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A critical analysis of Shakespeare A midsummer Night Dream
Authority in a midsummer nights dream
A critical analysis of Shakespeare A midsummer Night Dream
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In society, it is often believed that the ones who hold the most authority are those who cause the most problems. The most powerful people are known to create problems, whether it is selfishness, proudness or just misusing abilities their abilities to make a positive change. Throughout the play, the high level of authority takes advantage of its powers and abilities. Not only does the “king” of fairies create new conflicts, but the ones in effect, are formed into bigger ones. In William Shakespeare’s A Midsummer Night’s Dream, Oberon is the root behind all the problems in the play, he misuses the love potion, shows selfishness, and is responsible for the mistakes of anointing the eyes of the Athenian men. First of all, Oberon knows about …show more content…
To begin with, Oberon fights with his queen Titania for a little Indian boy, which creates problems in the world as there are now gigantic changes in humans, climate, weather etc. While Oberon and Titania argue, Titania states the following…”Contagious fogs; which, falling in the land, / Hath every pelting river made so proud/ That they have overborne their continents” (2.1.90-93). To highlight, this means the fights between the fairies are causing problems in the world like floods, fogs, poor farming, bad seasons etc. Since Oberon argues and fights for the little boy, Titania is innocent as she has the right to keep the boy because her friend died keeping him, but Oberon is too selfish and wants him as his own henchmen. That being the case, Oberon is doing nothing better than causing more problems in the play. Furthermore, Oberon becomes so desperate for the little boy, that he anoints Titania to take the little boy. Titania falls in love with Bottom; however, Oberon is too selfish and does not care as he pretends that nothing ever happens. After Oberon gets the boy, he states to Puck “Which straight she gave, and her fairy sent/ to bear him to my bower in Fairyland. / And now I have the boy, I will undo this hateful imperfection of her eyes” (4.1.59-62).To clarify, Oberon shows his selfishness because he creates the problem between Bottom and Titania and he also does not even care about his hateful imperfections to …show more content…
To start, Oberon tells Puck to anoint the eyes of Demetrius, because of his Athenian outfit. After all Oberon does not specifically describe Demetrius, except for his garments, causing Puck to mistake for Lysander who is also wearing Athenian garments. In the text after Oberon tells puck to anoint the eyes of Demetrius, Oberon says, “Thou shalt know the man By the Athenian/ garments he hath on” (2.2.263-264). As a result, Puck mistakes Demetrius for Lysander, who is now in love with Helena. Oberon is miscue with Puck leads to a new problem as now Lysander is in love with Helena and not Demetrius. Furthermore, after Puck admits his mistake, Oberon tries to correct the issue by anointing the eyes of Demetrius so he falls in love with Helena, which then results in Lysander and Demetrius in love with the same person. After Puck comes back to Oberon, they both see Demetrius and Helena, Puck states “This is the woman, but not this the man” (3.2.42). To continue, Oberon tells Puck his mistake; he then tries to fix it himself. Oberon anoints Demetrius; he is now in love with Helena. However, Oberon now creates a new problem, because both men are in love with Helena. Due to Oberon, Lysander and Demetrius try to battle for Helena. That being the case, it is clear that Oberon is responsible for the mistakes of anointing the wrong Athenian men and proves that he is the problem behind all of the
In act 3 of the play, Oberon seemed to be ordering Puck to anoint Demetrius. “What hast thou done? Thou hast mistaken quite/And laid the love juice on some true-love’s sight”(3.2.90-92). Oberon thought that he had ordered Puck to anoint Demetrius, but when Puck anointed Lysander, Oberon controlled someone, just not the right man. While it appears that control is balanced, it's true form is chaos.
