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Thesis for goodfellas film analysis
Thesis for goodfellas film analysis
Narrative in films
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Title: Goodfellas
Film Origin
Goodfellas was based off of the non-fiction book Wiseguy, which was released in 1986 by Nicholas Pileggi. Director Martin Scorsese worked extensively with Pileggi when writing the screenplay, as Pileggi is credited for co-writing. Originally named Wise Guy due to the book, Scorsese and Pileggi changed the name to Goodfellas. In addition, Pileggi also worked with the main actors of Robert De Niro, Ray Liotta, and Joe Pesci to understand from both the screenplay as well as from the book.
Summary of the film
The film is a biography of Henry Hill, who was born and raised in the mafia, and his story of how he advances through the system. Along the way, Hill finds himself very successful due to the work he was able
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to accomplish. Through his journey, he creates terrible habits that affects his success, such as creating an addiction to drugs and putting his family and friends in danger. Ultimately, Hill is able to stay alive and tell his life story. Film’s Genre Biography, Crime, Drama Possible Themes Respect, Image, Power, Privilege, Family Title Meaning By definition, Goodfella is “a gangster, especially a member of a Mafia family.” Thus, the title meaning of Goodfellas was the story of gangsters that had an impact on Hill’s life, who was the ultimate Goodfella of the story. Character Development The most detailed character development was Henry Hill. The tone of his character was set within the first couple of lines of the film, Hill’s narrative voice says “as far back as I can remember, I always wanted to be a gangster.” From that point on, the viewer understood the type of character he was going to be. As character was introduced as someone who was driven to be successful in the mafia world. Even though Hill eventually was able to be successful, his character developed in a way where his power influenced how he acted. For example, he became to feel indestructible, develop a drug habit, cheat on his wife – all of these traits were developed through his success in the mafia world. But, especially in the final scene, Hill confirms that even with everything that he has been through, he does not regret a second of it. Besides Henry Hill’s development as a character, the development of the relationship with his wife, Karen Hill, was also very detailed as well. Karen was first introduced to the film as Henry’s date on a double date with Tommy DeVito. They there ‘dates’ because Henry wanted to help his friend go on a date with another woman, who would not go on the date unless Karen had a date for herself. When Karen and Henry met, she was in such disbelief of how Henry acted at dinner, “I couldn’t stand him” was the exact quote when first describing how Karen felt about Henry. When Tommy set up a second date, Henry bailed on Karen and never showed. But, Karen forced Tommy to go find him, only for Henry to fall in love with her. Their relationship continued to develop through their love and understanding for each other, as Karen understood his gangster lifestyle and Henry understood Karen’s religion. But, as Henry continued to climb the hierarchy of success in the mafia world, their relationship began to crumble. Fights between the two became more frequent, Henry would display more disagreements than love when interacting with Karen, Henry committing infidelity towards Karen – at one scene in the film, Karen points a gun at Henry’s face in order to kill him. But, as Karen put it, “How could I hurt him, I couldn’t even bring myself to leave him. The truth was, no matter how bad I felt, I was still very attracted to him.” This also ties back into the development on how Henry changes as a character throughout the film, but the connection between his success in his mafia life had a direct relationship to the decrease in his love life, creating very rich character development. Memorable Scenes / Mise en Scene One memorable scene in the film is between Karen and Henry in the early stages of their relationship. One afternoon, Karen comes to Henry crying because one of their neighbors sexually harassed her. In order to defend his lady, Henry gets angry. He then takes Karen home, and confronts the man who sexually harassed her by beating him with his pistol and threatening to kill the man. Afterward, Henry returns to Karen with the gun and says, “hide this.” From there, Karen does a narrative voiceover and has one of the best quotes of the movie, “I know there are woman like my best friends, who would have gotten out of there the minute the boyfriend gave them a gun to hide. But I didn’t, I got to admit the truth, it turned me on.” This is one of the more memorable scenes in the film because it was an acceptance of Karen towards the interest Henry had with his life. Another memorable scene from the film was the “funny guy” scene. In the shot, Tommy is telling a story of his work at a dinner with presumably business partners, as well as with Henry. As Henry continues to laugh, he tells Tommy “really funny”, causing a reaction from Tommy to say “what do you mean I am funny?” The mood of the scene becomes joyful to treating in a matter of moments, as Tommy turns the tables and becomes angry at Henry due to his funny comment. Because of that reaction, Tommy says his icon line of “funny how? Funny like clown funny?” Tommy continues to be intimidating towards Henry, beginning to get in his face. Henry eventually calls Tommy’s bluff of seriousness, which then lifts the weight off of everyone’s shoulders at the table and the scene becomes joyful again. Commonalities between characters The biggest commonality between the characters came from the Goodfellas themselves, Henry, Tommy, and Jimmy Conway.
