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Critical explanation of king lear
Corruption of authority in king lear
Critical explanation of king lear
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In King Lear, Shakespeare portrays a society whose emphasis on social class results in a strict social hierarchy fueled by the unceasing desire to improve one’s social status. It is this desire for improved social status that led to the unintentional deterioration of the social hierarchy in King Lear. This desire becomes so great that Edmund, Goneril, Reagan and Cornwall were willing to act contrary to the authority of the social hierarchy for the betterment of their own position within it. As the plot unfolds, the actions of the aforementioned characters get progressively more desperate and destructive as they realize their lack of success in attaining their personal goals. The goals vary, however the selfish motivation does not. With Edmund, Goneril, Reagan and Cornwall as examples, Shakespeare portrays the social hierarchy as a self-defeating system because it fosters desires in its members that motivate them to act against the authority of the hierarchy to benefit themselves. A consideration of each characters actions in chronological order and the reasons behind such actions reveals a common theme among the goals for which morality is abandoned.
Edmund, the bastard son of Gloucester is not pleased with his status as a bastard. Edgar the legitimate son of Gloucester stands to obtain the lands, wealth and power of his father. Edmund thinks this is unfair and begins a plot to banish his brother and obtain the lands of his father. He begins by writing a fake letter from Edgar saying that he wants to murder his father and wishes to take power by force. Edmund uses his deceiving abilities to make the letter seem genuine. He lies to his father about how he came into possession of the letter: “It was not brought me, my Lord; t...
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...r is working with the French as a spy. Cornwall is pressured by his wife Reagan and the disturbing accounts of Edmund to punish Gloucester as they see fit. Cornwall’s final action is the removal of Gloucester’s eyes as punishment for helping Lear and conspiring with the French. Cornwall’s role in the play is vital as he is a tool in the plot of Edmund, and his death becomes fuel for the conflict between Goneril and Reagan.
In conclusion, the social hierarchy in King Lear is one that values land and royalty by marriage. The desire to obtain either of the two was so great in the characters of Edmund, Goneril, Reagan and Cornwall that they were willing to go against the hierarchy itself and abandon all notions of morality. It was the actions of these four characters combined that brought about the destruction of the royal family and the downfall of Lear’s kingdom.
Goneril and Regan, two daughters of King Lear try to gain some power. After Lear banishes Cordelia, Goneril and Regan think that their father is going crazy and they over throw his power of being a king. Another character that tries to gain some more power in the play is the character, Edmund, his brother Edgar has more power than him, people treat Edgar better because Edgar was born in their parents’ marriage, while Edmund was not so they call Edmund, Gloucester’s illegitimate son.
Edmund, the bastard son of Gloucester, embodies the idea of avarice from the very beginning of the play almost until the end. In fact, Edmund seems to become more and more greedy as the production progresses. When Edmund is first introduced in person on stage, after a short exposition of his character by Gloucester and Kent in the first scene, the audience immediately finds Edmund engaged in a plot to strip his father's inheritance from his...
The play of "King Lear" is about a search for personal identity. In the historical period in which this play is set, the social structure was set in order of things closest to Heaven. Therefore, on Earth, the king was at the top, followed by his noblemen and going all the way down to the basest of objects such as rocks and dirt. This structure was set up by the people, and by going by the premise that anything that is man made is imperfect, this system cannot exist for long without conflict.
Shakespeare's King Lear is a play which shows the consequences of one man's decisions. The audience follows the main character, Lear, as he makes decisions that disrupt order in his Kingdom. When Lear surrenders all his power and land to his daughters as a reward for their demonstration of love towards him, the breakdown on order in evident. Lear's first mistake is to divide his Kingdom into three parts. A Kingdom is run best under one ruler as only one decision is made without contradiction. Another indication that order is disrupted is the separation of Lear's family. Lear's inability to control his anger causes him to banish his youngest daughter, Cordelia, and loyal servant, Kent. This foolish act causes Lear to become vulnerable to his other two daughters as they conspire against him. Lastly, the transfer of power from Lear to his eldest and middle daughter, Goneril and Regan, reveals disorder as a result of the division of the Kingdom. A Kingdom without order is a Kingdom in chaos. When order is disrupted in King Lear, the audience witnesses chaotic events that Lear endures, eventually learning who truly loves him.
