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Recommended: An essay on Identity
Laila Lalami: Living her life in the ‘Gray Zone’
Identity—those who are lucky can take it for granted, reduced to what is written in their identity card, never having to stop and reflect on it in order to pick sides. The less lucky ones always remain under scrutiny and feel egged on to choose one side because “they cannot possibly belong to both worlds” (Lalami). People find it hard to accept that identity can be complex, composed of many ingredients—that there is a gray zone in between the “black” and “white” zones. This is why the theme of identity and the so-called “gray zone of co-existence” about which Laila Lalami writes in her essay, “My Life as a Muslim in the West’s Gray Zone”, and which she inhabits with her family and friends, who
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In The Moor's Account, those who are escaping the Inquisition are loathed because “they are taking jobs of local people” and we witness the same kind of hatred in 21st century Europe (Lalami). Lalami does not shy away from controversial and hot topics either: in her essay “The Identity Politics of Whiteness” she writes about the double standards of identities, where the white racial privilege is being glossed over in favor of their economic deprivation (though, by no means exclusive to them) and where there are no collective responsibility and abstractions attached to being white (Lalami). Lalami is an immigrant as she is also an American citizen, who admits being economically privileged, but who will never be fully American, the feeling that reverberates in each of her sentences. She will never be fully American, not because she wishes so, but because society will but because society will never allow it. She will be reminded of that whenever someone approaches her to marvel at the fact that her parents “allowed her to get an education”. Whenever someone comes to her book signings just so he can question why she doesn’t condemn her religion. Whenever she has to console her young daughter who fears that they can be banished from the country at any …show more content…
In the book, she condemns the atrocities committed during the conquest of New Spain, and in her essay, especially within “Chronicles of the Veil”, she speaks out against stereotyping and generalizations associated with Muslims and Muslim women in particular, in both political talks and literature (Lalami). Her discourse can be seen as the continuation of Edward Said’s book Orientalism. In this book, he argued that colonization was preceded by the set of stereotypical preconceptions, which all claimed that Muslims were to be regarded as inferior, irrational and retrograde. Meanwhile their women, who are suffering from what can be described as the Stockholm syndrome, are not even free enough to realize that they are oppressed at the hands of their tyrannical husbands, brothers and fathers, can only be liberated by their Western “saviors”
Professor Leila Ahmed, active Islamic feminist, in her article “Reinventing the veil” published in the Financial Times assumes that there is a connection between “advancement” and veiling, which means that unveiled women are advanced and vice versa. In addition, she supports that it led to increasing rate of violence. She questions why women wear veil, that is considered as “symbol of patriarchy and women’s oppression”. However, research changed her position towards wearing veil. Firstly, she states that wearing veil was essential for women, because it could be beneficial and influence to how people treat women, in terms of job, marriage and free movement in public. Secondly, her assumption was explained while interviewing women, who stated
In Laila Lalami’s, "My life as a Muslim in the West 'Grey Zone'," the reader is presented with a Muslim who is considered a monster according to Cohen. She lives in a 'Grey Zone,' that separates her from her society. Laila describes
...eedom was found and cultural boundaries were not shattered, simply battered, the narrator’s path was much preferable to that of her sisters (those who conformed to cultural boundaries). Through this story we can see how oppression in certain cultures changes individuals differently, creates tension between those who do not wish to be subjugated and those doing the subjugating, and we see the integral opposition between the path of Catholicism and that of curandismo.
“Culture belongs to the imagination; to judge it rationally is to misunderstand its function” (Wilson 79). In “The Butterfly Mosque” by G. Willow Wilson, she acknowledges culture and explains why cultures can differ so greatly. She emphasizes why its highly inconclusive to try to find a meaning behind ones culture. As a young American Muslim women she is faced with cross cultural ironies as she tries to find her identity and where she fits in. Her conversion to Islam brings into light her internalized prejudice and the different perspectives of Westerners towards the Middle East and vice versa. In her memoir, she depicts both positive and negative aspects of both cultures and, her struggle to find a common ground between the two.
