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Othello and the portrayal of women
Othello and the portrayal of women
Essays on gender relations in othello
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Juxtaposing an elevation of Emilia with a punch line diminishing females, Shakespeare explores Iago’s ability to appease those around him to accept his sexism without quarrel. Iago references Emilia’s tongue twice, once negatively, once positively, suggesting Iago changes his public personality with fluidity, but returns to his unconscious belief in female inferiority. Directing the negative mention toward a man and the positive toward Emilia, Iago succeeds at maintaining his masculinity among his peers by reinforcing traditional gender roles, but pacifies Emelia by complimenting her. Shakespeare builds Iago’s joke with phrases such as “She that could think” and “She that in wisdom,” representing a break from traditional thought of women as purely domestic workers without a male’s mental capacity. …show more content…
However, the punctuation of the joke, “...chronicle small beer,” reduces females to triviality as the ideal women - one that embodied all of the admirable traits outlined by Iago - still could not overcome her femininity. In presenting his view as a joke, Iago provokes only mild reproach from Desdemona, yet abides by Freud’s claim that jokes satisfy one’s unconscious.
In equation with the Elizabethan era, Shakespeare offers us a male dominated society in his renowned tragedy, Othello. Consequently, this definitely persuades a negative attitude and demeanor towards the women of the times. The female characters in the play: Desdemona, Emilia, and Bianca; play relevant roles in contributing to one’s understanding of this exhausted Elizabethan view. In contrast to the larger portion of the play, Emilia, spouse to the scandalous Iago, takes an opinionated stand for Desdemona in relation to her wholesome gone sour relationship with the Moor of Venice, Othello. I recognize Emilia’s “Betrayal lecture” as a justified outlook in accordance with today’s period and events surrounding Desdemona’s and Othello’s fatal misunderstanding.
Everyone at some point in their lives attempts to convince someone to behave certain ways and to do specific things that ultimately will only benefit the person doing the convincing. Throughout the entire book, Othello, Iago attempts to convince numerous people in order to in the end only benefit and help himself. In this scene, Roderigo is explaining to Iago how he no longer wants to love because he is without Desdemona’s love. Iago then focuses on convincing Roderigo not only out of suicide, but also into getting Desdemona back. If Iago was unable to encourage Roderigo to go back after Desdemona, his plans would have been ruined. In lines 296-395, Iago uses many different uses of language in order to convince Roderigo to do what he wants him to do.
Some traits of a jealous person are insecure, overly attached, spying, and low-self esteem. Othello’s jealousy started when he believed Iago’s lies about his wife infidelity. Iago’s claim became stronger when Othello found out his wife doesn’t have the handkerchief that symbolized their love. Iago exhibits jealousy in the play. Iago was jealous of Cassio’s rank as lieutenant. Roderigo was jealous of Othello’s union with Desdemona. Othello’s jealousy was based on false information. Iago’s jealousy was based on the desired job position and Roderigo’s jealousy was based upon his love for Desdemona. As human beings, I think it is almost impossible to avoid jealousy, but a person can overcome it. It is part of the human nature feel jealous, but
Shakespeare undoubtedly creates a coherent distinction between Beatrice and Hero, the two main female characters, in such a way that allows the audience to irrefutably note their differing dispositions. Hero, “a face without a voice” (Cook 8), is characterized by her passivity and inability to assert herself, whereas Beatrice, whose speech “might seem [like] a serious violation of Messina's conventions of gender” (Cook 7), is characterized by her witty and unconventional independence that ultimately delineates the sure separation between her and women of 16th Century Europe. Almost immediately, one can observe Beatrice's acerbic demeanor towards one of the main male characters, Signior Benedick. As the messenger is informing Beatrice...
Othello sends her off to get Desdemona and says to the audience “She says enough, yet she’s a simple bawd/That cannot say as much. This is a subtle whore,/A closet, lock and key, of villainous secrets./And yet she’ll kneel and pray, I have seen her do ’t.” (4.2.21-24) Othello is dismissing her statement under the principle that any woman would say the same story and the only truth he can trust would be what he is told by a man. Othello uses words such as “whore” and “villainous,” which are words first spoken by Iago. These are used only in the most demeaning way and this shows that he truly believes that no matter what evidence he is shown, or who claims she is a good wife, that she has just hidden her true nature from them as he has seen her “kneel and pray” just like any good wife.
The Relationship Between Othello and Iago In this scene Iago persuades Cassio, who is on watch, to drink, knowing that he is not a drinker and that he will be easy to antagonise. Roderigo provokes Cassio into a fight and Othello, hearing the disturbance, arrives to find the nobleman Montano seriously injured. Cassio gives no explanation, Montano pleads self-defence, and say that Iago knows best, so Iago is ordered to speak, ' Iago, who began't? " This passage starts with Othello, who appears to have interrupted someone, as there is a line break.
