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Differences and similarities of greek and roman gods
Differences and similarities of greek and roman gods
Differences and similarities of greek and roman gods
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Greek and Roman Gods and Goddesses In Greek mythology, twelve Gods and Goddesses rule the universe from atop Greece 's Mount Olympus. These Olympians had come to power after their leader, Zeus, overthrew his father, Kronos, leader of the Titans. All the Olympians are related to one another. The Romans adopted most of these Greek Gods and Goddesses, but with new names. The Gods and Goddesses were a major part of everyday life in ancient Greece, and each had a particular role. The mythology is used to explain the universe and the things humans witness and endure. They connect religion to the world, explain the Gods, creation, and eternity and help everyone live a happy life. The myths are also another way of exploring the world and recording …show more content…
This sculpture is the Greek God Apollo. Apollo is playing a lyre resting on a plinth; he is clean shaven and youthful looking. In the second example Apollo is standing holding an arrow. He is pretty much fully naked in both sculptures. Apollo is the God of the Sun, Poetry, Music and Healing.
5. This is the Greek Goddess Artemis, known as Diana to the Romans. She is leaning on a pedestal in a short dress and some sort of little toeless stockings; sadly the sculpture has a broken right arm. In the second image Artemis is shown with a hunting dog nuzzling her hand. Her hair is covered and her dress is very ruffled and detailed. It looks more like a little goat to me but either way this is my most favorite of the sculptures. She is the Goddess of Hunting and the Protector of Women during Childbirth.
6. These sculptures show the Goddess Athena. In the first pose she is holding a shield with her right arm raised and wearing a crown. In the second pose Athena is also wearing some type of headwear but not as elaborate as in the first sculpture. Her left arm is raised; her gown is decorated with a face at the bodice. I thought this was a man when first looking at these sculptures as she looks very masculine. The Romans called her Goddess Minerva and she is the Goddess of
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This is the Greek God Dionysus also known as the Roman God Bacchus. He is fully naked, holding a goblet in one hand and a bunch of grapes in the other. He is sculpted again this time with his arm around an adolescent. He is the God of Wine.
11. This is the Greek God Herakles (can also be spelled Hercules or Heracles). He was the hero in Greek mythology. For me he was easily recognizable with his massive, muscular body, full beard and in a leaning pose. The second sculpture he is shown holding a branch and has a downward gaze and is not nearly as muscular. He is associated with the Olympic Games and popular among athletes. 12. Both of these are the Greek God Pan. The first sculpture shows him seated on a rock holding a flute. He has the hindquarters, legs, and horns of a goat. In the second scene it looks like he is teaching Daphnis, who is looking away, to play the syrinx. I can say I don’t like these sculptures at all; they remind me of something satanic. He is the God of Nature, the Wild, Shepherds, Flocks, and Goats and of Mountain
The Guanyin sculpture depicts a male, interpretable by his male chest, seating in a royal-ease pose. He has a crown, which has a person in the meditative position carved on it. That person could be Buddha. Underneath the crown, the hair looks as though it is nicely braided along the edges of the crown. The eyes are partially closed. There are two pieces of objects, perhaps used to depict jewelry, attached to
Both sculptures represent Mary holding the dead body of Jesus. According to our textbook, “This figure group represented a challenge for sculptors, because the body of the adult Christ had to be positioned across his mother’s lap,” (139). Both of the sculptures were created through carving. This is a “subtractive process in which a block of material is cut away to reveal the desired form,” (Carving).
It is from the Neo-Assyran period during 883-859b.c.e. The highest relief would be its head. The writing was all around the statue in a different writing. It is very big and tall. It is on a good portion of the corner of a hallway. It looks kind of cool with a bull’s body with wings and a human’s head on it. The face is kind of funny because of the beard I guess if long and real even. The human-headed wing bull had five legs.
get that vibe from the first time I saw the statuette of him, as god’s sculptures were made to
There are several differences between the sculpture of Menkaure and Khamerernebty, and the sculpture of Akhenaten and Nefertiti.
In regards to subject matter, both pieces of sculpture are of leaders, Mycerinus and Kha-merer-nebty II were the pharaoh and queen of Egypt around 2500 BCE., and Caesar Augustus was the Emperor of Rome from September 23, 63 BCE to August 19, 14 CE., shown in this work as a general from Primaport, Italy.
This particular Kore has a fairly striking large nose, it also appears that her lips curve upward into a smile, while it looks as if she’s wearing some sort of head wrap that goes across her head covering both of her ears. Her features are similar to the well-known famous group of sculptures by the Acropolis in Athens. The unknown sculptor constructed this Kore out of marble which was common in Ancient Kore Greek statues.