Lila Abu-Lughod’s article titled, “Do Muslim Women Really Need Saving?” takes a closer look at the problematic ethnocentric approach many have when trying to gain an understanding of another culture that may be foreign to that individual. In this analytical paper, Lughod looks at women in Islam, specifically the treatment of women and how it might be utilized as a justification for invading into a country and liberating its people. The country Lughod refers to in her article is Afghanistan, and Lughod points out the misunderstanding from the people to the Bush administration like First Lady Laura Bush who believed that intervention was necessary to free women from the captivity of their own homes. It is important to consider the role that different lenses play into all of this, especially when one’s lenses are being shaped by the media. Depictions of covered women secluded from society leave a permanent image in the minds of many, who would then later support the idea of liberation. This paper will discuss that the practice of using propaganda when referring to the lifestyle in the Middle East is not exclusive to the U.S; rather it has been utilized throughout history. Additionally, we will take a closer look on the importance of symbols, such as veils in this case; help to further emphasize the cause to liberate. Finally, we will analyze Lughod’s plea towards cultural relativism and away from liberal imperialism.
Muslims, Sikhs, and many other religious affiliations have often been targeted for hate crimes, racial slurs, and misfortunate events. We are all different in our own ways some are good and some are bad yet one event changes everything for everyone affiliated with the group. The book The Politics of the Veil by Joan Scott a renowned pioneer in gender studies gives a detailed and analytical book of about the French views towards the Muslim females in France during 2004. The author talks about why the French governments official embargo of wearing conspicuous signs is mainly towards the headscarves for Muslim girls under the age of eighteen in public schools. The main themes of book are gender inequality, sexism, and cultural inequality historical schools used in the book are history of below, woman’s history, cultural history, and political history. In this essay, I will talk about why Joan Scotts argument on why the French government’s ban on wearing conspicuous signs was
In the field of academia, ethnographic studies are often overlooked as a serious source and reviewed as literature for the mass populace. Because of the often common language, fluid writing styles, format, and production of typical ethnographies, it is much more appealing and attainable to popular culture than the research within a scholarly journal or anthology. Although, perhaps instead of deeming ethnographic work unworthy of a scholarly title due to the appeal it possess, historians should relish in this relativity new form of research for its popularity. Ethnographic studies provide readers with a rare and untarnished micro historic view of the customs of a particular culture or individuals within said culture. Opposing most academia, these studies can sometimes be void in political agenda and personal biases, providing the audience with more objective material. Ethnographies often allow readers to see private and intimate moments within the milieu of the subject which is not often reserved for public life, which is the typically sphere of scholarly study; because of this tendency, individuals and groups which lack a strong public voice are frequently the foci of ethnographic studies. Throughout history women have often been the victims of such marginalization, with a recent focus on Eastern and Islamic women. Considering the previous, Muslim women and gender have been the center of contemporary ethnographic studies, giving a voice to non-Westernized Muslim women and providing a natural research of gender relations with little bias or political agenda.
“The Harem Within” is a pioneering work that opens discussion of women’s rights in Islamic societies. With her humble life story Mernissi gives not only a voice to Moroccan women, but stands her advocacy for individual freedom and battle against the harem within. The narrative is a literature example that figures the women discrimination and appeal for
In the novel She and in the stories of The Arabian Nights, both Haggard and Haddawy explore the expanding gender roles of women within the nineteenth century. At a time that focused on the New Woman Question, traditional gender roles were shifted to produce greater rights and responsibilities for women. Both Ayesha, from Haggard’s novel She, and Shahrazad, from Haddawy’s translation of The Arabian Nights, transgress the traditional roles of women as they are being portrayed as strong and educated females, unwilling to yield to men’s commands. While She (Ayesha) takes her power to the extreme (i.e. embodying the femme fatale), Shahrazad offers a counterpart to She (i.e. she is strong yet selfless and concerned with the welfare of others). Thus, from the two characters emerge the idea of a woman who does not abide by the constraints of nineteenth century gender roles and, instead, symbolizes the New Woman.
In the book, Women in the Middle East, a Saudi Arabian proverb states, "A girl possesses nothing but a veil and a tomb" (Harik and Marston 83). The key words, "veil" and "tomb" lend evidence to the fact that many Middle Eastern women lack identity symbolized by the “veil” and lack the right of ownership except for their veil and the tomb. This statement further enforces the notion that many women in the Middle East are expected to serve and tolerate the oppression of the men in their lives throughout their lives on this earth. Moreover, it confirms that many of these women do not get the opportunity to obtain education, join the work force, and even participate in the political affairs of the country. This arrangement further helps the Middle Eastern men to view women as their properties, servants, or even as slaves. Ultimately, there are three main reasons why Middle Eastern men engage in the act of oppressing their women.
