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Religion in renaissance and reformation
Religion in renaissance and reformation
Religion during the renaissance
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Giovanni Pico della Mirandola was an Italian humanist, philosopher, scholar, Neo-Platonist and writer whose main passion was the reconciliation of philosophy and religion. Giovanni Pico della Mirandola was born on the 24th of February 1463 to a wealthy and illustrious family and died on the 17th of November 1494. Being the youngest son of three boys, Giovanni Pico della Mirandola was mostly outlived by his elder brothers who took on presumably significant roles; his brother Antonio became an imperial army general while Galeotto 1 continued their father’s dynasty. Leaving behind his share of ancestral wealth and principality, he went on to become one of the world’s respected writers after fully devoting himself to studying theology and philosophy (Mirandola, Mirandola, Rigg and More, 1890). This essay discusses the life of Giovanni Pico della Mirandola; his strive towards success and contributions to the Italian renaissance.
Prince Giovanni Pico della Mirandola was born in a family of three boys whose father Francesco 1, was the lord of Mirandola and Concordia count from 1415 -1467 and their mother Giulia, was the daughter of Boiardo Feltrino of count di Scandiano. Mirandola, a small territory west of Ferrara had gained independence in the 14th century and handed over by the Concordian Emperor Sigismund the fief in 1414. The family for long time lived in the Mirandola castle also known as Duchy of Modena. His two older brothers Antonio and Galeotto 1 were much older than him. Antonio, born in 1444 became an imperial army general and died in 1501 while Galeotto 1(1442) continued their father’s dynasty and died in 1499. The Pico family successfully reigned as dukes until Mirandola was conquered in 1708 by Roman emperor Joseph 1.
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...nd architecture now depended on individual imaginations and talent and not necessarily the designs approved by the dominant church. The influence that Giovanni Pico della Mirandola had on Reuchlin and the manifestation of a truly earnest mind in the circle of brilliant half Christian scholars of the Florentine renaissance sets him aside as one of the most interesting philosophers (Craven, 1981). Remarkably, three years before his death, he gave up his share of ancestral principality and all he had after completing some of his literary plans to wander through the world teaching about Christ barefoot.
Giovanni Pico della Mirandola died in Florence on the 17th of November 1494 due to what we know now was arsenic poisoning; his friend Poliziano Angelo was by his side. Savonarola delivered the funeral speech for Giovanni Pico della Mirandola (Mirandola et al., 1890).
Q: Use St. Peter’s Basilica and Donato Bramante’s Tempietto in Rome, in opposition to John Balthasar Neumann’s Pilgrimage Church of Vier(7) in Bamburg, Germany, to argue that a rational engagement with architecture is a more effective means to comprehend and understand architectural form. During the period of Renaissance, human’s thought and intelligence has reached its highest and its effect on the architectural form, it became clear and its engagement of rational aspect on the building. Mainly geometrical forms are the characteristics which can be identified. Not so long after the Renaissance period of Baroque architecture was introduced, rather than logic and reasoning they wanted to capture the emotional atmosphere by using the architectural elements such as light, height, crafted art, costly materials and so on as mentioned by(Scotti 2007, 5-10).
The decline and the disappearance of traditional monarchies in the 19th and 20th century has paved for other individuals and/or groups to rule. The three main dictators of World War II were Joseph Stalin, Adolf Hitler, and Benito Mussolini. The pursuit to gain over cultural, economic, and political factors of people and land are the main goals of the dictators. To achieve their goals, they eliminate anything and anyone that gets in their way.
The Renaissance has not ceased to be an age of discussion and debate among historians throughout the recent centuries. The vibrant nature of the era marks it as a most fascinating period of history. The Renaissance can be described as an age carrying the essence of “self-discovery and fulfillment, of recognition of human worth, and a dynamic outpouring of artistic activity.” This new world flourishing with art and creative optimism was also steeped in a spirit of “revolt of the Medievalists.” In an effort of “rebirth,” the previous culture of the Middle Ages was rejected, and even scorned. Foundational principles in all fields were overstepped, and old cultural norms were practically obsolete. It was an era whose humanistic philosophy greatly impacted the lens through which man viewed himself and the world.