I chose this sculpture because I was intrigued by the position of the man and the centaur. I was able to witness that the centaur is trying to invade the personal space of the man. The sculpture showed me that there is a strong relationship between man and creature. The quality of the sculpture made me realize that animals play a big part of a human’s life and can be seen as threatening to humans. It was interesting to see that both the man and centaur were created to have almost of the same structures. This statue has a metallic brown and green, bronze tone and appeared undersized. It has a height of four and a half feet, and six inches. It has long, thin, legs with calf muscles, and bulging thighs. The sculpture evolved from Olympia, Greece. The man and centaur sculpture was created in 750 BCE during an orderly time period. The colors used for this sculpture, proved that it has a longer lasting mold for statues. On the left side of the sculpture, the man has a wrap on his head, that can symbolize, he is some form of a god. On the right side, the centaur has the same head piece as the man, but the body of a horse. It can be seen that the man and
This is a copy of the sculpture of Athena Parthenos, dressed in battle attire, that was originally created by Phidias during the period of 447-39 B.C. The statue of Athena Parthenos was to be constructed, not of bronze, but of gold and ivory. The face, arms, and feet of the statue were to be made of ivory and the clothing, of thickly plated gold. The statue was an enormous size that towered thirty-three feet tall. The costly nature of the materials out of which it was designed was intended to overwhelm the viewer, creating a sense of religious awe.
This stone sculpture is a naked human-like figure standing six feet tall. The body is in chiasmos stance with the left leg slightly bent and the left foot slightly behind the right. The head is turned slightly downward and to the right, and its size is approximately 1/6 of the body. The hair is cropped closely to the head with no part. The body has a defined musculature, however the forearms appear to be missing. There is an object behind and to the right of the right leg that is about 2 feet tall and 10 inches wide.
Both of these pieces of art have much in common. Their functions are almost identical. Both were used to mark burial sites and to honor the deceased buried there. The body language of both the pieces’ figures are similar, with one seated and several others standing around them. Neither has color, but unlike the grave stele, the funerary banquet does show some degree of emotion. The figures in the banquet scene have slight smiles. These pieces played an important role in their times, honoring those who had passed on to the afterlife. For both of these people, it was important to memorialize them very similar to our practices today.
These sculptures presented the body in a way no had ever seen before. Most of the sculptures were very detailed, had Greek and Roman classical influences, and were free standing with the often use of bronze to construct them. A few examples of sculptures are Michelangelo’s David, Moses, and Pieta. His David marble sculpture glorifies the human body and is standing in a contrapposto stance, with more weight on one leg. Contrapposto is very humanistic as it was used a lot by ancient Greek and Roman sculptures. The facial expressions as well were very individualistic and emotional. Michelangelo’s Pieta was the most “perfect” block of marble he had ever used. This sculpture is Mary holding the dead body of Christ before he was placed in the tomb. The proportions of the body are not entirely natural in relation to the other as Mary’s body appears much larger than Christ’s. Michelangelo’s Moses was another example of a sculpture in the Renaissance. This sculpture is very large and shows the power of the man which gave people even more ideas about the
Sculpture is one of the most important parts of Greek art since it is almost the only art form that has survived in some quantity. The ancient Greeks were especially known for their sculpture because their sculptures were extremely life like and beautiful. It was important to the ancient Greeks to combine passion and reason in their sculpture. Greek sculptures were mostly of the human form since they looked at their gods as having a human form. All of the sculptures were nudes of males because society looked down upon female nudity until latter on in time when you started to see sculptures such as the Venus di Milo, which was modeled after Aphrodite (Wikpedia the free encyclopedia. Wikpedia.11 Nov 2004. 12 Nov 2004 http://www.wordiq.com/definition/Greek_art ). One of the most amazing sculptures is the colossus sculpture of Zeus in Olympia it was one of the 7 wonders of the ancient world. Ancient writers said that it stood 12.40 meters high, 6.65 meters long and 9.76 meters deep the body of Zeus was made of ivory followed by a robe made of gold topped with a silver olive wreath and his throne was decorated with mythological scenes painted by Panainos and Kolotis the statue itself was created by Phidos. Michael Lahanas. 25 Dec 2002. 11 Nov 2004 (http://www.mlahanas.de/Greeks/Arts/ZeusStatue.htm). Another great sculpture is the colossus Athena Parthenos. This sculpture just like the colossus statue of Zeus was made of gold and ivory and had various mythological engravings in her shield, helmet and pedestal.
The first one is black-figure which means the figures are depicted in black color. The second one is white-ground refers to the figural depiction made on the white ground, rather than other colors. The vase is made of terracotta, which is 41 cm high and 45.5 cm wide. This artifact is credited to Mr. Fletcher Fund in 1928, and its accession number is 28.57.23. There are two sides of the vase. Side A depicts the story of Persephone, including Hermes, Hecate, Demeter, and Persephone herself from left to right, while side B consists of three figures. There are two similar men on each side of the painting, and a woman holds a pot with hair pinned up. Based on the figural depiction on side B, it is a little bit difficult to recognize their identifications because of ambiguous
Both the shape and body of the Reclining Woman sculpture totally tear down our standards as Golden Age Greeks. Not at all can I make out whom this sculptor is representing. Sure I can make out the basic female figure. However the head is way too small in proportion the rest of the body. Maybe Henry Moore has not yet finished this piece. Did he make a mistake in the development of the chest area? This could be the case. If still this is a finish piece of “art” in no terms by us Greeks' is this considered Art.