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The womens role in influencing othello
The role of women in Othello
The role of women in Othello
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The Women of Othello All through history, the role of women and their place in the general public has tremendously changed. William Shakespeare’s Othello was established during a time period where the role of women and their collective value were downgraded in the Venetian and Elizabethan era. During the Venetian era women were dominated by their sexual orientation. The Venetian era had a patriarchal society. In a patriarchal society, the father is the head of the household and men have authority over women and children. During the Elizabethan era the conduct toward women was vicious. Women were considered second class citizens. Males only consider women as possession, who is obligated to remain submissive and meek. Additionally, women are expected to be quiet, obedient to male figures, and chaste. Women were either considered a good wife or a whore. There are only three women in Othello; Desdemona, Emilia, and Bianca. Desdemona is the passive wife of Othello who has a quite idealistic take on life and marriage. Emilia is the cynical, perceptive women who seem to have a bitter take on her marriage to Iago. Bianca is portrayed as the whore of the play, and she has relations with Cassio. Although, each woman varies in roles and personality, they all had a common trait; they lived in a patriarchal society and suffered together. Each of them live in a society where it was ideal to think women were psychologically and physiologically inferior to men, however in reality each of them knew their role in society. At first Emilia's character is the ideal submissive wife. Iago treats Emilia rather badly during the first scenes of the play. He refers to her as a nagging housewife and Emilia is submissively unresponsive to his harsh allegation... ... middle of paper ... ...rentine, a fellow almost damned in a fair wife" (Shakespeare I.i, 21-22). This could be the reason why Bianca is portrayed as a whore, and why she and Cassio are in an uncommitted relationship. Women were not allowed to be educated; especially those of the lower class, and therefore Bianca probably did not receive an education and obviously did not marry. Bianca knows her role in society and was regrettable succumb to a life of prostitution. During the Renaissance if women did not wed and depend on a husband for support, they were left to defend for themselves and that typically only left them with the alternative of prostitution. Even though she is called a whore and prostitute, she is also considered a woman with a goal. Bianca is simply looking for love and affection, but is independent to be with whoever she pleases because she is not really devoted to anyone.
In equation with the Elizabethan era, Shakespeare offers us a male dominated society in his renowned tragedy, Othello. Consequently, this definitely persuades a negative attitude and demeanor towards the women of the times. The female characters in the play: Desdemona, Emilia, and Bianca; play relevant roles in contributing to one’s understanding of this exhausted Elizabethan view. In contrast to the larger portion of the play, Emilia, spouse to the scandalous Iago, takes an opinionated stand for Desdemona in relation to her wholesome gone sour relationship with the Moor of Venice, Othello. I recognize Emilia’s “Betrayal lecture” as a justified outlook in accordance with today’s period and events surrounding Desdemona’s and Othello’s fatal misunderstanding.
The societies found in the two texts, while different, share a number of similarities that can be compared by using examples from The Yellow Wallpaper and Othello. In both texts, women were expected to be silent, obedient, and subservient. While the men in court did show surprise to Othello slapping Desdemona, when Desdemona excused herself they merely commented that she was “truly (an) obedient lady” (iv.i.278-279) as if that was what was important and she was not just publicly abused by her husband. Emilia’s willingness to compromise herself by stealing the handkerchief and to lie for Iago’s cause points to the woman’s role in supporting her husband, a role which was not necessarily reciprocated. In The Yellow Wallpaper, Jane was a patient of the rest cure who became increasingly aware throughout the story that she had to keep her thoughts to herself or else continue being treated as a prisoner in the name of her health. In both tales,
"And let me be a slave, t' achieve that maid whose sudden sight hath thrall'd my wounded eye, " (I.i.219-220) In The Taming of the Shrew, Lucentio has come up with a plan to woo his love Bianca. It involves his servant Tranio pretending to be him so that he can pretend to be a schoolmaster. Bianca's father, Baptista, has decreed that she stay locked up in the house until her sister, Kate, is married. The only people allowed in to see her are her tutors, one of which is Lucentio in disguise. Ironically, Lucentio came to Padua to study Philosophy and virtue. While disguised as Bianca's tutor, he woo's her and in the end he wins her heart and her hand in marriage.
Bianca is relentlessly sought by men, but she faces a problem concerning marriage. Bianca and Katherine’s father, Baptista, commands, “That is not to bestow my youngest daughter before I have a husband for the elder” (Shakespeare I.i.50-51). Baptista declares that no man shall marry Bianca until Katherine is married. At this point in the story, marriage for Bianca seems hopeless, because no one seeks to marry a shrew like Katherine. However, a man named
In Shakespeare’s The Tragedy of Othello the Moor of Venice, there are several strong, predominate female characters. Emilia, Desdemona, and Bianca have to defend themselves from the vicious men in the play. However, despite being victimized by the domineering men, their individual strengths set them apart from their abusers.
The definition of Renaissance women is fundamentally important in William Shakespeare's play Othello. One of the major causes of Othello's tragedy is his belief that Desdemona is not chaste. According to the men of the Renaissance, chastity, silence, and obedience are three attributes that define Renaissance women. Although Othello takes place during the Renaissance, the women in the play, Bianca, Desdemona and Emilia, defy traditional norms by lacking at least one of the major attributes defining women; Bianca's lack of chastity is clearly displayed when she unlawfully sleeps with Cassio; Desdemona's lack of silence is clearly displayed when she constantly urges Othello to give Cassio's position back. However, in the last two acts, Emilia displays the strongest challenge to the definition of Renaissance women as silent, chaste, and obedient, mainly to defend Desdemona.