Throughout the film, the most obvious commonality is their interest in the mafia industry. But, their common interest also is found in their drive for success. As each character is successful with their business, they share that commonality as well as leaning on each other through the process to make sure each will be successful. Even though things change throughout the film due to their success with the mafia, the trio share that commonality of leaning on each other and protecting each other in the …show more content…
business. Symbolisms & Meanings Because of the nature and tone the film provides, the mafia culture always provides the symbolism of respect and power. In Goodfellas, this is especially true because it displays the addiction of getting to the top of the mountain, and only craving the respect and power that come with that success. Family is also an important symbol in the film because it provides a complex meaning. On one aspect, family is a symbol because of the mafia itself. To Henry, in some aspects, the mafia was his family. That was how he was able to be successful and make money. But, Henry also had a physical family at home with Karen. The symbol of family can provide multiple different meanings for this film because Henry balances both his mafia family as well as his own family with Karen. This expresses that meaning of finding the proper balance for life in general. Lighting As with most movies in this genre, the use of both high-key lighting and low-key lighting are essential in expressing setting the tone for each scene. Scorsese does an excellent job in using both of these lighting techniques. For example, most of the dark scenes which involved the gangster topics included low-key lightening, due to the dark content that the characters were dealing with. The use of low-key lighting was also important for the film because it was able to symbolize the actions that Henry was making as he balanced the mafia life and home life with Karen. Even though there was very little, the use of high-key lighting was important to express the scenes that were intended to be joyful. One of those scenes was the wedding of Karen and Henry, as high-key lighting was used to express the promise and opportunity of their lives together. High-Key lighting was also used when Henry, Tommy, and Jimmy would go visit Jimmy’s mothers house. This was important because it was trying to demonstrate that when they were at Jimmy’s mothers house, they were clean and innocent. The use of natural lighting in these scenes were also important, because it brought a level of authenticity for the viewer. Sound The use of sound by Scorsese was incredibly detailed to provide that extra level of emotion for the viewer in every scene. The biggest use of sound was the technique of voiceovers throughout the film, as the characters narrated themselves as scenes developed. This was unique because the viewer could understand the character’s thoughts as they were watching a scene unfold. Also, the accuracy of the violent sounds created that layer of authenticity for the film, because without those sounds it does not get portrayed the same way. Including music into the film was also a key aspect of sound, because it provided more emotion of the scene. The trend Scorsese created was with the use of music, the viewer could anticipate something big was able to happen in the film. Scorsese also used music that were associated with New York City, to match with the setting of the movie being in New York. Editing Scorsese provided multiple different editing techniques in the film. One noticeable one was the use of continuity editing, were there was a created sense of uninterrupted time throughout the film. This was used with a scene when the guys went to Jimmy’s mothers house, as the scene continued as if everything was happening in real time and interrupted while in the same setting. The use of freeze-frame was also an important editing technique used in the movie. Without the freeze frame editing, the scenes might not have the same power as they would with them. For example, in the opening scene, after Henry says his line about being a gangster, there is a freeze-frame shot of his face. This was an exceptional editing technique used my Scorsese because it got the viewer to think more about the dialogue that was just said, as well as collect their thoughts on what they just watched. The film also provides closure at the end, leaving no unanswered questions.
Even though the film is a biography, there was still a provided closure for the viewers.
Camera Techniques
Goodfellas does an excellent job including different camera techniques. One scene in particular when Karen was pointing a gun at Henry’s face was using both a point-of-view shot as well as breaking the fourth wall. Also, it seems as if they were using a crane to film the scenes due to the accuracy of the shot moving horizontally. This technique is not new, but it makes the shot much more crisp for the viewer.