Titania has been giving all of her time and affection to a “changeling” child, left in the custody of Titania. Not only is Oberon jealous that Titania no longer gives affection or time to him, but Oberon selfishly wants the boy to be employed as his henchman. When Titania refuses to disclose the boy’s location to Oberon, Oberon devises a plan to use magic on Titania by forcing her to fall in love with the next living creature she lays her eyes upon. How this is supposed to lead to the boy, I have no idea. But Titania ends up falling in love with an Athenian man who has the head of a donkey; using the strange donkey-love distraction, Oberon is able to locate and take the boy. Does Oberon want the boy solely for the purpose of employing him as a henchman, or does Oberon wish to rekindle a relationship between himself and Titania that the boy has interrupted? Either way, forcing your wife to fall in love with a donkey man is pretty outrageous and
He sends his jester, Puck, to use a flower that, if its juice is dropped onto someone who’s sleeping’s eyes, will make the person fall madly in love with the first person they lie their eyes on. “Take thou some of it, and seek through this grove; A sweet Athenian lady is in love with a disdainful youth; anoint his eyes; but do it when the next thing he espies may be the lady. Thou shalt know the man by the Athenian garments he hath on. ”(64) Puck, following Oberon’s orders, finds Lysander and Hermia instead of Demetrius and Helena.
He felt sorry for Helena and tried to get Demetrius to fall in love with her. However, on the other hand, Oberon is cruel, jealous, and tyrannical. Resembling his mischievous servant Puck, Oberon finds no problem playing with other people’s love. He swindled his own wife and laughed at the misfortunes of the four Athenians Helena, Hermia, Lysander, and Demetrius. Despite one’s view of Oberon, it is clear that he is the root of all the problems in the play because he starts a sequence of problems by making the love juice, orders the love juice to be used on Demetrius which in turn causes disarray for all four of the young lovers, and causes disgrace for Titania and creates obstacles for Bottom and the Rude Mechanicals when he uses the love juice on Titania in order to fulfill his own selfish desires.
In conclusion, in A Midsummer Night’s Dream, Shakespeare effectively uses the motifs of the seasons, the moon, and dreams to show that love, irrationality, and disobedience directly cause chaos. By calling to mind the seasons in unnatural order, describing the moon behaving strangely, and discussing the dualistic, irrational nature of dreams, Shakespeare effectively evokes a sense of chaos and disorder. Linking each of these motifs to the themes of love, irrationality, and disobedience allows Shakespeare to illustrate the disarray that is bound to result from any romance.
Some of the most prominent themes in A Midsummer Night’s Dream are the omnipresence of love and desire and the tendencies of characters to manifest their defining traits. Helena and Hermia are two perfect examples of this. Hermia is the lover, and Helena the desirer, and both thrive off of their obsessions. In fact, both women are so tied to these traits that when they are taken away, their characters deflate and fall static.
Throughout A Midsummer Night’s Dream the theme of conflict with authority is apparent and is the cause of the problems that befall the characters. It also is used to set the mood of the play. The passage below spoken by Theseus in the opening of the play clearly states this theme.
There is drama caused between the young lovers initially, when Hermia loves Lysander, Lysander loves Hermia, Demetrius loves Hermia, Helena loves Demetrius, but no one loves Helena. Through this short, complicated ‘love story’, arguments and fights occur. The fairy world then comes into contact with the world of the young lovers. Mischievous Puck causes further complications when he uses magic to anoint a young Athenian male’s eyes, who is in fact the wrong Athenian that Oberon assigned Puck. Puck misuses magic when he plays a silly prank on Bottom, who is one of the Mechanicals, by giving Bottom a head of an ass.
Society needs order because it is the keystone that keeps modern civilization from collapsing in on itself. Once removed, society succumbs to its most basic state: emotions. Pure, raw emotions fill the void where logic once dictated, and the world falls into chaos. It is this very situation where Shakespeare drew his inspiration for his play, A Midsummer’s Night Dream. In a world with four lovers, hoodwinked by the lord of the fairies and his loyal servant Robin, disorder ensnares the human race and chaos ensues.