Benito Mussolini’s major problem was that he was twisted in the mind. Mussolini really thought he could change Italy by using violence, which was wrong thinking. I do not personally think it is all Mussolini’s fault because it was the way he grew up. Do not get me wrong he was raised in a household were abuse was going on but his father did not show him any type of affection. I believe that if Benito’s father would have showed him love and told him be a wise person he would have been better off in my opinion. However, since that did not happen Benito had to put this façade on for the public to mask his insecurities, and his darkest thoughts. I think that Benito would have been able to fix this if he would have had good men friends to teach him the ways of being a powerful figure without beating people over the head to make his point.
As a fascist leader, the actions that were taken and decisions that were made by Benito Mussolini such as creating a fascist government, the execution of Jews, and leading Italy into World War II during his time in power resulted in him having negative effects on Italy.
After traveling in different part of Europe, Boccaccio returns to Certaldo where he becomes very sick. In the fall of 1374 he receives the terrible news from Petrach’s son-in-law, to let him know that his best friend passed. He was devastated, became depressed and died the following year.
Carlo Gesualdo, also known as the Prince of Venosa, was an Italian composer, lutenist, and murderer. He was born on March 30, 1566 in Venosa, Italy . His parents, Fabrizio II Gesulado and Girolama Borromeo, were feudal landowners who had quite the riches to own many palaces. In addition, he had one older brother named Luigi who died in 1584 which put a burden on Gesualdo’s shoulders because he was then responsible for the success of his family heir. In terms of his musical life, Carlo Gesualdo became interested in music when he was a young boy. He learned to sing and play the lute and harpsichord. At the age of 20, he married Donna Maria d’Avalos. Apparently, she was his cousin who had two children from two former husbands prior to marrying Carlo. After they married, they soon had a son and named him Emmanuele. For a few years, Carlo focused his attention on his wife and set aside his musical hobbies. Unfortunately, his passion for music overpowered his interest in his wife. As a result, his wife had an affair with Don Fabrizio Carafa, also known as the Duke of Andria. Carafa was also married with four children. It is said that both Donna Maria and Don Fabrizio bribed their servants to keep the affair a secret. However, Carlo’s uncle, Don Guilio, soon exposed Donna Maria’s unfaithfulness to her husband. Donna Maria was advised to stop meeting with Don Fabrizio to let things settle down, but she was stubborn and continued to meet with Don Fabrizio indiscreetly. It is believed that Carlo Gesualdo staged the murders of his wife and her lover. According to old stories, Carlo pretended to be on a hunting trip only to lure Don Fabrizio to come over to his house while he was gone. Carlo then broke the bedroom door down only to find that...
