Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
The role of mythology in literature
Mythology influence on literature
Don’t take our word for it - see why 10 million students trust us with their essay needs.
The theme of "Gilgamesh" explores the fragility of the human body in relation to the emotional implications of its delicate nature. In the epic, Gilgamesh is only one-third human unlike his close friend Enkidu. Enkidu was created in the wild by the goddess Aruru to be the king's mortal companion. As a result of his fully human nature, Enkidu ideally represents the human body and its limitations. The depiction of Gilgamesh's partial immortality provides an insight to the drastic emotional disturbances humans can create. In other words, despite being part god, Gilgamesh still fell victim to the fragility of the human body. After the death of his very dear friend, Gilgamesh realizes even he has weaknesses as he mourns for his companion. Specifically, …show more content…
Enkidu's fragility guided Gilgamesh to a new level of awareness over the fleeting nature of mankind. In the epic, the enhanced power of the gods controls the fate of the two characters and leads Gilgamesh to understand the he too is human. Throughout the epic, the theme of human fragility is supported because the reader can observe that Enkidu's life is fundamentally controlled by the gods.
The purpose of Enkidu's birth was to "create the equal of Gilgamesh," and to bring rest to Uruk (pg. 5). This proves his lack of power when compared to the gods. Gilgamesh for example, despite being a demigod, rules Uruk and is free to determine his own destiny. Later on in the epic, Enkidu experiences a dream that further separates him form Gilgamesh. In his dream, he hears the gods declared "Let Enkidu die, but let not Gilgamesh die" (pg. 55). This proves the fragile nature of humanity because the gods condemned Enkidu, the mortal, rather than Gilgamesh, who is part god. Enkidu, despite his innocence, is condemned to death because of the actions of his immortal …show more content…
friend. Enkidu's death causes Gilgamesh to understand his humanity and he begins to feel the emotional instability that comes with it.
After hearing of Enkidu's dream, Gilgamesh declares "the one who survives the gods leave grieving: the dream leaves sorrow to the one who survives" (pg. 57). His profound remark depicts a sudden shift in the arrogant mind of this character. Up until this point, Gilgamesh was "perfect in strength" and described as "the tall, magnificent and terrible" (pg. 2). Enkidu's death caused Gilgamesh to understand that he is not fully immortal. Throughout their adventures, every quest fed Gilgamesh's ego and led him to believe that he was invincible. The death of his friend, reminded Gilgamesh of his own fragility. Gilgamesh understood that he is not fully immortal when he mourned for Enkidu. In his despair, Gilgamesh claims he "shall weep for Enkidu [his] friend; like a hired mourner-woman [he] shall bitterly wail" (pg. 65). The delicate nature of death and the weaknesses of mankind became apparent to
Gilgamesh. The completely human Enkidu imposed an emotional burden onto Gilgamesh after his death because, the fragility of mankind is a delicate matter that deeply affects others. In the epic, Gilgamesh began as a strong ruler who took pride in his immortal side. His personality drastically changed after the death of Enkidu. Gilgamesh was no longer the brave warrior who killed terrible beasts, he became a man who feared death. After witnessing the raging grip of death and the afterlife, Gilgamesh became distraught with the thought of being human. In conclusion, the emotional impact of Enkidu's death led Gilgamesh to the powerful conclusion that he would die eventually. The thought had never occurred to Gilgamesh, this therefore impacted his life dramatically. The fragility of the human body shocked Gilgamesh into reality and nearly destroyed him emotionally.
The whole reason Gilgamesh takes this journey to search for eternal life is due to the death of Enkidu, with whom he was close with. Before all of the events occurred, Gilgamesh had never thought about the topic of death. It’s as if it never crossed his mind; as though he would live forever. He went through phases along his journey. The first was not accepting reality, the second was fighting for eternal life, and the last was accepting reality. Now, his aspirations for immortality are no longer apparent as he enters the last stage.
