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Impacts of religion on society
Impacts of religion on society
How has religion impacted history
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Tariq Ali uniquely puts into perspective the horrific tragedies behind the Spanish reconquest in his work, Shadows of the Pomegranate Tree, by capturing the history in the perspective of a Muslim family who lived in a village just outside of recently conquered Granada. He does this in order to expose the cruelty and intolerance of the Archbishop Xemenes de Cineros. Ali also uncovers the faults in not only Christianity, but also in Islamic ideology by having many character’s from the family Banu Hudayl debating and questioning Islamic beliefs which may parallel with the author’s own beliefs, or lack thereof. (Tariq) One of Ali’s strongest focuses however, was to expose the lack of urgency many Muslims felt after the fall of Granada. Many Muslim’s …show more content…
He uses the Banu Hudayl family to show that people of high status such as Zubayda have doubts of religion. Ali tries to diminish religion altogether by the many examples of fake conversions to Christianity which provides a sense that everyone has flaws, even the most devote Muslims. The fear which lead to the false conversion of many Muslims can directly correlate with the reasoning behind the expulsion of the Moriscos from Spain in 1609 under the rule of King Phillip III. Ali does not directly state this but hints at it throughout the novel by revealing many false converts and the tension that Cisneros feels towards these fake Christians. Ali also expresses his beliefs of equality through the many examples of sins and impurities among Muslims and Christians. Ali is trying to argue that we are all imperfect and selfish people, even if we have religion there will always be good and bad people. While there are many instances of noble sacrifice, such as Zuhayr going to fight for his family and for the town he loves, Hind points out that he only does this noble act out of …show more content…
I would counter this argument by saying that many of them would still have been scared into conversion which would in most cases have produced the same outcome for the Muslim people, especially involving the expulsion of them later in history. If Ali had been a Muslim rather than an atheist I believe this novel would have been more biased and lenient on the Muslim people, I am not sure that the argument of the Muslims living in the shadows would have been the same. Ali being an atheist provides an insight into the history that many other may not have considered to think about. This being said Ali’s main argument although may not have enough support to back it up completely was a fair one with many underlying
The book essentially begins with the year 711, when then thousand Moorish soldiers swiftly conquered most of the Iberian Peninsula, establishing Muslim rule over five million inhabitants and instituting a government that extended more or less equal
Al-Jabarti’s accounts were written with a criticism and tone that lacked very little neutrality. Clearly described is the questioning of Napoleon’s sincerity. They did not believe that a Christian could be a redeemer for Islam and distrusted him immensely. The disdain for Napoleon’s attempts to gain the trust and favor of the Is...
In this paper I will discuss the print called Plum Garden at Kameido. This print was created by Ando Hiroshige in 1857. It is a woodblock print. In the front of the print is a close up of a tree. It is an image of a plum tree in a plum garden. The tree has pretty white blooms on it. For this reason it is logical to assume that it must be springtime. Working back, I see two more plum trees. None of the trees have much detail of the bark texture. I can see that if these trees are true to life, Plum trees are not very shapely trees. Behind the second row of trees is what appears to be an iron fence with people standing at various points along the fence. The fence line angles back to show a third row of trees in the distance. Green grass can be seen in much of the fenced in area highlighting the fact that it is a garden.
Ibn Munqidh, Usama. "From Memoirs." McNeill, William and Marilyn Robinson Waldman. The Islamic World. Chicago: The University of Chicago Press, 1973. 184-206.
Joyce, James. “Araby”. The Norton Anthology of Short Fiction. Eds. R.V. Cassill and Richard Bausch. Shorter Sixth Edition. New York: W.W. Norton and Company, 2000. 427 - 431.
Joyce, James. “Araby.” The Norton Introduction to Literature, Shorter Eighth Edition. Eds. Jerome Beaty, Alison Booth, J. Paul Hunter, and Kelly J. Mays. New York: W.W.Norton.
