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Golden Age Greek Criticism of Henry Moore’s Reclining Woman
Both the shape and body of the Reclining Woman sculpture totally tear down our standards as Golden Age Greeks. Not at all can I make out whom this sculptor is representing. Sure I can make out the basic female figure. However the head is way too small in proportion the rest of the body. Maybe Henry Moore has not yet finished this piece. Did he make a mistake in the development of the chest area? This could be the case. If still this is a finish piece of “art” in no terms by us Greeks' is this considered Art.
What I would have done if I were to complete this hiatus mangled human form is to continue to define the legs and arms especially. Still keeping the reclining look even though this promotes the idea of laziness in our eyes. After all, Greek art has to be the ideal of all, the perfect balance of mind and body -- picked up from Plato and his teachings. This shows neither. A great example is the discus thrower how the figure shows no physical stress or emotion through the face even though he is performing a strenuous activity. With this in mind further defining of the face, needed so the figure is anatomically correct and shows no stress through facial expression.
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On the one hand the simplification and distortion of body and limb seem extremely daring departures from the tradition which few do; on the other hand, this is reminiscent of the earliest sculpture ever produced, which is far from a perfect balance. Thus he has created a new form; that of pure
The difference between an archaic statue such as Kroisos (fig. 5-11) and a classical statue such as Doryphoros (fig. 5-42) may not seem very great in a single glance. In fact, you may not notice any differences in that one glance. Yet, if you were to look at them closely, you can see that these two statues actually have very little in common.
The Statue of a kouros depicts a Greek man in the nude. Although he looks like a man, the large scale, and the miss proportioned features makes it unnaturalistic. The toes are too long, the genetalia is unrealistically small, and the joint lines are exaggerated.
Looking deeper into the statue a trained (or imaginative) eye can see more than what is just given at a glance. The pose given by Hermes is the classical pose of contraposto. Contraposto is a pose developed where the majority of the weight is placed on one leg and the other leg in a relaxed with relatively no weight on it in a position that can both be relaxed and ready to jump to action in the same resting position. The virtually unnoticed half palm tree that Hermes is resting against gives a divine character an almost mortal because of the necessity of support on an earthly object. In the pose where the presence of strength and anticipation of a move, there is also the presence of a mortal presence. The balance of the counter limb activity is present in the contraposto stance expressing a certain diagonal symmetry. In the Lansdowne Hermes both the right arm and the left leg are in the resting position awaiting the next motion. The right arm is resting on the right buttock anticipating some sort of motion or action to be carried out by the seemingly dormant arm.
In my examination of the works, I came across a particular sculpture that portrayed both beauty and craftsmanship. A 15th century sculpture (1490), made in Venice, Italy by Tullio Lombardo, shows a life-size figure of Adam. Titled Adam, the work is the most prominent in the gallery mostly because of its 6-foot standing. It immediately caught my attention and gave me a very realistic impression. One beige color and made of marble, Adam is depicted simply, yet the statue has intense emotions. His meaningful glance is seen in the upward and tilted head position. Adam has almost lifeless looking eyes and seems to be staring into the distance. With these sagging eyes, parted lips, and lacking posture I feel Adam’s guilt is displayed in this figure.
...odwin, J. (2013). Clara barton. Dictionary of Unitarian & Universalist Biography , Retrieved from http://www25.uua.org/uuhs/duub/articles/clarabarton.html
This article provided a brief biography of Clara Barton, to include, her experiences on the battlefield as a nurse during the Civil War and a brief outline of her accomplishments after the war.
It is distinguished by progressive survey of movements through space, a fusion of idealistic form and realistic depiction, and the refining of canon of proportion. A famous sculpture from this period is the Kritios Boy, dated 480 B.C. from Athens. It contrasts significantly from Archaic kouroi sculpture in that the Kritios Boy’s weight is shifted creating what we know as the contrapposto. The groundbreaking movement in the body gives the observer the impression that muscles are underneath the exterior of the marble skin, and that a skeleton expresses the whole as a real
famous comic company “Marvel” in America.The story is mainly about the hero behavior of the
...to revenge. She turned into this cold killer to kill the entire Evermonde family for what they had done to her family. She uses her power in the revolution to take revenge on the Evermonde family. Madame Defarge loses her true self and becomes someone who disregards the lives of people include hers. Dickens’s theme of how history repeats itself appears again when Madame Defarge kills innocent people similar to what the Marquis of Evermonde did.
