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Shot techniques in film
Shot techniques in film
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Group Production of Robert Thomas' 8 Women Our production of Robert Thomas' "8 women" was a result of the never
ending effort of all cast and crew members. All being aware that a
production could not be successful with only one person's input, every
member of our drama class was part of a cohesive community.
Earlier on in the year we, as a class had to determine a play that was
suitable for a cast of "7 female" actors. As you can already see a
problem had arisen and when the script "8 women" was suggested, all
members of the class agreed and with a little editing and refinement
the script was ideal. As a class we watched the French film entitled
"8 femmes" and were certain that we could be greatly successful in
creating our own interpretation of the script.
Before we even began, the director asked us to decide whether we
wanted to have an acting role or a backstage role. After the rough job
descriptions of each role were briefly explained to us, we were asked
to research the job of our choice and present our findings in an
interview.
After getting my job as the front of house manager, I began developing
my understanding of the duties and responsibilities involved. Firstly,
reading through the script gave me great insight into what the story
was about. I began developing idea, after idea as to what the foyer
area; the posters; the programs; and the tickets should look like.
when the entire backfield would move all to oneside of the ball before the ball
Louis Women’ had a strong score written by Johnny Mercer and Harold Arlen but it wasn’t successful. The show wasn’t successful because of the confluence of events, trends, ad bad luck that was harsh even by the standards of the Broadway musical. The show was mostly undone by its attempts to force a complex and unwieldy story into the form of a conventual musical.
It is known by many that, in regards to literature coming out of the South, female characters traditionally do not receive as much attention or detail as their male counterparts. Harry Crews does not, as one might say, “stray far from the path” of male dominated prose. However, this is not to say that there are only few women present in his writing, in fact quite the contrary. Women are not only present in Crews’s work, they are vividly entwined with the experiences and fiery outcomes of his male protagonist’s journeys; and A Feast of Snakes is no different. In “Having a Hard Time of it: Women in the Novels of Harry Crews,” an essay written by Elise S. Lake, Lake examines that even though some may interpret Crews as using women strictly in disrespectful or obscene ways for the advancement of his male characters, that “sheer variety disputes the notion that Crews stereotypes women narrowly” (84). We see a multitude of angles and personalities in A Feast of Snakes alone, including: Lottie Mae and Beeder acting as an empathy release valve; the abused wife, Elfie; the ultimate cheerleader/ catalyst, Berenice; and finally the vicious sexual icons Hard Candy and Susan Gender.
Deborah Gray White’s Ar’n’t I a Woman? details the grueling experiences of the African American female slaves on Southern plantations. White resented the fact that African American women were nearly invisible throughout historical text, because many historians failed to see them as important contributors to America’s social, economic, or political development (3). Despite limited historical sources, she was determined to establish the African American woman as an intricate part of American history, and thus, White first published her novel in 1985. However, the novel has since been revised to include newly revealed sources that have been worked into the novel. Ar’n’t I a Woman? presents African American females’ struggle with race and gender through the years of slavery and Reconstruction. The novel also depicts the courage behind the female slave resistance to the sexual, racial, and psychological subjugation they faced at the hands of slave masters and their wives. The study argues that “slave women were not submissive, subordinate, or prudish and that they were not expected to be (22).” Essentially, White declares the unique and complex nature of the prejudices endured by African American females, and contends that the oppression of their community were unlike those of the black male or white female communities.
"Women are made to be loved, not understood" (Oscar Wilde). In the novel The Things They Carried several female characters that are present in parts of the book are not clearly understood by the main characters. These females have some relation to the main characters whom are at war, but have a more significant symbol in the novel rather than just a character. The author, Tim O 'Brien uses these females to show different sides to the war and the interpretations that the females have compared to the males whom are living and breathing the war in order to show the contrast in ideas and opinions on the war. These females include: Lieutenant Jimmy Cross ' girlfriend back home named Martha , Mark Fossie 's girlfriend who joins in on the battle
still the same today and so, the play is still enjoyable now as it is
Staples, Andy. “New targeting rule well intended, but bound to spark controversy.” Sportsillustrated.com/college-football. 23 July 2013. Web. 19 October 2013.
when it came to practice. There was the drill sergeant type, which had the team
During this meeting they met to decide the set ways to make college football safer for the players. The first change they made to the game was the legalization of the forward pass. This was the change that revolutionized the sport of American football. The forward pass meant that teams could design plays for running or passing which would help decrease injuries significantly. Also they designed penalties and downs. The penalties meant if players did not abide to the rules they would lose yardage for their team. The downs meant that the teams had four plays to get 10 yards or the ball would be turned over to the other team. (Hornet Football)
Camerer, Dave. Winning Football Plays by American Foremost Coaches. New York: The Ronald Press Company, 1962. Print.
The question of women’s agency, in moving history holds a long history dating back to the ancients, then turning away from that in small degrees during the Renaissance. Most notable in this change comes from the capital of education, the Italianate states. Home to rife differences in attitudes towards women, it also hosts the origins of the discussion around women’s purpose. The current field largely finds inspiration from writers during the American 1970s women’s rights movement, and it shows in the modern origins and their influence. However, the field’s creation date loom farther back than such a recent movement, easily dating back to Plato and Aristotle. Beginning with a negative view of the female sex as inferiority, the study of women and their rights progressed to Giovanni Boccaccio’s creation of female biography in 1374, and further developed with a female voice in 1405 under the pen of Christine de Pizan. Clearly, none of the prestigious scholars could have predicted the alterations and growth of the discussion surrounding a people group often considered subhuman.
return to position in the game. Imagine now that you are the coach and must be the one to determine
The play was "Red 334"which is a run to our halfback, me, out of our dive series. I crouched over the ball as I jetted past the quarterback and ran the play so we could observe the changes we needed to make. I let out a sigh of relief because we were finished with the most dreaded part of practice; well, only until someone complained about not knowing their job on one of our pass plays. Coach Nelson undoubtedly decided we needed to run through the final pass play before we perfected our defense. The play was quietly called in the huddle with intentions of getting it right. I ran the play through my mind while I tried to remember what the snap count was and what I was supposed to do for that play. The ball was snapped and I jolted to the left of our team's quarterback to set up his backside protection. Out of my peripheral vision, I noticed the defensive end raging toward the quarterback. I intensely stepped into him while lowering my body and exploded through his shoulder pads sending him stumbling into the line's pass protection.
The first engagement we had for the season was a home match against Lehigh University and this was one of best games for the entire season. We went into this game as the underdogs, but that did not inhibit my team from maneuvering well. We were not expected to win, so all we did is have fun giving Lehigh a decent challenge. On many occasions, I would run with the ball and stop just a couple of yards away from the goal line. My teammates were always there to support me whenever I went with the ball. I remember one time when a Lehigh player broke through the scrum and was heading towards our goal.