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Gender roles of women in literature
Gender roles of women in literature
Gender roles of women in literature
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Sonnet To My Mother by George Baker Most near, most dear, most loved, and most far, Under the huge window where I often found her Sitting as huge as Asia, seismic with laughter, Gin and chicken helpless in her Irish hand, Irresistible as Rabelais but most tender for The lame dogs and hurt birds that surround her,- She is a procession no one can follow after But be like a little dog following a brass band. She will not glance up at the bomber or condescend To drop her gin and scuttle to a cellar, But lean on the mahogany table like a mountain Whom only faith can move, and so I send O all her faith and all my love to tell her That she will move from mourning into morning. George Barker A critical appreciation of 'to my mother' by George Baker This sonnet by George Baker is, as the title suggests, a tribute to his mother, evidently, at the time of the aerial bombardment of Britain by the Luftwaffe in the Blitz during the Second World War. The poet was then, apparently, living in a far distant part of the world, as he refers to his mother being 'most far'. This was probably some time between 1942 and 1943 when Baker was living in the U.S.A and Canada. The poet's intension is not only to pay tribute to his mother but, more specifically, as the poem is addressed 'to' her, to send her his love and expression of his firm belief that she will 'move' from 'mourning to morning', in other words, that she will be lifted out of her present state of grief over a bereavement to the light, hope and life associated with 'morning' or a new day. The poet's feelings of great admiration for and love of his mother are e... ... middle of paper ... ...aled into insignificance resembling a pathetic 'little dog' following ridiculously in the wake of such a public performance. Thus through his imagery, the poet creates a vivid picture of many facets of his mother: her size; exuberant manner; religious faith; and magnetic personality. Baker also makes use of direct comparison to show up his great-hearted mother against lesser mortals who 'scuttle' fearfully to a 'cellar' whilst she will not even 'glance up' at the bomber or 'condescend/ To drop her gin'. This contrast suggests that his mother is almost superhuman in her courage and proper pride. So vivid and life-like is baker's portrait of his mother that I see her in my mind's eyes as a real but larger-than-life personality and I appreciate fully how such a mother would win his love and unqualified admiration.
Wasley, Aidan. "An overview of “Mother to Son”." Poetry for Students. Detroit: Gale. Literature Resource Center. Web. 18 Apr. 2014.
“Suburban Sonnet” tackles the issue of the harshness of motherhood. Harwood creates the image that the woman in the poem has sacrificed her dreams and aspirations, to become a mother figure for her children. This image is portrayed through Harwood’s contrasting ideas that the way she moves around the kitchen is similar to the complex composition of a fugue. “She practices a fugue, though it can matter to no one now if she lays well or not.”
... In fact, the mother even recollects how like an infant he still is as she reflects on his birth and "the day they guided him out of me", representing her denial at her son's pending adulthood. The son's rite of passage to manhood, his acceptance of the role of host and peacemaker and unifier, is a shocking one for both speaker and reader. To unite his comrades, he comments "We could easily kill a two-year-old" and the tone of the poem changes finally to one of heartlessness at the blunt brutality of the statement.
“On Being Cautioned against Walking on an Headland Overlooking the Sea, Because it was Frequented by a Lunatic,” Charlotte Smith’s sonnet, comments on the poet’s feelings toward this lunatic and the thought process he instigates in her mind. By using different syntax to describe her two characters, Smith draws the attention of the reader to the message in the sonnet instead of the scene on the surface. The structure of the English sonnet also lends to the poem’s power, giving Smith a perfect avenue to deliver her message.
The first pages of this work quickly establishes this extremely effective stylistic imagery and quickly captures the readers attention, making it a chore to be diverted from reading this famous work. She begins with the metaphor, which likens writing this novel to better herself "as when you paint your portrait for a friend," (Longman p. 1863; l. 5) and it continues to connect the past and present for that friend. The imagery is so real that the reader quickly becomes completely enthralled within the world Browning is describing. Just twelve lines into the work, she masterfully creates a tender and calming scene of an infant smiling in its sleep, due to its understanding of the infinite nature of life. Then broadening the view of the scene to include the watchful mother outside the nursery, calming the household to insure the continued peaceful rest of the infan...
The speaker uses metaphors to describe his mistress’ eyes to being like the sun; her lips being red as coral; cheeks like roses; breast white as snow; and her voices sounding like music. In the first few lines of the sonnet, the speaker view and tells of his mistress as being ugly, as if he was not attracted to her. He give...
In the first stanza, Goodison suggests that the “absolute,” “my mother loved my father,” had governed her perspective of her parents’ marriage for twenty-nine years. Its indisputability may have functioned as a motivation for her father’s on-going extra-marital affair(s). But even more explicitly, this absolute implied that despite the pain inflicted by her father, “whom all women loved”, Goodison’s mother’s love remained unshakably loyal, and that that was somehow all that really mattered. At least, up until Goodison wrote this poem. “In this my thirtieth year/ the year to discard absolutes” signals Goodison’s revolt against this belief that had relentlessly threatened to break her mother’s “straight-backed,” fronted dignity and that absolved the indifference of her father’s “always smile”.
