Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Narrative elements in film
Don’t take our word for it - see why 10 million students trust us with their essay needs.
GOODFELLAS
Goodfellas was released in 1990 and directed by Martin Scorsee. It is a crime/thriller and biography genre film. (Giannetti, chapter 2). In the beginning of this movie, the first scene is a flash back that takes place in the soon to be revealed middle of the film. Henry Hill, the main character, narrates most of the movie. The story is about Henry Hill's life story with his journey into becoming a gangster. Henry belonged to a low income family and he started working at a young age. His first job was working at a pizza shop that was owned by gangsters. Through this job, his dream to be a gangster was created.
NARRATIVE: Goodfellas movie is an example of classical paradigm. This is because this movie has a clear beginning, middle
…show more content…
and an end. Goodfellas follow a linear format as the story is the journey of Henry Hills's life, from his childhood, to fulfilling his lifelong dream to be a gangster, to finally his arrest and betrayal of his friends. (REFERENCE THIS) CINEMATOGRAPHY: The cinematographer of Goodfellas is Michael Ballhaus.
In this movie Ballhaus uses darkness. For example, In the bar scene where henry, jimmy and other security guy discussed to steal the money. Ballhaus want to create atmosphere evil and full of secrecy. Which is successfully represented through those scenes. (Giannettig.pg68) In this movie cinematographer Michael Ballhaus used a lot of sequence shots. In first scene, where Henry take Karen to a nightclub and as they leave their car and Henry tipping a valet outside the club and they start walking toward back door of the night club; down the stairs, as they passing through narrow space Henry commented on the couple who were chatting at a corner then walking through kitchen and camera was behind them all the time. As they pass inside the nightclub where a table is just set for them in front. The purpose of this using long shots is to create realism sense for the audience. Moreover, there were other shots like extreme long shot, In this shot henry was teenager running away from the explosion. This shot help audience to know about risk involved in the lifestyle of gangster. There were also different angles used in this movie for instance high angle. In this scene, henry was laying down and his wife Karen pointing a gun at him. This angle show the powerless henry lying and audience see that his wife Karen has
power. EDITING: In Goodfellas there are lots of examples of classical cutting. Each scene is cut in a way that links the next scenes smoothly and the viewer can watch the movie easily without any confusion (Giannettig, pg 43). Mise on scene: Scorsee use lot of freezing frame which start from the first sequence throughout the end. For instance, the scene where henry was running away from explosion. Martin Scorsee used freezing frames to emphasize the importance of that moment and to give the audience chance to hear what’s going on in henry’s mind at that moment. (Class notes) Movement: Conclusion:
Napoleon Dynamite is one of the best movies portraying loneliness and nerds. It is the story of Napoleon in high school and his lonely adventures. All the main characters feel separated, misunderstood, and have nobody to relate to. Napoleon has no friends and lives in his own fantasy land. He is avoided by everybody. His brother seems to be mislead, wanting to be a cage fighter but staying home all the time hopelessly trying to find love and attention on the internet. Their grandmother is never there for them, though she lives her own life right beside them. They live next to a huge field, reinforcing their isolation. Practically every home in the film is
The job of a criminal lawyer is quite difficult. Whether on the defense or the prosecution, you must work diligently and swiftly in order to persuade the jury. Some lawyers play dirty and try to get their client off of the hook even though they are guilty without a doubt. Even though the evidence is all there, the prosecution sometimes just can’t get the one last piece of the puzzle to make the case stick and lock the criminal up. Such is the case Orenthal James Simpson.
