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Literary analysis on a midsummer nights dream
Midsummer night's dream interpretation
Midsummer night's dream characters
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Shakespeare’s play A Midsummer Night’s Dream is simply a lighthearted comedy of the follies and tribulations of love. It does however have quite a few more complexities that just that. The relationships between all of the main characters serve to provide us with a glimpse of a deep dark truth hidden within the lighter side of the play. One way to find these deep dark truths of the characters is by analyzing the characters and their relationships. The characters that I will be analyzing are Titania and Oberon, and Theseus and Hippolyta. The fairy queen Titania and the fairy king Oberon have very different personalities that make one wonder how their relationship could ever work. Oberon is a manipulative man who wants nothing but the attention of his wife. He is a selfish, controlling man and his problem is that Titania is giving a lot of attention to a little boy that she is raising as if it were her own. Oberon shows an act of selfishness by telling Titania that he wants the little boy so he can become his henchman, “Do you amend it, then. It lies in you. Why should Titania cross her Oberon? I do beg a little changeling boy to be my henchman” (Shakespeare 41). Titania refuses and leaves, but Oberon is willing to do anything to get her attention back, so he puts her under a spell so when she wakes up she falls in love with a donkey. His goal is to make sure Titania makes a fool of her self in front of all the fairies by falling in love with a donkey. When she realizes whom she fell in love with she is completely and utterly humiliated and she is confused and embarrassed. This is when she finally is ready to give back all her love and attention to her husband, Oberon. What does this say about Oberon? Well this basically says that h... ... middle of paper ... ...to be problems that led to the humiliation and a broken independent spirit. In Theseus and Hippolyta, Theseus was both caring and strict and you could see this in both Hermia’s case and the conquering of Hippolyta. As for Hippolyta she is a strong woman and a very accepting one too, but since Theseus conquered her she has suddenly become somewhat of a weak spirit. Although she might seem like that she manages to show how she feels about Hermia’s incident where Hermia is being forced to marry someone who she does not love, probably because she is stepping in the same shoes just like Hermia. Shakespeare does a wonderful job of making these relationships dark and deep if well analyzed, but to the naked eye they just seem like any other relationship that has some problems here and there. He also does a good job in masking the dark secrets with the lighthearted comedy.
In Shakespeare’s play, A Midsummer Night’s Dream, love appears to be the common theme of several storylines being played out simultaneously. Although these stories intersect on occasion, their storylines are relatively independent of one another; however, they all revolve around the marriage of Theseus, the Duke of Athens, and Hippolyta, the Queen of the Amazons. If love is a common theme among these stories, then it is apparent that love makes people act irrationally.
William Shakespeare, an illustrious and eminent playwright from the Elizabethan Age (16th Century) and part owner of the Globe theatre wrote A Midsummer Night’s Dream in which he portrays the theme of love in many different ways. These include the paternal love seen in the troubled times for Egeus and his rebellious daughter Hermia, true Love displayed with the valiant acts of Lysander and Hermia and the destructive love present in the agonizing acts of Titania towards her desperate lover Oberon. Through the highs and lows of love, the first love we clasp is the paternal love from our family.
The hilarious play, A Midsummer Night’s Dream, by William Shakespeare, tells the twisted love story of four Athenians who are caught between love and lust. The main characters: Hermia, Helena, Lysander, and Demetrius are in a ‘love square’. Hermia and Lysander are true love enthusiasts, and love each other greatly. Demetrius is in love with Hermia, and Helena, Hermia’s best friend, is deeply and madly in love with Demetrius. Hermia and Lysander try to elope in the woods because Egeus, Hermia’s father, disapproves of Lysander.
