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Significance of symbolism in literature
Significance of symbolism in literature
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Galahad
Galahad is an attempt to meld Christian and chivalric ideals in the medieval and Victorian accounts of the Arthurian legend. He first appears in the French Vulgate Cycle, a collection of medieval romances, as the personification of both Christian and chivalric piety, deeply entrenched in Biblical symbolism. Sir Thomas Malory’s Le Morte d’Arthur upholds Galahad, the quintessential knight, as the embodiment of medieval virtue. Also, in the nineteenth century, as the legend regained popularity, Galahad emerges as the epitome of Victorian moral purity in the works of Alfred, Lord Tennyson and the Pre-Raphaelite painters. Best known as the knight who achieves the quest for the Holy Grail, Galahad remained the ideal knight in the Arthurian legend from his medieval Christian roots to the Victorian Age.
The thirteenth-century French Vulgate Cycle, written by Chrétien de Troyes, portrays Galahad as a defender of medieval chivalric ideals and the pious champion of Christianity. His name alone is a Biblical allusion. According to Brian Rise, the name of Galahad, “derived from Gilead, in Palestine, or ‘Galaad’ in the Vulgate Bible,” is embedded with Christian symbolism. It is a name given in the Vulgate Cycle to a handful of characters as baptismal names, including the son of Joseph of Arimathea and the Grail hero’s paternal great-grandfather. Also, Galahad’s father, Lancelot “seems to have been called Galahad as a child and Lancelot as a man,” implying a relative spiritual closeness to his son and indicative of the ageless quality of his name (Goodrich 173). Explained by Norris Lacy, “Galahad represents the ideal conjunction of religious and chivalric modes, and of past and future epochs” (Lacy 497). His eventual comi...
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- Goodrich, Norma Lorre. King Arthur. New York: Franklin Watts, 1986.
- Rise, Brian Edward. “Galahad.” Encyclopedia Mythica. 1995. Lindemans, M. F.
20 October 2003. <http://www.pantheon.org/articles/g/galahad.html>
- “Galahad.” The Camelot Project at the University of Rochester. 1995. Lupack, Alan and
Lupack, Barbara Tepa. 20 October 2003.
<http://www.lib.rochester.edu/camelot/galmenu.htm>
- “Sir Galahad.” Early British Kingdoms. 2001. Ford, David Nash. 20 October 2003.
<http://www.earlybritishkingdoms.com/bios/galahad.html>
- “Sir Galahad.” An International Catalogue of Super Heroes. 2002. 20 October 2003.
<http://www.internationalhero.co.uk/galahad.htm>
- “Sir Galahad.” King Arthur and the Knights of the Round Table. 2001. 20 October 2003.
<http://www.kingarthursknights.com/knights/galahad.asp>
One of the most enduring myths in the Western world is that of Arthur and his Knights of the Round Table. Regardless of the origins of the tales, the fact is that by the time they had been filtered through a French sensibility and re-exported to England, they were representations of not one but several ideals. Courtly love and chivalry and the various components thereof, such as martial prowess, chastity, bravery, courtesy, and so on, were presented as the chief virtues to aspire to, and the knights as role models. Arthur's eventual fall is precisely because of having failed at some level to fulfill these ideals in his life.
Marie De France’s Lanval is a remarkable short narrative that engages the reader into a world filled with unrealistic elements, but enhances on the true meaning of romance, chivalry and nature during the years that King Arthur reigned. “Sir Gawain and The Green Knight” unfortunately does not have an author that can be recognized but this epic poem demonstrates the ghastly adventure of a knight who decides to defend the honor of young King Arthur against a supernatural being in this malicious game of cat and mouse. Both of these pieces of literature have enchanting characteristics that define them as a masterpiece of their era and that’s why they both are easily compared and contrasted. In addition, both Lanval and “Sir Gawain and The Green Knight” can be classified as similar through their themes, style and plots, although they are different through their language and diction. Even though both of these literatures can be viewed as similar as well as contrasting, in the end, each of these tales have illuminated the realm of fantasy throughout the court of King Arthur.
