Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
The portrayal of women in Shakespeare's plays
Women characters in A Midsummer Night's Dream
Introduction about midsummer night's dream
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: The portrayal of women in Shakespeare's plays
Helena, Hermia, and Hippolyta are all important female figures in A Midsummer Night’s Dream by Shakespeare. Unfortunately, they are often discriminated against, and the gender lense can be used to analyze the play. The play A Midsummer Night’s Dream was written by William Shakespeare in 1596. It is about how four lovers are having relationship troubles, and when a fairy tries to fix their problems (along with his own,) even further confusion ensues. However, the resulting events are so strange that when everything is fixed, they believe it was all a dream. Throughout the story, multiple love triangles, rectangles, and pairings form. In A Midsummer Night’s Dream, the gender lense is repeatedly seen and used to enhance the overall storyline in the play. On page 20, Theseus explains how he captured Hippolyta, and then fell in love with her. The quote states, “Hippolyta, I woo’d thee with my sword, And won thy love doing thee injuries; But I will wed thee in another key, With pomp, with triumph, and with revelling (1.1.17-20).” This is a use of the gender lense because it shows that Hippolyta did not have the choice of who she was to marry. An important point is that Hippolyta was a part of the Amazons, which were an all-female warrior group. One would think that this would result in her opposing the “wooing,” but the play gives no evidence of this. Perhaps the fact that Theseus is the Duke of Athens gives him more jurisdiction over others, but it is more likely than not that if Hippolyta captured Theseus, he would not be obligated to love her. Theseus’ quote shows that women often did not have a choice in who they loved, and had to be content with the man that "captured" or "woo'd" them. On page 23, Theseus is explaining to Hermi... ... middle of paper ... ...ream to emphasize the fact that there were not equal gender rights and that men and women had different expectations in Elizabethan times. Theseus often patronizes or disrespects women, because in Shakespeare’s time, men were much more influential than women. Also, women had to do a lot of work to please a man, whether it was their father, husband, or someone else. They had to work hard and be willing to change themselves to a man’s liking. Lastly, Helena is a unique character because she goes against “normal” gender roles. She goes against Demetrius’ wishes by following him around and refusing to leave him alone just because she was a woman. Overall, the gender lense was used to great effect in A Midsummer Night’s Dream by William Shakespeare, and it shows that even though Helena, Hermia, and Hippolyta were big characters in the play they were discriminated against.
In the play,Hippolytus hates women. He openly insult women and thinks low of them. However, Hippolytus conception explain why he hates women so much. Hippolytus parents were of king theseus and an amazon. Hippolytus was raised by his Thesis. However, His mother abandoned him. Hippolytus did not have mother. He did not have some to teach him to respect women and he did not have a women to respect, thus why he acts the way he does, and makes people feel sorry for him, thus validating the
The center of the story revolves around the women who do nothing really. They are mere objects whose sole purpose is for love and beauty. Hippolyta and Emily, as I mentioned before, are spoils of war after their land are conquered by Theseus. The quote “He gained the realm of Femininity” (738) which as it reads is closely related to female attributes. The women are considered the weaker sex, as men are depicted as strong and brave. This proves true as Hippolyta was the Queen of the Amazons who was first conquered by Theseus’s violence and then by the title of a wife.
In the story, the supreme ruler of Athens, Thesius ends up marrying Hippolyta, the Queen of the Jungle. However, during the whole story, Hippolyta never throughly discusses her feelings and ideas about the marriage. She acts as if she has no choice but to marry Thesius. This can be proven by examining Hippolyta's position in the relationship between herself and Thesius. Hippolyta was captured by Thesius during battle and Thesius intimidates Hippolyta into marrying him since he is a supreme ruler and she was defeated by him. Thesius reveals that he capture Hippolyta in battle in the following quote, "I wood thee by my sword/ And won thy love doing thee injuries" (Act I, Pg 7). The above quote and the fact that Hippolyta never discusses her feelings about the wedding leads the re...
