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The theme of love in Shakespeare's plays
The theme of love in Shakespeare's plays
Julius caesar Act two study
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Edmund’s cold-hearted, troubled, and ambitious feelings lead into guilt. He is troubled on how he will gain power and use it for his own interests; then, who he will marry between the sisters that fight for him. Later in the act, Edmund feels guilt in his actions and tries to repent for his wrongdoings. Edmund is not in love because he does not show true affection to Goneril or Regan. His ultimate goal is power for himself; thus, he does not care who he marries because options will put him in a position of authority. Edmund’s lack of love is shown when he refers to their behaviour to that “of the adder” (Shakespeare, V.i.63). Furthermore, when pondering about which sister to take, he states, “neither can be enjoyed” (Shakespeare, V.i.64). This …show more content…
He places his ambition of winning the war before potential feelings when he claims he will “use / His countenance for the battle” (Shakespeare, V.i.68-69) before deciding on one of the sisters. How Edmund will use Albany to win, kill him, and then choose a wife causes trouble in his mind. Edmund plans to “let her who would be rid of him devise / His speedy taking off” (Shakespeare, V.i.70-71). Using either one of the sisters to kill Albany and still have either sister available for himself afterwards, as long as he wins the war and is uncontested for supremacy, shows his greedy and megalomaniac nature. After Edgar’s identity is revealed, Edmund feels guilt for his actions. His remorse is shown when he states, “some good [he] mean to do / Despite of [his] own nature” (V.iii.256-257). Edmund’s actions show changes in feelings that allow him to realize his greediness and try to redeem himself for his wrong-doings. Evidence of Edmund’s feelings of guilt are represented after he tries to retract his order to kill Cordelia; however, his newfound mercy compared to his past merciless, selfish state is unsuccessful. Edmund’s lack of affection toward the sisters, his evident cruelty, and power-hungry feelings eventually transform to guilt, regret, and compassion towards his brother and Cordelia before he
A journey often sparks an individual’s self-realisation. In King Lear, when Edmund is close to death, he is finally aware of his despicable nature and attempts to redeem himself by revealing Cordelia and Lear’s location. When Edmund states “I pant for life. Some good I mean to do, Despite of
I want Edmund now more than ever to showcase his confidence and self-assurance because he has managed to create the perfect plan in order to execute his personal revenge. Edmund says, “Well, my legitimate, if this letter speed, […], Edmund the base shall top the legitimate. I grow, I prosper, now gods, stand up for bastard!” Edmund is expressing his desire for personal revenge because he believes that its unjust that people actually think that Edgar is better than him just because he is the legitimate son. During this part of the monologue, Edmund will have an assertive and threatening tone because he believes that his revenge will work.
The youngest Pevensie brother, Edmund, is the mischievous child among his siblings in The Lion, the Witch and the Wardrobe. He is a representation of the possibility of what can go wrong when a child is not properly taught and does not follow set boundaries. Edmund’s subversion of set standards is the cause of a great deal of the troubles the Pevensies face in Narnia. For example, when he goes to the White Witch’s castle instead of listening to the others when they say Aslan is the true leader. In order to redeem himself, he must first be renewed and return to an earlier state. He is not allowed to stay indignant, but is reformed when he learns that Aslan is really the true ruler, and Jadis is not. He is allowed to do so because of his status as a child who is still developing. Edmund’s corruption and later redemption show that he is not really wicked, but has an innate goodness.
Edmund, the bastard son of Gloucester, embodies the idea of avarice from the very beginning of the play almost until the end. In fact, Edmund seems to become more and more greedy as the production progresses. When Edmund is first introduced in person on stage, after a short exposition of his character by Gloucester and Kent in the first scene, the audience immediately finds Edmund engaged in a plot to strip his father's inheritance from his...
For the rearrangement of the bonds, it is necessary that those based on money, power, land, and deception be to abandoned. In the case of Lear and Goneril and Regan, his two daughters have deceived their father for their personal gain. Furthermore, they had not intended to keep the bond with their father once they had what they wanted. Goneril states "We must do something, and i' th' heat." (I, i, 355), meaning that they wish to take more power upon themselves while they can. By his two of his daughters betraying him, Lear was able to gain insight that he is not as respected as he perceives himself to be. The relationship broken between Edmund his half- bother, Edgar and father, Glouster is similarly deteriorated in the interest of material items. By the end of the play, Edgar has recognized who is brother really is and when he has confronted him says "the more th' hast wronged me...
As Edgar takes the role of a "spirit" (3.4.39), he reveals: (1) Edmund's moral condition, by prescribing moral laws that he will break (3.4.80-83); and (2) that Gloucester will be blinded by Edmund (3.4.117). This essay will begin by examining how Edgar's role, as an outcast feigning madness, resembles the life and fate of King Lear, and then will show how his role as a spirit, reveals future events that will come to pass. Edgar's role, as an outcast and madman, corresponds to King Lear in four ways: (1) they both are deceived by family. Edgar is deceived by his half brother, and King Lear is deceived by two of his daughters. Edgar babbles about how Edmund deceived him: "Who gives anything to Poor Tom?"