Edmund’s discontent with the notion of bastardy is brought up furthermore in his soliloquy at the beginning of scene two: “Thou, nature, art my goddess. To thy law/ My services are bound. Wherefore should I/ Stand in the plague of custom…” (II.1-3). The notion of bastardy in Lear pushes Edmund to place his faith in his born traits as opposed to the system that has labeled him an outsider his whole life. He believes he is equal to his brother in every way—his mind and shape as true—and the only reason he is not aloud to prosper is because of a preconceived idea of the ideal child. Inevitably, Edmund wants to rebel against the system that has stifled him for so long. Gloucester is primarily responsible for Edmund’s actions because he in no way raised him equal to Edgar. Edmund’s goal to usurp his brother and earn the power he believes he deserves is due to the notion of bastardy in the play; Edmund questions “why brand they us with ‘base, base bastardy’” in his first soliloquy (II.10) . After all, even Kent attested to his fine demeanour. But, the steadfast notion of bastardy at the time drove Edmund to the point of betrayal because there was no hope for him in playing by the rules as they are fundamentally opposed to a bastard’s prosperity. With this soliloquy, Edmund positions himself as the more disserving
The tragedy King Lear by William Shakespeare ought to be seen as a lesson on what not to do as a parent. By picking favorites, King Lear and the Earl of Gloucester leave a lasting impact on their children 's psyche, ultimately leading to them committing horrible crimes. The rash judgments, violent reactions, and blindness of both Lear and Gloucester lead to both their and their children 's demise. As a result, all of the father-child relationships in the play begin to collapse.
Shakespeare’s treatment of illegitimacy in the play King Lear can be interpreted in many ways depending on the audience. The situation of illegitimacy is portrayed through the relationships of the characters the Earl Of Gloucester and his two sons Edgar and Edmund. Edmund is the illegitimate son while Edgar was born within the law. We learn of Edmund’s illegitimacy in the opening scene in the first act where The Earl of Gloucester is holding a conversation with Kent while Edmund is nearby. Gloucester speaks flippantly and lightly of the way his illegitimate son came into the world while introducing him to Kent saying, “ Though this knave came something saucily into the world before he was sent for, yet his mother was fair, there was good sport at his making, and the whoreson must be acknowledged” (Act I, Scene I, Lines 19-24). There are several peculiar things about this dialogue. One of the interesting aspects of Gloucester and Kent’s discussion is the readiness of Gloucester to admit he has fathered a child out of wedlock. This may be influenced by the fact that Edmund had obviously grown into a son that a father would be proud to have. At first meeting he seems polite, courteous, and loyal. Perhaps these admirable character traits are cause for Gloucester’s willingness to publicly claim Edmund as his own. Another unusual occurrence in the opening dialogue is that Gloucester calls Edmund a whoreson and a knave while he is close by and probably in hearing distance. This seems odd because Gloucester professes to feel only love for his son and no shame but he seems to almost mock him in this situation. One explanation for this behavior may be that deep down Gloucester still harbors some discomfort about the relationship between himself and his son despite his verbal proclamations of shamelessness. This could be inferred from Gloucester’s statement, “ His breeding, sir, hath been at my charge. I have so often blushed to acknowledge him that now I am brazed to ‘t.” (Act I, Scene I, Line 9). Again, depending on the audience the attitudes displayed in the play by the characters and Shakespeare himself by his writing can be interpreted in a variety of ways depending on the observer.
He seems to suggest, however, that it is not impossible for one to move from one end of the spectrum of human nature to the other, as multiple characters go through somewhat of a metamorphosis where their nature is changed. In this paper, I analyze and present Shakespeare’s account of human nature in King Lear in comparison with other authors that we have read throughout our year in the Aquinas program. Let us begin by looking at the role of human nature in King Lear more closely. It is clear from the beginning of King Lear that Cordelia has an entirely good nature, she remains constant throughout the play, never wavering in her morals. The play begins with Lear deciding that he will have his daughters compete for their divisions of his kingdoms based on which of them can impress him the most with their proclamations of love.
Thus, then leading Gloucester to the loss of parental knowledge and understanding towards his own two sons. Alike King Lear, Gloucester too struggles with the identification of his children. Through his lack of communication between both Edmund and Edgar, Gloucester is unable to personify who and what his sons stand for as a person. This then disables him to realize that Edmund is the true cold-hearted son, while Edgar is the good son who has stood by his side till death. Further on, when too late, once losing his vey two eyes Gloucester begins to realize that when having sight, he was mentally blind. Gloucester was unable to see the truth behind his own sons, but now, not having sight he is able to see the truth that Edgar is the innocent child. This is proven when Gloucester speaks “I have no way, and therefore want no eyes;/ I stumbled when I saw. Full oft’tis seen/ Prove our commodities. O dear son Edgar,/ The food of thy abused father’s wrath;/ Might I but live to see thee in my touch,/ I’d say I had eyes again!”
