Psychological, Philosophical and Religious Elements of Heart of Darkness Heart of Darkness is a kind of little world unto itself. The reader of Conrad’s Heart of Darkness should take the time to consider this work from a psychological point of view. There are, after all, an awful lot of heads and skulls in the book, and Conrad goes out of his way to suggest that in some sense Marlow's journey is like a dream or a return to our primitive past--an exploration of the dark recesses of the human mind. Looking at the book from a psychological viewpoint, there are apparent similarities to the psychological theories of Sigmund Freud in its suggestion that dreams are a clue to hidden areas of the mind, and that at the heart of things--which Freud called the Id--we are all primitive brutes and savages, capable of the most appalling wishes and the most horrifying impulses. Through Freud, or other systems of thought that resemble Freud's, we can make sense of “the urge Marlow feels to leave his boat and join the natives for a savage whoop and hollar” (Tessitore, 42). We might even, in this light, notice that Marlow keeps insisting that Kurtz is a voice--a voice who seems to speak to him out of the heart of the immense darkness--and so perhaps he can be thought of, in a sense, as the voice of Marlow's own deepest, psychological self. Of course, we must remember that it is doubtful Conrad had ever heard Sigmund Freud when he set out to write the book. Although a psychological viewpoint is very useful, it does not speak to the whole of our experience of the book. Heart of Darkness is also concerned with philosophy and religion. This concern manifests itself in the way Conrad plays with the concept of pilgrims and pilgrimag... ... middle of paper ... ...f Darkness 3rd ed. Ed. Robert Kimbrough. New York: Norton Critical, 1988. Meyers, Jeffrey. Joseph Conrad. New York: Charles Scribner's Sons, 1991. Sarvan, C. P. [Racism and the Heart of Darkness.] Heart of Darkness. By Joseph Conrad 3rd ed. Ed. Robert Kimbrough. New York: Norton Critical 1988. Tessitore, John. "Freud, Conrad, and Heart of Darkness." Modern Critical Interpretations." Ed. Harold Bloom. New York: Chelsea House Publishers, 1987. 91-103. Tripp, Rhoda Thomas. Thesaurus of Quotations. New York: Thomas Y. Crowell, 1970. Kristeva, Julia. "Within the Microcosm of 'The Talking Cure.'" Interpreting Lacan. Eds. Joseph Smith and William Kerrigan. New Haven: Yale UP, 1983. Zizek, Slavoj. "The Truth Arises from Misrecognition." Lacan and the Subject of Language. Eds. Ellie Ragland-Sullivan and Mark Bracher. New York: Routledge, 1991.
The Russians didn’t really help Napoleon in his war against Britain, reducing the effect of the “continental system”, a foreign policy. Napoleon was angered by their decision, and Alexander I was advised to invade Fra...
Napoleon unleashed his armies to Russia in June of 1812. The initial reason for the start of the Russian Campaign was that of desertion (Bloy, Online). This became evident when Czar Alexander I of Russia left the Continental System. While hurting Britain’s economy, the Continental System also hurt Russia’s. Soon enough, Napoleon sent over 600,000 troops to Russia, hoping to straighten out the czar (Burnham, Online). The czar seemed not to be worried, and readily commanded two Russian armies to protect their country. The initial attacks against the Russians were relentless, and the two armies were readily overwhelmed. On June 24 the two Russian armies retreated, under the command of General Barclay de Tolly and General Bagration (Moore, Online). The Czar Alexander was cunning, and instead of directly confronting the Grande Armee, he would always retreat. This greatly irritated Napoleon, who pressed on further and further, deep into Russia (Sparknotes, Online). However, this process of enticement and retreat seemed to be working, as the battle-hungry Napoleon kept on proceeding. Knowing that they could not win a fight by force, the Russians were cunning and traded space for time with the French. By this time, the Russians had developed the “scorched-earth” policy, which was the destruction of one’s own land (Burnham, Online). Whenever the Russians would retreat, they would burn all the land behind them. This greatly angered Napoleon, mainly because one of his most formidable strategies in war was using the land of the enemy for his own resources (PBS, Online). Napoleon had gravely underestimated the Russians.
What efforts did Charles XII make to strengthen the Swedish Empire? How did these efforts lead to the fall of Absolutism in Sweden, and finally what was the reason for reforming the parliamentary climate in Sweden?
As Marlow assists the reader in understanding the story he tells, many inversions and contrasts are utilized in order to increase apperception of the true meaning it holds. One of the most commonly occurring divergences is the un orthodox implications that light and dark embody. Conrad’s Heart of Darkness brims with paradoxes and symbolism throughout its entirety, with the intent of assisting the reader in comprehending the truth of not only human nature, but of the world.
The Glass Menagerie is an eposidic play written by Tennesse Williams reflecting the economic status and desperation of the American people in the 30s.He portrays three different characters going through these hardships of the real world,and choosing different ways to escape it.Amanada,the mother,escapes to the memories of the youth;Tom watches the movies to provide him with the adventure he lacks in his life;and laura runs to her glass menagerie.
Williams, Tennessee. The Glass Menagerie. Masterpieces of the Drama. Ed. Alexander W. Allison, Arthus J. Carr, Arthur M. Eastman. 5th ed. NY: Macmillan, 1986. 779- 814.