The social order and love within A Midsummer’s Night Dream is skewed without the influence of the fairies, yet Oberon, Titania, and their troupe of troublemakers forcibly insert themselves into the plot with their own personal squabbles that exert power over the characters and events of the play. The crazed and maniacal actions of the characters go against the traditional forms of accepted behavior in Elizabethan society, and just like in dreams, they turn the plot topsy-turvy and breed a chaos that runs unchecked until the young Athenians emerge from the woods at dawn. There are many points where sexual roles and norms are challenged during the play, but the most heated is Oberon and Titania’s fight in Act 2 Scene 1. Titania’s refusal to bow to her husband’s instant desire makes a bold statement about the power of women over men in the play and destabilizes the social structure within the plot.
... of love can be varied from the madman who remains in unrequited love to the lover, like Hermia, who not only falls in love but overcomes obstacles and depictions of false affection from Lysander. The poet in this becomes the metaphorical observer of the events who out of love, attempts to protect his love. Theseus, here, refers unintentionally to Oberon, Titania’s jealous and vengeful husband, who watches Titania fall in love with Bottom. Oberon becomes the poet who gazes upon an event and analyzes every instance for its meaning.
In today’s society, women have almost achieved equality. However, there was a time when women weren’t really viewed as women, but instead as objects. Around the time of many of Shakespeare’s plays, Queen Elizabeth was ruling England, which was a large step towards the de-objectification of women. While many people attempted to keep women under the heels of men, some people started working towards a change. Shakespeare uses his play “A Midsummer Night’s Dream” to comment on the objectification of women and feminism.
Theseus described lovers as “Madmen”. Helena was the character that really showed this aspect of love. She always felt ashamed and she always blamed herself for loving Demetrius despite his bad treatment to her and his love towards her friend Hermia. Nevertheless, she is still loyal to their old promises. She cannot find explanations for his abundance as she knows that she is as beautiful as Hermia but she also believes that “Love said to be a child, because in choice he is so oft beguiled.” In her article Discordia Concors on the Order of A Midsummer Night’s Dream, Jane Brown contrasts Helena and Hermia’s conviction about love when she writes,” Helena insists on the blindness of love.” That is to say, she gives herself the excuses to act that recessively when she believes that her heart is forced to do so and she has to follow it. Same thing with Demetrius, his heart is blind and he is helpless in following it. Accordingly, she deprived herself from dignity and wished that he can use her as his “Spaniel”. Moreover, she humiliated herself more when she pursued him in the woods although she declares that women “Should be wooed, and were not made to woo.” Later on in the next act and after the love potion was dripped in Demetrius eyes, Helena gets so mad when he complimented her as a “Goddess, nymph, perfect, divine!” She protests,” Never did mockers waste more idle breath.” This contradicts her
...to be problems that led to the humiliation and a broken independent spirit. In Theseus and Hippolyta, Theseus was both caring and strict and you could see this in both Hermia’s case and the conquering of Hippolyta. As for Hippolyta she is a strong woman and a very accepting one too, but since Theseus conquered her she has suddenly become somewhat of a weak spirit. Although she might seem like that she manages to show how she feels about Hermia’s incident where Hermia is being forced to marry someone who she does not love, probably because she is stepping in the same shoes just like Hermia. Shakespeare does a wonderful job of making these relationships dark and deep if well analyzed, but to the naked eye they just seem like any other relationship that has some problems here and there. He also does a good job in masking the dark secrets with the lighthearted comedy.
