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The mother gwendolyn brooks poem essay
Discussion on Gwendolyn Brooks poetry
Analysis of gwendolyn brooks poems
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In 1949, Gwendolyn Brooks wrote “the sonnet-ballad”. This poem is written in Shakespearean form and is about a woman, the narrator, losing her lover because he is going off to war. Instead of believing in a chance of her husband coming back home, she tries to accept that he is gone and will not return. Even though she admits she is losing her husband, it may not mean she believes he will die. The narrator gives up all hope that she will ever get her husband back from the war, even if he does return home.
The narrator shows she has lost hope of his return in all three quatrains. In the first quatrain, she says “They took my lover’s tallness off to war, / Left me lamenting” (Brooks 2-3) which is her saying she is left there mourning after her husband left and “Now I cannot guess / What can I use an empty heart-cup for.” (3-4). She is saying that now that he is gone her heart is useless because it is empty and by using the metaphor comparing her heart to a cup, it uses imagery to make it easier for the reader to picture an empty heart. Then, she starts off
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Here she uses a metaphor to compare death to a flirty, beautiful woman that can cause a man to change. This could mean that a man could die in war because he has been around it so much that he assumes it will happen to him, accepts death, and stops fighting for his life. It could also mean that she thinks that if he survives the war and comes home, that she still will have lost her husband because being around that much death changed him and he will not return as the man she knew before he left. She then begins the couplet by saying. “And he will be the one to stammer, “Yes”.” (15). She is acknowledging that he will accept that change death is bringing upon him and then asks again “Oh mother, mother, where is happiness?”
Gwendolyn Brooks was an extremely influential poet. Her poems inspired many people. Brooks’ career started after publishing her first poem Eventide. This poem started Brooks’ career as a well-known American poet.
In the sonnet, “For That He Looked Not upon Her,” written by English poet, George Gascoigne, he expresses his heartache and sorrow that he is experiencing from the woman he loves. Throughout the poem, Gascoigne uses literary devices such as diction and imagery to convey the feeling of grief and melancholy to his readers.
One might wonder why Brooks produces poetry, especially the sonnet, if she also condemns it. I would suggest that by critically reckoning the costs of sonnet-making Brooks brings to her poetry a self-awareness that might justify it after all. She creates a poetry that, like the violin playing she invokes, sounds with "hurting love." This "hurting love" reminds us of those who may have been hurt in the name of the love for poetry. But in giving recognition to that hurt, it also fulfills a promise of poetry: to be more than a superficial social "grace," to teach us something we first did not, or did not wish to, see.
One poetic device that is prevalent throughout the entirety of poem is mood. Mood can be described as the general feeling or atmosphere that a piece of writing creates within the reader. One general mood in the poem is depression. With the title of the poem being War Widow it is very easy to see that depression is one general mood in the writing. Another line in the poem says “The telephone never rings. Still you pick it up, smile into the static”(Abani l). This could mean that this person is alone and has no one left to talk to or it can also mean that someone he loved was taken away from him and he has been deeply affected by the loss. These lines have depression in the background of the context. This poem is very deep in the
Nearly four centuries after the invention of the sonnet, Oscar Fay Adams was born. He stepped into his career at the brink of the American civil war, a time when typically cold Victorian era romances were set in stark contrast to the passions of Warhawks. It was in this era when Adams wrote his sonnet: “Indifference”, which explores the emotional turmoil and bitterness a man endures as he struggles to move on from a failed relationship . Adams utilizes the speaker's story in order to dramatize the plight of an individual trying and failing to reconcile holding on to the joy that passionate love brings with the intense pain it bestows in conjunction with this joy . Adams employs various poetic devices in order to present a new view of indifference,
In “We Real Cool,” by Gwendolyn Brooks, one can almost visualize a cool cat snapping his fingers to the beat, while she is reading this hip poem. Her powerful poem uses only a few descriptive words to conjure up a gang of rebellious teens. Brooks employs a modern approach to the English language and her choice of slang creates a powerful jazz mood. All of the lines are very short and the sound on each stop really pops. Brooks uses a few rhymes to craft an effective sound and image of the life she perceives. With these devices she manages to take full control of her rhyme and cultivates a morally inspiring poem.
