Don't expect anything linear when it comes out of the insubordinate, tortuous mind of the Canadian cult filmmaker Guy Maddin, who in his last sumptuously demented tale, “The Forbidden Room”, had the contribution of the newcomer Evan Johnson as co-writer and co-director. As in the majority of his past works, the film masterfully evokes the black-and-white silent classics and Technicolor fantasies in order to create a layered story that despite the numerous sinister characters and baffling interactions among them, can be summarized as a man desperately looking for a woman. A jocose spirit is present since its very beginning when a man wearing a robe discourses about how to take a bath. This hilarious little dissertation leads us to the central
story – Cesare, a courageous woodsman, mysteriously appears aboard of a submarine that is condemned to explode. He’s looking for his kidnaped love, Margot, now an amnesiac prisoner of the red wolves gang who is kept into a nauseating cave. This main story breaks into multiple inventive fragments that entangle in one another with more or less complexity, but which can be easily remembered by their own. They’re all bizarre with no exceptions, yet two sections are particularly mesmeric: one involving a man identified as The Dead Father whose mustache is of crucial importance to maintain his family in an emotionally controlled state when he plans to abandon them, and another, in which a woman called Gong had to be subjected to a gut-wrenching re-break of her bones in order to fix them correctly. The casting includes reputable international actors such as Mathieu Amalric, Charlotte Rampling, Udo Kier, Geraldine Chaplin, Maria de Medeiros, Jacques Nolot, Roy Dupuis, Clara Furey, and the recurrent Louis Neguin. Near the ending, the inscrutable Mr. Maddin reveals the solution for the perplexing cinema he’s been digging in for more than two decades. He tells us with every word about the stuff his films are made of: dreams / visions / madness. With “The Forbidden Room”, Maddin’s fans will continue rejoicing while a few new followers can be dragged to the cult.
Eric Walters wrote the historical fiction novel Safe as Houses, to state the strange occurrence that happened in Weston, Toronto 1954. Back in 1954, U.S had a hurricane named Hurricane Hazel, it was so strong that it caused a flood in Weston, Toronto and it had never happened before. Many Canadian authors had to write a non-fiction or fiction stories about it, such as an author named Eric Walters. Many people were wondering why would Eric Walters write about some flood, there were many reasons why.
Darryl’s life is worth fighting for. “You can’t buy what I’ve got.” ‘The Castle’ directed by Rob Sitch, about one man, his family and neighbours on the verge of being homeless. Darryl Kerrigan, the “backbone of the family” won’t stand for that. Of course no one can buy what he has. He’s spent almost his entire lifetime building what he has, why should he give it up? Darryl’s way of life is simple yet filled with family values. 3 Highview Crescent is the home to Darryl, his wife Sal and their 3 children: Wayne, Steve, Tracy and Dale. (Wayne currently being in jail.) The house is made up of love, and simple family values. Darryl’s also added bits and pieces to it. He’s added on so much to the house, his own personal touch. His neighbours, also in the same bout are almost family to the Kerrigans. Jack and Farouk are another reason why Darryl’s ready to take matters into his own hands.
In his book, An Imperfect God, Henry Wiencek argues in favor of Washington being the first true president to set the precedent for the emancipation of African-American slaves. Wiencek delves into the evil paradox of how a nation conceived on the principles of liberty and dedicated to the statement that all men are created equal was in a state that still preserved slavery for over seven decades following the construction of the nation. Washington’s grandeur estate at Mount Vernon at its peak had the upkeep of over 300 slaves 126 of which were owned by Washington. First, it must be understood that Washington was raised on slavery receiving ownership of 10 slaves at the age of 11 years old and that Washington was a man of his time. However, it must also be understood that Washington’s business with slavery was in the context of a constrained social and political environment. Weincek maintains that this does not exonerate the fact that Washington maintained slavery however; it does help to quantify the moral shortcoming by which Washington carried until his last year of life.
Ann Rinaldi has written many books for young teenagers, she is an Award winning author who writes stories of American history and makes them become real to the readers. She has written many other books such as A Break with Charity, A Ride into Morning, and Cast two Shadows, etc. She was born in New York City on August 27, 1934. In 1979, at the age of 45, she finished her first book.
“A Summer in the Cage” is a documentary filmed by Ben Selkow that shows his friend Sam battling with a manic-depressive illness known as bipolar disorder. The main theme of this film is the struggles the main character Sam goes through when battling bipolar disorder. Selkow firsts meets Sam while filming a documentary about street basketball. Ever since that day, they became close friends. Sam decided to help make the documentary with Selkow. Selkow begins to realize after spending so much time with Sam that he had something off about him. At this time, Sam was having is first manic episode. When Sam was eight years old, his father committed suicide due to battling the same disorder. Throughout this documentary, Sam tries to escape that same
It is my intention to compare the book, Dangerous Liaisons by Choderlos de Laclos, to its modern movie version, Cruel Intentions starring Sarah Michelle Gellar. I intend to examine how the original French text was modified in reference to plot, character, morals/values, and themes. I also plan to discuss how these transformations change the meaning of the story and reflect different cultural/historical contexts. There are some major differences between these two works, if only because of when they were written.
“There is a fine line between genius and insanity. I have erased this line” (“Oscar Levant Quotes”).