The human form transcends throughout time persistently present in art. Dating all the way back to Paleolithic human beings our renderings of idealized forms have served many purposes. Though the Neolithic and Paleolithic purpose of these renderings is widely speculative the range of reason for these depictions ranges from idolization and worship to assertion of aristocratic and economic status even to simply serving as statements of self-expression. Amongst ruins and artifacts, sculptures of ancient cultures demonstrate the ways in which humans perceptions of what is aesthetically desirable have progressed. Two idealized sculptures the Woman from Willendorf and the Khafre statue with approximately 21,500 years separating their individual gestations this demonstrate the stylistic progression of idealized imagery through time.
Clarissa Harlowe Barton, born on December 25, 1821, in North Oxford, Massachusetts. Carissa (Clara) was born the youngest of five children to Sarah and Steven Barton. Clara received all of her schooling and life training from her parents, brothers and sisters. Her father who was a once a captain in a war, taught Clara all he knew about the battlefield. Her mother taught her to sew and cook. Her two older sisters Sally and Dorothy taught her to read before she was four years old. Her brother Stephen taught her arithmetic and David her eldest brother taught her everything else; for instance, how to ride anything on anything with four legs, how to shoot a revolver, how to balance and how to take care of and nurse animals. (OTQEF, 1999, p.1) When Clara was 11 years old her favorite brother David, fell from the roof of the barn while trying to fix it, he was seriously injured and was not expected to live. Clara offered to help him and stayed by his side for three years. Her brother recovered thanks to Clara’s help. These learning experiences gave Clara the drive and determination to achieve anything she set out...
..., an organization that provides emergency assistance and disaster relief inside the United States, and becomes its first president. At the age of 77, she worked at hospitals in Cuba during the Spanish-American War. Finally, April 12, 1912 she died at the age of 90 in Glen Echo, Maryland. Clara Barton was a humanitarian, feminist, and nurse whose efforts in the Civil War and throughout her life saved countless lives. (Yancey, Diane)
CLS: This sculpture has a lot of unique shapes and stands out because of how 3D he made it.
a shift can be seen from idealized and nearly perfect sculptures to sculptures that had a natural and real feel to them. These newer statues were sculpted with the notion of Realism weighing more than the concept of Idealism. The subjects’ body was not in a state of military attention, they were placed in a more natural, yet still graceful position. Realistic sculptures also did not embellish the muscular physique of the subject; the muscle definition was displayed more subtly and naturally. The weight of Realistic statues is not distributed in a balanced, geometric fashion like the Ideal statues. The Realistic statues balance their weight just as a real person would in motion which gives the sculpture a more graceful and natural
If you ask anybody in the world today they will tell you that we live in a world where technology is at the core of human life. We use technology for everything today. From processing food we eat, to being social, to transportation, everything we do has some relation to technology. No technological innovation though has become so popular as the one we use to communicate with daily. The Smartphone. First starting off as foot long cellular phones which could be seen a mile away to present Smartphones which we cannot seem to live without. Smartphones have changed the way that people live. Today you can see just about everyone on a Smartphone even children, which just comes to show how popular and demanding Smartphones have become. In fact, Smartphones have become a true necessity in the lives of people everywhere. There are many types of Smartphones out there. Some of the major phones include devices such as Apple's iPhone, HTC's One, and LG's G2, but only a few have made such a huge technological impression in this industry such as Samsung has done with its Galaxy and Note, two of the most popular Smartphones right now. We all have heard the name Samsung at some point in our lives. Maybe from the televisions they create or even from the chips they produce. The truth is that Samsung is a technological giant who has been around for many years, an empire, which continues to grow. A company whose mission is to "Inspire the World, Create the Future."