Beginning the mid 1920s, Hollywood’s ostensibly all-powerful film studios controlled the American film industry, creating a period of film history now recognized as “Classical Hollywood”. Distinguished by a practical, workmanlike, “invisible” method of filmmaking- whose purpose was to demand as little attention to the camera as possible, Classical Hollywood cinema supported undeviating storylines (with the occasional flashback being an exception), an observance of a the three act structure, frontality, and visibly identified goals for the “hero” to work toward and well-defined conflict/story resolution, most commonly illustrated with the employment of the “happy ending”. Studios understood precisely what an audience desired, and accommodated their wants and needs, resulting in films that were generally all the same, starring similar (sometimes the same) actors, crafted in a similar manner. It became the principal style throughout the western world against which all other styles were judged. While there have been some deviations and experiments with the format in the past 50 plus ye...
In CrimJ 100 we were talking a lot about how to court system works and the different severities of sentences. I was asked to watch the movie A Few Good Men, I was able to watch it on Popcorn time. The purpose of watching this movie was so I could relate what I was learning in class to this movie. The movie is about two marines; LCcl Harold and PFC Downie were ordered a code red on a fellow marine that was requesting to leave his company. The Commanding Officer Nathan Jessep ordered the code red to “train” the marine to get use to the conditions in Cuba. The code red back fired on the commander when Santiago died from the code red. The commander tried to stay under the radar and erase his name from getting tracked back to him. The protagonist Lt. Daniel Kaffee has to prove the Lt. Kendrick called the code red on Santiago. Another main character in this film is Lt. Cdr. Galloway, she is PFC Downie’s attorney for this case. There are many themes that we have covered in class that occur in the movie. This is great representation of how a real court case would play out. The movie showcase key themes, such as Plea bargains, Responsibilities of the Criminal Defence Attorneys, Responsibilities of the Procsector, Bringing in a witness, and also showcases judges in a courtroom scenario.
O.J. Simpson, a great football hero, made the mistake of his lifetime that becomes the most notorious criminal case ever. Growing up on the West Coast wasn’t serene for Simpson because he was surrounded by gangs. In his high school and college years he quickly rose to be a great football player. During his time he played football in college, he was awarded the Heisman Trophy. After he became an elite athlete in college, he was drafted by the Buffalo Bills. He stayed with them for eight years, then transferred to the San Francisco 49ers (Knapp 1). Simpson met Nicole Brown at Daisy, an upscale Beverly Hills club. The two fell head over heels for each other and got married on February 2, 1985. During their marriage, Simpson inflicted many
“As far back as I could remember, I always wanted to be a gangster.”- (Goodfellas) This quote is the beginning of the unbelievable but true story of Henry Hill, told through the mob classic Goodfellas. Henry Hill was born to a poor family in New York, where he had always looked up to the local gangsters, capo Paul Cicero and Jimmy Conway. As he grew into his teenage years he looked to work for their business and was hired. He started off doing simple things like running errands, as well as collecting and dropping off money. Shortly after, he was advancing into things like the illegal sale of cigarettes with Tommy DeVito. During the sale of some cigarettes he was he was arrested, while Tommy was able to flee the scene successfully. This was
Goodfellas (1990) directed my Martin Scorsese, is a film that focuses around the rise and fall of Henry Hill (Ray Liotta) in the world of organized crime. Scorsese based the film off of the 1985 book Wiseguy: Life in a Mafia Family by Nicholas Pileggi. The film was nominated for best picture and best director at the 63rd Academy Awards. The film opens up to a flashback with voce over narration from Henry Hill, foreshadowing Henrys involvement with the mob. It is a scene where Henry, James Conway (Robert De Niro), and Tommy Devito (Joe Pesce) murder an individual in the trunk of a vehicle. The individual who they murder turns out to be Billy Batts (Frank Vincent), a very important member of the mob. The next scene takes us back even further. Scorsese takes us to Brooklyn, NYC in 1955. We see a young Henry Hill, 13, a clean-cut innocent young man who seems to have a bright future. Henry admires the “gangsters” in the neighborhood. “As far back as I can remember, I always wanted to be a gangster,” Henry said. Henry admired that they were untouchable and well respected throughout the city. A young Henry took up a job at a local cabstand across the street from his house, owned by the mob. The longer he worked there, the deeper he got involved with the gangsters. Henry went from parking their Cadillac’s, to doing their dirty work.
