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A critical analysis of the characters of the midsummer night dream
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Sometimes, when a person becomes controlling, he can lead others down a path to destruction and failure. Control is a huge theme in A Midsummer Night’s Dream by William Shakespeare. Inside the play, certain characters try to make other characters do what he or she wants, and it often ends poorly. One example of this is Nick Bottom, a weaver who is a part of the players performing the play “Pyramus and Thisbe”. He often tries to be controlling by stepping into play other’s parts, and, the results don’t turn out the way he and the others quite expected. Overall, Shakespeare makes the case that it is not possible to control another person’s actions, because it results in ruining scenarios, and causes chaos. A Midsummer Night’s Dream describes …show more content…
Adding on to the first example, the players all met at the forest to rehearse, and Bottom tried to control Quince by asking him to write him a prologue. So when Quince decided to write this, he narrated at the play, not Bottom, which led the audience to believe that they are undereducated. “Write me a prologue, and let the prologue seem to say we will do no harm...This will put them out of fear”(3.1.17-22). Bottom’s act of control, his idea, caused the play within a play to develope chaos, and caused the audience to think that the players aren’t as smart as they claimed to be. A second example is after Oberon realized Puck’s mistake, and he didn’t reverse the potion’s effect on Lysander; he just anointed Demetrius also! This caused him to “suddenly” love Helena. She then became angry, and came to believe that both Lysander and Demetrius were toying with her in a cruel way. “Ospite...I see you all are bent/To set against me for your merriment./If you were civil and knew courtesy,/You would not do me thus much injury” (3.2.148-151). Every time that Oberon attempts to control someone, it ended up causing chaos. This even caused Demetrius and Lysander to fight over Helena. Not to mention how Hermia felt when Lysander suddenly stopped loving her for Helena. She was miserable that Lysander had done this. Since most of the control in A Midsummer Night’s Dream is a result of …show more content…
Both Oberon and Bottom seemed to control other people’s actions in the play. In act 4 of the play, Bottom appeared to be ordering and bossing around the fairies. “...Cobweb...get you/your weapons in your hand and kill me a red-hipped/humble bee on the top of a thistle, and, good/monsieur, bring me the honey bag. Do not fret”(4.1.10-13). Bottom believed that he was ordering around the fairies, but the one who was really in control is Titania, because she ordered the fairies to serve him! In act 3 of the play, Oberon seemed to be ordering Puck to anoint Demetrius. “What hast thou done? Thou hast mistaken quite/And laid the love juice on some true-love’s sight”(3.2.90-92). Oberon thought that he had ordered Puck to anoint Demetrius, but when Puck anointed Lysander, Oberon controlled someone, just not the right man. While it appears that control is balanced, it's true form is chaos. When Oberon ordered Puck to anoint Demetrius, he anointed Lysander, therefore causing chaos among the lovers! Puck was the one making his own choices based on his knowledge. Secondly, when Titania ordered the fairies to serve Bottom, she was under the love potion. Since she madly pursued Bottom, she didn’t truly know what she was doing, which caused chaos!. Though it may seem like Bottom and Oberon were controlling, they are both at the
When one gains power in a Midsummer’s Night Dream by William Shakespeare, one must resort to trickery and manipulation, which often backfires, as the hunger of power inevitably grows. As Oberon’s hunger for power grows, he resorts to manipulation and trickery to attempt to have everything. When agreeing peacefully fails to achieve what Oberon
Without the interference of Oberon, there would have been no love confusion between the Hermia, Helena, Demetrius, and Lysander. Also, Titania and Nick Bottom would not have been humiliated and the Rude Mechanicals would have more time with Bottom to rehearse. The majority of these problems were caused by Oberon’s fatal and careless mistake of creating the love juice.
The use and misuse of magic has an important role in A Midsummer Night’s Dream. As a recurring theme, Puck’s use of magic creates humor, conflict and balance in the play. The magic of Puck changes the head of Bottom into that of a donkey. Puck’s own use of magic adds more humor to the already comical and over-confident character of Bottom. Puck’s magic also creates a great deal of humor in the dealings of Bottom and Titania.
Oberon wanted the Indian changeling that Titania had but Titania had refused to hand the changeling over. Therefore in order to get the boy Oberon made Titania fall in love with Bottom by squeezing the juice of the flower that was shot through by Cupid’s arrow on her eyes when she was asleep and when she would wake up she would fall in love with the first thing she saw. This also brought a gap in the relationship between Oberon and Titania as Titania was in love with another man.
