Shakespeare wrote Othello during the Elizabethan era and was written in the last year of Queen Elizabeth I reign. It is seen as a Jacobean play but the context that it was made was Elizabethan. During this time period, it was set for Shakespeare to write in a way that appraises the Queen. Othello is a reflection of Elizabethan times but with universal themes. The culture of this time included a clear hierarchy, more barbaric in nature and a male dominance leaving women in a submissive role. During Shakespeare’s time, appearance was meant to indicate the lies within good and evil. Shakespeare uses the male characters in his play to show the contrast in how men treat women. All the men portrayed have a different social hierarchy. This idea is clearly shown throughout the characters of Iago, Othello, and Cassio. The three women in the play also play a similar idea of all having different societal roles and different hierarchy status.
Iago is a working- class military who defames women by claiming their only role is “to suckle fools and chronicle small beer” and only uses his wife, Emilia, for his sexual pleasure and takes advantage of the women’s somewhat unassertive nature using Emilia to steal for him without saying anything to be against Iago’s actions. Shakespeare undermines Iago’s view of
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As soon as Desdemona defies him he strikes her in a public manner and his view is left unquestioned even through death. When Othello becomes overruled by Iago’s statements about Desdemona, Othello will only listen to his own view and refuses to hear Desdemona which eventually led to her inevitable death. The playwright does critique this notion by portraying Othello’s crime as a suicide-murder due to the fact of Othello dying as he can’t live with his
In the novel Othello, written by William Shakespeare, there are a variety of ways in which women are portrayed. There are strong willed women such as Emilia, who stands up to the men, especially to her husband. If he is wrong she would openly admit that he is incorrect. There are also women who are thought to be a possession as well as extremely submissive to their husbands such as Desdemona. She is the type of woman that will obey her husband to the day she dies. Desdemona believes that her husband is always right and he will never do anything that will lead her into the wrong direction. Many of the women in this time thought the same way. They are viewed as house workers, cooks, and teachers to the children. In addition to those qualities women obtain, having no authority in marriages is also added to the list. In this novel, there is judgment against women because they are “unequal” to men. They are not allowed to do the same as men for the reason that they do not possess the same qualities as men. Men were considered to be superior to women. Women were treated as their “slaves.” In contrast, today’s time women now have power. They have the right to vote, run for office, and even work outside their homes. Women now play the part as the male and female figure in the households. They are considered independent women, not relying on a male figure. Even if they are married now, they do not listen to everything that their husbands tell them to do. It states in the Bible that a male figure is the head of the households; however women today have strayed away from that view that they had back then. They want to be the dominate figure. Times have really changed from the past to the present. W...
The pervasive notion of woman as property, prized indeed but more as object than as person, indicates one aspect of a deep-seated sexual pathology in Venice. [. . .] Fear of women’s sexuality is omnipresent in Othello. Iago fans to flames the coals of socially induced unease in Othello, fantasizes on his own about being cuckolded by Othello and Cassio. In an ideology that can value only cloistered, desireless women, any woman who departs from this passivity will cause intense anxiety. (295)
Beginning with the lowest rank of women, Emilia and Desdemona, Iago insults them with misogynistic and commanding comments to reveal the stark dichotomy of power between men and women in Shakespearian times. Targeting pathos, Iago uses controlling and degrading remarks to put Emilia down and to gain spousal dominance. In two scenes where Emilia expresses her true feelings, Iago snaps at her by first stating, “You are a fool, go to”, and then later orders, “Go to, charm your tongue” (4.2. 147, 5.2. 182). By telling Emilia that she is a “fool”, not only does Iago abruptly insult her, but he does so publicly, thereby reinforcing male superiority over women in their society (4.2. 147). This type of rhetoric serves Iago strategically as Iago’s public
During the Elizabethan era women had a status of subordination towards men. They had a role to marry and oblige to their husband’s wishes. Shakespearean literature, especially illustrates how a woman is psychologically and physically lesser to their male counterpart. The play, Othello, uses that aspect in many different ways. From a Feminist lens others are able to vividly examine how women were subjected to blatant inferiority. Being displayed as tools for men to abuse, women were characterized as possessions and submissive; only during the last portion of the play did the power of women take heed.
Shakespeare’s tragic play Othello is an unfortunate example of gender bias, of sexism which takes advantage of women. The three women characters in the drama are all, in their own ways, victims of men’s skewed attitudes regarding women. Let us delve into this topic in this essay.
Iago has no qualms about his deceitful actions. In order to rile anger in Brabantio, he wakes him with the news that his daughter has married Othello: " Rouse him, make after him, poison his delight" (1,1,69) Iago proceeds to tell the news of Desdemona and Othello's marriage to a shocked Brabantio. He uses offensive imagery, showing the extent to which he will go to win Brabantio's support against Othello. While not in the company of either Othello or Brabantio, Iago debases the marria... ... middle of paper ... ...is his trust.