Nearly all the principals in the book have something to hide, and therefore something for Archie and Wolfe to inquire about, but not every secret is criminal, and the balance between private lives (including a passionate but commercially meaningless liaison between two hostile principals) and responsible disclosure is handled adroitly, and far better than in most Rex Stout novels. Just as in Before Midnight the agency partners have strong personality clashes, but this is seen in this book as a price that is paid for complementary talents in a boutique firm.
Without personal access to authors, readers are left to themselves to interpret literature. This can become challenging with more difficult texts, such as Joseph Conrad’s novella Heart of Darkness. Fortunately, literary audiences are not abandoned to flounder in pieces such as this; active readers may look through many different lenses to see possible meanings in a work. For example, Conrad’s Heart of Darkness may be deciphered with a post-colonial, feminist, or archetypal mindset, or analyzed with Freudian psycho-analytic theory. The latter two would effectively reveal the greater roles of Kurtz and Marlow as the id and the ego, respectively, and offer the opportunity to draw a conclusion about the work as a whole.
Jim never noticed her brace on her leg. To Laura, it was a huge deal, but Jim never even noticed. Laura felt as though everyone was watching her and judging her in high school. She felt as though nobody liked her because of her shyness and being “crippled”, however nobody really noticed, it was only a big deal to her. Laura is beginning to open up to Jim and realize her reality in high school wasn't the same reality to everybody else. They are finishing each other's sentences and the conversation is running smoothly. Jim and Laura have a connection with that is growing more and more. Jim’s warmth is changing Laura. She is encouraged by the fact he is not engaged to the girl he dated in high school. Both of them are enjoying each other's company. Laura feels comfortable enough to show Jim her glass collection, showing she is opening up to him. Jim gives Laura the right amount of confidence that she has never had before while giving her advice. The glass unicorn resembles Laura, and how it is different from all the horses. Laura has never had this feeling before; dancing, laughing, and talking with Jim. When they bump into the table and the unicorn horn broke off, it resembles Laura breaking out of her she'll. Unlike when Tom broke her glass, she is not mad or irritated. Now the unicorn(Laura) is just like all the other horses(girls). Unlike anyone in her life, Iom tells Laura he likes the way she's different than most girls. Laura is finding more and more confidence in herself and Jim kisses her. The fact Laura didn't throw up shows she is a different girl than who she was in the beginning of the night. Since Jim is so different from her, she likes that he is into her(opposites attract). Something inside Laura dies when she finds out Jim is engaged to Betty. She was finally normal for a night, and Jim completely shatters her hope of fitting in. She is back to square one, being the same awkward girl, now just with
Beyond the shield of civilization and into the depths of a primitive, untamed frontier lies the true face of the human soul. It is in the midst of this savagery and unrelenting danger that mankind confronts the brooding nature of his inner self. Joseph Conrad’s novel, Heart of Darkness, is the story of one man's insight into life as he embarks on a voyage to the edges of the world. Here, he meets the bitter, yet enlightening forces that eventually shape his outlook on life and his own individuality. Conrad’s portrayal of the characters, setting, and symbols, allow the reader to reflect on the true nature of man.
Napoleon Bonaparte held a reputation that made him a feared and respected military leader. Yet, his invasion of Moscow in June of 1812 became one of his most noted failures. Napoleon's army managed to take Moscow, but did not account for difficulties that slowed the progress along the way. The cold Russian winter approached the army quickly. Ill equipped to face freezing temperatures, only
Misused intelligence and underestimated opponents were at the heart of Napoleon?s downfall. This was clearly shown at Moscow when the Russians outwitted him by using their scorched earth policy and not meeting him in battle as they agreed. With careful planning, the Russian invasion could have gone a lot better and maybe not have led to Napoleon?s downfall.
Every great author posses the ability to create a novel deeply woven in symbolism and subliminal messages. Underneath the literal journey encountered in Joseph Conrad’s Heart of Darkness lies a tale saturated with subtle, yet, significant imagery that brings forth the true meaning of the novella. Throughout Heart of Darkness Conrad uses a plethora of simple colors, objects, and places to convey multifaceted images and ideas. His fine execution of the tools of the English language allows him to quickly lure the reader aboard the Nellie and not release him until the horror is over. Although the interpretation of symbols in the Heart of Darkness is elaborate, due to their simplicity they are often overlooked.
Conrad uses the character of Marlow to make use of his own thoughts and views about the people in the Congo. He feels pity for them as he sees them falling down carrying heavy packages and Kurtz commanding them like a batallion of troups. This sight angers Marlow and when he gets to Kurtz, it’s too late. Even he has been pulled in by the darkness. Conrad makes an effective distinction between Marlow and Kurtz.
Imagine what it must be like to live in a world of darkness. Marlow, the main character in Joseph Conrad’s Heart of Darkness experiences this first hand. As he travels through Africa, Marlow lives in a world of darkness as he witnesses the effects of imperialism, drastically altering his view of human kind. In the beginning, Marlow desires to travel to Africa because it is unclaimed land, only to discover imperialism now casts darkness upon the land. As the story progresses, Marlow witnesses the dark treatment of the natives as a result of imperialism. Upon Kurtz’s death, both Kurtz and Marlow realize the detrimental effects of imperialism, casting a dark shadow on humanity. At the end of the novella, Marlow lies to Kurtz’s fiancé because the