The reclusive film director Terrence Malick has to date, only directed a small number of films. His twenty year hiatus between directing Days of Heaven (1978) and The Thin Red Line (1998), may provide the explanation for such a sparse back catalogue. Malick’s refusal to talk with the media, has led to hearsay, as to how he occupied his time during the hiatus. Malick’s directing debut Badlands (1973) is a collection of concepts, all carefully moulded together to create one iconic piece of film. This process draws in and also alienates the audience. Malick’s style is positively noted by critics to be influenced by European philosophy. This is clearly due to Malick’s study of philosophy at Harvard and Magdalen College Oxford. There is no given explanation to the mindless violence featured within the film, mainly due to the films resistance to the straight forward approach. The familiar and the unknown are carefully merged together. The only way of gaining an understanding into the hidden meanings within Badlands is by breaking down the film, by looking at the characters, the use of sound, the visual setting and the films genre. The illusionary effect of Malick’s style means that all is not as it seems.
Raymond Carver, the author of “Cathedral” uses characterization to describe the main character, the narrator’s development in the story upon meeting a blind man. This blind man, Robert, unintentionally changes the narrator’s perspective on life and on himself. The narrator first starts off as an arrogant, close minded individual who later opens his mind and is introduced to new perspectives of life. The most important element used in this writing is characterization because it makes the reader change perspectives on how the narrator develops throughout the story and deeply goes into a lot of detail to support the narrator’s development. good thesis, but the wording is a little bland and lifeless
There are two levels of participation within The Crying of Lot 49: that of the characters, such as Oedipa Maas, whose world is limited to the text, and that of the reader, who looks at the world from outside it but who is also affected the world created by the text.3 Both the reader and the characters have the same problems observing the chaos around them. The protagonist in The Crying of Lot 49, Oedipa Mass, like the reader, is forced to either involve herself in the deciphering of clues or not participate at all.4
When discussing the controversial authors of Indian literature, one name should come to mind before any other. Salman Rushdie, who is best known for writing the book “Midnights Children.” The first two chapters of “Midnights Children” are known as “The Perforated Sheet”. In “The Perforated Sheet” Rushdie utilizes magic realism as a literary device to link significant events and their effects on the lives of Saleem’s family to a changing India. In fact, it is in the beginning of the story that the reader is first exposed to Rushdie’s use of magic realism when being introduced to Saleem. “On the stroke of midnight/clocks joined palms” and “the instant of India’s arrival at independence. I tumbled forth into the world”(1711). Rushdie’s description of the clocks “joining palms” and explanation of India’s newfound independence is meant to make the reader understand the significance of Saleem’s birth. The supernatural action of the clocks joining palms is meant to instill wonder, while independence accentuates the significance of the beginning of a new era. Rushdie also utilizes magic realism as an unnatural narrative several times within the story to show the cultural significance of events that take place in the story in an abnormal way.
Mary Wroth alludes to mythology in her sonnet “In This Strange Labyrinth” to describe a woman’s confused struggle with love. The speaker of the poem is a woman stuck in a labyrinth, alluding to the original myth of Theseus and the Minotaur. The suggestion that love is not perfect and in fact painful was a revolutionary thing for a woman to write about in the Renaissance. Wroth uses the poem’s title and its relation to the myth, symbolism and poem structure to communicate her message about the tortures of love.
In The Wolves in the Walls, author Neil Gaiman tells the story of a girl named Lucy who is convinced that there are wolves living in the walls of her family’s house. She tells everyone in her family what she is hearing and none of them believe her. One night actual wolves break out of the walls, which forces the family to relocate to the garden outside. Lucy, having forgot her pig puppet in the frenzy, goes back to the house and sneaks around the home through the walls. She retrieves her pig puppet and goes back the garden. Her family is trying to decide where they should move to, but Lucy does not want to leave her house and suggests that they take up residence in the walls. The family reluctantly agree, however, when the walls are deemed too
The Outsider, written by Albert Camus, and The Trial, written by Franz Kafka, are two books that have been critically acclaimed since the time that they were published. There are critics that claim that The Outsider is a dull book, and is not even a read-worthy book. Other people claim that it shows us how society actually acts upon people who do not want to be like the rest of society. The Trial falls under the same kind of criticism; but both books, although written by different writers in a different époque, fall under the same kind of genre: Imprisoned Lives. In both The Outsider and The Trial there are many people who influence the protagonists in a positive and in a negative way, but none of those characters are as important as the priest. The priest, being of the same profession in both books and trying to accomplish the same kind of tasks, have a totally different effect on the two protagonists. In The Outsider the priest changes the whole attitude that Meursault has to life, whereas in The Trial the priest tells Joseph K. how his life actually is.
The Nightmare begins with Saidi pitting his protagonist, Ben Chadiza, against his antagonist, the witchdoctor. A group of seven witchdoctors, is described as they encircle Chadiza: “It was a macabre scene, which in other circumstances the sophisticated Mr. Benjamin Chadiza would have carelessly attributed to his rather flamboyant imagination” (Saidi 421). The definitions of the specific words in this quote speak volumes as to its underlying meaning. According to the Merriam-Webster dictionary macabre means: “comprising or including a personalized representation of death”. Mr. Chadiza is described as sophisticated: “having a refined knowledge of the ways of the world cultivated especially through wide experience.” In using these words Saidi gives Chadiza the identity of personified worldly knowledge and foreshadows the character’s courtship with death that continues through the story in the person of the witchdoctor. Saidi further identifies Chadiza and his wife as the “children” in this allegory by saying that Chadiza had “Cried like a small child” during his nightmare and upon awakening, was comforted by his wife in a way that resembles a mother comforting her child: “His wife put her arms around him and soothed him with her warmth, pressing her breasts to his chest and whispering comfort close to his ear” (422). The witchdoctor also refers to Chadiza as “my son” in paragraph 39 (425). Toward the end of the story it is revealed that Chadiza’s wife, Maria, is the biological granddaughter of the witchdoctor and that her mother had forsaken the witchdoctor “because of his sorcery” (427). Mr. Chadiza and his wife are therefore identified as the children of this sorcerer in figurative and literal ways. But they are more than that. The...