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Morality in the heart of darkness
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Grass Symbolism in Heart of Darkness
In Joseph Conrad's Heart of Darkness, the very first observation that the narrator Marlow makes about his African experiences is that when he came upon the remains of his predecessor, Fresleven, "the grass growing through his ribs was tall enough to hide his bones."[1] This juxtaposition of grass and mortal remains may remind many readers of several powerful scriptural images of mortality and the vanity of earthly endeavor--for instance
All flesh is as grass, and all the glory of man as the flower of grass. The grass withereth, and the flower fadeth away.[2]
Marlow's striking image resonates not only with these scriptural connotations, but also with suggestions of the paradoxical natural vitality of the grass growing through the bones, and with overtones of moral judgment for the culpable neglect of Fresleven's remains by his survivors.
Images of death are associated with grass repeatedly in Heart of Darkness. Long grass half conceals but ultimately reveals the bodies of dead carders, still in harness, in final repose beside the paths on which they labored (23). When Marlow's native helmsman is killed, Marlow says that the dead body is "heavier than any man on earth," yet when Marlow tips it over the side, it is swept back in the current "like a wisp of grass" (51). Here, if not earlier, a reader may realize that Conrad is combining images of death and grass systematically.
This motif is carried forward in two more strands. First, grass is associated with impermanence and futility in a series of increasingly intense images of material things, beginning with the almost comic picture of "wallowing in the grass" at the Lower Station, more like...
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... inhere in all humanity, civilized or not.
The full force of this motif may be seen, on reflection, in only the second image of grass in Marlow's narrative. Immediately after describing the grass growing through Fresleven's ribs, Marlow remembers visiting the sepulchral city where, on a silent and deserted street, in the dark shadows cast by tall buildings, he notices, improbably, "grass sprouting between the stones" (13) and then enters the offices of the trading company to begin a journey that does not end, not even at the end of Kurtz's broad trail through the grass wet with dew and sparkling in the starlit darkness.
NOTES
1. Joseph Conrad, Heart of Darkness, ed. Robert Kimbrough, 3rd ed. (New York: Norton, 1988). The description of Fresleven's remains is on page 13.
2. 1 Peter 1:21. See also Psalm 90:5-6 and Isaiah 40:6 and 8.
Olds’ use of nature-related similes allows the reader a greater understanding of man’s worst invention—war. In describing the unburied bodies of the dead, Olds writes “they lay on the soil / some of them wrapped in dark cloth / bound with rope like the tree’s ball of roots / when it waits to be planted.” Uprooted from life but not yet planted in the ground for their eternal rest, the bodies resemble the gnarled nest of exposed tree roots. Tied up and brought under the dominion of man, the otherwise sprawling roots form a crown of thorns, just as the men die in a conflict
In book one of Heart of Darkness, Conrad describes a mass of black bodies clinging to life in order to show the “horror” of colonialism in Africa. Conrad describes a scene of “black shapes crouched . . clinging to the earth . . . in all the attitudes of pain, abandonment, and despair.” Conrad uses the language of “pain, abandonment, and despair” to show the unjustifiable acts committed by the Europeans against the native Africans. The bodies “cling” to life because of the lack of empathy exhibited by the colonists. In addition, Conrad describes a man with a thread around his neck: “it looked startling round his black neck, this bit of white thread from beyond the seas.” The white thread symbolizes the act of white colonialism strangling the resources and life out of Africa. Furthermore, Conrad depicts the body’s “black neck” to emphasize the injustice the natives receive from the Europeans. Additionally, Conrad uses the mass of abandoned bodies to argue against any sympathy for colonialism. Moreover, Conrad uses the criticism of colonialism to explain the European attitude towards native Africans. Conrad uses imagery to describe the natives as animals in order to demonstrate the European perception of Africa. Conrad compares Marlow’s companions as a “hyena.” The animal imagery is used to compare the physical and mental bodies of the native Africans as less than “white people.”
With Sandburg’s descriptive detail orientated word choice “Sandburg exhibits an imagist bent for describing the bare details of a scene, even in those poems whose enthusiastic and garrulous speakers do not retain the detachment and brevity characteristic of undisputed imagist poems”(Van Wienen). In the poem Grass, Sandburg uses imagery to present a strong image of how destructive war is. By listing off “Pile the bodies high at Austerlitz and Waterloo”, Sandburg presents a strong image of how the dead bodies resulted from the actions of war(766). By providing this vivid picture through imagery, it helps readers understand the deeper meaning behind the bodies and the purpose of the grass.
Heart of Darkness is Joseph Conrad's tale of one man's journey, both mental and physical, into the depths of the wild African jungle and the human soul. The seaman, Marlow, tells his crew a startling tale of a man named Kurtz and his expedition that culminates in his encounter with the "voice" of Kurtz and ultimately, Kurtz's demise. The passage from Part I of the novel consists of Marlow's initial encounter with the natives of this place of immense darkness, directly relating to Conrad's use of imagery and metaphor to illustrate to the reader the contrast between light and dark. The passage, although occurring earlier on in the novel, is interspersed with Marlow's two opposing points of view: one of naïveté, which comes before Marlow's eventual epiphany after having met Kurtz, and the matured perspective he takes on after all of the events leading up to his and Kurtz's encounter.