Romeo and Juliet’s first meeting is very poetic and metaphorical in the play. Their encounter occurs at the Capulets’ party in the evening. Romeo sees Juliet and immediately falls head over heels for her. Once he comprehends his feeling of love for her, he speaks of his admiration for her, praising, “Did my heart love till now? Forswear it, sight,/ For I ne’er saw true beauty till this night” (1.5.59–60). Romeo then walks over to Juliet at the end of the dance, and him and her begin to exchange words in beautiful sonnet form. While he professes his love for her, he compares himself to a pilgrim and depicts Juliet as a saint, explaining that if he kissed her it would rid him of his sin. Juliet counters and tells him, “For saints
One might second guess poetry written by the Queen of England while others might be intrigued by it. During Queen Elizabeth’s challenging reign as Queen, she faced many burdensome obstacles. In her poem, “The Doubt of Future Foes”, she describes a significant one which involved her sister, Mary of Scots. She expresses her condescending and disgusted attitude toward her tenacious sister by using picturesque language. The inspiration for this poem, Mary had been living under her sister’s protection in England after being removed from the Scottish throne. Subsequently, Catholic Scots wished to replace Elizabeth with Mary. Then, Sir Anthony Babington and other Catholics made a plot attempt to place Mary on the English throne, but the plot was shortly unsealed by Elizabeth. Mary was then executed for her awareness of the plot. To retell these series of events, Elizabeth uses figurative language, imagery, and symbolism to reveal her utmost disappointment in Mary.
Elizabeth Barrett Browning 's "Sonnet XLIII" speaks of her love for her husband, Richard Browning, with rich and deeply insightful comparisons to many different intangible forms. These forms—from the soul to the afterlife—intensify the extent of her love, and because of this, upon first reading the sonnet, it is easy to be impressed and utterly overwhelmed by the descriptors of her love. However, when looking past this first reading, the sonnet is in fact quite ungraspable for readers, such as myself, who have not experienced what Browning has for her husband. As a result, the visual imagery, although descriptive, is difficult to visualize, because
In the literature piece "The Disquieting Muses" the speaker opens the stanza with such anger towards her mother for allowing three women, who are unwanted by the speaker, into her bedroom. The speaker makes it seem as if these three women are immoral and surreal, because these women are described as "illbred", "disfigured", "with heads like darning-eggs" (Plath, page 1047). The first stanza represents failure as a mother who did not provide her child with security and protection from evil mishaps. The connection in their mother and daughter bond is nonexistent. The speaker is broken and speaks on the unhappy memories that disturb her mind. As the poem deepens, these three women muses have become a permanent haunting to the speaker. For example in the second paragraph, "Mother, whose witches always, always, Got baked into gingerbread, I wonder Whether you saw them, wh...
Alfred Lord Tennyson offers oblique reflection on a number of major Victorian themes and subjects in his poem “The Lady of Shalott”. The most prominent theme that appears in the poem is the idea of passion and love in a woman. The poem is simply about the way women were suppressed from their feelings and everything else during the Victorian era. Tennyson’s poem shows the commentary of society's oppression of women during the Victorian era. Tennyson takes the knowledge of women’s entrapment in society and makes it a literal entrapment in his poem. This essay will argue how passion, love, and women’s oppression is a major theme of the poem and what the commentary it alludes to about the Victorian era.
Every writer leaves his mark, his imprint, in his writing; a thumb print left behind the ink if you know how to look for it, and Donne is no exception. The problem is extracting Donne’s imprint, and essence, from the poem, and understanding what that tells us about him. In one poem in particular this stands out, his Holy Sonnet IX, where Donne’s imprint lingers, giving another story behind the text, of his belief in God, but also his inner questioning, and confliction and doubt which come out as contradictions. Behind the text, Holy Sonnet IX, as Donne speaks through his speaker and poem, we come to understand that he is a religious man, though conflicted, which leads to doubt and contradictions, as he resents God in a way, while also just craving for his absolution and for him to forget and forgive his sins and wash them away, sins which weigh on him heavily and he believes taint him.
In Charlotte Smith’s Elegiac Sonnets, Smith uses nature as a vehicle to express her complex emotions and yearning for a renewal of her spirit. Utilizing the immortal characteristics of spring and the tempestuous nature of the ocean, Smith creates a poetic world that is both a comfort and a hindrance to her tortured soul. Even while spring can provide her with temporary solace and the ocean is a friend in her sorrow, both parts of nature constantly remind her of something that she will never be able to accomplish: the renewal of her anguished spirit and complete happiness in life once more. Through three of her sonnets in this collection, Smith connects with the different parts of nature and displays her sensible temperament with her envy over nature’s ability to easily renew its beauty and vitality.
In T.S Eliot's poem, Portrait of a Lady, he gives a glimpse into the upper class of post war society- something rather dispirited and forlorn. It is filled with people from the higher social standings and they are as soulless and empty as the lady in the poem. The upper class was also represented by the main character himself, who is truly unable to connect as a whole to his surroundings. He initially describes the world in the poem as dark, covered in smoke and haze – the scene that is in and of itself a mere half life, the individuality of the characters already swallowed by the abyss of ritual that has devoid of meaning. The truly shocking part that links this poem to the author’s previous poems is the underlying brokenness and the soullessness that the characters seem to inhabit. The main character of t...