She demonstrates one of her strengths when she defends her young Indian boy from Oberon. Oberon pleads, “I do but beg a little changeling boy to be my henchman” and Titania replied, “And for her sake I do rear up her boy, and for her sake I will not part with him…We shall chide downright if I longer stay” (II.i.123-150). With her promise to protect the Indian boy, Titania, willing to fight Oberon over the ownership of her new son, keeps the young changeling boy safe. Willing to fight her husband in order to keep a young boy safe shows immense courage and strength that Titania possess. She also shows great strength when she put aside her anger against Oberon and invites him into the forest. Titania graciously ask Oberon, “If you will patiently dance in our round and see our moonlight revels, go with us” (II.i.145-146). Though angry with Oberon, Titania demonstrates great strength by graciously inviting him to stay with her in the forest and dance with the other fairies even after their fight over the Indian boy. By protecting the Indian boy and offering kindness during times of anger, Titania exemplifies what it means to have
Oberon is one of the most important characters in the play A Midsummer Night's Dream by William Shakespeare and is the answer to the question of why there are so many problems in the play. Not only is Oberon the King of the Fairies but he is the husband of Titania and the master of Puck. Oberon’s character is multifaceted although it is evident that he will do anything for a good laugh. At times, Oberon is extraordinarily nice, generous, and compassionate. He felt sorry for Helena and tried to get Demetrius to fall in love with her. However, On the other hand, Oberon is cruel, jealous, and tyrannical. Resembling his mischievous servant Puck, Oberon finds no problem with playing with other people’s love. He swindled his own wife and laughed at the misfortunes of the four Athenians Helena, Hermia, Lysander, and Demetrius. Despite one’s view of Oberon, it is clear that he is the root of all the problems in the play because he starts a sequence of problems by making the love juice, orders the love juice to be used on Demetrius which in turn causes disarray for all four of the young lovers, and causes disgrace for Titania and creates obstacles for Bottom and the Rude Mechanicals when he uses the love juice on Titania in order to fulfill his own selfish desires.
The Greek myth of Theseus and Hippolyta tells of Theseus kidnapping Hippolyta in order to take her as his wife (“Theseus”). In the play, the character Theseus alludes (within the allusion) to these circumstances: “. . . I wooed thee with my sword and won thy love doing thee injuries. But I will wed thee . . . with pomp, with triumph, and with reveling” (Shakespeare 1.1.16-19). Interestingly, in the myth, Theseus never marries Hippolyta like he does in A Midsummer Night’s Dream. Hippolyta instead escapes, and Theseus is forced to look elsewhere for love (Theseus). This might make one wonder why Shakespeare chose to change the story’s ending. Perhaps this change helps to foreshadow Hermia’s eventual escape from Demetrius’s
Oberon reflects his driving value of dominance and control in his stubborn and manipulative behavior. In the beginning, he was denied possession of a mortal child by Titania, and because of this, he decides to manipulate her, his inferior, in order to gain what he wants. This desire really triggers the entire plot, as he meddles in the affairs of others in order to gain his goal. Early on, he speaks with Puck and remarks, “Why should Titania cross her Oberon? I do but beg a little changeling boy to be my henchman” (121). The word “cross” refers to opposing someone. Since Oberon is questioning why Titania should be standing up against him, he clearly shows that he takes her opposition as a challenge. Calling himself “her Oberon” also shows that
To begin with, Oberon fights with his queen Titania for a little Indian boy, which creates problems in the world as there are now gigantic changes in humans, climate, weather etc. While Oberon and Titania argue, Titania states the following…”Contagious fogs; which, falling in the land, / Hath every pelting river made so proud/ That they have overborne their continents” (2.1.90-93). To highlight, this means the fights between the fairies are causing problems in the world like floods, fogs, poor farming, bad seasons etc. Since Oberon argues and fights for the little boy, Titania is innocent as she has the right to keep the boy because her friend died keeping him, but Oberon is too selfish and wants him as his own henchmen. That being the case, Oberon is doing nothing better than causing more problems in the play. Furthermore, Oberon becomes so desperate for the little boy, that he anoints Titania to take the little boy. Titania falls in love with Bottom; however, Oberon is too selfish and does not care as he pretends that nothing ever happens. After Oberon gets the boy, he states to Puck “Which straight she gave, and her fairy sent/ to bear him to my bower in Fairyland. / And now I have the boy, I will undo this hateful imperfection of her eyes” (4.1.59-62).To clarify, Oberon shows his selfishness because he creates the problem between Bottom and Titania and he also does not even care about his hateful imperfections to
The relationship between Demetrius and Hermia is problematic, in that Demetrius is seeking the affections of Hermia, while she is in love with Lysander. However, Hermia’s father approves of Demetrius and tries to force her to marry him, but Hermia refuses because of her love for Lysander (A Midsummer Night’s Dream 1.1.22-82). Lysander points out the flaw in the situation through this comment, “You have her father 's love, Demetrius –/Let me have Hermia 's. Do you marry him,” (A Midsummer Night’s Dream 1.1.93-94). The second flawed relationship is between Lysander and Helena, as a result of an enchantment put on Lysander that made him fall in love with Helena. Helena does not want the affections of Lysander, but rather the love of Demetrius, and believes that Lysander is taunting her. In addition, this relationship creates tensions because Hermia is in love with Lysander (A Midsummer Night’s Dream 2.2.109-140). Both relationships are not desirable due to a lack of mutual admiration and the creation of non-peaceful and unsatisfying
In response to Hermia’s defiance toward marrying Demetrius, Theseus offers Hermia three choices in the first scene: to obey her father’s will; to become a nun and forever stay an unwed virgin; to die. The extremity of these punishments presented by Theseus, and Hemia’s decision to accept these punishments rather than marry Demetrius, exaggerates how love can lead to irrational sacrifices. Shakespeare then compares a married woman to a plucked and distilled rose, and an unwed woman to a withering unplucked rose on a “virgin thorn.” This potent imagery contrasts the sweet smell of perfume to the harmful touch of a thorn. If Hermia continues to defy the desires of her father, she is sacrificing a happily married life in hopes of following he...
