Chavez 1 Donovan F Chavez Vincent Basso ENG 120.039 November 16, 2017 Literary Analysis: “Good Country People” Flannery O’Connor creates a story that depicts how desire can motivate its characters in “Good Country People.” The 17-page piece can be classified as a southern gothic – a dark story that doesn’t quite extend to the level of a horror. O’Connor does a fantastic job of applying gothic elements by conveying the message “don’t trust a book by its cover.” The stories title, extends through text as ironic theme in the phrase “good country people.” Throughout the story, O’Connor explores the scenario where one may believe they can read someone like a book, or have them figured out without much thought, yet after spending time with that …show more content…
Mrs. Hopewell is a wealthy landowner during this time, and identifies her employees as less than she- given their economic class. Furthermore, Hopewell divides people in different classes by labeling the working-class folk between “trash” and “good country people.” “The reason for keeping them for so long was that they were not trash. They were good country people. (3)” Her character never defines what factors attributes a person to a class. Mrs. Hopewell verbally abuses Mrs. Freeman in that she constantly belittles her self-worth, insinuating that she is inferior. It is possible that she feels this way because not only does she own the farm in which she works, but she works just as hard as her employees to maintain its operation. Though not exclusively a characteristic of the south in this time, Mrs. Hopewell’s mentality towards her daughter was viewing her “as a child” (3.) Despite being 32-years old, Hulga was patronized by her mother, who was condescending in her interactions with most people. She was “blind,” and could be held responsible for Hulga rashly judging people. The bad parenting is likely what led Hulga to believe that “good country people” are beneath
The story “Good Country People”, by Flannery O’Conner is a work that uses characterization in a new and interesting way to help shape and present the characters of this story. One of the main characters is Hulga Hopewell, also known as Joy Hopewell. This characters name plays a very ironic role in the story. Through the use of such a peculiar name O’Conner helps to develop and build the characteristics of Hulga. In the story “Good Country People” the use of the name Hulga (Joy) Hopewell helps to further build upon the characterization of Hulga and give the reader a deeper understanding of the character.
Mrs. Hopewell is the first example that the audience sees who speaks on the issue about “good county people” versus “trash.” Her unconventional point of view that is based on a social ladder consisting of honest and hardworking people who are “good country people” and dishonest people who live in filth that are “trash”. She thinks that she is easily
Most of Flannery O'Connor's stories seem to contain the same elements: satirical and regional humor, references to God and Christianity, violent similes and metaphors, lots of stereotypical characters, grotesque humor and often focuses a lot of description on character's clothes and faces. However, one of the most important elements of O'Connor's "Good Country People" is the relevance of names. Her choice of names seem to give indications about the personalities of the characters and seem to be more relevant to the story than what the reader would commonly overlook as simply being stock character names. Mrs. Hopewell losing her "joy" (both her daughter and her happiness) and the Bible salesman's own attempt to satisfy his own "manly pointer" proves to the reader that, by coincidence or not, the names of "Good Country People" are indeed very well selected.
O’connor, Flannery. "Good Country People" The Bedford Introduction To Literature, 5th ed. Ed, Michael Meyer. Boston: Bedford/St. Martin’s,1999. 393-406
The story is center around a small cast. In it Mrs. Hopewell and her daughter Joy, who had her name changed to Hulga, live on a farm with their tenants Mrs. Freeman’s and her two daughters- Glynese and Carramae. Interestingly, Mrs. Hopewell calls the Freeman Girls, Glycerin and Caramel while refusing to call her own daughter anything but Joy. “Good County People”, is told through the interactions of this dysfunctional gaggle of ladies, and their chance encounter with the Bible selling con-artist Manley Pointer. It is a story of a few not so, “Good Country People.”
Edwards, Jr., Bruce L. "O'Connor's 'Good Country People.'" Masterplots II-Short Story Series. Ed. Frank N. Magill. Pasedena, CA: Salem P, 1986. Vol. 2. 901-902.
Flannery O’Connor's perception of human nature is imprinted throughout her various works. This view is especially evident in the short stories, “A Good Man Is Hard to Find” and “Revelation.” She conveys a timeless message through the scope of two ignorant, southern, upper class women. In “A Good Man is Hard to Find,” O’Connor presents readers to a family who is going on a road trip with their selfish grandmother. She is a religious woman who does not follow the set standards that she preaches. Similar characteristics are exposed in “Revelation.” As the self centered Mrs. Turpin sits in the waiting room, she contemplates on her own status with God. Nevertheless, she still commits the sin of judging others. In both of O’Connor’s short stories, these controversial protagonists initially put up a facade in order to alienate themselves from their prospective societies. Although the grandmother and Mrs. Turpin both believe in God, O’Connor utilizes theme to expose that they also convince themselves that they can take on His role by placing judgement on people who, at the most fundamental level, are in the same category as them.