In the novel Othello, written by William Shakespeare, there are a variety of ways in which women are portrayed. There are strong willed women such as Emilia, who stands up to the men, especially to her husband. If he is wrong she would openly admit that he is incorrect. There are also women who are thought to be a possession as well as extremely submissive to their husbands such as Desdemona. She is the type of woman that will obey her husband to the day she dies. Desdemona believes that her husband is always right and he will never do anything that will lead her into the wrong direction. Many of the women in this time thought the same way. They are viewed as house workers, cooks, and teachers to the children. In addition to those qualities women obtain, having no authority in marriages is also added to the list. In this novel, there is judgment against women because they are “unequal” to men. They are not allowed to do the same as men for the reason that they do not possess the same qualities as men. Men were considered to be superior to women. Women were treated as their “slaves.” In contrast, today’s time women now have power. They have the right to vote, run for office, and even work outside their homes. Women now play the part as the male and female figure in the households. They are considered independent women, not relying on a male figure. Even if they are married now, they do not listen to everything that their husbands tell them to do. It states in the Bible that a male figure is the head of the households; however women today have strayed away from that view that they had back then. They want to be the dominate figure. Times have really changed from the past to the present. W...
In Shakespeare's, "The Taming of the Shrew" the relationship between the sisters Katherine and Bianca appears to be strained with rampant jealousy. Both daughters fight for the attentions of their father. In twisted parallel roles, they take turns being demure and hag-like. Father of the two, Baptista Minola, fusses with potential suitors for young Bianca and will not let them come calling until his elder, ill-tempered daughter Katherine is married. The reader is to assume that meek, mild-mannered, delicate Bianca is wasting away while her much older, aging, brutish sister torments the family with her foul tongue. Katherine seems to hold resentment toward Bianca. Her father favors Bianca over Katherine and keeps them away from each others' torment. When gentlemen come calling, Bianca cowers behind her father and Katherine speaks up for herself. "I pray you sir, is it your will to make a stale of me amongst these mates?" (1.1.57-58) Bianca and Katherine dislike each other feverishly. Katherine torments Bianca with words and physical harm. She binds her hands, pulls her hair then brings her forth to her father and the gentlemen callers. Bianca denies liking any of the visitors and portrays herself an innocent that merely wants to learn and obey her elders. She says, "Sister, content you in my discontent to your pleasure humbly I subscribe. My books and instruments shall be my company, on them to look and practise by myself." (1.1.80-84) Because Katherine speaks freely and asserts herself she is labeled as "shrewish." When Hortensio describes her to Petruccio, he spews out that she is "renowned in Padua for her scolding tongue." ( 1.2.96) He gilds the lily further by clearly telling of her fair fortune if suitable man comes courting and wins her hand in marriage. Petruccio sees dollar signs and rushes onwards in grand dress and fluently gestures to court the gracious "Kate." When he first begins his ritual of winning the family and Katherine to his love, he is seeking his fortune in her dowry. The mention of her being at all undesirable does not put rocks in his path.
During the Elizabethan era women had a status of subordination towards men. They had a role to marry and oblige to their husband’s wishes. Shakespearean literature, especially illustrates how a woman is psychologically and physically lesser to their male counterpart. The play, Othello, uses that aspect in many different ways. From a Feminist lens others are able to vividly examine how women were subjected to blatant inferiority. Being displayed as tools for men to abuse, women were characterized as possessions and submissive; only during the last portion of the play did the power of women take heed.
While there have been a great number of changes in the world since Shakespeare wrote Othello, there are a few truths about humanity and society that remain true. Othello is notorious for it’s examination of race, but is not given enough credit for its observations of gender. Iago embodies masculine gender roles in a severe and exaggerated way, allowing his desire for proving his masculinity to corrupt him morally. Iago then turns and uses his own fears of inadequacy against Othello as the root of his revenge and to improve his own self-image. Desdemona is hurt most by the need for gender roles, which ultimately ends up in her death. The characters in Othello are severely harmed by the gender roles they feel the need to adhere to.
The women in Othello are synonymous with Venetian societal standards. Only three women are characters in Othello: Desdemona, Emilia and Bianca but the roles these women play give the reader an idea of how women were portrayed, not only in Shakespeare's Othello but in society in general.
During the Shakespearean times, women were treated as inferiors. The three women in Othello, Desdemona, Emilia, and Bianca encountered many degrading and unfortunate situations. They were to be obedient. The women had to comply with the commands, orders, and the instructions of the men. Women were made to believe that they had no rights.
The way that Cassio initially addresses Bianca is rather sycophantic, especially as the task is so menial.
Bianca and Lucentio are considered stock characters in this play for many reasons. On the surface of things, Bianca is a sweet, mild-tempered young woman. She shows obedience towards her father and fosters his favoritism for herself by playing the part of a noble victim who cannot marry until her shrewish sister is wed. "Bianca is the epitome of a stock character. She is the sweet, innocent girl that all the g...
...es not see her as a wife material and this explains why he shows no commitment towards her. Bianca knows she deserves much better than the way Cassio treats her and this is prove when she leaves him. Bianca is a little bit like Emilia in a sense where she stands up for something and in this case it's for herself, " I am no strumpet, but a life as honest as you thus abuse me." (scene 5, lines 142). With this character Shakespeare shows that the lower class women know they deserve better but they lack the power to be heard because they are considered as nobodies. Bianca would be Emilia's follower is Emilia made a move to fight for women's rights. However even Emilia treats Bianca poorly because she believes what men say about her.