Edmund lusted for all of his father’s power, lying to his gullible brother and father aided him in his plan for total authority along with destroying their lives. As bastard son of Gloucester, Edmund wanted to receive all of the power destined for his brother, Edgar, who was Gloucester’s legitimate son. Edmund stated his disapproval of his brother, “Wherefore should I/ Stand in the plague of custom, and permit/ The curiosity of nations to deprive me/ For that I am some twelve or fourteen moonshines/ Lag of a brother? Why bastard?”(1.2.2-6). Edmund wanted the respect and love that Edgar received even though he was Gloucester’s bastard son. He claimed that he was not much younger or “moonshines lag of a brother” therefore he should be considered just as smart and able-minded as any legitimate son. He built up hatred toward Edgar and in order to get rid of him he convinced his father that Edgar had betrayed him through a letter. The letter that Edmund made read, “If our father would sleep till I waked him, you/ should enjoy half his revenue for ever, and live/ the beloved of your brother, Edgar”(1.2.55-57). Edmund portrayed Edgar as the son that would kill Gloucester only to inherit his money and share his inheritance with Edmund. Gloucester believed Edmund, sending out guards to kill Edgar for his betrayal...
To begin, in the tragic play, King Lear, by William Shakespeare, the character of Edmund was used to show how a man is by nature ambitious, jealous, envious, and vengeful. Firstly, Edmund is the most ambitious character, eager to seize any opportunity and willing to do anything to achieve his goal even if it means hurting his own family. This is clear when Edmund plots against his own father; Gloucester and half-brother; Edgar to get hold of his father’s property. All of the efforts he put to destroy the relationship between Gloucester and his legitimate son, Edgar reveals his jealous envious, vengeful, and ambitious character. He could not handle the injustice in the society and he wanted to change his position in...
William Shakespeare was one of the first to introduce many to the distinct divide in social class and those who where in power. Some of Shakespeare 's most famous literatures & playwrights tell the stories and air the dirty laundry of people associated high in power and social class. In William Shakespeare’s Hamlet Shakespeare gives many examples of social class and power and how they both can destroy and disrupt when greed and unrighteousness gets in the way. He also proves how both social class and power can break, manipulate, and ruin individuals caught up in the dramas of social class and power. It is without question that William Shakespeare 's Hamlet teaches us the truth about power
It is for this reason, that Lear and Gloucester are considered as fools for their actions as instead of taking responsibility for their actions, they absolve their guilt by viewing the Gods as omniscient figures who “kill [them] for sport”. By referring to his downfall as a “sport”, Gloucester conveys that the Gods view the downfall of man as entertainment and that man is powerless against all Gods as if they are “flies to wanton boys”. The theme of Materialism vs Spirituality also appears to be presented in The Bloody Chamber story, especially through the intriguing character of the Marquis and his contrast with Jean-Yves in the eyes of the female narrator. Carter appears to use this contrast on order to convey the notion that wealth and materialistic possessions can easily corrupt. Whilst the Marquis is presented as significantly wealthier that Jean-Yves and the wealthiest character in the story, he is simultaneously presented as the most distorted character in the story. The female narrator seems to acknowledge this, believing that he was in “despair” when he discovers her betrayal and also highlights his “atrocious loneliness”; thus portraying that even the
He is the rejected illegitimate son of Gloucester, who only cares for his own blood-son Edgar. Edmund, in the beginning of Act 1, casts an illusion that his stepbrother Edgar is trying to kill their father. “If our father would sleep till I waked him, you should enjoy half his revenue for ever, and live the beloved of your brother.” (1.2.52-4) Edmund writes a letter to himself forging his brother 's signature to make it seem like it came from Edger. Edmund reveals the letter to their father Gloucester causing him to get angry at Edgar. Edmund also convinces Edgar to flee the kingdom because their father is angry at him “My father watches. O sir, fly this place! / Intelligence is given where you are hid”(2.1.20-1). Edmund is trying to cast an illusion of being the good loyal son, while in reality he is trying to take over their father 's wealth. Edmund is the evil son. In addition, Edmund shows his true form of evil madness when he betrays his own father and tells Cornwall about the letter Gloucester gave him to hide, the letter that proves Gloucester 's allegiance to King Lear and the invasion of the French army. “How malicious is my fortune that I must represent / to be just! This is the letter he spoke of, which approves him an intelligent party to the advantages of France.” (3.5.7-10) Edmund is power hungry and will do anything to get the power he thinks he deserves, even if
...not truly be seen with the eye, but with the heart. The physical world that the eye can detect can accordingly hide its evils with physical attributes, and thus clear vision cannot result from the eye alone. Lear's downfall was a result of his failure to comprehend that appearances do not always represent reality. Gloucester avoided a similar demise by learning the relationship between appearance and reality. If Lear had learned to look with more than just his eyes before the end, he might have avoided this tragedy. These two tragic stories unfolding at the same time gave the play a great eminence.