William Shakespeare’s writings are famous for containing timeless, universal themes. A particular theme that is explored frequently in his writings is the relationship between men and women. A Midsummer Night’s Dream contains a multitude of couplings, which are often attributed to the fairies in the play. Each of these pairings has positive and negative aspects, however, some relationships are more ideal than others. From A Midsummer Night’s Dream the optimal pairings are Lysander and Hermia, Demetrius and Helena, and Oberon and Titania; while the less desirable pairings are Theseus and Hippolyta, Hermia and Demetrius, Lysander and Helena, and Titania and Bottom. Throughout A Midsummer
The views on women in this play are shown through Hermia’s recklessness, Helena’s desperation, and Hippolyta’s hypocritical behavior. The women in this era of when Shakespeare wrote this play were subservient to men and had no will and choice of their own. This included marriages that were usually arranged by a powerful male relative instead of giving the woman the opportunity of choosing a husband that she loved. First, Helena was a woman who chased after men. She contradicts her gender by breaking society’s rules. Helena even says, “We cannot fight for love, as men may do; we should be woo’d and were not made to woo” (Rogers, 1998, Act 2, Scene 1, 241-242). Second, Hermia disobeys her father and cannot decide on marriage. She is disrespectful towards her father’s commands. Hermia goes on to say, “I do entreat your grace to pardon me. I know not by what power I am bold” (Rogers, 1998, Act 1, Scene 1, 58-59). Lastly, we have Hippolyta who pretends to love King Theseus and is a liar. She stands by through the oppression of different women in the play. Although, Hippolyta shows dominance in her words. “Four days will quickly steep themselves in night; four nights will quickly dream away time” (Rogers, 1998, Act 1, Scene 1, 6). We see the King’s impatience at having Hippolyta, but Hippolyta has the control and patience. “Hippolyta, I wooed thee with my sword, And won thy love,
The character of Theseus from Shakespeare’s “A Midsummer Night’s Dream” as the Duke of Athens, is constantly in the light of power. He is closely associated with love and the law, and is meant to keep the characters in line. He is arguably one of the most powerful characters in all the work, though only present for the beginning and the closing acts of the play. His morals and character is questioned because of his relationship with Hippolyta and the reader is left to see if he is actually a man in love and innocence or if he has an obstructed view of reality.
A Midsummer’s Night Dream, written by William Shakespeare, is a complicated love story that involves four teenagers. Hermia and Lysander are so in love; however, Hermia’s dad wants her to marry Demetrius. Helena is chasing after Demetrius, who treats her like a dog. The speaker is none other than the love-struck Helena. Her speech is not directed to anybody because Helena was alone, yet she still wants to make it clear how deeply in love she is with Demetrius. Shakespeare uses many literary devices to further explain and state that Helena loves Demetrius.
In the first part of the play Egeus has asked the Duke of Athens, Theseus, to rule in favor of his parental rights to have his daughter Hermia marry the suitor he has chosen, Demetrius, or for her to be punished. Lysander, who is desperately in love with Hermia, pleads with Egeus and Theseus for the maiden’s hand, but Theseus’, who obviously believes that women do not have a choice in the matter of their own marriage, sides with Egeus, and tells Hermia she must either consent to marrying Demetrius, be killed, or enter a nunnery. In order to escape from the tragic dilemma facing Hermia, Lysander devises a plan for him and his love to meet the next evening and run-off to Lysander’s aunt’s home and be wed, and Hermia agrees to the plan. It is at this point in the story that the plot becomes intriguing, as the reader becomes somewhat emotionally “attached’’ to the young lovers and sympathetic of their plight. However, when the couple enters the forest, en route to Lysander’s aunt’s, it is other mischievous characters that take the story into a whole new realm of humorous entertainment...
Throughout the play love is used by Euripides as a key plot factor and in many ways sets the outcome of the play. This love was definitely based on a physical attraction between a male and a female, thus making it “Common” love. The fact that Euripides uses “Common” love lends credibility to Pausanias’ philosophical ideas. The appearance of this idea suggests that it had realistic roots. . The events that took place in the play, such as the relationship between Phaedra and Hippolytus, must have been realistic so a Greek audience would believe the story. Even though Hippolytus is a fictional play the events that take place must have their roots in realistic events. This allows us to believe that Pausanias’ philosophical ideal was in fact a real life issue that Athenians dealt with in day-to-day life.
Furthermore, the two Athenian’s obstacles help strengthen their relationship, going past the superficial stage already looking far deeper than the appearance, which corresponds with the quote “love looks not with the eyes, but with the mind; and therefore is winged cupid painted blind.” In contrast with the relationship between Theseus and Hippolyta, which is forced and won over from a sword fight, whereas Lysander and Hermia’s love is full of passion, and not forced. Theseus had clearly not loved Hippolyta originally, as he had won her love through a fight, as stated from Scene 1 Act 1 “Hippolyta, I woo’d thee with my sword, and won thy love thy doing thee injuries.” However, overtime the relationship of Hippolyta and Theseus did bloom, but it wouldn’t technically cross the border of true love, where Lysander and Hermia’s relationship stand. Modern readers are educated, how love looks far deeper than appearances (Love looks not with the eyes, but with the mind.) Which is predominantly evident in the relationship between Lysander and