Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Frankenstein character development
Frankenstein character development
Character development in Frankenstein
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Frankenstein in Pop Culture According to USA Today, since the first film in 1931, there have been over 20 direct film adaptations of Mary Shelley 's Frankenstein, ranging from horror films to science fiction comedies. Countless other movies, TV series, and short films have a version of Frankenstein’s Creature ranging from a friendly, animated Creature to a terrifying monster. One of the more recent movies to feature a character modeled after Victor Frankenstein’s Creature is Hotel Transylvania. Frank, the Frankenstein like character, is a major character and appears frequently throughout the movie. However, the Creature from Mary Shelley’s Frankenstein and Frank from Hotel Transylvania lack resemblance because of their differences in appearance, …show more content…
In the movie, Frank is a large, bulky monster whose hands and feet are much larger than the rest of his body. His shoulders are very far back and neck a forward position giving him the look of a hunchback. Frank’s head is also skinny and long with the top being flat. In the novel, Victor Frankenstein describes his Creature by saying, “His limbs were in proportion” (Shelley 43). With no other descriptions about his body form, one can assume that Victor Frankenstein tried to model his Creature as closely as possible to a human. This means that Frankenstein’s Creature was probably a large, ugly humanoid, that would not have resembled Frank. Not only do Frank and the Creature’s proportions differ, the hue of their skins are also contrasting. The Creature has a tight yellow skin that …show more content…
Again the audience will see large discrepancies in the thought and behavior between the two characters. Frank is a friendly and easygoing who extremely kind to everyone he encounters. He often plays the voice of reason between he and his friends and is emphasised as very happy person. The Creature, as described by the Regional Library of Fredericksburg, Stafford, and Spotsylvania, is said to be, “A sensitive, intelligent being who becomes bitter, vindictive, and ultimately murderous because he was spurned by human society and his father-figure, Dr. Frankenstein” (“A History of Classic Monsters” 1). Again the target audience is a large factor in this disparity. Frank’s character is directed at predominantly children and his happy demeanor and simple emotions appeal much more to the younger audience than the Creatures complex feelings of abandonment, loneliness and revenge. Some of these elements, including the Creatures involvement in murders would be deemed to mature for a film rated PG. Not only do target audiences play a role, but time period in which these pieces of art were created. In 1800s the movements of both Gothic and Romantic literature most likely influenced Mary Shelley. Characteristics such as melancholy, loneliness, murder and mental instability are common themes of these movements that are present in the Creature’s character. In the 21st century, the Gothic and Romantic
Merriam Webster’s Encyclopedia of Literature highlights Frankenstein as the work of Mary Wollstonecraft Shelley, published in 1818, and it brought into the Western world one of its best known monsters. Elements of gothic romance and science fiction help in telling the story of young Swiss scientist Victor Frankenstein, as he creates a horrible monster by putting together limbs and veins, leading to destruction and his later regret. The creature is left alone in the world, even by his own creator, for his hideous appearance, and through watching humans he learns their ways of living. Haunting Victor due to his loneliness, he forcefully makes Victor agree to make him a female companion, but Victor’s regret and misery enables him to tear up his
Since the original novel Frankenstein by Mary Shelley, to the multiple movie adaptations, the monster is almost always predicted as the monster of the story. It may be his physical appearance, from his tall, broad frame, to the signature screws in his neck. It may also be his unnatural upbringing and interpreted evil characteristics. We have grown to fear the monster, which ultimately, has masked the true monster, Dr. Frankenstein. With each coming movie, the good side of the monster is brought to light, while the real monster shows his true colors.
Many timeless novels have impacts on our everyday culture, not only as a book, but also through music or movies. Many popular novels have multiple adaptations, which shape how we approach their interpretation, in ways we may never even notice. In some films, humans are depicted as monsters, whether through their actions, or through the thoughts of other beings. In these films we find issues with our own society, and in turn see ourselves as monsters, and look for ways we can change, for the better. One particular novel that influences this side of Hollywood is Mary Shelley's “Frankenstein”. The ways Frankenstein influences pop culture can be seen in science fiction films in which humans are depicted as monster, and “monsters” are seen as more humane beings, such as I, Robot, and Ender’s Game.