The relationship between Demetrius and Hermia is problematic, in that Demetrius is seeking the affections of Hermia, while she is in love with Lysander. However, Hermia’s father approves of Demetrius and tries to force her to marry him, but Hermia refuses because of her love for Lysander (A Midsummer Night’s Dream 1.1.22-82). Lysander points out the flaw in the situation through this comment, “You have her father 's love, Demetrius –/Let me have Hermia 's. Do you marry him,” (A Midsummer Night’s Dream 1.1.93-94). The second flawed relationship is between Lysander and Helena, as a result of an enchantment put on Lysander that made him fall in love with Helena. Helena does not want the affections of Lysander, but rather the love of Demetrius, and believes that Lysander is taunting her. In addition, this relationship creates tensions because Hermia is in love with Lysander (A Midsummer Night’s Dream 2.2.109-140). Both relationships are not desirable due to a lack of mutual admiration and the creation of non-peaceful and unsatisfying
Confronted by the "sharp" law of Athens, and not wishing to obey it, Lysander thinks of escape. But he has no idea that the wood, which he sees merely as a rendezvous before he and Hermia fly to his aunt, has its own law and ruler. As Theseus is compromised by his own law, so is Oberon. Theseus wishes to overrule Egeus, but knows that his own authority derives from the law, that this cannot be set aside when it does not suit the ruler's wishes. He does discover a merciful provision of the law which Egeus has overlooked (for Hermia to choose "the livery of a nun") but hopes to persuade Demetrius to relinquish his claim, insisting that Hermia take time before choosing her fate. The lovers' difficulties are made clear by the law of Athens, but arise from their own passions: thus, when they enter the woods, they take their problems with them. Oberon is compromised because his quarrel with Titania has caused him and her to neglect their duties: Oberon, who should rule firmly over the entire fairy kingdom cannot rule in his own domestic arrangements. We see how each ruler, in turn, resolves this problem, without further breaking of his law.
Love, lust and infatuation all beguile the senses of the characters in this dreamy and whimsical work of Shakespeare, and leads them to act in outlandish ways, which throughly amuses the reader. True love does prevail in the end for Hermia and Lysander, and the initial charm of infatuation ends up proving to have happy consequence for Helena and Demetrius as well. Even when at first the reader thinks that, in theory, the effects the potion will wear off and Lysander will once again reject Helena, Oberon places a blessings on all the couples that they should live happily ever after.
Is it possible to control someone forever without consequences? In the book, A Midsummer Night’s Dream, there are many characters who try to control each other and many fail at doing so. For example, the character, Egeus, tries to control his daughter, Hermia, but fails to. Egeus says, “As she is mine, I may dispose of her, which shall be to this gentleman or to her death, according to our law”. (1.1.42-44) There are many more examples of characters trying to control one another and most fail. This essay will follow how these characters do not accomplish their goals of trying to control each other. This also will pursue how each character tries to control other characters. Shakespeare suggests that it is now possible to control another person’s
This is exactly who he turns out to be in the end of the play. “Why should Titania cross her Oberon?” is a short line where it’s easy to see the possession that Oberon believes that he has over Titania. This is another way of seeing his selfishness. In his mind, no matter what the circumstances are, Titania shouldn’t disagree with him. The only reason he believes that he has a power over her is because he is her husband. All throughout their conflict, they hint around that they are very well
In William Shakespeare’s book, A Midsummer Night’s Dream, magic is a powerful and useful tool for the characters that have the capability to use it. Some of the characters abuse the power of magic, while others are more responsible in how they use it. Oberon is one the characters that abuses the power of magic. Oberon’s magic has an immense impact on the plot of A Midsummer Night’s Dream. More specifically, Oberon’s magic affects his own life, the lives of other characters, and all the characters in the story experience his magic differently. We will see that even the person who has power to use the magic can become surprised by it. Magic, the ultimate supernatural power, is often unpredictable and inexplicable.