How is the theme of friendship conveyed in the film? In The Shawshank Redemption, a film directed by Frank Darabont, Friendship is a prominent theme that is explored throughout the story of Andy Dufresne, Ellis Boyd “Red” Redding and their imprisonment and subsequent friendship. Darabont uses a range of techniques in this film to convey that theme of friendship, such as lighting, dialogue, music/score, Camera angles, mise-en-scene and camera shots. When Andy has is first interaction with Red we see the first hints of friendship displayed through the techniques of light and dialogue. When Andy approaches Red in the yard to talk about purchasing a rock hammer, the lighting is bright and colourful and the dialogue friendly and humorous, the first …show more content…
Mise-en-scene is used to convey friendship in scenes such as the rooftop scene and for many of Andy and Red’s conversations in the yard. When Andy and Red are together and are enjoying their friendship the setting and arrangement of props is often very open, with little bars or imposing walls to look intimidating or dominating. This displays how together they are as free as they can be while imprisoned in Shawshank. When Andy is alone, the bars and walls tower over and confine Andy, making him appear constrained and vulnerable. This is a direct contrast to many of the scenes with Red and Andy together, this is to show how alone they are powerless but together they have some control over their lives. Camera shots are used to show their friendship in many scenes, there are many examples that have Andy and Red in a mid-shot together in the same shot. Often facing towards each other or facing the same direction. These shots that show them together close up creates a sense of intimacy between the two, as these characters are the sole focus of these scenes. Darabont has placed many scenes like this throughout the film to highlight their friendship and differentiate their relationship as special compared to relationships with many of the side
The Shawshank Redemption is an inspiring story about Andy Dufreine and his efforts to maintain hope in horrible situations. The directors used many effective methods that displayed signs of hope in such a horrible place. Andy maintained hope by distracting his mind and always staying occupied. Andy was also inspired to survive by helping others find hope in life.
The mise en scenes in this film are unique because it gave viewers the ability to have a sense of how the characters are feeling. For example, low lighting was used throughout the film to express a sense of the unknown and/or fear. Another great example of how mise en scene was used is how human shadows for night shooting were used to increase the feeling of mystery and a threating atmosphere (Awjingyi). And one of the most important examples of mise en scene used in this film is in the last scene where mirrors were used (aka the “funhouse”) to
The movie, The Outsiders, starts with the Curtis parents on their weekly, Saturday evening drive to the baking store to buy some ingredients for their boys’ favorite Sunday morning, breakfast treat: chocolate cake. The Curtis boys love their chocolate cake for Sunday breakfast not only because they love it, but also because they appreciate how hard their parents have to work to save the monies necessary for the morsels that put smiles on their faces!
First, Andy preserves his self-respect by fighting or defending himself from the rape squad of Shawshank Prison known as “The Sisters”.
Shawshank Redemption is quite the intriguing movie when pertaining to sociology. This particular movie focuses on socialization, as well as desocialization and resocialization.
The movie Shawshank Redemption depicts the story of Andy Dufresne, who is an innocent man that is sentenced to life in prison. At Shawshank, both Andy and the viewers, witness typical prison subculture.
This defiance is what makes his character so likable. Red is a good man that did a terrible thing. He gives gifts to Andy and is a good friend to him when he needs him. He is very smart, not ever getting caught while smuggling everything in. He is a likable man because of his sincerity. At the start of the film he can even be considered the archetype of the wise old man. The wise old man of a film “possesses knowledge and often serves as a mentor to the hero” (Seger 392). He becomes Andy’s mentor and takes him under his wing, shows him the ways to do things and teaches him how to survive behind bars. He gets him what he needs from the outside world, like the hammer and the posters, and he gives him valuable advice. The stereotype of the African American is not seen as a respectable man, nor as an individual who bears intelligence and charm, as Red does. Andy Dufresne helps Red grow as a person and to defy the stereotype that he was born by the color of his skin. This sort of African American image can be seen in other movies as
The film stars Tim Robbins as Andrew 'Andy' Dufresne and Morgan Freeman as Ellis Boyd 'Red' Redding. The film portrays Andy spending nearly two decades in Shawshank State Prison, a surreal house of correction in Maine and his friendship with Red, a fellow inmate, which gradually develops over the years. Consequently the three reasons that the director wanted to produce this movie are to reveal hope, despair and integrity. Red describes the reasons eloquently: “All I know for sure is that Andy Dufresne wasn’t much like me or anyone else I ever knew. . . . It was a kind of inner light he carried around with him.”