In the film, Frankenstein's Monster befriended a young girl near a pond, both the girl and monster began to toss flowers at the pond. The Monster decided to toss the young girl, resulting in the death of the girl. The Monster didn’t have perception of a situation, he couldn’t deduce that tossing the young girl into the water would cause her to die, to him, it was like playing a game. Frankenstein's Monster was the first monster that parallels a monster, but wasn't a monster. Frankenstein's Monster is a sheep wearing the monster's clothing. The Frankenstein Monster is unfamiliar due to society deeming him to be evil because his appearance is terrifying, nevertheless, he doesn't have any qualities that make him villainous, his negative flaw is that he doesn't
Frankenstein’s creature, the concept way ahead of its time but a terrifying thought to its first audiences.
Isolation is one of the major motifs that resonates throughout Frankenstein. Tying into the romantic style of the novel, Shelley uses this element all the way through the work to show a repetition of isolation, an aspect that is present in almost every character in the novel and expressed primarily in Victor and the monster. But even some other minor characters such as Justine, Caroline, and Walton deal with isolation in one way or another.
Frankenstein’s monster was established as a frightful creature unnaturally created by reassembled body parts of dead people. Shelley described Frankenstein’s monster in her novel as a creature with yellow skin, watery eyes, a shriveled complexion and straight black lips. Created as a scientific experiment, Doctor Frankenstein, then realized the magnitude of his creation and openly rejected the monster. However, besides being rejected by its own creator, Frankenstein’s monster was also shunned by the town and its people for his origin,
In the novel Frankenstein, by Mary Shelley, the main theme revolves around the internal and external consequences of being isolated from others. Being isolated from the world could result in a character losing his/her mental state and eventually causing harm to themselves or others. Because both Victor Frankenstein and the creature are isolated from family and society, they experienced depression, prejudice, and revenge.
Frankenstein was and still is one of the greatest horror books written. It is still relevant to incidents happening today. Children dress up as the monster at Halloween and directors still try producing newer versions of the movie. People view the creature as a monster purely based on its aesthetics, “I had gazed on him while unfinished; he was ugly then…” Victor comments on the monsters looks a lot throughout the novel and as the story progresses the creature realises how hideous he is too.
In the novel Frankenstein, by Mary Shelley, the main theme of the story was isolation. Both internal and external consequences were the cause of being isolated from society. Frankenstein began to feel depressed after the creation of the monster and decided to isolate himself from his friends and family. Frankenstein kept his creation a secret from everyone because he was afraid of the consequences. Ironically, Frankenstein was the main problem for all of his sufferings. He thought that he could keep everyone safe if he were to not tell them about the monster, however, everyone died because he wanted to keep everyone from the truth. The creature also suffered many consequences from being isolated. He wanted to be part of a family, and feel
Mary Shelley’s text, Frankenstein is a text, which is highly regarded in today’s society for its outstanding literary worth. However, the text as it was seen during the time of Shelley and its appearance and appeal today, most certainly differ. The most significant difference is that over a hundred years ago, the text was seen as a popular text, our modern day Simpsons, if you like. Conversely, today it appeals to the cannon of high culture. Its gradual change over time has been based on a number of deciding factors.
In Mary Shelley’s, Frankenstein, one could believe that Shelley purposely made Victor and the creature very similar to show that just because of how a person looks does not mean they are different than a beautiful human being. Victor and the creature are not alike in their physical appearance but their personalities are nearly parallel. They both have an appreciation for nature, as well as a desire to be part of a loving family.
Despite popular belief, Frankenstein is not the name of the monster but instead its creator. Victor Frankenstein created the “tremendous and abhorred” (page 76) creature that is known as the Monster after he discovers how to give
Frankenstein shows that what looks like a monster in appearance my not be and what looks normal on appearance may be a monster. While a scary ugly creature may look like a monster a true monster is formed from within and is scene through actions. Along with this knowledge is power and power has the ability to make monsters. The pursuit to know more is a never ending road that leads to lies, secretes, and monstrosity. “How much happier that man is who believes his native town to be the world, than he who aspires to become greater than his nature will allow,” while knowledge is boundless and beautiful an excess of anything can create a monster.
Mary Shelley in her book Frankenstein addresses numerous themes relevant to the current trends in society during that period. However, the novel has received criticism from numerous authors. This paper discusses Walter Scott’s critical analysis of Mary Shelley’s Frankenstein in his Blackwood's Edinburgh Magazine Review of Frankenstein (1818).