A story without style is like a man without personality: useless and boring. However, Flannery O’Connor incorporates various different styles in her narratives. Dark humor, irony, and symbolism are perhaps the utmost powerful and common styles in her writing. From “Revelation” and “Good Country People” to “A Good Man is Hard to Find,” all of O’Connor’s stories consist of different styles in writing.
Religion is a pervasive theme in most of the literary works of the late Georgia writer Flannery O'Connor. Four of her short stories in particular deal with the relationship between Christianity and society in the Southern Bible Belt: "A Good Man Is Hard to Find," "The River," "Good Country People," and "Revelation." Louis D. Rubin, Jr. believes that the mixture of "the primitive fundamentalism of her region, [and] the Roman Catholicism of her faith . . ." makes her religious fiction both well-refined and entertaining (70-71). O'Connor's stories give a grotesque and often stark vision of the clash between traditional Southern Christian values and the ever-changing social scene of the twentieth century. Three of the main religious ingredients that lend to this effect are the presence of divine meanings, revelations of God, and the struggle between the powers of Satan and God.
Flannery O’Connor, undoubtedly one of the most well-read authors of the early 20th Century, had many strong themes deeply embedded within all her writings. Two of her most prominent and poignant themes were Christianity and racism. By analyzing, “A Good Man is Hard to Find” and “Everything that Rises Must Converge,” these two themes jump out at the reader. Growing up in the mid-1920’s in Georgia was a huge influence on O’Connor. Less than a decade before her birth, Georgia was much different than it was at her birth. Slaves labored tirelessly on their master’s plantations and were indeed a facet of everyday life. However, as the Civil War ended and Reconstruction began, slaves were not easily assimilated into Southern culture. Thus, O’Connor grew up in a highly racist area that mourned the fact that slaves were now to be treated as “equals.” In her everyday life in Georgia, O’Connor encountered countless citizens who were not shy in expressing their discontent toward the black race. This indeed was a guiding influence and inspiration in her fiction writing. The other guiding influence in her life that became a major theme in her writing was religion. Flannery O'Connor was born in Savannah, Georgia, the only child of a Catholic family. The region was part of the 'Christ-haunted' Bible belt of the Southern States. The spiritual heritage of the region profoundly shaped O'Connor's writing as described in her essay "The Catholic Novelist in the Protestant South" (1969). Many of her 32 short stories are inundated with Christ-like allusions and other references to her faith.
26Carter W. Martin, The True Country: Themes in the Fiction of Flannery O'Connor, p. 105.
In Good Country People, Flannery O’Connor explores the complexities of human behavior and how common stereotypes shape the response that these behaviors receive. The title, Good Country People, suggests this work of fiction will tell a tale of modest people living in the countryside as they display neighborly etiquette by performing a series of good deeds for one another. The expectation is that the characters will set an admirable example of how one should conduct his or her life, and thus challenge the reader to embark on a journey of personal improvement. However, this is not a tale of such inspiration, instead it presents characters whose lives (and actions) are quite complicated. None of the characters can be classified exclusively
In Flannery O’Connor’s stories, “Good Country People”, “Everything that Rises Must Converge”, ”A Good Man is Hard to Find”, and “The Life You Save May Be Your Own”, there are many similar characters and situations. Few, if any of the characters are likeable, and most of them are grotesque. Two of the stories have characters that view themselves as superior in one way or another to those around them, and in some cases these characters experience a downfall, illustrating the old proverb, “Pride goeth before a fall” (King James Bible ,Proverbs 16:18). Two of the stories include a character that has some type of disability, three of the stories showcase a very turbulent relationship between a parent and child, and three of the stories contain a character that could easily be described as evil.
Beginning with Mrs. Hopewell, the title of the story comes from what she likes to call the poorer and less fortunate people that live off the land and work their whole lives just to hang on to some scrap of a life. This is how she views these people. She believes that they are good country people not a bad seed among them, that they are all eager to help out and bow in humility to the upper class. The gullible nature of Mrs. Hopewell betrays her true vision of a situation. She is one of those people who are all goody-goody to people who they view as less fortunate. She’s a person that commends or speaks for the people she knows nothing about. Altogether this is her true weakness that is taken advantage of by Manley Pointer. One of ...
Flannery O'Connor's "Good Country People" is a story told through the examination of the relationships between the four main characters. All of the characters have distinct feelings about the others, from misunderstanding to contempt. Both Joy-Hulga, the protagonist, and Manley Pointer, the antagonist, are multi-faceted characters. While all of the characters have different levels of complexity, Joy-Hulga and Manley Pointer are the deepest and the ones with the most obvious facades.