It sounds like her father’s death made her angrier at the fact that she is not able to get anything from him anymore. There are several times in the poem when she switches emotions on her father. She forgives him and then is angry again. It’s hard for her because she does not know whether or not she can forgive him, considering all the pain and hardships the family was put through. She tries to justify her father’s actions by blaming his father, but is still angry because her father didn’t help the situation. At the same time, the daughter is almost as upset with her mother as she is with her father when she says “you were each other’s bad bargain, not mine” (Line 21). By the end of the poem, she is able to accept the fact that the broken relationship with her father and content relationship with her mother has to remain untouched. She is able to see that she cannot fully blame her father for being the reason why she is not emotionally content with their relationship. There’s nothing she can do about it now since both her parents are dead, but she is able to let go of it at this
...e speaker admits she is worried and confused when she says, “The sonnet is the story of a woman’s struggle to make choices regarding love.” (14) Her mind is disturbed from the trials of love.
This was her first response to the news of his death. She would not had grieved over someone she did not love. Even in the heat of her passion she thinks about her lost love.
Born in 1917, Gwendolyn Brooks was born into a world where political views and discrimination plagued every day. Even at an early age, she began to write poetry; by the age of thirteen she had already published several poems in a nearby children’s magazine. By the age of 16, she had already published seventy-five poems. She began submitting her work to the Chicago Defender, a leading African-American newspaper. Her work included ballads, sonnets and free verse, drawing on musical rhythms and the content of inner-city Chicago, but she had yet to allow the unrest in the world around her influence her writing. Later on though, Brook’s environment and times influenced her writing greatly as well as how she reacted to it.
She talks about that love with a more realistic, relatable edge. The love she feels for whoever "thee" is, assuming it's Robert Browning, her husband, is passionate and beautiful, but she talks about her love only after she admits a group of less warm, loving feelings. It is very prevalent in each sonnet contained. It’s easy to see that loving her beloved, her husband, is the one of the ways she actually knows she exists. She tries to list the many different types of love that she so obviously feels, and also to figure out the many different types of relationships between these vast and different kinds of love.
In “Sonnet XVII,” the text begins by expressing the ways in which the narrator does not love, superficially. The narrator is captivated by his object of affection, and her inner beauty is of the upmost significance. The poem shows the narrator’s utter helplessness and vulnerability because it is characterized by raw emotions rather than logic. It then sculpts the image that the love created is so personal that the narrator is alone in his enchantment. Therefore, he is ultimately isolated because no one can fathom the love he is encountering. The narrator unveils his private thoughts, leaving him exposed and susceptible to ridicule and speculation. However, as the sonnet advances toward an end, it displays the true heartfelt description of love and finally shows how two people unite as one in an overwhelming intimacy.
In “Sonnet 43,” Browning wrote a deeply committed poem describing her love for her husband, fellow poet Robert Browning. Here, she writes in a Petrarchan sonnet, traditionally about an unattainable love following the styles of Francesco Petrarca. This may be partly true in Browning’s case; at the time she wrote Sonnets from the Portuguese, Browning was in courtship with Robert and the love had not yet been consummated into marriage. But nevertheless, the sonnet serves as an excellent ...
In the first stanza, when she says" I could not stop for death, He kindly stopped for me", she’s not ready to die but accepts the fact that it is a natural thing that happens to all human beings, and comes at its own time, no matter what you are doing or where you are it will come and take you, to which she seems content with. She personifies death as if it was a kind gentleman, or her groom that comes to pick her up and take her away in his carriage on a pleasant ride; she also realizes that ironically someone else is riding along with them, Immortality—looking at it in a positive way. It is also interesting to point out how she separates death from immortality, when she says “The carriage held but just ourselves—and immortality”.
Sonnet To My Mother by George Baker Most near, most dear, most loved, and most far, Under the huge window where I often found her Sitting as huge as Asia, seismic with laughter, Gin and chicken helpless in her Irish hand, Irresistible as Rabelais but most tender for The lame dogs and hurt birds that surround her,- She is a procession no one can follow after But be like a little dog following a brass band. She will not glance up at the bomber or condescend To drop her gin and scuttle to a cellar, But lean on the mahogany table like a mountain Whom only faith can move, and so I send O all her faith and all my love to tell her That she will move from mourning into morning.