Gilgamesh ignored many of these kingly duties and was eager to become heroic and godly. "The young men of Uruk he harries without warrant, Gilgamesh lets no son go free to his father. By day and by night his tyranny grows harsher" (George, Tablet I 67-69). The beginning of the epic depicts his kingship as tyrannical and immoral, which could go without question or complaint unless the gods will it. Although considered great for his many feats such as his great walls and military expeditions, his faults could not be questioned by the commoners, which show a flaw in Mesopotamian kingship. Therefore, the gods ask Anu to create a counterpart to Gilgamesh to balance his oppressive reign. "Let him be a match for the storm of his heart, let them vie with each other, so Uruk may be rested!" (Tablet I 97-98). Enkidu, Gilgamesh 's counterpart, was initially created as a wild, uncivilized man rather than a demigod king. His position was to serve as a person that would try to prevent Gilgamesh from becoming so lofty and boastful and to make him become mature and make rational decisions. This becomes evident in Enkidu 's first encounter with Gilgamesh at the wedding: "For the goddess of weddings the bed was laid out, Gilgamesh met with the maiden by night. Forward
In the beginning of the book, Gilgamesh appears to be selfish. Gilgamesh’s “arrogance has no bounds by day or night” (62). Even though he is created by the Gods to be perfect, he misuses his powers and gifts for his own earthly pleasure. He has sexual intercourse with all the virgins of his city even if they are already engaged. Through all Gilgamesh’s imperfections and faults, he learns to change his amoral personality. The friendship of Enkidu helped to change his ways, for only Enkidu, who “is the strongest of wild creatures,” (66) is a match for Gilgamesh. Through this companionship with Enkidu, Gilgamesh starts to realize his incapabilities and need for his friend. When they fight Humbaba, they both give moral support to each other when the other is scared. Another event that changes Gilgamesh’s character is the death of Enkidu. When Enkidu dies, Gilgamesh goes through the suffering of losing a loved one. Gilgamesh experiences a pain, which no worldly pleasure can ease. By this experience Gilgamesh starts to understand his vulnerability toward death and pain. Losing his best friend causes Gilgamesh to be melancholic. At this point Gilgamesh is humbled by the fact that even he could not escape the wrath of death. Gilgamesh goes from this arrogant king to a lonely grieving person with fear of death in his heart.
Enkidu’s death evokes a disturbing thought in Gilgamesh. He finally realizes that he is mortal. He then goes about trying to find the key to immortality. Gilgamesh first seeks out Utnapishtim, the only human to gain immortality. When Gilgamesh cannot pass the test of staying awake for seven days, Utnapishtim then gives him the plant "Old Men Are Young Again." Despite this second opportunity, Gilgamesh is not triumphant in his search for immortality because a serpent eats the plant and Gilgamesh’s opportunity is lost forever. He does not realize that Enlil, the father of the gods, had already determined his destiny. It is clear from the events of the story that Gilgamesh was not to obtain everlasting life and it is no coincidence that all of his efforts fail in one way or another. This is another example of man’s lack of control where the gods are concerned
The second significant change in Gilgamesh was caused by the loss of his brotherly companion, Enkidu. Gilgamesh couln't bear the loss of a love so powerful. Despite his astonishing power and leadership, something in his life was missing. Moreover, he wept for seven days and nights, thinking his friend would come back because of his weeping. It is in this stage of the epic that one can see the truly sympathetic and compassionate side of Gilgamesh. The grief in his heart had far surpassed the magnificent pride that he had previously displayed so boldly. Enkidu's death left Gilgamesh frightened and confused. However, the despair in his heart was so great that he could not rest; would he ever be at peace? Thus, he became terrified of his own death.
