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Women's treatment in the shakespearean era othello
Women's treatment in the shakespearean era othello
Women's treatment in the shakespearean era othello
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In William Shakespeare’s Othello, the status of women at the time, exemplified by Othello’s belief that Desdemona belongs to him, leads Othello to trust Iago more than he trusts his own wife. In many of Shakespeare’s plays, women lack social agency, and therefore their lives are run by men. Although Desdemona is a strong character, the fact that she is a woman creates room for Othello to doubt her. Othello begins to trust what Iago tells him more than he trusts Desdemona, which shows how little he trusted her in the first place. Othello even starts to believe that Desdemona may be unfaithful because he is black. Finally, because of his anger and the general attitude towards women at the time, Othello objectifies Desdemona. All of these factors …show more content…
Women were used to gain a dowry after marriage and as a tool to create offspring for a man. This status leads to Desdemona’s death. Othello sees Desdemona as his property, and therefore treats her like she is an object and not a person. By having this jealous mindset from the start, Iago is easily able to persuade Othello that Desdemona is cheating on him. Although Iago is extremely deceptive and talented with words, if women had a higher status in the world, and Othello was not as misogynistic and territorial, he most likely would not have believed Iago. Othello is also easily manipulated because he is insecure about himself and his status as a Black Muslim in the world. Desdemona deceived her father to marry Othello so, as Brabantio pointed out, what would stop Desdemona from deceiving Othello? Although Iago’s rhetoric and Othello’s race and ethnicity constantly caused problems for the couple, the root of the issue fell onto Othello’s attitude towards women, and especially towards Desdemona. Other than women lacking social agency in general in that time period, Othello treated Desdemona like she was a prize to be won, and after he won her, she was his to treat as he pleased. This idea that Desdemona was a pure virgin and belonged to Othello ultimately led to her
The Manipulation of Gender Roles in Shakespeare’s Othello. Of Shakespeare’s great tragedies, the story of the rise and fall of the Moor of Venice arguably elicits the most intensely personal and emotional responses from its English-speaking audiences over the centuries. Treating the subject of personal human relationships, the tragedy, which should have been a love story, speaks to both reading and viewing audiences by exploring the archetypal dramatic values of love and betrayal. The final source of the tragic action in Shakespeare’s
Iago clearly does not have a high opinion of women, and it is because of his low opinion of women that Iago does not feel any guilt in using Desdemona for his gain. Had Iago had a better opinion of women, he may have not used Desdemona as a means to an end, which is an action frowned upon in philosophy (Johnson, “Kant’s Moral Philosophy”). Othello should have kept Desdemona at home, which, according to Vives, would have limited Desdemona’s exposure to men. With Desdemona spending most of her time at home, Othello would not have had to worry about his wife spending too much time with his crew. It is because of Othello exposing Desdemona to “evil” that he should be held accountable for some of the misfortunes that occur in Othello (Vives 274).
In conclusion, the play Othello has significantly proven that women always have had it in them to overcome the control men have over them, but it’s just a matter of time they realized the power they truly do have. Also it demonstrated that men aren’t as powerful and strong as they seem, looks can be deceiving. Everyone has their weaknesses and everyone has their strengths.
When Iago advises Othello to be wary of Desdemona, Othello declares to Iago that he is sure that Desdemona is chaste. Yet, he cannot help but think Desdemona is not who she seems to be. When he says, “And yet, how nature erring from itself,” he is proposing that Desdemona had departed her wifely duties for some other man (III.iii.267). Later, when Iago says, “Her will, recoiling to her better judgement, / May fall to match you with her country forms / and happily repent,” he is alluding that it is Desdemona’s nature to go after someone of her own race (III.iii.276-278). While entertaining this thought, Othello
In Act 1. Desdemona admits that she fell in love with Othello's eloquence and harrowing adventures; 'I saw Othello's visage in his mind'. This outlines his sense of nobility in language,which empahsis how much of an experienced warrior ans revered noble man he is. Moreover Desdemona reveals Othello's nobility of love, 'She loved me for the dangers I had passed/ I loved her that she did pity them'. She succeeds in unveiling a side in Othello's nature which show him as a loving, respectful husband. He is clearly trustful of Desdemona and is not by any means jealous of him, as he allows her to travel to Cyprus with Iago,' To his conveyance I assign my wife'.
In the novel Othello, written by William Shakespeare, there are a variety of ways in which women are portrayed. There are strong willed women such as Emilia, who stands up to the men, especially to her husband. If he is wrong she would openly admit that he is incorrect. There are also women who are thought to be a possession as well as extremely submissive to their husbands such as Desdemona. She is the type of woman that will obey her husband to the day she dies. Desdemona believes that her husband is always right and he will never do anything that will lead her into the wrong direction. Many of the women in this time thought the same way. They are viewed as house workers, cooks, and teachers to the children. In addition to those qualities women obtain, having no authority in marriages is also added to the list. In this novel, there is judgment against women because they are “unequal” to men. They are not allowed to do the same as men for the reason that they do not possess the same qualities as men. Men were considered to be superior to women. Women were treated as their “slaves.” In contrast, today’s time women now have power. They have the right to vote, run for office, and even work outside their homes. Women now play the part as the male and female figure in the households. They are considered independent women, not relying on a male figure. Even if they are married now, they do not listen to everything that their husbands tell them to do. It states in the Bible that a male figure is the head of the households; however women today have strayed away from that view that they had back then. They want to be the dominate figure. Times have really changed from the past to the present. W...