The idea of the Renaissance Gentleman. Just as it is false to see the Renaissance as a simple and sharp contrast with the Middle Ages, as did Michelet and Burckhardt, neither should it be seen as all of one piece. After the age of civic humanism came the dominance of the Medici in Florence, and in those contacts made with eastern scholars when the Council of Florence was attempting the reconciliation of the Eastern and Western Churches (a last effort to stave off the menace of the Turk) Cosimo de'Medici had been attracted to the figure of Plato. So there came his patronage of Marsilio Ficino and the birth of the Platonic Academy. Ficino became the disciple of Plato, and an advocate of neo-Platonism. Perhaps coincidentally, but as befits a court, the contemplative ideal began once more to gain over the active one. It was transmitted potently to Europe by a book that mirrored one of the noblest of Italian courts, that of Urbino. This was Baldassar Castiglione's Il cortegiano/The Book of the Courtier). Published in 1528 (that is, after the Sack of Rome, 1527) it has a nostalgic vision of the civilisation nurtured in Urbino from the time of Federigo da Montefeltro, in one of the most beautiful of princely palaces. Apart from offering in its close the neoplatonic idea to Europe, it recommended not so much the status of the courtier, as the ideal of the gentleman. There is no other comparable book that encapsulated the ideals of the Italian Renaissance, and its European success ensured the diffusion of the message. (Penguin Hutchinson Reference Library Copyright (c) 1996 Helicon Publishing and Penguin Books Ltd)
An architect, poet, sculptor, and painter are some of the terms that define Michelangelo di Lodovico Buonarroti Simoni. Michelangelo was one the of the most influential artists of his generation. He was born in Caprese, Italy on March 6, 1475 and died in Rome on February 18, 1564. Michelangelo’s early life and work consisted of him becoming an apprentice to Domenico Ghirlandaio, a painter in Florence, at the age of 13, after his father knew that he had no interest in the family business. The painter then moves on and joins Lorenzo de’ Medici’s household, where he learns and studies with the painters and sculptors that lived under the Medici roof. As a sculptor Michelangelo carved magnificent statues, he was invited to Rome
Randolfo Carlo III is the only one in his family to graduate. He has been through the worst and the best times of life. He was born in NY and lived in almost every borough in NY. He has moved over 28 times in his life. “You will always have struggles, but you need to overcome adversity to be where you want to be”.
Interestingly, he also refers to Donatello as a ‘craftsman’. The correlation between the artist or sculptor and craftsman is an important aspect in Italian Renaissance art. The craftsman was something more than just an artist. This person was talented and considered by others in Italian Renaissance society as exceptional or as Vasari’s title suggests, ‘the most excellent’. They were also tradespeople rather than just artists. This is because they created works for other people, which often meant they expressed other people’s ideas. Through an analysis of Vasari’s biography on Donatello, this essay will explore the importance of culture in Renaissance Italian society, an examination of Vasari’s biography of Donatello as a historical document and the ways in which Vasari portrays Donatello, which ultimately was significant for future Renaissance craftsmen. This paper will analyze the life of Donatello through Vasari’s The Lives of the Most Excellent Painters, Sculptors and Architects to show the importance of Donatello not only as an artist but also as a
Making change in a time of dark beliefs and harsh criticism is a difficult task to achieve. The poet, Dante Alighieri’s world was one filled with spirituality and stigmas. Unlike many other artists of his time, he completed his most famous and influential work in Europe’s 1300’s. Dante’s piece, The Divine Comedy, demonstrates the journey one takes throughout life, to find one’s self and connect with the world and religion, all through three volumes of poetry. Of his talent, came a business of the arts. In addition, he changed the way the Italian language was perceived. He used his writing to help women be viewed as equals to men, and took a more tolerant position with regard to religion. Due to its effects on language, religion, and societal protocol, The Divine Comedy unquestionably affected Italian culture in the time of its author, and beyond.
The life in which Benito Mussolini lived was different from those who were more behaved and mannered like polite young men were supposed to be. He as well changed the way life would be lived for the people who resided in Italy, as he brought Fascism to their each and everyone of their lives, under his command. Mussolini eventually became a leader in whom some people soon to aspire and follow his footsteps, some more evil than others.
Leonardo da Vinci was born on April 15, 1452 in Vinci a Tuscan hill town in the territory of the republic of Florence, son of wealthy Messer Piero Fruosini di Antonio da Vinci, a Florentine legal notary and Caterina, a peasant. His full name was Leonardo di ser Pierro da Vinci, the title ser indicated that his father was a gentleman. There is not too much known about his early years only that he lived in the home of his mother until 1457 and then in the household of his father in the small town of Vinci.
Girolamo Fracastoro was born in 1478 in Verona. His grandfather was a physician of the Scala family. Girolamo’s parents had seven sons, he was the sixth child. His mother, Camilla Mascarelli, died when he was still a child. He was mostly brought up by his father, Paolo Filippo Fracastoro,