He exudes pride in a manner only rivaled by Enkidu, his best friend. Gilgamesh and Enkidu relish in their brotherhood through fighting Humbaba and the Golden Bull. Their shared life is not permanent however. After they defeated the Golden Bull, the gods look down upon Enkidu and Gilgamesh, in which they decide one of them needs to die. As the book carries on, Enkidu is struck with a deathly illness and inevitably passes on. This changes Gilgamesh’s mindset towards death. In Mitchell’s translation, it reads,“If my grief is violent enough, perhaps he will come back to life again.’ For six days and seven nights I mourned him until a maggot fell out of his nose. Then, I was frightened, I was terrified by death” (Mitchell 167). Gilgamesh, who before was enthralled with the idea of dying a hero, suddenly became terrified of death. This growth, albeit not positive growth, was a direct result of the prior circumstances. The heroes’ shared hubris angered the gods who struck Enkidu down, causing Gilgamesh to lose his best friends. This loss causes gilgamesh to grow by fearing
Gilgamesh is an example of someone who had many flaws and faced many struggles but, in the end, changed his attitude and became a better person. In the beginning of Gilgamesh, he is described as doing whatever he wants and being juvenile in a way. For example, in the text it says, “he was their shepherd, yet powerful, superb, knowledgeable and expert, Gilgamesh would not leave young girls alone, the daughters of warriors, the brides of young men.” With his second half, Enkidu, they entered into the first step in becoming a hero according to Campbell, the separation, by going on an adventure. At this point in the story, Gilgamesh is very arrogant. While traveling to Cedar Forest, Gilgamesh tells Enkidu, “let me go in front of you, and your voice call out: ‘Go close, don’t be afraid!’ If I should fall, I should have won fame. People will say, Gilgamesh grappled in combat with ferocious Humbaba… ensure fame that will last forever.” Next is stage two, the initiation, of the Campbell’s hero journey. Gilgamesh undergoes a trail to begin his transformation, he must fight the Bull of Heaven. Gilgamesh’s supportive side is starting to show when he tells Enkidu that they will win if they fight together. After killing the Bull of Heaven, Gilgamesh’s confident attitude is shown once again. The next trial he faces is the death of Enkidu. He starts to show emotion when he says, “for you Enkidu, I, like your mother, your father, will weep on your plains… I will lay you to rest on a bed of loving care… and I myself will neglect my appearance after your death.” At this point his character has been greedy and then he showed his fear and supportive side. The last stage in the hero’s journey is the return. Enkidu’s death sent Gilgamesh on an adventure to fight death. From this adventure he learned his biggest lesson from Utnapishtim. He learns to appreciate life, and
Gilgamesh was two thirds of a god who possessed beauty, a gorgeous body, and great amounts of courage and strength that surpassed all other humans. His greatness was established through the wonderful walls he built around Uruk, a rampart, and a temple for Anu and Ishtar (Gilgamesh & Sandars, 61). Enkidu on the other hand was initially an uncivilized man created by the goddess of creation, Aruru. His appearance was strictly barbaric with his long hair and hairy body, whose innocent mind knew nothing of a civilized human culture (Gilgamesh et al., 62). He ate grass and lived among the other animals in the woods until a trapper spotted him while trying to catch his game and noted to his father that he “was the strongest man in the world [and] is like an immortal from heaven” (Gilgamesh et al., 62). The trapper indicated his feeling of inferiority to Enkidu in the woods as he says he is afraid of him. One could say that Enkidu rules the woods of the uncivilized just as Gilgamesh rules over the city of Uruk; over the civilized. Both men are characterized as powerful, strong men in their domain yet Gilgamesh is in fact stronger and more powerful than his brother, Enkidu whom he calls his servant, fore he is the king of Uruk and is two thirds god. Enkidu also dies halfway through the adventure the two have while Gilgamesh, who is afraid of death, goes on to find a way to live immortally. Though inferior to his king brother, Enkidu completes the other half of Gilgamesh: while Gilgamesh knows the ins and outs of the city he rules, he is not familiar with the woods or nature in the ways that Enkidu is. Though they are different from each other, they both hold parallels with one another by bringing out the best in each other, thus reasonabl...