Classical Hollywood movies are important to the film making. They have set a guide and standards to be followed by filmmakers to come. Making films is not only a business but an art. It reflects the directors and writers imagination of what the film should be. Classical Hollywood films encompass many formal elements. One such film that encompasses these elements is the film Casablanca. IT is a classical Hollywood film because it uses the formal elements in a way to convey its message and has been critically acclaimed for generations.
A set of practices concerning the narrative structure compose the classical Hollywood Paradigm. These conventions create a plot centering around a character who undergoes a journey in an attempt to achieve some type of goal (). By giving the central character more time on screen, the film helps the audience to not only understand the character’s motivation but also empathize with his/her emotional state. Additionally, some antagonistic force creates conflict with the main character, preventing immediate success(). Finally, after confronting the antagonist, the main character achieves his or her goal along with growing emotionally(). This proven structure creates a linear and relatively easily followed series of events encompassing the leading character and a goal.
Let’s get something out of the way right now: the filmmakers created Paul Blart: Mall Cop 2 to make money. It is abundantly clear while watching this movie that the creators have no story to tell, no message to convey. They simply wanted to rake in some more dough (which they have, earning over $68 million domestically). Given that starting point, it should come as no surprise that Mall Cop 2 is not a good movie. But it is a good bad movie.
Goodfellas was based off of the non-fiction book Wiseguy, which was released in 1986 by Nicholas Pileggi. Director Martin Scorsese worked extensively with Pileggi when writing the screenplay, as Pileggi is credited for co-writing. Originally named Wise Guy due to the book, Scorsese and Pileggi changed the name to Goodfellas. In addition, Pileggi also worked with the main actors of Robert De Niro, Ray Liotta, and Joe Pesci to understand from both the screenplay as well as from the book.
The “Bad Girls Club” display groups of women who are obsess with drinking and violent behavior to handle their situations, shining the light on negative stereotypes, defining a “bad girls” and the influencing young girls in today’s society. The way these girls act on TV is the way the media portray women as vulnerable and in need of male attention. By depicting women solely as physical objects, we rarely see them as powerful. Women have often seen each other as competition in many realms of their lives and so have become adept at quickly sizing up their female competition as to what makes a women’s woman (Kramer 210).The show 's has a foundation of seven women with personal, social and psychological problems, who consider their self to be
“You can’t sit with us!” this popular quote taken from an it’s equally movie, “Mean Girls”, comes about the fact that Regina George, the most popular girl in school, wore sweatpants on the wrong day of the week and being against the rules her friends banned her from their lunch table. A little over the top punishment from one simple thing, however the movie is just living up to its name. Throughout the one hour and thirty-seven minutes, there are scenes showing backstabbing-boyfriend stealing-selfish friendships, the likes of which can make one wonder. whether this is the way all female-female friendships are like. This type of toxic relationships pictured between women in the media is a harmful message to send out to the public, it creates
The film employs a framing technique so that the chief action of this film is a story being told within a story, whereby an introductory narrative is introduced (for setting the stage or to lead into the other story) and a second narrative follows. The film does not seem ...
Classic narrative cinema is what Bordwell, Staiger and Thompson (The classic Hollywood Cinema, Columbia University press 1985) 1, calls “an excessively obvious cinema”1 in which cinematic style serves to explain and not to obscure the narrative. In this way it is made up of motivated events that lead the spectator to its inevitable conclusion. It causes the spectator to have an emotional investment in this conclusion coming to pass which in turn makes the predictable the most desirable outcome. The films are structured to create an atmosphere of verisimilitude, which is to give a perception of reality. On closer inspection it they are often far from realistic in a social sense but possibly portray a realism desired by the patriarchal and family value orientated society of the time. I feel that it is often the black and white representation of good and evil that creates such an atmosphere of predic...