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Essay on punk rock subculture
Essay on punk rock subculture
Essay on punk rock subculture
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Graphics Incognito by Mark Owens focuses on the relations between
American punk music culture and history of graphic design and the meanings of
it and its notions by comparing them through the origin myths. He starts by
giving the example of American punk rock group “GERMS (GI)” and how they
became the symbol of American hardcore. The image of their logo became
recognizable by every fan out there, used on t shirts, albums and everywhere.
Like Bauhaus triangle-square-circle, the blue circle they used as their logo
became a shorthand for American hardcore, known by every fan and been used
variously for many times since. The designer of this “blue circle” image is
unknown however it is clear that it has a designer touch as it
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The vocalist Darby Crash ( was
originally called With Pyn) found the image as an ambiguous symbol. This image
later became “designed” and produced everywhere as an abstract representation
of the band and its fans. It can be said that the lack of designer in (GI) album
cover, is a perfect match with the Germs, a sense of secrecy and occulted
knowledge and spread out with Darby’s death. The unknown designer and the
usage of primary colors and abstract shapes are evidence of modernist graphic
abstraction, which roots back to at least Bauhaus. The cover of (GI) questions the
traditional modes of design and finds an alternative way to it with its form of
hardcore abstraction.
As a second example he talks about the American punk rock band “Black
Flag”. Similar to the Germs, they defined the protocols of the American
underground and became a symbol of it. Their logo, the four blocks, spread out
everywhere as a result of their DIY work ethics. The Black Flag bars are an
example of the hardcore abstraction. It uses the geometric forms of De Stijl and
early modernism. Both Germs and Black Flag, aimed to rupture the surface of
normality, by using strategic anonymity, pseudonym and graphic
...ent ground. the background is bright red and has large graphic circles of yellows, pinks, and blues. They seem to mimic the idea of a musical notes. It is composed of flat figural forms cut from vibrant paper. This was not the only album cover that Romare Bearden ever created. He also did another album cover for Wynton Marsalis called J Mood.
The twentieth century has witnessed many transformations in the ways we produce and respond to works of art. It has seen the rise of altogether new media, approaches, and a wealth of new interpretative frameworks. The emergence of manufactured goods, modernism, and a ubiquitous mass culture contribute to the upheaval, in the 1960’s and 70’s, of established art practices and approaches. Pop Art emerges as an important response to, extension of, or parody of what Clement Greenberg called “Ersatz culture” and “kitsch”, which, to paraphrase Greenberg, represent the omnipresent abominations of commercial and replicated art (Greenberg 9). This essay will observe and discuss the interaction of Canadian pop culture, art, and identity in Joyce Wieland’s “O Canada (Animation)”, and will underline how works of Pop Art serve to elevate kitsch into “a new state of aesthetic dignity” (Eco 228).
Within the impoverished urban streets arose a youth culture captivated by infamy and self-pride. A youth culture virtually undistinguishable from members of modern society with a passion, setting them apart from the community. The members of this underground subculture could be your next-door neighbor, your son or daughter, or the contractor repairing your roof, yet you would have no idea that they strive to “bomb” objects and surfaces found in everyday life. It is the subtle differences that distinguish a graffiti artist from the average member of society, such as their, mindset, desires, speech and active lifestyle.
Lawson, Bryan. How Designers Think: The Design Process Demystified. 4th ed. Oxford: Architectural Press, 2006.
In this paper I will present two differing views on the topic of the design argument. In particular, I will explain William Paley's view supporting the design argument and Bertrand Russell's view against the design argument. After a presentation of the differing views, I will then evaluate the arguments to show that William Paley has a stronger argument.