The views on women in this play are shown through Hermia’s recklessness, Helena’s desperation, and Hippolyta’s hypocritical behavior. The women in this era of when Shakespeare wrote this play were subservient to men and had no will and choice of their own. This included marriages that were usually arranged by a powerful male relative instead of giving the woman the opportunity of choosing a husband that she loved. First, Helena was a woman who chased after men. She contradicts her gender by breaking society’s rules. Helena even says, “We cannot fight for love, as men may do; we should be woo’d and were not made to woo” (Rogers, 1998, Act 2, Scene 1, 241-242). Second, Hermia disobeys her father and cannot decide on marriage. She is disrespectful towards her father’s commands. Hermia goes on to say, “I do entreat your grace to pardon me. I know not by what power I am bold” (Rogers, 1998, Act 1, Scene 1, 58-59). Lastly, we have Hippolyta who pretends to love King Theseus and is a liar. She stands by through the oppression of different women in the play. Although, Hippolyta shows dominance in her words. “Four days will quickly steep themselves in night; four nights will quickly dream away time” (Rogers, 1998, Act 1, Scene 1, 6). We see the King’s impatience at having Hippolyta, but Hippolyta has the control and patience. “Hippolyta, I wooed thee with my sword, And won thy love,
A Midsummer Night’s Dream is a play of conflicted love. Thus semi-comedy displays the notion of, the spiritual and natural world working together. The play begins with a noble family discussing a planned marriage. Hermia is arranged to marry a man she does not love. In rebellion she and her lover (Lysander) flees to the woods so they can avoid Athenian law. Before leaving Hermia tells her sister about her plans to run away. In desire to gain revenge and find love herself Helena (Hermia’s sister) chases Hermia and her intended mate into the woods. The forest is where the spirits live, the fairy king, Oberon, is desperate to gain the affection of the fairy queen. He saw cupid shoot his love arrow, which landed on a flower. He is determined that,
Throughout “A Midsummer Night's Dream,” the reader can recognize an abundance of imagery. The dominant image the reader notices is the moon and moonlight. The word moon appears three times within the first nine lines of the play. This imagery could represent the effect the moon has on human behavior. One of the meanings of the moon is love, and this meaning is apparent throughout the love story of Theseus and Hippolyta. The lovers are having their wedding in four days, and the moon is called upon as a witness for the ceremony and the night’s festivities. The moon is further relatable as it is connected with pregnancy, and pregnancy is closely related to marriage. Although the moon is closely linked to a lover for Theseus and Hippolyta, the nighttime wonder creates a different feeling for the other characters of the story.
Love plays a very significant role in this Shakespearian comedy, as it is the driving force of the play: Hermia and Lysander’s forbidden love and their choice to flee Athens is what sets the plot into motion. Love is also what drives many of the characters, and through readers’ perspectives, their actions may seem strange, even comical to us: from Helena pursuing Demetrius and risking her reputation, to fairy queen Titania falling in love with Bottom. However, all these things are done out of love. In conclusion, A Midsummer Night’s Dream displays the blindness of love and how it greatly contradicts with reason.
“A Midsummer Night’s Dream” is a play based on a romantic love story. In this play, there are several types of love displayed between several of the main characters in the play. One of the most famous quotes from the play was by Lysander and it was “The course of true love never did run smooth” (Act 1, Scene 1). This meant that with any type of love, a person will experience its ups and downs, they will agree to disagree, but more importantly, love is unpredictable. Parenteral love, forced love, and true love are 3 types of love displayed/expressed in the play “A Midsummer Night’s Dream.”