Malory, Thomas. King Arthur and His Knights: Selected Tales by Sir Thomas Malory, ed. Eugene Vinaver (London: Oxford UP, 1975) 124-25.
The Arthurian legends of Iwein and Gawain and the Green Knight are two examples of the medieval initiation story: a tale in which a character, usually in puberty or young adulthood, leaves home to seek adventures and, in the process, maturity. Through the course of their adventures, including a meeting with the man of the wilderness, temptations at the hands of women, and a permanent physical or mental wounding, the character grows from adolescent awkwardness and foolishness to the full potential knightly honor. While both Arthurian legends fit this format, the depth of character development, specifically in terms of relationships, is vastly different. Whereas Gawain and the Green Knight does little more with relationships than demonstrate the evils of female temptations, Iwein effectively explores the formation, destruction, and resurrection of numerous male and female relationships.
Though often extensive detail may be condemned as mere flowery language, in understanding Sir Gawain and the Green Knight one must make special emphasis on it. In color and imagery itself, the unknown author paints the very fibers of this work, allowing Sir Gawain to discern the nuances of ritualistic chivalry and truth. His quest after the Green Knight is as simple as ones quest toward himself. Through acute awareness of the physical world he encounters Gawain comes to an understanding of the world beyond chivalry, a connection to G-d, the source of truth. He learns, chivalry, like a machine, will always function properly, but in order to derive meaning from its product he must allow nature to affect him.
The greatest part of these studies have involved the middle-English text Sir Gawain and the Green Knight. Extensive work has been done on this alliterative four-part poem written by an anonymous contemporary of Chaucer: feminists have attacked his diatribe against women at the end, or analyzed the interaction between Gawain and the women of Bercilak’s court; those of the D. W. Robertson school seek the inevitable biblical allusions and allegory concealed within the medieval text; Formalists and philologists find endless enjoyment in discovering the exact meaning of certain ambiguous and archaic words within the story. Another approach that yields interesting, if somewhat dated, results, is a Psychological or Archetypal analysis of the poem. By casting the Green Knight in the role of the Jungian Shadow, Sir Gawain’s adventure to the Green Chapel becomes a journey of self-discovery and a quest - a not entirely successful one - for personal individuation.
In the opening scene Sir Gawain faces his first trial when the Green Knight proposes his “Christmas game.” The room falls silent for “If he astonished them at first, stiller were then/ All that household in hall, the high and low;” (lines 301-302). The Green Knight begins to mock the court; and then boldly, King Arthur accepts h...
The Court of King Arthur in the Tales of Lanval and Sir Gawain the Green Knight
Sir Gawain and the Green Knight. Trans. Brian Stone. The Middle Ages, Volume 1A. Eds. Christopher Baswell and Anne Howland Schotter. The Longman Anthology of British Literature. Fourth ed. Gen.eds David Damrosch, and Kevin J. H. Dettmar. New York: Pearson-Longman, 2010. 222-77. Print.
In the Medieval Period, knights dedicated their lives to following the code of chivalry. In Sir Thomas Malory’s Le Morte d’Arthur, a number of characters performed chivalrous acts to achieve the status of an ideal knight. Their characteristics of respect for women and courtesy for all, helpfulness to the weak, honor, and skill in battle made the characters King Arthur, King Pellinore, and Sir Gryfflette examples of a what knights strove to be like in Medieval society. Because of the examples ofchivalry, Le Morte d’Arthur showed what a knight desired to be, so he could improve theworld in which he lived.