There was also usage of a long take in the film. In the particular scene, it was Henry and Karen entering the nightclub. But, the entire shot of the scene was a long take, because continued the scene until the subjects sat down. Not only was it a unique camera technique, but it was also an important scene in the movie, as it symbolizes the combination of Henry’s mafia life and love life in one area.
Signatures of the
Director Martin Scorsese is famous for many successful films such as Taxi Driver, The Departed, and The Wolf of Wall Street. What Scorsese is known for on camera is his usage of freeze frames, slow-motion, and creativeness with his structure of the film’s narrative is what makes him stand out from other directors. Possible cultural effects of the film Besides leaving a significant legacy for critics and viewers, the film provided cultural value. One of the most successful outcomes from Goodfellas was it was an inspiration to create the television show The Sopranos, which shared twenty-seven actors between the two. Subjective perception of the film’s value Considered one of the best gangster films of all time, Goodfellas provides not only cinematic value, but also a storyline that was always be retold and watched multiple times. With an 8.7/10 on IMDb and a 96% on Rotten Tomatoes, Goodfellas does not disappoint as still one of the elite gangster films.
...ot where the camera follows a subject within a frame and motion of the subject or its surroundings is involved. In this movie Lee uses the double dolly shot which includes the camera dolly and the actor mounted on a second dolly so the actor is moving along with the camera. The double dolly shot signature move is one of Lee’s favorites and also plays into his technical competence for the movie. This shot stars Detective Keith Frazier and happens just seconds after a hostage is “allegedly” killed by the bank robbers. In this scene the camera tends to shake and Denzel facial expressions display feelings of sadness and anger. In addition, a small cameo of Sal’s Pizzeria pizza boxes are seen when the head bank robbers makes a deal with the officers to get food for the hostages. Lee has lots of these connections within his movies relating back to Do The Right Thing.
The film starts with an uprising after a white storeowner kills a black teenager. This incident Highlights Prejudices. The teenager was labeled a thief because of the color of his skin and the unjustifiable murder causes racial tensions that exist as a result of the integration of the high schools.
Goodfellas is based on the life of Henry Hill, a member of an organized crime family of Italian descent that continues to have strong ties to Italy throughout the movie. As the movie begins, an old car drives down a highway as the bumper and New York license plates are shown. It seems as though the flickering streetlights are representative of the lights of a large city fading in the distance. Two men watch as a short man makes the observation that they need to finish killing a mutilated and bloody guy in the the trunk. Tommy, the short guy, stabs the man with a butcher knife mercilessly in a way that would make most viewers cringe. It becomes clear that this is a movie about street level gangsters in the ‘70s. The protagonist, Henry Hill begins by narrating his life as a teenager, stating that he “always wanted to be a gangster.”
His decisions were in part due to the producers asking that he shorten the film but also to his decision to create the sense of discontinuity present throughout the film. One such way that he breaks away is through the use of nonprofessional actors and handheld cameras in order to achieve a more documentary style of storytelling while also allotting him a great deal of flexibility in deciding what and where to film the shots, allowing him to improvise regularly. Traditionally, filmmakers would attempt to make transitions and edits of scenes to be as seamless and unnoticeable as possible, such is not the case with Godard, who insists on having jarring cuts even within a single conversation, often changing the angle and juxtapositioning between actors and objects in the scene. We first see these most prevalently when Michael first confronts and murders the police officer where there are continuous cuts between himself, the officer, and various objects such as the gun where the positioning of each is swapped between cuts, causing a sense of confusion for the audience. Scenes such as these become commonplace throughout the film and offer insights into both the characters and the themes of the film as a whole.