While there have been a great number of changes in the world since Shakespeare wrote Othello, there are a few truths about humanity and society that remain true. Othello is notorious for it’s examination of race, but is not given enough credit for its observations of gender. Iago embodies masculine gender roles in a severe and exaggerated way, allowing his desire for proving his masculinity to corrupt him morally. Iago then turns and uses his own fears of inadequacy against Othello as the root of his revenge and to improve his own self-image. Desdemona is hurt most by the need for gender roles, which ultimately ends up in her death. The characters in Othello are severely harmed by the gender roles they feel the need to adhere to.
The Tragic Treatment of Women in Othello In Shakespeare's drama, Othello, there are many different relationships among the main characters. The way that Shakespeare portrays these relationships sets the stage for the pain and deceit that unfolds within the play. Relations between the men of the play, Othello, Roderigo, Iago, and Cassio, undoubtedly form the main theme. Furthermore, each of the men, except Roderigo, also has woman that stands behind and cares for him.
Desdemona's actions make it evident that the female characters in Othello are weak minded. Emilia allows herself to be abused by Iago, making her a weak woman. While she does have good intentions throughout parts of the play and is a kind hearted woman, she never defends herself to her diabolical husband. Iago constantly makes hateful and degrading insults towards Emilia. Come on, come on, come on.
In the Elizabethan society, it was expected for women to be obedient and to be in her place.
...of Elizabethan England and put women in their place. Men view women as possessions, who are to remain obedient and submissive all the time. The only power over men women have is their sexuality, which is seen as evil and is to be resisted my men. Men are free to call women whores and accuse them of lewd acts with no substantial evidence. However there is a suggestion that women are starting to question the male authority society has set, this is evident when Desdemona is conversing with Emilia: 'Nay, we must think men are not gods" (III.4.144). This suggests that Desdemona had viewed men as god like in the past, but perhaps her experiences with Othello have changed her mind. The language and actions of the three women in Othello, while they seem to follow the expectations and standards of society, also seems to take a big step towards a more egalitarian society.
In Othello men see women as objects to control, first by their father, and then by their husband. When Iago yells to Brabantio, telling him his daughter has gone off to marry Othello, he yells "Thieves, thieves! / Look to your house, your daughter, and your bags! / Thieves, thieves!" (Othello I.i.79-80). Othello has taken away Brabantio's property, his daughter, and is called a thief because of it. Desdemona refuses to be treated like property, however and makes "A gross revolt, / tying her duty, beauty, wit and fortunes" (Othello I.i.134-135) to Othello. Her marriage to Othello is not an act of a free woman, but a revolt by Brabantio's property. Desdemona is also incapable of independent feelings or thoughts. Othello must have "Enchanted her" (Othello I.ii.63), "In chains of magic" (Othello I.ii.65), because she could never make such a choice on her own. In Brabantio's mind, only he can know what is in Desdemona's best interest and then choose it for her. Brabantio tries to guard her, but Desdemona has "Run from her guardage" (Othello I.ii.70). In Othello the culture of the time treats women as objects to be guarded and watched over, too tender and gentle to fend for themselves in a dang...
The play Othello is presented as a male-dominated society where women are only recognized as property; objects to own and to bear children. Women in the Elizabethan society and in Shakespeare society were not seen as equal to men and were expected to be loyal to their husbands, be respectful, and to not go against their husbands judgements or actions. Shakespeare presents Desdemona, Emilia , and Bianca as women in the Elizabethan time where they were judged based on their class, mortality, and intelligence. Shakespeare makes his female characters act the way they would be expected to act in an Elizabethan society. The role of these women in Othello is crucial because they show how women were treated and how unhealthy their relationships between men really were in both Elizabethan and Shakespeare's society.
The society in which Othello takes place is a patriarchal one, where men had complete control over women. They were seen as possessions rather than being just as equally human and capable of duties performed by men. All women of the Elizabethan were to obey all men, fathers, brothers, husbands, etc. Which leads me to the most reliable and trustworthy character of Desdemona, whom goes through many trials just to satisfy her love. Shakespeare brings the thought of Desdemona into the play by Barbantio, her father, “It is too true an evil. Gone she is....Oh, she deceives me Past thought! …” (1.1.163)(1.1.168-169), whom has just found she has taken off with Othello and firstly suspects they have been hitched. Shakespeare gives reader the impression Desdemona is a devious imp full of disrespect towards her father. However, surpassing normal tradition of asking of her fathers’ permission to wed, Desdemona ran off and did marry the moor. This in a sense was her emancipation of her father’s possessiveness and oblivion of Othello’s dominance over her. Othello replies to Barbantio’s accusation, sedating or using black magic on his daughter, by saying, “My very noble and approved good masters, That I have ta’en away this old man’s daughter. It is most true.” (1.3.79-81), which brings me to the claim that Desdemona’s character in this tragedy, was only to become and to serve as Othello’s private possession rather than a typical beloved daughter or wife as in modern time. Shakespeare bases this tragedy on the foundation of Desdemona’s character by the symbol of the discrimination of women in the Shakespearean time era. Desdemona even for the first and only time within the play stands up and challenges her inferiority under her father’s aut...
In Shakespeare’s Othello, we the audience are introduced to several characters throughout the course of the play, three of which are female. These characters are Desdemona, wife to Othello, Emilia, wife to Iago and Bianca, Casio’s lover.