Mise en scene is a French term that is defined as the overall point of view of a movie or the "placing on stage". In other words, it refers to the combined experience of what the viewers hear, see and think of when they watch a movie. The mise en scene of a movie catches the attention of the viewers’ moods as much as lighting, props sounds, and smells do. It alerts their emotional response system to a real-life setting, which is conveyed in the movie.
He was the “most powerful crime boss of his day” by 26, a mindless brute turned criminal mastermind (Sifakais, “Capone, Al,” The Encyclopedia, 157). The legendary Al Capone is one of the most well known mob leaders today and his legacy will continue on, but the infamous leader of the Chicago mob started off as a very different person. Before he was a businessman with the greatest empire in Chicago, he was just one more brutish bodyguard to the real masterminds (Sifakais, “Capone, Al,” The Encyclopedia, 157). Beginning with his expulsion from school and him meeting Johnny Torrio, Capone’s succession to Torrio’s throne culminated in their takeover of Big Jim Colosimo’s empire and the aftermath of an ambush during a gang war.
The 1920’s was an extraordinary time period filled with flappers, speakeasies, and gangsters. One of the most notorious gangsters during this time was a man named Al Capone. On February 14, 1929, seven bullet riddled corpses were discovered inside a garage inside a lonesome garage on Clark Street owned by gangster George “Bugs” Moran.
addresses the process of adaptation used when converting a literary hypotext to the film medium; The Shawshank Redemption (Darabont, Frank) is the film adaptation of Rita Hayworth and the Shawshank Redemption (King, Stephen). The story follows characters Red and Andy who serve life sentences in Shawshank Prison. Over many years a strong bond develops, and Andy, wrongly convicted, inspires many at the prison. After Andy escapes, Red decides to follow him upon being granted parole. The story privileges themes of hope, freedom, institutionalisation, friendship, time, and brutality. The film is similar to the novella, however, some aspects differ from the hypotext. Within the novella, Brooks is a minor character, Tommy Williams doesn’t die, and Warden Norton merely retires. Through altering the story, the film modifies the essence of Rita Hayworth and the Shawshank Redemption for film audiences and utilises film language to convey meaning. By adding certain scenes, the text takes on stronger themes of hope, institutionalisation and brutality. This draws attention to the themes within the hypotext and thus enhances the parallels between texts.
In the media, prisons have always been depicted as a horrible place. The film, The Shawshank Redemption, is a prime example that supports the media 's suggestions about prison life. In the film we are familiarized with Andy Dufresne, who is a banker that is wrongfully convicted of murdering his wife and her lover. While trying to both remain discreet and find his prison identity, he assists Ellis Boyd 'Red ' Redding, a peddler, and Brooks Hatlen. In his attempt to fit into the rough prison subculture, Andy strategically starts a business relationship with the captain Captain Bryon Hadley and Samuel Norton. The film gives an insider 's look at various aspects of prison life. These aspects include prison culture; explicitly, guard subculture and inmate subculture.
Arthur Miller’s play The Crucible is a story about Puritans, a group of people not happy with the path religion was taking and were in search of reform. The Puritans in this play live in Salem, Massachusetts and it takes place in 1692. In this story Arthur Miller tells the reader about the Red Scare and the Salem Witch Trials. The Red Scare was Miller’s way of addressing mass hysteria induced by ignorant people searching for trust and acceptance in the colonies. The Salem Witch Trials are an example of the society’s needs to conform to the political, social, and religious beliefs of the time. The girls and their actions in The Crucible represent the unknown and the threat to the court system. Each of the women in Arthur Miller’s play represent and display many different views and characteristics that are still present to this day.
...-en-scene to emphasize the films themes and emotions. It can even be taken into consideration that cinematographer’s use of light isn’t just important when it is used, but also when it is not used. Visually, mise-en-scene allows cinematographers to help guide the audience through the story, making the story powerful and memorable, whilst portraying the mood, tone, and dimensions of the imagery. These techniques also underscore the themes of paranoia, anxiety, and angst, as well as underscoring double identities and shifting values. In essence, mise-en-scene is successful in that it undercuts the typical shot in film, and then creates a visually unstable environment by splashing the screen with low-lighting, shadows, and ambiguous scenery. This visually impelling sequence and imagery evoke all principles of safety and security, thus creating a noir-esque atmosphere.