In the few of his numerous films that I have seen, Coppola appears to use much of the same aesthetic techniques. Most of his works’ mise-en-scene, with some exceptions, seems to be very basic. When he is filming, Francis Ford Coppola does not put too many unnecessary items into the scene. When using a Wide-angle lens, the frames are very open and spacious. This allows the viewer to focus on what is happening, rather than distract their attention. This technique can also prove useful. For example, if he wanted to make a character seem alone, abandoned, and insignificant, this type of shot would work well. Opposite a number of his films, in Apocalypse Now, it was important to some of the frames full. However, they still were not completed with excess objects, instead they were lavishly filled with the natural, lush greens of the Philippines. Francis Ford Coppola also uses dissolves in his works. In The Cotton Club (1984), this technique was used a couple of times, when both dancing and singing was being performed. His editing style proved continuous. It was neither choppy, nor disruptive to the viewer, which allowed for a more pleasant experience.
The movie “Scarface” is the story of one these immigrants who came to the United States seeking money and power but ended up with much more than he ever excepted. Al Pacino plays the main
Goodfellas (1990) directed my Martin Scorsese, is a film that focuses around the rise and fall of Henry Hill (Ray Liotta) in the world of organized crime. Scorsese based the film off of the 1985 book Wiseguy: Life in a Mafia Family by Nicholas Pileggi. The film was nominated for best picture and best director at the 63rd Academy Awards. The film opens up to a flashback with voce over narration from Henry Hill, foreshadowing Henrys involvement with the mob. It is a scene where Henry, James Conway (Robert De Niro), and Tommy Devito (Joe Pesce) murder an individual in the trunk of a vehicle. The individual who they murder turns out to be Billy Batts (Frank Vincent), a very important member of the mob. The next scene takes us back even further. Scorsese takes us to Brooklyn, NYC in 1955. We see a young Henry Hill, 13, a clean-cut innocent young man who seems to have a bright future. Henry admires the “gangsters” in the neighborhood. “As far back as I can remember, I always wanted to be a gangster,” Henry said. Henry admired that they were untouchable and well respected throughout the city. A young Henry took up a job at a local cabstand across the street from his house, owned by the mob. The longer he worked there, the deeper he got involved with the gangsters. Henry went from parking their Cadillac’s, to doing their dirty work.
Shadoian, Jack. Dreams and Dead Ends The American Gangster FIlm. 2nd ed. New York, NY:
Also, in the West Side Story, it uses many camera angles and distances. One example is the high-angle shot (B 49). In the very beginning the camera shows an overview of the West Side. I think that is shows this because it gives the audience a perspective on how large the West Side is. It also shows a distance shot (B 49) when the police arrive to the fight scene where the...
“American Gangster” is based on the true story of Frank Lucas’ life. It is the story of how he cut out the middleman in the heroin business and the story of how Ritchie Roberts caught him. Throughout the film we see the parallel between a cop and a criminal as we inch forward to see their lives finally meet.
Another good camera technique used in Requiem for a Dream were split screens. The split screens used by Aronofsky were perfectly split in the middle. The screens used maintained a good balance of your attention on both sides. The split screens allowed you to see two characters at once, making it easy to see what each one was doing at the same time. For example, there was a scene where Harry and Marion were talking to each other. Both of their faces and bodies were shown at the same time. Each character's response to each other was shown while they were talking or touching. It emphasized each character’s love for the other, making it feel like you were in the room watching what was taking place.
In The Shawshank Redemption, a film directed by Frank Darabont, Friendship is a prominent theme that is explored throughout the story of Andy Dufresne, Ellis Boyd “Red” Redding and their imprisonment and subsequent friendship. Darabont uses a range of techniques in this film to convey that theme of friendship, such as lighting, dialogue, music/score, Camera angles, mise-en-scene and camera shots.
The movie opens with the dreaded found footage style of lazy man filmmaking. I groaned loudly when I saw this, but thankfully after the opening scene of the movie, it switches to the normal style of shooting (aka, the non-lazy way).
With the long shots in this film it better allows us to see the whole picture making sure we aren’t focused on one particular
Through the use of long shots, the director portrays the town as very miserable, an aspect essential to the plot and theme. Just as the film has begun, while the two soldiers are riding up the mountain, the audience feels a sense of subjectivity. The use of a hand-held camera, moving up and down, allows the audience to feel as if though they are present within the framework of the film. This scene then leads into a long shot, in which the setting is established and the audience has a clear view of where the film takes place. Furthermore, the camera angles and close shots add much detail and emotion.