Gilgamesh, feeling the fear of his own mortality, sets out on a journey to search for a way to preserve himself. Although the journey that he endures is much larger than life, Gilgamesh comes to realize that he can never achieve immortality. Before the creation of Enkidu, Gilgamesh is a man without an equal match. He is an individual with overwhelming power, and it is because of this that makes Gilgamesh a very arrogant person.
The beginning of the Epic finds Gilgamesh hunting immortality through the ways of old. He is trying to achieve everlasting life through the fertility of young virgins promised to another. This action by Gilgamesh caused the people of Uruk to call for the gods to restore the order which the traveler from abroad had destroyed (pg.62). From the sacred order of the goddess Aruru's mind Enkidu emerges from the profane wilderness (pg. 63). It is told that a trapper came "face to face" with the chaotic ways of Enkidu and was "frozen with fear". It is only through the love of one woman that order is brought to the life of Enkidu. He is then declared wise enough to challenge Gilgamesh and restore the order to "strong walled Uruk" (pg.65). So, when Gilgamesh is headed to the bridal bed to partake...
On page fifty-five Enkidu tells Gilgamesh what he dreams about. “Enkidu began to speak to Gilgamesh: …;... 'Enlil was wroth at celestial Shamash: "How like a comrade you marched with them daily! '"” Enkidu describes this dream, in great detail, of all the horrors of the underworld. Additionally, Enkidu describes how the gods are planning on bring Enkidu to his death, while Gilgamesh is to be spared. Enkidu is very sick at this point and is unable to do anything else, but lie on the bed. After twelve days, Enkidu dies on the bed. Gilgamesh is scared, at this point, and is afraid he might be next to die. In order to avoid death, Gilgamesh is persuaded on a journey to find immortality. Gilgamesh is later forced to live the rest of his life without being immortal. This dream is crucial to show how a main character, Enkidu, is being
In the epic of Gilgamesh the friendship between Gilgamesh and Enkidu is very complex and necessary. Their friendship brings animal, human, and god together. Gilgamesh is changed by his friendship with Enkidu. He becomes a better person and a better ruler because of Enkidu. Enkidu’s life is enriched because of his friendship with Gilgamesh. Enkidu was created to balance out Gilgamesh, and he accomplishes this goal. The two men are very close, and love each other deeply. Both Gilgamesh and Enkidu benefit from their friendship.
The Epic of Gilgamesh is a moving tale of the friendship between Gilgamesh, the demigod king of Uruk, and the wild man Enkidu. Accepting ones own mortality is the overarching theme of the epic as Gilgamesh and Enkidu find their highest purpose in the pursuit of eternal life.
In Gilgamesh’s youth he is proud without fear of death, it is not until he watches his friend die that his own mortality becomes a fear. The story begins showing Gilgamesh as a strong warrior as shown when he first meets Enkidu who wants to stop Gilgamesh from having relations with a woman on her wedding night. “They grappled each other, holding fast like wrestlers, They shattered the doorpost, the wall shook. They grappled each other at the door to the wedding, They fought in the street, the public square. It was Gilgamesh who knelt for the pin, his foot on the ground” (23).
One of the main themes in the epic is that death is inevitable, which is shown through Enkidu's death. When Enkidu dies, Gilgamesh becomes very worried, because he realizes for the first time that everyone is going to die at some point in time. The fact that Enkidu is a close friend makes it even more visible to Gilgamesh that everyone is mortal. Then, along with this realization, comes the theme of denial. Gilgamesh does not want to accept the fact that he will die. He denies the truth, because he does not want to think about the truth or cope with the tragedy that has struck him. "And he-he does not lift his head. 'I touched his heart, it does not beat'" (Tablet VIII, Column II, 15-16). "'Me! Will I too not die like Enkidu? Sorrow was come into my belly. I fear death; I roam over the hills. I will seize the road; quickly I will go to the house of Utnapishtim, offspring of Ubaratutu. I approach the entrance of the mountain at night. Lions I see, and I am terrified. I lift my head to pray to the mood god Sin: For...a dream I go to the gods in prayer: ...preserve me!'" (Tablet IX, Column I, 3-12).