Obesity has been identified as one of the risk factors affecting directly and indirectly the health outcome of the population. Even though many approaches and programs have been conducted in order to reduce the obesity rate, this health issue is still a big headache and keeps being put on the table. According to the Centers for Disease Control and Prevention (CDC), overweight and obesity rate have been increasing significantly in the past two decades in the United States with more than 35.7% of adults and almost 17% of children and adolescents from 2-19 years olds being obese ("Overweight and obesity," 2013). As Healthy People 2020 indicated, in the period from 1988-1994 to 2009-2010, the age adjusted obesity rate among U.S adults aged 20 and over increased from 22.8% to 35.7%, which means increased by 57% while the obesity rate among children and teenagers from 2 to 19 years old increased from 10% to approximately 17%, witnessing the increase of 69% ("Nutrition, physical activity," 2013). Obesity has impact both on economic and health of the nation. Obesity is the risk factor of serious chronic diseases, including heart disease, stroke, type II diabetes, certain kinds of cancer, and other leading causes of preventable deaths ("Overweight and obesity," 2013). Moreover, obesity continues to be economic burden in terms of medical costs for either public or private payers up to $147 billion per year which increased from 6.5% to 9.1% (Finkelstein et al, 2009). In 2008, medical spending per capita for the obese or obesity related health issues is $1,429 per year, as 42% higher than “those of normal weight” (Finkelstein et al, 2009, p.8).
Joseph Conrad: Heart of Darkness, A Case Study in Contemporary Criticism , ed. Ross C. Murfin. New York: St. Martin's Press, 1989.
The obesity in the US has drastically increased in the last few decades due to an increase in the consumption of unhealthy foods and reduced physical activity levels. Nearly 78 million adults and 13 million children in the United States are dealing with the health and the emotional effects of obesity every day. Because obesity has massive implications in regards to the health of our society, this issue is cited almost daily in the news, on radio and televisions, journals and magazines. According to Centers for Disease Control and Prevention in Atlanta (CDC) more than thirty percent of our adult population is diagnosed as obese, and there are several hundred of thousands of deaths each year that are associated with diseases caused by obesity as a primary contributing factor.
As Marlow assists the reader in understanding the story he tells, many inversions and contrasts are utilized in order to increase apperception of the true meaning it holds. One of the most commonly occurring divergences is the un orthodox implications that light and dark embody. Conrad’s Heart of Darkness brims with paradoxes and symbolism throughout its entirety, with the intent of assisting the reader in comprehending the truth of not only human nature, but of the world.
Obesity in the United State has increasingly been cited as major health issue. Findings from the National Health and Nutrition Examination Survey show that the proportion of adults who are obese has more than doubled from 15% in 1971–1974 to 34% In 2003–2006 for adults 20-74 years.In 1990, obese adults made up less than 15 percent of the population in most US states however by the year 2010 , 36 states had obesity rates of 25 percent or higher and 12 of those states had obesity of 30 percent or higher (CDCP 2012).
Obesity is on the rise, and it is becoming more and more of a national health concern. It effects more than 1/3 of the population, and an additional 1/3 is overweight. With obesity becoming more and more of a problem each year, the American population is going to suffer from a catastrophic health emergency.
According to reports from the Centers for Disease Control, during the past thirty years the average rate of obesity in the US adult population has risen from under 20% to 35.7%. Secondly, during the same period, childhood obesity has tripled to a rate of 17%. It has been currently found that in more than a third of all children and adolescents are now considered to be overweight or obese. These shocking statistics show that a high prevalence of obesity appears to have increased significantly in the United States. It also continues to be a major public health concern, the total medical costs of obesity within the United States were estimated at $147 billion in 2008, and it is believed to continue to increase with the rising cost of health care. Secondly, obesity is also now considered to have become a global phenomenon. The World Health Organization has stated that obesity is responsible for approximately 8% of health costs in Europe and approximately over 10% of total deaths.
...o, while the novella’s archetypal structure glorifies Marlow’s domination of Kurtz. These two analyses taken together provide a much fuller and more comprehensive interpretation of the work. Conrad presents the idea that there is some darkness within each person. The darkness is is inherited and instinctual, but because it is natural does not make it right. He celebrates – and thereby almost advises – the turn from instinct. By telling Marlow’s tale, Joseph Conrad stresses to his audience the importance of self-knowledge and the unnecessity of instinct in civilization.
Conrad, Joseph. Heart of Darkness 3rd Ed. Ed. Robert Kimbrough. New York: Norton Critical, 1988.
The consistent pattern of metrical stresses in this stanza, along with the orderly rhyme scheme, and standard verse structure, reflect the mood of serenity, of humankind in harmony with Nature. It is a fine, hot day, `clear as fire', when the speaker comes to drink at the creek. Birdsong punctuates the still air, like the tinkling of broken glass. However, the term `frail' also suggests vulnerability in the presence of danger, and there are other intimations in this stanza of the drama that is about to unfold. Slithery sibilants, as in the words `glass', `grass' and `moss', hint at the existence of a Serpent in the Garden of Eden. As in a Greek tragedy, the intensity of expression in the poem invokes a proleptic tenseness, as yet unexplained.
Images of different different seasons of the year to explain the process of growing older. Images that depict the fading of light in a persons soul transforming into darkness. Images that the reader can perceive as vivid actions. Images that all symbolize one thing, death. In the first quatrain the speaker begins by comparing an old middle age man to a tree with few to none yellow leaves hanging on its branch, and branches moving to the wind of a cold late autumn/early winter day. Image that depicts a lifeless trees and shivering branches, branches that perhaps represent the weak muscles of the speaker. Another image is depicted in the first quatrain containing the same idea. The image of an old church choirs in ruins. In the second quatrain the speaker depicts a moving image of a twilight that can be seen fading on him as the sun sets in the west and soon turns into darkness. Symbolizing the last moments of life the speaker has. In the third quatrain the speaker depicts an image with a similar meaning as the previous, except for one distinctly last thought. The speaker depicts a living image of a bonfire extinguishing and turning into ashes, ashes that may represent his well lived youth. The image gives the idea that ashes represent what once was a beautiful life to the speaker. Overall the images representing the