Sir Gawain and the Green Knight is a medieval poem by an unknown author, written in Middle English in the 14th century. This poem is uncanny to most poems about heroism and knightly quests as it doesn’t follow the complete circle seen in other heroism tales. This poem is different to all the rest as it shows human weaknesses as well as strengths which disturbs the myth of the perfect knight, or the faultless hero. The author uses symbolism as a literary device in Sir Gawain and the Green Knight to give the plot a deeper and more significant meaning. Symbolism is used to emphasise the difference of this heroism story against others and therefore symbolism is of great importance in this poem. The importance of the following symbols will be discussed in this paper; the pentangle, the colour green, the Green Knight, the exchange of winnings game, the axe and the scar. This paper argues the significance of the use of symbolism as a literary device in the poem Sir Gawain and the Green Knight.
Lancelot, Bors, and Perceval all strive to become more like Galahad, and the author effectively uses these characters to teach his readers lessons about spiritual chivalry and personal salvation. The author provides each of these knights with a series of monks and hermits who counsel and guide him in the ways of spiritual chivalry, for only the most pure Christian knights have any hope of finding the Grail. The adventures of Perceval are very straightforward and easy to interpret, so he provides readers with a suitable introduction to spiritual chivalry and the importance of virginity, asceticism, and complete faith in God. The author faces Bors with more complicated challenges and visions than anything Perceval must handle; since the author tells Bors' adventures after Perceval's, readers should be more prepared to interpret their meaning and significance with regard to spiritual chivalry and personal salvation. The advice Lancelot receives from his series of monks and hermits shows readers the importance of confession and penance, but the author makes it clear that readers should not emulate Lancelot's life of sin ...
Sir Gawain and the Green Knight is a poem which tells the tale of a knight who undergoes trials-testing the attributes of knighthood-in order to prove the strength and courage of himself, while representing the Knights of the Round Table. One of King Arthurs most noblest and bravest of knights, Sir Gawain, is taken on an adventure when he steps up to behead a mysterious green visitor on Christmas Day-with the green mans’ permission of course. Many would state that this tale of valor would be within the romance genre. To the modern person this would be a strange category to place the poem in due to the question of ‘where is the actual romance, where is the love and woe?’ However, unlike most romances nowadays, within medieval literature there are many defining features and characteristics of a romance-them rarely ever really involving love itself. Within medieval literature the elements of a romance are usually enshrouded in magic, the fantastic and an adventure. Sir Gawain and the Green Knight follows Sir Gawain over the course of one year, from one New Years to the next, as was the deal he and Bertilak, the green knight, struck.
Sir Gawain and The Green Knight has prompted scholars to examine and diversely interpret the medieval narrative. One of the underlying questions that has been proposed embodies the analysis of the relationship between Christian and Pagan ideals and how knightly chivalry is influenced by religion during the Arthurian Romance period. It is no mistake that the two varied religious ideals are intertwined throughout the poem due to the nature of classical antiquity. Amidst the overlap between superstitious rituals and Orthodox- Christian beliefs it is clear that Sir Gawain has a sense of personal integrity guided by a moral compass.
His origin is unknown, all that is known is he is Lancelot’s son and he his knighted by his father at a nunnery. Galahad is human, and therefore fragile and susceptible to sin, but he does his best and remains a pure soul, avoiding temptation to be worthy of the grail. A very important goal is set in front of him when he takes the Siege Perilous; to find the Holy Grail. He remains noble throughout his journey to find this relic. His path to the Grail is clouded by trials and foes along the way that he defeats or overcomes. Galahad’s father is an adulterer, leading him to a path of temptation and wrong but Galahad, being a pure soul, avoids these temptation such as women and drink among other sins. Galahad is always accompanied by fellow knights on his journeys and adventures, but these men cannot understand the Grail like Galahad. His fellow knights and the people Galahad meet along his journey aid and guide him in the right direction, leading to the discovery of the Grail. Although he may not go into a darkness and emerge differently, Galahad goes into the Grail Chapel and does emerge, he is lifted up to heaven with the Grail. Galahad seeks the Grail, but seeks above that to remain pure, and because he does, het is allowed to see and understand the Grail. And Sir Galahad, as expected, is a man. All these qualities show that Galahad is a typical hero in