In the play “The Tragedy of Othello” by Willian Shakespeare, Othello Changes from an intelligent and confident person to a senseless and insecure person. This change in his personality occurs mainly because: Iago plans to ruin his relationship with Desdemona, he was an Outsider, he had bad judgement when it came to trusting people and failed to see reality, his negative thinking about himself and his relationship with Desdemona.
Emilia, while lying next to her best friend on her deathbed, began to suppress her passive nature and attempts persecute the murderer. Nonetheless, the only woman who stood up for herself got killed in the end by her own husband. Othello and Iago’s wives were thought to be disloyal to their husband, while only one of them was correct in this accusation, Desdemona and Emilia were both murdered by the people they pledged their allegiance to. But, Emilia was the only woman who denounced the authority men had over women and compares the qualities of both men and women. She is fully aware of the gender
Throughout history, there have been many human beings whom have been seen as either a hero or a villain. In their childhood, these people must had obstacles that were in their way, causing each individual to either work harder or give up. People, however; must understand that each individual has a potential in achieving their goals, but if one is mistreated or deceived due to jealousy, resentment, hatred, or ambition, it can lead to many catastrophic events. People who have pride and arrogance do not want to have equals, rather they want to see their victims suffer. These people have no difficulty in achieving their goals due to the fact that their victims have too innocent a nature to suspect the nefarious motives of their enemies. In this tragedy, Othello, Shakespeare has created a villain who behaves in this manner. Iago’s hatred, method of revenge, and vengeful hatred are the reasons of the lives lost in this play and the reasons that lead to Iago’s downfall.
...nse, really showing Iago’ shallow character as well as proving the theme of ignorance behind a man’s view of women. Through the act two Iago continues to go on about what he believes a perfect woman is; one who’s every good quality is balanced by another good quality.
Iago, as deceitful of a character his is, always remains truthful when it comes to his opinions of his wife, Emilia. Iago claims throughout the play that his wife has cheated on him multiple times through out their marriage, these claims are even made in public among high ranking officers when Iago and Emilia meet on Cyprus, with Iago saying, “You rise to play and go to bed to work.” Iago’s mentioning of his spouse’s supposed cheating shows how much she truly hates everyone around him, even going to the point of combining his hate for Othello, “I hate the Moor, and 'tis thought abroad that 'twixt my sheets he has done my office." The use of the term ‘my office’ seems to dehumanize the idea of sex with a spouse and instead makes it seem like just another job. As the story progresses it becomes apparent that Iago harbors hate not only f...
Beginning with the lowest rank of women, Emilia and Desdemona, Iago insults them with misogynistic and commanding comments to reveal the stark dichotomy of power between men and women in Shakespearian times. Targeting pathos, Iago uses controlling and degrading remarks to put Emilia down and to gain spousal dominance. In two scenes where Emilia expresses her true feelings, Iago snaps at her by first stating, “You are a fool, go to”, and then later orders, “Go to, charm your tongue” (4.2. 147, 5.2. 182). By telling Emilia that she is a “fool”, not only does Iago abruptly insult her, but he does so publicly, thereby reinforcing male superiority over women in their society (4.2. 147). This type of rhetoric serves Iago strategically as Iago’s public
Iago uses the implications of gender roles throughout the play. He creates doubt about Othello’s masculinity, and feeds off of the anxiety these observations create. Iago is not immune to the negative impact of gender standards that cannot be fulfilled. Mark Breitenberg describes these feelings as “…male, heterosexual jealousy – the anxiety and violence engendered in men by a patriarchal economy that constructs masculine identity” and explains these anxieties are “…dependent on the coercive and symbolic regulation of women’s sexuality” (377). Iago’s hatred of Othello is due to the insecurity he feels about his own masculinity and it causes him to feel jealousy towards Othello. As Karen Newman opines, “Othello both figures monstrosity and at the same time represents the white male norms the play encodes through Iago” (153). He is as a brutish, savage monster, but these negative traits can be warped into desirable ones by means of masculine stereotypes. Othello is large, strong, and a warrior. ...
If Iago is evil personified, cite specific incidents that help us to see and explore his physiological
Shakespeare also uses allusions to let the readers know that Iago is not human. At the end of the play, when everybody finally seems to be understanding Iago’s part in all the destruction that happened, they all make different allusions about Iago. Roderigo’s final words before he is brutally murdered by Iago are, “O inhuman dog!” (V/i/64) Through this quote, Shakespeare shows how Roderigo figures out everything that has happened, but is too late, as he is then killed by Iago. Emilia figures out Iago’s master plan and how it all worked out against her, moments before she is killed by her own husband. Emilia says, “Let heaven and men and devils, let them all,/All, all, cry shame against me, yet I’ll speak.” (V/ii/220-221) Emilia calls Iago a devil here, and tells everyone that he is not human nor a man. Shakespeare chooses to have Emilia say this quote because it shows how even she admits her husband is not human.