Heart of Darkness: Human or Humane?
Upon reading Heart of Darkness we are immediately struck with the issue of the “nature of man”, and what it means to be human or humane. To be human means to have a mind, to be living, and function as a primate. To be humane on the other hand means to be tender, compassionate, affectionate, kindhearted, and empathetic. It is often assumed that to be human means to be humane, but as Marlow learned on his excursion through the dark jungle of the Congo, one has nothing to do with the other.
Marlow’s first taste of man’s true self as he saw it, began when he saw the six man chain gang, as was referred to in the book, six black men chained together obviously being treated as inferiors, almost as slaves. “I could see every rib, the joints of their limbs were like knots in a rope;each had an iron collar on his neck, and all were connected together with a chain whose bights swung between them, rhythmically clinking.” (Conrad, pg. 81)
Upon seeing this atrocious sight of men being treated as savages, Marlow compares the white men who are leading these chained up men, to devils, by remarking that he had seen devils, but never devils who drove other men like cattle. Men who were no different then themselves, except in the color of their skin.
As Marlow continues down the Congo, he begins to reflect upon the river, as the river of truth and reality, because as he transcends down it, his ability to find the truth in any situation grows. With every turn, he learns that mans inhumanity to his own kind is man’s greatest sin.
On page 106 Conrad talks about how Marlow felt when he was proceeding towards Kurtz’s station, and he explains that he{Marlow} can feel the past, among the overwhelming realities brought upon by the river, the trees, and the silence.
“There were moments when ones past came back to one, as it will sometimes when you have not a moment to spare to yourself;but it came in the shape of an unrestful and noisy dream,remembered with wonder amongst the overwhelming realities of the strange world of plants,and water, and silence....When you have to attend to things of that sort, to the mere incidents of the surface, the reality- the reality, I tell you-fades.
Jensen provides evidence throughout the text for three assumptions on why masculinity must be terminated from pertaining to just males. It is proposed that masculinity is harmful for both men and women, that men are surrendering their humanity by conforming with masculinity, and
What is scoliosis? Scoliosis is a musculoskeletal disorder that causes the back to curve sideways like and “S” or a “C” and cause the body to lean to one side. Scoliosis can eventually if not looked into and not treated colid with your bodily organs like your heart, lungs, and kidneys. This can cause you to slump down into a hump and cause it hard to breath and do physical activity.
Conrad’s main character Marlow is the narrator for most of the story in Heart of Darkness. He is presented as a well-intentioned person, and along his travels he is shocked by the cruelties that he sees inflicted on the native people. Though he is seemingly benevolent and kindly, Marlow shows the racism and ignorance of Conrad and in fact of the majority of white people in his era, in a more subtle way. Marlow uses words to describe the blacks that, though generally accepted in his time, were slanderous and crude. He recalls that some of the first natives he saw in the Congo looked at him “with that complete, deathlike indifference of unhappy savages” (80; part 1). Marlow casually refers to the Africans with the most offensive of language: “Strings of dusty niggers arrived and departed…” (83; part 1). To Marlow, and thus to Conrad, the Africans are savages, dogs, devils, and criminals. Even the stories that Conrad creates for Marlow to narrate are twisted and false. The natives that Marlow deals with in the book are described as cannibals, and they are even given dialogue that affirms th...
For centuries, the ideal masculinity has been seen as the provider, the macho man, the cowboy and the emotional rock, but new representations of manliness in the media have been challenging this idea (Watson 2015, p. 270). Within these new depictions, there lies a hierarchy where one form of masculinity is more accepted than the rest (Kluch 2015). Macho masculinity has been seen as being dominant in the hierarchy for generations, however, in recent years, there have been an influx of new representations of masculinity that disrupt traditional hierarchal ideas. The masculinity of the twenty first century includes emotions, sensitivity, discipline, and intelligence. These new aspects of the hierarchy have been introduced by movies such as Brokeback Mountain, 22 Jump Street, The
Looking at the book from a psychological viewpoint, there are apparent similarities to the psychological theories of Sigmund Freud in its suggestion that dreams are a clue to hidden areas of the mind, and that at the heart of things--which Freud called the Id--we are all primitive brutes and savages, capable of the most appalling wishes and the most horrifying impulses. Through Freud, or other systems of thought that resemble Freud's, we can make sense of “the urge Marlow feels to leave his boat and join the natives for a savage whoop and hollar” (Tessitore, 42). We might even, in this light, notice that Marlow keeps insisting that Kurtz is a voice--a voice who seems to speak to him out of the heart of the immense darkness--and so perhaps he can be thought of, in a sense, as the voice of Marlow's own deepest, psychological self. Of course, we must remember that it is doubtful Conrad had ever heard Sigmund Freud when he set out to write the book. Although a psychological viewpoint is very useful, it does not speak to the whole of our experience of the book.