Edmund’s discontent with the notion of bastardy is brought up furthermore in his soliloquy at the beginning of scene two: “Thou, nature, art my goddess. To thy law/ My services are bound. Wherefore should I/ Stand in the plague of custom…” (II.1-3). The notion of bastardy in Lear pushes Edmund to place his faith in his born traits as opposed to the system that has labeled him an outsider his whole life. He believes he is equal to his brother in every way—his mind and shape as true—and the only reason he is not aloud to prosper is because of a preconceived idea of the ideal child. Inevitably, Edmund wants to rebel against the system that has stifled him for so long. Gloucester is primarily responsible for Edmund’s actions because he in no way raised him equal to Edgar. Edmund’s goal to usurp his brother and earn the power he believes he deserves is due to the notion of bastardy in the play; Edmund questions “why brand they us with ‘base, base bastardy’” in his first soliloquy (II.10) . After all, even Kent attested to his fine demeanour. But, the steadfast notion of bastardy at the time drove Edmund to the point of betrayal because there was no hope for him in playing by the rules as they are fundamentally opposed to a bastard’s prosperity. With this soliloquy, Edmund positions himself as the more disserving
seemingly have no problem at all? During his time with the Witch, Edmund begins to realize he does not
Edmund, the bastard son of Gloucester is not pleased with his status as a bastard. Edgar the legitimate son of Gloucester stands to obtain the lands, wealth and power of his father. Edmund thinks this is unfair and begins a plot to banish his brother and obtain the lands of his father. He begins by writing a fake letter from Edgar saying that he wants to murder his father and wishes to take power by force. Edmund uses his deceiving abilities to make the letter seem genuine. He lies to his father about how he came into possession of the letter: “It was not brought me, my Lord; t...
Edmund lusted for all of his father’s power, lying to his gullible brother and father aided him in his plan for total authority along with destroying their lives. As bastard son of Gloucester, Edmund wanted to receive all of the power destined for his brother, Edgar, who was Gloucester’s legitimate son. Edmund stated his disapproval of his brother, “Wherefore should I/ Stand in the plague of custom, and permit/ The curiosity of nations to deprive me/ For that I am some twelve or fourteen moonshines/ Lag of a brother? Why bastard?”(1.2.2-6). Edmund wanted the respect and love that Edgar received even though he was Gloucester’s bastard son. He claimed that he was not much younger or “moonshines lag of a brother” therefore he should be considered just as smart and able-minded as any legitimate son. He built up hatred toward Edgar and in order to get rid of him he convinced his father that Edgar had betrayed him through a letter. The letter that Edmund made read, “If our father would sleep till I waked him, you/ should enjoy half his revenue for ever, and live/ the beloved of your brother, Edgar”(1.2.55-57). Edmund portrayed Edgar as the son that would kill Gloucester only to inherit his money and share his inheritance with Edmund. Gloucester believed Edmund, sending out guards to kill Edgar for his betrayal...
He confirms his reasons for disrupting the established order when he claims… This implies that he is complying with the rules of nature rather than the rules that most of the society chooses to follow. Edmund believes that an illegitimate being cannot survive under the man-made laws of society, therefore he must infringe them for all bastards to achieve justice. Edmund decides to ascend the chain by means of deception and betrayal in response to the lack of recognition he receives from society and his father. Considering Edmund was conceived outside of what would be “human society’s harmonious order”, he is not required to uphold the social order within the country, since he was never apart of it. Edmund is aggravated that although his “mind [is] as generous” as everyone else’s, he does not have any connection with society, which initiates his continuous plan to disrupt any stable relationships; in response to being an outsider. When Edmund achieves power, he becomes consumed by the benefits that come with being recognized. After Goneril and Regan threaten their relationship with jealousy over Edmund, he responds with, “To both these sisters have I sworn my love…Which of them shall I take? Both? One? Neither?” This shows that Edmund is inconsiderate of the various relationships he is disrupting due to being newly recognized by society. Even after Edmund is acknowledged by his father through his words, “I'll work the means to make thee capable” he is still unsatisfied. Although recognition from his father was partly what Edmund was striving for, the new influence he has over society has made him protective of his title within society. He must eliminate his father from the social order and repel his brother away from receiving Gloucester’s throne in order for him to be ensured the position on the wheel of fortune, permanently. Edmund’s pinnacle of power causes him to utter, This
In the middle Edmund betrays his family, and joins the bad guys. The family struggles to overcome many
Furthermore, the characters in both King Lear, and in 419’s past sufferings, leads them to exhibit acts of corruption and evil later on in their lives, which is seen most prominently in Edmund in King Lear, and Laura in 419. Both these characters’ have experience traumatising situations in the past, and whether or not these sufferings have accumulated throughout their lives, or whether or not they have recently experienced a huge amount of sufferings, these characters wish to see action taken to see justice prevail for them. To begin with, Edmund has experienced sufferings from his childhood now into adulthood, as he has always been treated horribly by his family. Due to the resentment he faces as an illegitimate child as an outsider, this motivates him to take action in order to remove his status as a bastard child, and to gain power and status like his legitimate brother Edgar. Edmund was not originally pure evil, but
Likewise, Shakespeare emphasizes how Lear’s harsh behavior lead to tremendous consequences, when his other daughters leave him out in the storm and when Cordelia drowns. Insane Lear questions why he praised Goneril and Regan when they exclusively only longed for the kingdom and power, not for the appraisal from their father. However, Lear feels as if he needs Cordelia’s presence during this time of rejection. Furthermore, Lear wonders why he banished Cordelia in the first place after she revealed her true devotion to her father, since Cordelia’s suicidal drowning spawned from her agitated feelings towards the treatment she received from her father. Discovering Cordelia’s sudden death, Lear grabs her dead body and shouts, “"Do you see this?
A tragic character must pass from happiness to misery whereby he must be seen at the beginning of t... ... middle of paper ... ... born a bastard which continuously haunts him, does what he does as an act against the whole society. Therefore, Edmund’s driving force is to revolt against those in power, against traditional values and against the very make-up of society. He regards this revolution as a worthy cause, and his scheming is aimed at putting himself in power, gaining the throne.