The Tragic Treatment of Women in Othello In Shakespeare's drama, Othello, there are many different relationships among the main characters. The way that Shakespeare portrays these relationships sets the stage for the pain and deceit that unfolds within the play. Relations between the men of the play, Othello, Roderigo, Iago, and Cassio, undoubtedly form the main theme. Furthermore, each of the men, except Roderigo, also has woman that stands behind and cares for him.
In Shakespeare’s play Othello, the male characters perceive women as adulterous and property, treating them as inferior that need to be submissive and obey. Iago creates a false perception of his wife thinking she is promiscuous. Also, Othello sees his wife as promiscuous, an impression created by his jealousy and one he has convinced himself of it. Furthermore, Iago and Othello perceive their wives as inferior, and by his words, the reader can see that they are both their wife and subordinate. At last, the male characters refer to Desdemona’s marriage as a “steal” and “purchase” of property, then, Iago and Othello end their wives’ lives because they see them as possessions of no good.
In his novel, Othello, he uses the courage of the women in his literature to depict how women should be treated, and to contrast from how little respect they once obtained. The society in Shakespeare’s Othello is strongly dominated by men who were the political and military leaders of their homeland during the Elizabethan era. These men are expected to stay loyal to their reputations and to uphold the strong sense of character that earned them their positions in the first place. In contrast, during the Elizabethan period of time women were viewed as weak second-class citizens and inferior to males, with their only job being to serve their men.
Juxtaposing an elevation of Emilia with a punch line diminishing females, Shakespeare explores Iago’s ability to appease those around him to accept his sexism without quarrel. Iago references Emilia’s tongue twice, once negatively, once positively, suggesting Iago changes his public personality with fluidity, but returns to his unconscious belief in female inferiority. Directing the negative mention toward a man and the positive toward Emilia, Iago succeeds at maintaining his masculinity among his peers by reinforcing traditional gender roles, but pacifies Emelia by complimenting her. Shakespeare builds Iago’s joke with phrases such as “She that could think” and “She that in wisdom,” representing a break from traditional thought of women as purely domestic workers without a male’s mental capacity.
Iago uses the implications of gender roles throughout the play. He creates doubt about Othello’s masculinity, and feeds off of the anxiety these observations create. Iago is not immune to the negative impact of gender standards that cannot be fulfilled. Mark Breitenberg describes these feelings as “…male, heterosexual jealousy – the anxiety and violence engendered in men by a patriarchal economy that constructs masculine identity” and explains these anxieties are “…dependent on the coercive and symbolic regulation of women’s sexuality” (377). Iago’s hatred of Othello is due to the insecurity he feels about his own masculinity and it causes him to feel jealousy towards Othello. As Karen Newman opines, “Othello both figures monstrosity and at the same time represents the white male norms the play encodes through Iago” (153). He is as a brutish, savage monster, but these negative traits can be warped into desirable ones by means of masculine stereotypes. Othello is large, strong, and a warrior. ...
At first Emilia's character is the ideal submissive wife. Iago treats Emilia rather badly during the first scenes of the play. He refers to her as a nagging housewife and Emilia is submissively unresponsive to his harsh allegation...
Shakespeare has written some of the most outstanding pieces of literature through out history that have lasted through out the ages. But, critics often critique Shakespeare as being sexist towards women in his work. He often portrays them as weak minded, evil, or as sexual objects. Ophelia, Queen Gertrude, Lady Macbeth, and Juliet Capulet are just a few female heroines that are accused of being feeble or heinous. Shakespeares Othello represents Desdemona, Emilia, and Bianca as weak characters that do not become triumphant by the end of the play. While they have ardous intentions, none of them ever defend themselves. Desdemona is a passive victim who lets Othello abuse her, Emilia allows herself to be abused by Iago, and Bianca lets Cassio take
The portrayal of gender roles in William Shakespeare’s play Othello, demonstrates the inferior treatment of women and the certain stereotypes of men placed on them by society. Both the male and female characters in the play have these certain gender expectations placed on them. In a society dominated by men, it is understood that the women are to be seen rather than heard. The women are referred to and treated much like property. If indeed they do speak up, they are quickly silenced. One woman’s attempt to be the perfect wife is what ultimately led to her demise. The expectations of men are equally stereotypical. Men are to be leaders and to be in control and dominant especially over the women. The male characters compete for position and use the female characters in the play as leverage to manipulate each other. Shakespeare provides insight in understanding the outcomes of the men and women who are faced with the pressures of trying to live up to society’s expectations, not only in the workplace, but also in the home. The pressure creates jealousy issues amongst the men and they become blind to the voice of reason and are overtaken by jealous rage, leads to the death of many of the characters.
The play Othello is presented as a male-dominated society where women are only recognized as property; objects to own and to bear children. Women in the Elizabethan society and in Shakespeare society were not seen as equal to men and were expected to be loyal to their husbands, be respectful, and to not go against their husbands judgements or actions. Shakespeare presents Desdemona, Emilia , and Bianca as women in the Elizabethan time where they were judged based on their class, mortality, and intelligence. Shakespeare makes his female characters act the way they would be expected to act in an Elizabethan society. The role of these women in Othello is crucial because they show how women were treated and how unhealthy their relationships between men really were in both Elizabethan and Shakespeare's society.