“We were witnessing nothing less than a war of Islamic fundamentalism against both secularism and modernism” , Lewis states that Islam is an oppressed religion and the lack of secularism caused many of the wars and conflicts with the West. This however is misleading because as he generalizes the whole religion, each religion has its own pleasing as well as its atrocious adherents. As he continues to generalize the Islamic religion as a whole and state that it is indeed oppressed, he seems to lack the information about how each individual may respond differently to other cultural traditions despite any religious aspects. Islam may be viewed to be an oppressed religion, but in fact, it supports freedom and one’s voice to be spoken and heard. For example, as Islam advises women to cover up with a hijab, it certainly does not mean that women have no rights and that they should be placed at home. Oppression defines power taken away from someone, while the hijab is an element of privatizing the woman, both which have no linkage whatsoever. In fact, Islam supports and praises women in many ways, the hijab is an approach to cover her up with no intentions of making a Muslim woman any less than a Western woman or any
Perhaps the main reason I liked this book was the unfaltering courage of the author in the face of such torture as hurts one even to read, let alone have to experience first-hand. Where men give in, this woman perseveres, and, eventually, emerges a stronger person, if that is even possible. The book’s main appeal is emotional, although sound logical arguments are also used. This book is also interesting as it shows us another face of Nasir – the so-called “champion of Arab nationalism” – who is also the enemy of pan-Islamism. The book is also proof of history repeating itself in modern-day Egypt.
As an Arab American, a Muslim and a woman writer, Mohja Kahf challenges the stereotypes and misrepresentation of Arab and Muslim women. Her style is always marked by humor, sarcasm, anger and confrontation. “The Marvelous Women,” “The Woman Dear to Herself,” “Hijab Scene #7” and “Hijab Scene #5” are examples of Kahf’s anger of stereotypes about Muslim women and her attempts to fight in order to eradicate them, in addition to her encouragement to women who help her and fight for their rights.
Alienation is a concept that is universal to all people of all cultures in the world and throughout all time periods. These feelings of alienation, in some form or another, have affected every human begin that has ever taken a breath and will until the race is extinct. It is these feelings of alienation that influence so many of our activities, our thoughts, and the way we shape our lives and the manner in which we form our societies. It is these reactions to alienation that have played such a large role in the shaping of cultures and societies and for this reason it is important to study the alienation that is being discussed here. It is necessary to choose a group first of all and for our purpose here it will be women in the Arab culture. This is a very diverse culture and therefore we cannot deal with any specific society too in depth and so therefore we will look at examples provided from Arab women’s novels as well as look at the culture as a whole and over a large geographic region. We will be primarily concerned with the sources of alienation that bring these feelings and/or situations of alienation about and focusing on a socioanalytic evaluation of these sources. Also important in this discourse are the situations of the present that we will examine by looking at a few examples from the Arab women’s novels, but also the in-depth analyses of the situations and experiences. Finally, we will look at what these situations and analyses mean for the future of Arab women and the circumstances they may be provided with in years to come and how they might deal with new forms of alienation and at the same time different forms of dealienation or situations of being able to enter parts of society and the world that they have not been able to for numbers of years, and in some cases parts they have never experienced—historically speaking. In short, the purpose of this discourse is to understand the alienation that is a part of the lives of Arab women. This is not supposed to be a definitive analysis, but rather the introduction
Tariq Ali uniquely puts into perspective the horrific tragedies behind the Spanish reconquest in his work, Shadows of the Pomegranate Tree, by capturing the history in the perspective of a Muslim family who lived in a village just outside of recently conquered Granada. He does this in order to expose the cruelty and intolerance of the Archbishop Xemenes de Cineros. Ali also uncovers the faults in not only Christianity, but also in Islamic ideology by having many character’s from the family Banu Hudayl debating and questioning Islamic beliefs which may parallel with the author’s own beliefs, or lack thereof. (Tariq) One of Ali’s strongest focuses however, was to expose the lack of urgency many Muslims felt after the fall of Granada. Many Muslim’s