The phrase “form ever follows function” was first introduced by Louis Sullivan “father of skyscrapers” which was an influential architect and critic, in his article The Tall Office Building Artistically Considered (1896) “Whether it be the sweeping eagle in his flight, or the open apple-blossom, the toiling workhorse, the blithe swan, the branching oak, the winding stream at its base, the drifting clouds over all the coursing sun, form ever follows function, and this is the law” (p 5). The principal for any design in any discipline is that form follows function; if an item must accomplish a certain function, then its design must aid that function to the fullest extent possible. But in our modern days most designs tend to favor form in almost all the disciplines prioritizing the appearance and neglecting the safety and the main function of the design or invention, those slipups can be seen in many of the famous industries, and that is what made them famous because beauty and appearance sells. Most designs efforts should focus on function rather than form because function is the rea...
Wicked Problems in Design Thinking Author(s): Richard Buchanan Source: Design Issues, Vol. 8, No. 2 (Spring, 1992), pp. 5-21 Published by: The MIT Press Stable URL: http://www.jstor.org/
Everything is a symbol. Everything has a deeper being in which it represents once it is unlocked. The father of deconstruction, Jacques Derrida, was quoted in an interview saying that deconstruction is “to not naturalize what is not natural”. Therefore symbolism is deconstruction in its rawest form. Symbols beg to not be taken at their natural face-value, but rather dived into to reach their deep inner-core of true meaning. One must use every element of deconstruction to unlock the true meaning of a symbol. Symbolism in literature allows the author to express his thoughts and motives in a way that is engaging and entertaining to the reader. The reader must dissect every bit of knowledge presented in order to reach the full fountain of knowledge that can be expressed by a symbol. Symbols are a beautiful thing. It allows the reader to make his own connections to the author’s expressions. The reader can especially be engaged in George Orwell’s 1949 dystopian novel 1984. Symbolism is important in 1984 because the reader can find connections to today’s government in Orwell’s message of control, propaganda, and oppression within the symbols that Orwell creates.
The cover also includes GERMS (GI) written by small caps Helvetica. Typography, colour and abstract shapes are components of graphic abstraction that belongs to Bauhaus movement. In addition, GI album lack of a
NA, . "A Critical Analysis of Robert Frost's "Design"." Academic Help. Academic Help, 08 October 2010. Web. 16 Feb 2012. .
One of the key ideas of the modern era was to forge the designs of the future on the corpses of the past, disregarding everything from the last era and moving forward with new ideals and styles. Refining and discarding they shaped, molded and constricted the ideas of design until reaching the pinnacle of minimalism. Creating design with pure aesthetics and reducing an object down to its core fundamental elements. Using the ideas of “less is more” or even “using less for more”, the designs ended up simple and elegant with a focus not in quantit...
physical design, as well as the activity it helps to instill, express and strengthen in us powerful
Literature has learned to grow and progress over the years, but still till this day graphic novels are having trouble with being accepted as literature. Good literature is a piece of work that can incorporate writing and illustrations that pulls the reader in and leads them throughout the book. After reading a couple of graphic novels I have to disagree with the scholars who believe that they aren’t a piece of literature. Each graphic novel tells a story just like “regular” novels do. They each capture your imagination and keep you interested. They may look childish to some, but you should never judge a book by its cover. “Graphic novels that succeed as literature escape the norm and invite critical discussion, analysis, and, often, comparison with text-only books featuring similar situations, climactic crises, or aesthetics” (Goldsmith). Graphic novels tell a story, draw in a different audience, and expands a reader’s imagination, so with that said, they should be considered as literature.
It unites the universe and makes the art of communication, interaction and socializing very effective. Any design models for the future use should base the professional advancement on the above items for proper use in the future by different cultures. Another key thing that multiple researches have concluded is that homogenizing the cultures is so disturbing and should not be encouraged at any cost. This will greatly affect the roots and customs of many cultures hence the loss of sense in the society and in the world at large. The product designed by the engineer is not the important thing but the context of its use is the most important thing. Also because training across the world is similar does not mean their products should be the same. This because the design is influenced by the needs of the people and the education acquired should just be a guiding factor to the design. Different methods should be employed to sensitize cultural variations and the needs of people in the society. Different engineering designs should not comprise the cultural values and morals but should enhance the different cultures and promote