Marlow is driven by morality and is able to see what is right and wrong; he is not blinded to the truth. The truth that these “civilized men” are destroying countless numbers of people so that they can worship th...
This Universal Human Condition is a very broad topic which can be analyzed from many perspectives. The human condition composes the essentials of human existence, such as birth, growth, emotionality, aspiration, conflict, and mortality. In the Heart of Darkness, “darkness” displays the inability to see any description of the human condition and its has profound implications. The racism in the Heart of Darkness is the result of the failure to see others. Failing to see another human being, failing to understand different religions, philosophy, history, art, literature, sociology, psychology, and biology, means failing to understand that individual and failing to establish any sort of sympathetic communion with him or her. Joseph Conrad illustrates
Conrad's racism is portrayed in the actions and perceptions of Marlow along his trip up the Congo. Marlow's views of the area during the beginning of the trip are given as inhumane, and uncivilized. The Heart of Darkness for Marlow is the ignorance and brutality that he witnesses from natives as well as Whites that are met upon his trip.
As Marlow tells his story we see and understand the situations Marlow faced. In his first encounter with the tribes men, Marlow steps into a "gloomy circle of some inferno", where dark figures surrounded him. He compares this incident with that of a massacre, the starving and wasting bodies lying in "confusion". Marlow then encounters a young black boy with a piece of white cotton string tied around his neck. This simple piece of string symbolizes the young boy's innocence. Shortly after Marlow offers the boy a biscuit, another one of the shapes approaches the river , crawling, and drinks of the water. Marlow could not stand the sight of the suffering any longer. It was as though he felt what they were feeling and just when he was willing to help, he stands up and walks away. The path where Marlow meets those that had traveled to an unknown land, and walked uncertain of where they where but sure of what they wanted, started here.
The genre of analyzation in this paper is masculinity. More in depth, the societal perpetuation of the concept of masculinity and its effects on individuals. Masculinity is a concept defined as a category of attributes, social behaviors and roles generally associated only with individuals of the male sex. It is rarely associated with females unless they are butch lesbian, and even if they are not, society will portray them as so. The concept of masculinity is a social construct – most often seen in patriarchal cultures and societies and identified mainly with gender roles. Gender roles are the acceptable or appropriate societal norms dictating
From the very moment Marlow speaks the reader is presented with light and dark imagery. It should be noted, however, that darkness seems to dominate. The light and dark, being binary oppositions, come to represent other binary oppositions, such as civilized and uncivilized, and of course good and evil. The primitive 'savages' are described as dark, both literally in regards to skin tone, but also in attitude and inwardly. Marlow calls the natives at the first station "black shadows of disease and starvation" (Conrad 20). A little further into the text, Marlow is horrified by what he is seeing, by the darkness he and the reader are being presented with. These are both excellent examples of the negativity towards the natives throughout the book. So, the darkness of the natives is a metaphor for their supposed incivility, evilness and primitiveness. However, if the reader looks a little deeper, they can see that this darkness also ...
Marlow’s story begins with him telling the story of Fresleven, a European who lost restraint and could not control himself. Fresleven, being born into civilization, never learned proper restraint. Fresleven, known as, “the gentlest, quietest creature that ever walked on two legs” (Conrad 6) shows how easy restraint can be lost. Freselven went mad because civilization never forced him to be restrained. Fresleven lost restraint because he went from the sophisticated society of Europe to the uncivilized, jungle of Africa. The people who grow up in the chaos and uncivilized jungle adapt to restraining themselves to survive.
Joseph Conrad creates a motif of light and darkness within society, never quite placing Marlow on either side, and thus isolating him from everyone else. When first getting to shore, Marlow refers to the natives as criminals, creatures, and savages. This immediately gives the reader the idea that Marlow thinks himself different than them. One of the first things he notices when seeing them is their midnight black skin and that “each had an iron collar on his neck, and all were connected together with a chain” (Conrad 70). By describing the dark skin of the natives, Conrad manipulates Marlow to think of them as the dark part of society. The chain ties the natives together literally but also figuratively. This metaphor is created to show the unity between the natives and that, whether by force or by choice, they stick together. Although the natives may not have much else, they have each other’s company which is later used to juxtapose the isolation in Marlow. When meeting the white men in the Congo, his reaction is quite different. After taking in the acco...
MASCULINITY. In this article Watzlawik (2009) examines what elements go into gender constructs and what factors cause masculinity and femininity within ourselves. Thought the article three definitions are explored and examined for pros and cons. The first definition implies “A feminine woman is one who is, and strives to be, attractive to men, and a masculine man is one who is attractive
Conrad uses the character of Marlow to make use of his own thoughts and views about the people in the Congo. He feels pity for them as he sees them falling down carrying heavy packages and Kurtz commanding them like a batallion of troups. This sight angers Marlow and when he gets to Kurtz, it’s too late. Even he has been pulled in by the darkness. Conrad makes an effective distinction between Marlow and Kurtz.