Order and disorder is a favorite theme of Shakespeare. In A Midsummer Night's Dream the apparently anarchic tendencies of the young lovers, of the mechanicals-as-actors, and of Puck are restrained by the "sharp Athenian law" and the law of the Palace Wood, by Theseus and Oberon, and their respective consorts. This tension within the world of the play is matched in its construction: in performance it can at times seem riotous and out of control, and yet the structure of the play shows a clear interest in symmetry and patterning.
William Shakespeare’s A Midsummer Night’s Dream is not simply a light-hearted comedy; it is a study of the abstract. Shakespeare shows that the divide between the dream world and reality is inconstant and oftentimes indefinable. Meanwhile, he writes about the power of the intangible emotions, jealousy and desire, to send the natural and supernatural worlds into chaos. Love and desire are the driving forces of this play’s plot, leaving the different characters and social classes to sort out the resulting pandemonium. While the overseeing nobles attack the predicament with poise and logic, the tradesmen and nobles stricken with love recede to foolishness. Yet, it is not the ‘wise’ nobles who find any truth within the haphazard happenings of this play. The rhythm and structure of William Shakespeare’s A Midsummer Night’s Dream establishes a clear class divide between the nobles and the masses, and by doing so reveals that the solutions to life's most abstract problems have no grounding in logic. It is the fool who helps us understand the paradoxical abstract world.
This idea that bad things in moderation is actually a good thing is a romantic idea that was put into place hundreds of years after Shakespeare had died. This shows how progressive of a thinker Shakespeare actually was and how right he actually was. Even today, people use this ideal to explain their actions, though not as well as the Bard himself. Midsummer Night’s Dream is a play that embodies some of the ideals we should hold today, even though it was written half a millennium ago.
Fairies, mortals, magic, love, and hate all intertwine to make A Midsummer Night’s Dream by William Shakespeare a very enchanting tale, that takes the reader on a truly dream-like adventure. The action takes place in Athens, Greece in ancient times, but has the atmosphere of a land of fantasy and illusion which could be anywhere. The mischievousness and the emotions exhibited by characters in the play, along with their attempts to double-cross destiny, not only make the tale entertaining, but also help solidify one of the play’s major themes; that true love and it’s cleverly disguised counterparts can drive beings to do seemingly irrational things.
Shakespeare makes it seem you can't control anyone. Oberon thinks he is controlling Robin but really he isn't. Oberon isn't controlling Puck because after he is giving the flower he messes everything up and outs the flower juice in Lysander (another athenian man falling in love) eye.
Oberon wanted all Titania affection and wanted his wife back. Shakespeare used Oberon and Titania to show the struggles with their love
Titania continues to compliment him and shower him. with gifts, which adds to the humour Shakespeare is implying. Eventually Oberon releases Titania from the spell and she realizes who. she had loved to do.
In the Globe Theater Company’s performance of King Lear at the Broad Stage, King Lear is presented as silly and mentally unstable. With this presentation of Lear, it is made evident that he did not truly have the choice in determining his destiny, but was rather fated to have a downfall. Throughout the play, King Lear jovially runs across the stage, making irrational decisions and comments. The performance reveals that it was not his decisions that led to his demise and death, but rather his destiny that he could not
Some people believe that they can control everything without any consequences, but that is nearly impossible. The play “A Midsummer's Night Dream” written by, William Shakespeare is reinterpreted by No Fear Shakespeare and Sparknotes. The play is set in Ancient Greece, a controlling father named Egeus attempted to exert too much control over his daughter which led to catastrophic consequences to ensue. Chaos will ensue when there is too much control exerted. Egeus attempted to exert too much control over his daughter Hermia by forcing her to marry somebody she did not love, this causes chaos to ensue.
In Taming of the Shrew, by William Shakespeare, Petruchio took on the challenge of winning over Kate by taking complete control over her. He not only controlled her way of living, but also her mental and emotional capabilities. For example, Petruchio was able to have Kate laugh and speak at his command. Not only that, but he was also able to control her voice at any given moment. Nowadays people are not able to have this much authority over another, except in certain situations.
A fourth kind of usurpation involves using or agreeing upon things. Oberon employing Puck, a puccha, is an example of this. Although Oberon intends only to trick Titania, Puck's mischief dictates both the personality and the actions of several characters, most notably Titania, who falls temporarily in love with Bottom, and Demetrius, who falls and remains in love with Helena.