New Folger Library Shakespeare). Simon & Schuster; New Folger Edition, 2003.
This attempts to the elucidate on the feeling of death, almost like becoming like a leper before death finally takes its toll. Decay also becomes a strong theme, weighing heavily on Hamlet's mind. Whilst talking to Polonius he says, "For if the sun breed maggots in a dead dog, being a good kissing carrion (II, II, 182). " Although Polonius appears not to notice this, we can see the constant references to death being made by Shakespeare’s tools, i.e. The characters. Moreover associated with Shakespeare's use of decay and disease imagery is his use of horror, "Roasted in wrath and fire thus oversized with coagulate gore (II, II, 431)," is a perfect example of this.
Jorgensen, Paul A. “Hamlet.” William Shakespeare: the Tragedies. Boston: Twayne Publ., 1985. N. pag. http://www.freehomepages.com/hamlet/other/jorg-hamlet.html
Shakespeare, William. “The Tragedy of Hamlet, Prince of Denmark” Literature: An Introduction to Reading and Writing. Ed. Edgar V. Roberts. 9th Ed. New York: Pearson Longman, 2009. Print
Shakespeare, William. Hamlet. The Norton Anthology of World Literature. 2nd ed. Vol. C. Ed. Sarah Lawall. New York: Norton, 2005. Print.
Shakespeare’s play Hamlet is a complex and ambiguous public exploration of key human experiences surrounding the aspects of revenge, betrayal and corruption. The Elizabethan play is focused centrally on the ghost’s reoccurring appearance as a symbol of death and disruption to the chain of being in the state of Denmark. The imagery of death and uncertainty has a direct impact on Hamlet’s state of mind as he struggles to search for the truth on his quest for revenge as he switches between his two incompatible values of his Christian codes of honour and humanist beliefs which come into direct conflict. The deterioration of the diseased state is aligned with his detached relationship with all women as a result of Gertrude’s betrayal to King Hamlet which makes Hamlet question his very existence and the need to restore the natural order of kings. Hamlet has endured the test of time as it still identifies with a modern audience through the dramatized issues concerning every human’s critical self and is a representation of their own experience of the bewildering human condition, as Hamlet struggles to pursuit justice as a result of an unwise desire for revenge.
Shakespeare shows the ideology of death internalizing within Hamlet first with Hamlet’s emotions following the death of Old Hamlet. In the scene in which Hamlet is introduced, Hamlet is portrayed as an embodiment of death, dressed in “suits of a solemn black”(1.2.81) and has “dejected havior of the visage”(1.2.84). Hamlet’s physical representation as death signifies his lack of desire to continue living himself, being detached and discontent with the world around him. Hamlet, in his first soliloquy, opens by stating, “Sullied flesh would melt/Thaw, and resolve itself into a dew,/ Or that the Everlasting had not fixed/His canon ‘gainst Self Slaughter!”(1.2.133-135). This is significant, as it shows Hamlet’s full willingness to commit suicide and end Hamlet’s internal pain, if not for suicide being a sin under religion. The reason for Hamlet’s desire for death and his dis...
Meron, Theodor. “Crimes and Accountability in Shakespeare.” The American Journal of International Law. 92.1 (Jan.,1998): 1-40. JSTOR. Web. 24 Nov. 2013.
Mack, Maynard. "The World of Hamlet." Yale Review. vol. 41 (1952) p. 502-23. Rpt. in Shakespeare: Modern Essays in Criticism. Rev. ed. Ed. Leonard F. Dean. New York: Oxford University P., 1967.
Hamlet’s attachment to his mother is quickly made evident within the first act of the famous tragedy. Hamlet, who sulks around wearing black clothing to mourn the death of his father, first speaks in the play to insult his stepfather. He voices his distaste at his new relationship with his uncle by criticizing that they are, “A little more than kin and less than kind” (I.ii.65). He believes that it...
...World of Hamlet.” Yale Review. vol. 41 (1952) p. 502-23. Rpt. in Shakespeare: Modern Essays in Criticism. Rev. ed. Ed. Leonard F. Dean. New York: Oxford University P., 1967.