“Culture belongs to the imagination; to judge it rationally is to misunderstand its function” (Wilson 79). In “The Butterfly Mosque” by G. Willow Wilson, she acknowledges culture and explains why cultures can differ so greatly. She emphasizes why its highly inconclusive to try to find a meaning behind ones culture. As a young American Muslim women she is faced with cross cultural ironies as she tries to find her identity and where she fits in. Her conversion to Islam brings into light her internalized prejudice and the different perspectives of Westerners towards the Middle East and vice versa. In her memoir, she depicts both positive and negative aspects of both cultures and, her struggle to find a common ground between the two.
In "Between Cult and Culture: Bamiyan, Islamic Iconoclasm, and the Museum," Finbarr Barry Flood expresses many ideas concerning Islamic iconoclasm. His focus was on the ."..iconoclastic practices of Muslims living in the eastern Islamic world, especially Afghanistan and India." Flood discusses issues with traditional patterns considering Islamic iconoclasm and the "many paradoxes" that "complicate" our understanding of Islamic iconoclasm. Throughout this essay we become familiar with "essentialist conceptions of Muslim iconoclasm" as well as "political aspects of what has largely been conceived of as a theological impulse." These points later provide a basis for analyzing the destruction of the Bamiyan Buddha by the Taliban in March 2001. "It will be argued that their obliteration indexed not a timeless response to figuration but a calculated engagement with a culturally specific discourse of images at a particular historical moment."
James Joyce's use of religious imagery and religious symbols in "Araby" is compelling. That the story is concerned somehow with religion is obvious, but the particulars are vague, and its message becomes all the more interesting when Joyce begins to mingle romantic attraction with divine love. "Araby" is a story about both wordly love and religious devotion, and its weird mix of symbols and images details the relationship--sometimes peaceful, sometimes tumultuos--between the two. In this essay, I will examine a few key moments in the story and argue that Joyce's narrator is ultimately unable to resolve the differences between them.
Art serves the purpose of transmitting ideas about our lives and environment - forcing people to think about different aspects of our lives. Artist Andy Goldsworthy has a very specific style, creating mostly temporary art using nature as both his materials and his setting. His works range from gold leaf covered rocks to a photo of him throwing a string of kelp into the sky for it to contort into some seemingly random shape. This paper, however, will discuss Goldsworthy 's work “Sycamore Leaves Edging the Roots of a Sycamore Tree” which shows the base of a tree lined with a yellow gradient fading into the ground made from the leaves of the very tree it surrounds. Through this work,
Islam, a religion of people submitting to one God, seeking peace and a way of life without sin, is always misunderstood throughout the world. What some consider act of bigotry, others believe it to be the lack of education and wrong portrayal of events in media; however, one cannot not justify the so little knowledge that America and Americans have about Islam and Muslims. Historically there are have been myths, many attacks on Islam and much confusion between Islam as a religion and Middle Easter culture that is always associated with it. This paper is meant to dispel, or rather educate about the big issues that plague people’s minds with false ideas and this will only be touching the surface.
Although “Araby” is a fairly short story, author James Joyce does a remarkable job of discussing some very deep issues within it. On the surface it appears to be a story of a boy's trip to the market to get a gift for the girl he has a crush on. Yet deeper down it is about a lonely boy who makes a pilgrimage to an eastern-styled bazaar in hopes that it will somehow alleviate his miserable life. James Joyce’s uses the boy in “Araby” to expose a story of isolation and lack of control. These themes of alienation and control are ultimately linked because it will be seen that the source of the boy's emotional distance is his lack of control over his life.
Joyce, James. "Araby." 1914. Literature and Ourselves. Henderson, Gloria, ed. Boston, Longman Press. 2009. 984-988.
The Islamic tradition, as reflected in Naguib Mahfouz’s Zaabalawi, has over the course of history had an incredible impact on Arab culture. In Mahfouz’s time, Islamic practices combined with their political relevance proved a source of both great power and woe in Middle Eastern countries. As alluded to in Zaabalawi, Mahfouz asserts the fact that not all Muslims attain religious fulfillment through this common tradition, and other methods outside the scope of Islam may be necessary in true spiritual understanding.
The “Tales of Juha” are a collection of comic tales as well as some pieces that reveal information about social problems, religion in daily life, the link between religion and punishment and mortality. These pieces are important to read in order to understand what the daily life and culture of the Muslim empires was like according the citizens. These tales give a great inside look at some of the occurrence of a Muslim citizen.